How to mix pink color from gouache. DIY beauty: how to get blue and what colors you need to mix for this

Brown color, although not bright, is quite popular. It is used when renovating an apartment, for painting interior items, when painting with acrylic and other paints and gouache, when dyeing hair, as well as other actions. To get brown, use the mixing technique. The colors are both dark and light, and we will find out which ones later in the article.

One of the main and simple ways make brown is mixing green and red dye I. These colors are available in any palette of paints, from construction paints to those intended for painting on paper canvas. The use of dark green and dark red is not permissible, otherwise we will get a color close to black, but not dark brown.

The next method is to mix 3 dyes: red, blue and yellow. This method follows from the previous one; instead of green, we use blue and yellow, which when mixed give green, and as a result we get the color formula described above. This combination of colors is good when the palette runs out of green.

Another way to make brown is to mix orange and gray or orange and blue, which is more appropriate for a regular paint palette.

The last way to get a classic brown is to combine purple and yellow paint. Instead of magenta, you can use violet. This option less popular because it is difficult to control the resulting color when mixing, the slightest overdose and the shade is no longer the same.

Making shades of brown

A traditional palette is good, but its use is not always required, for example, when painting a wall in a hallway, a lighter tone would be more appropriate, but to give a painting realistic colors When depicting the earth, they usually take dark paint. Below are instructions on how to make brown darker or lighter:

• How to get dark Brown color? Let's not reinvent the wheel and offer the most effective method- this is the addition of a black component. We recommend mixing in small drops, otherwise you risk ruining the resulting paint and will have to throw it away. After adding a small dose of black, mix thoroughly until a homogeneous consistency, only then decide whether you need to darken it further.
• How to get light brown color? Here we will also follow the well-known path and propose a method for using white or white dyes. Adding brightening colors can be done more intensely than darkening ones. This is due to the fact that if you lighten the brown too much, you can always go back a couple of shades darker. The main white paint is white paint; in addition to it, you can use yellow - which will give an ocher tint, red - will give shades of rust, and blue will make it deeper and more contrasting.

For art lovers, together with Olga Bazanova, we have prepared a video lesson on mixing brown from other colors:

Pros and cons of mixing brown

No matter how strange it may sound, it’s not always possible to make brown paint with your own hands. best idea. Let's look at when it is profitable to mix, and when it is better to buy ready-made dye:

• • You paint with acrylic paints on canvas - here you can make brown and its shades in any quantities and portions of colors;
  • You are making repairs and there are excess paints left from which you can get brown for use in the intended design;
  • You do whatever you want, but the color palette presented in stores doesn’t contain what you need;
  • If the design of the room includes brown walls, then you should not buy other colors to mix them; there are enough brown paints in hardware stores to choose the right one;
  • If you dye your hair, you should not mix different components, even of the same shade, unless this is provided in the instructions;
  • If you are not sure in advance that you will use brown.

Secrets of mixing colors

• • • 1. To make a beautiful brown paint use exact proportions.
      2. If you achieve the desired tone, then add the “thinner” color a little at a time, otherwise you risk ruining everything.
      3. Try to test the resulting dye on a small area to be painted, because the color in the jar and on the surface may differ.
      4. When working with a painting, you can combine paints directly on the canvas, thereby achieving an interesting effect.
      5. Before combining other paints, read the instructions; the color of the dried paint may differ from the one applied, this should be taken into account.

Conclusion

There are many ways to obtain brown colors and shades; they can be used for any painting work, but you should focus on the feasibility of mixing or purchasing ready-made ones. In addition to the main mixture, you can make many shades from light to dark, from contrasting to deep. Don't be afraid to experiment, because everything famous masterpieces interior design, painting and fashion items appeared as a result of a large number of samples. Tell us in the comments, what paints do you use to make your brown dye?

“We touched on the basic principles of drawing - what you need to do to draw approximately what you want. And they did this using the example of pencil and paper. Why? Because it is easier than learning how to paint with paints, since in the case of using paints in addition to the problem " How should I draw this? the problem “” appears - so that what comes out is very similar to what was intended. And in this article we will try to give an accurate answer to this question.

How to get desired color? There are two ways. The first is traditional, using the well-known color wheel:

So, there are primary colors:

• yellow
  
• blue
  
• red .

Which when mixed give

• orange
  
• green
  
• violet
  
• brown .

Moreover, the shades of mixed colors depend on the proportion of primary colors. And, using the color wheel, you can get the desired color like this:

1. Take a certain amount of the main color (for example, blue )
2. Add some second primary color (for example, yellow )
3. Compare the result green with what you wanted
4. Add one or another primary color to correct the shade.
5. Or simply take the desired shade of green from a tube jar.

Why does the last point arise - take the desired shade from the jar? Because getting the desired color by mixing the main ones sometimes happens difficult.

Basically, to start, you can get the desired color using such a color wheel. However, as skill increases, the need for more precise color selection increases. Indeed, with the help of the described principles, it often turns out dirt. For example, it is very difficult to get a good violet color by mixing red And blue. Or is it difficult to get necessary shades green , orange, brown colors. That is, the principles do not take into account any factors that affect the result when mixing colors.

We are happy to tell you that these factors really exist, and, moreover, with their help you can cope with the problem of “dirt” and yet learn how to get the right colors not by intuitive mixing, but with the help of ordinary simple sequence of actions. This sequence and the reasons for the “dirtyness” of the standard color wheel were discovered not by us, but by Michael Wilcox. Who wrote the book " . How to get the color you really need". By the way, you can download this book by Michael Wilcox from the link Blue and yellow do not make green.

Naturally, it will not be possible to present all the material in the book in one article, so we will limit ourselves to the main points, and we recommend getting the details from this very book by Michael Wilcox, “Blue and Yellow Don’t Make Green.”

So, how can you reliably and accurately get the color you want?

To do this, it is necessary to take into account an important theoretical point. Why do we see color? Because different objects (including paint pigment) have different surface, which reflects light differently from the sun or other light source. That is, the surface, for example, of a bathtub, has such a structure that it reflects all colors and absorbs nothing. And all the colors of the rainbow, as we know, form white. Accordingly, the bathtub appears white. On the other hand, the surface of soot has such a structure that it absorbs all the light falling on it. And soot does not reflect anything. As a result, we see black soot.

What happens if you mix white and soot? It will turn out beautiful grey color. Why? Because light is reflected from pieces of white completely, as white. And then it is partially absorbed by soot particles. The more soot in the white, the darker the gray it turns out - due to the fact that more and more white light, reflected by white particles, is absorbed by soot particles.

The exact same principle works for colored pigments. Thus, red paint is red because it primarily reflects red color. Blue color looks blue, since the pigment in its composition absorbs all colors except blue. It “works” exactly the same way yellow color - the pigment absorbs most colors except yellow.

Next, we move on to mixing colors. So, for example, you take blue paint and red paint. Mix them and get dirt. Why? Because the reflected color is red ABSORBED blue pigment in the same way as all the falling color. Accordingly, the red pigment absorbs all the radiation is blue - because the nature of its surface is designed so that predominantly red pigment is reflected.

But you may ask: “What nonsense, because mixing blue And yellow we still get green, and according to your theory, it should also turn out to be dirt?” Well, if truly pure colors existed in nature, then we would see the formation of dirt. But there is one thing But, which makes it possible not only to mix colors, but also to carefully and reliably select the truly desired shade of color.

So, the pigment reflects more than just light. Light of the same wavelength is reflected in greater least. Thus, the red pigment mainly reflects red color. But nevertheless, all other colors are also reflected (for example, violet or orange). Exactly the same can be said about yellow color - the pigment predominantly reflects yellow, but nevertheless it can be reflected in sufficiently large quantities orange or green. WITH blue same thing - it can carry additional “harmonics” green or purple .

So there is Not three primary colors. Eat six primary colors:

1. Mainly reflective paint red and to a lesser but significant extent orange .
2. Paint that mainly reflects red and to a lesser (but significant) extent violet .
3. A pigment that primarily reflects yellow and in addition green .
4. A pigment that primarily reflects yellow and plus an additive orange .
5. Mainly reflective material blue and partially violet .
6. Material that reflects predominantly blue and partially green .

Well, have you already understood the principle of color formation?

It's very simple: you take yellow from point 3 and blue from point 6, mix these colors. Blue pigment neutralizes yellow, yellow pigment absorbs Blue colour. What color remains? Right, green! And not just green, but beautiful, bright and juicy green.

In the same way: by mixing blue from point 5 and red from point 2, you neutralize the blue and red colors, and a rich and rich color appears violet color.

And finally: by mixing yellow 4 and red 1, you get orange due to the fact that the red pigment will absorb radiation from the yellow pigment, and yellow will absorb the reflected radiation from the red pigment.

The result was NEW color circle of six primary colors:

The colors have arrows that indicate the path for optimal manifestation of the “mixed” color. Respectively, variety of shades is born as a result of one or another combination of these SIX primary colors. “Wrong” combinations (for example, blue 6 and red 1) produce dull shades of colors (for example, dirty purple). The combination of one “correct” color and one “wrong” color (for example, blue 6 and red 2) produces more pronounced shades (for example, a brighter purple). And finally, the combination of the “right” dyes (for example, blue 5 and red 2) produces a pure and bright color (bright and beautiful purple).

Naturally, reading the article is not enough to master getting the desired color. It is best to read the book " Blue and yellow do not give green» Michael Wilcox plus do practical exercises on the selection of colors described in the book. But nevertheless, the answer to our question has been received.

Take paints. Any kind of paint will do - even those used on furniture or walls - but it's best (and cleanest) to practice with a few small tubes of oil or acrylic paint. First, let's see what happens if we mix just two colors - red and blue.

• Note: Black can be obtained by mixing existing colors. Black pigment, of course, exists, but its use is too conspicuous. It is better to obtain dark colors by mixing transparent primary colors: shadows also have shades, depending on the time of day and other factors.
• Read the "Other Tips" section below for guidance on choosing the best magenta and cyan.

1. Mix red and blue. Everyone knows that red and blue when mixed give purple, is not it? Indeed, but it's not that bright, vibrant purple. Instead they form something like this:

   • Not very pleasing to the eye? This is because red and blue absorb more and reflect less of the spectrum, producing a dark, dirty purple instead of a vibrant and bright one.

2. Now try this: mix magenta with a little cyan and you will see the difference. This time you will get something like this:

   

   • Magenta is a shade of purple, cyan is a blue-green shade, often called royal blue or turquoise. Along with yellow, they are the primary colors in the CMYK model, which is based on a subtractive color scheme (producing color by subtracting individual components from white). This scheme is used in printing, including color printers.
   • You can see that using true primary colors - magenta and cyan - results in a much brighter, more vibrant hue. If you want a deeper purple, add more blue. For a deep purple, add black.

3. Mix pigments to create primary and secondary colors. There are 3 main color pigments: cyan, magenta and yellow. There are also 3 secondary colors obtained by mixing two primary colors:

   • Cyan + yellow = green
   • Cyan + magenta = blue
   • Magenta + yellow = red
   • Cyan + magenta + yellow = black
   • In subtractive color mixing, the combination of all colors produces black.

4. "Read the information below. See the Mixing Paints section for more detailed advice on how to achieve the best results. different shades, including light, dark and grayish. The Tips section provides an extensive list of colors and combinations you can use to get those colors on your palette.

   Light mixing: additive colors

   1. Take a look at your monitor. Look at the white areas on this page and get as close as possible. Even better if you have a magnifying glass. When you bring your eyes closer to the screen, you will not see White color, and red, green and blue dots. Unlike pigments, which work by absorbing color, light is additive, meaning it works by adding up light streams. Cinema screens and displays, whether it's a 60-inch plasma TV or the 3.5-inch Retina display in your iPhone, use an additive method of mixing colors.

      Mix light to create primary and secondary colors. As with subtractive colors, there are 3 primary and 3 secondary colors obtained by mixing the primary colors. The result may surprise you:

      • Mixing red + blue = magenta
      • Mixing blue + green = cyan
      • Mixing green + red = yellow
      • In additive color mixing, the combination of all colors produces white.
      • Please note that primary additive colors are secondary subtractive colors, and vice versa. How can it be? Know that the effect of subtractive color is a combined process: it absorbs some colors, and we perceive what remains, that is, reflected light. Reflected color is the color of the luminous flux that remains when all other colors have been absorbed.

   Modern color theory

   1. Understand the subjective nature of color perception. Human perception and identification of color depend on both objective and subjective factors. While scientists can detect and measure light down to the nanometer, our eyes perceive a complex combination of not only hue, but also color saturation and brightness. This circumstance is further complicated by the way we see the same color on different backgrounds.

      Hue, saturation and lightness are the three dimensions of color. We can say that any color has three dimensions: hue, saturation and lightness.

      • Tone characterizes the position of a color on the color wheel - red, orange, yellow, and so on, including all intermediate colors, such as red-orange or orange-yellow. Here are some examples: Pink refers to a magenta or red tone (or anything in between). Brown refers to the orange tone because brown is dark orange.
      • Saturation- This is what produces rich, vibrant color, like on a rainbow or color wheel. Pale, dark and muted colors (shades) are less saturated.
      • Lightness shows how close a color is to white or black, regardless of color. If you do black and white photograph colors, it will be possible to tell which of them are lighter and which are darker.
        • For example, bright yellow is relatively light color. You can lighten it up even more by adding white and making it a pale yellow.
        • Bright blue is naturally dark and low on the light scale, while dark blue is even lower.

   Mixing paints

   1. Follow these instructions to get any color you want. Magenta, yellow and cyan are primary subtractive colors, which means that they can be mixed to create any other color, but they themselves cannot be obtained from other colors. Primary subtractive colors are used when mixing pigments such as inks, dyes and paints.

      

      Low saturation colors (soft colors) come in three main types: light, dark and muted.

      Add white to get lighter colors. Any color can be lightened by adding white to it. To get a very light color, it is better to add the base color to the white a little at a time so as not to waste excess paint.

      Add black to get dark colors. Any color can be darkened by adding black to it. Some artists prefer to add a complementary color that is opposite a given color on the exact CMY/RGB color wheel. For example, green can be used to darken magenta and magenta can be used to darken green because they are opposite each other on the color wheel. Add black or complementary color a little at a time so as not to overdo it.

      Add white and black (or white and a complementary color to the original) to create muted, grayish colors. By varying the relative amounts of black and, you can get any desired level of lightness and saturation. For example: add white and black to yellow to get light olive. Black will darken yellow, turning it into olive green, and white will lighten that olive green. Different shades of olive green can be achieved by adjusting the amount of color added.

      • To achieve a desaturated color such as brown (deep orange), you can adjust the hue in the same way as to achieve bright orange - by adding small amounts of nearby colors on the color wheel: magenta, yellow, red or orange. They will make the brown brighter while changing its shade. But since brown is not a bright color, you can also use colors on the other sides of the triangle, such as green or blue, which will darken the brown while changing its hue.

   2. Get black. This can be done by mixing any two colors that are mutually complementary, as well as three or more colors that are equidistant from each other on the color wheel. Just don't add white or any color containing white unless you want a shade of gray. If the resulting black leans too much toward a particular color, neutralize it by adding a little complementary color to that color.

      Don't try to get white. White cannot be obtained by mixing other colors. Like the three primary colors - magenta, yellow and cyan - you will have to buy them, unless, of course, you are working with materials like watercolor, for which paper itself is used instead of white if necessary.

      Develop an action plan. Think about the hue, lightness, and saturation of the color you have and the color you want, and make adjustments accordingly.

      • For example, the shade of green can be brought closer to cyan or yellow - its neighbors on the color wheel. It can be lightened by adding white. Or darken it by adding black or a complementary color, namely purple, magenta or red, depending on the shade of green. You can tone it down by adding black and white, or make the desaturated green a little brighter by adding (bright) green.
      • One more example. You mixed red and white to make pink, but the pink came out too bright and warm (yellowish). To correct the warm shade, you will have to add a little magenta. To tone down hot pink, add white, a complementary color (or black), or both. Decide if you want a darker pink (add only the complementary color), a grayish pink (add white and the complementary color), or just a lighter pink (add only the white). If you plan to adjust the hue with magenta and tone down the pink with green or cyan (complementary to magenta and red), you can try combining the two by using a color between magenta and cyan, such as blue.

   3. Mix paints and start creating a masterpiece! If all of this seems overwhelming, you just need a little practice. Creating a color guide for your own needs - good way Practice using the principles of color theory. Even by printing it from your computer, you will provide yourself useful information for a time when you do not yet have practice and cannot work on an intuitive level.

   Samples of colors and methods for obtaining them

   • Select the color you want and follow the instructions below. Each sample provides a range of possibilities; you can adjust the amount of paint you use to get exactly the color you want. For example, any light color can be lightened or darkened by adding more or less white. Complementary, or complementary, colors are colors that are opposite each other on the RGB/CMY color wheel.
   • Red: Add a little yellow or orange to the magenta.
     • Light red (salmon pink, coral): Add white to red. Use less white and more red to get coral.
     • Dark red: Add a little black (or cyan) to the red. Cyan is complementary to red.
     • Muted red: Add white and black (or cyan) to red.
   • Yellow: Yellow cannot be obtained by mixing other colors. You'll have to buy it.
     • Light yellow: Add white to yellow.
     • Dark yellow (olive green): Add a little black (or purple-blue) to the yellow. Violet-blue is complementary to yellow.
     • Muted yellow (light olive): Add white or black (or purple-blue) to yellow.
   • Green: Mix cyan and yellow.
     • Light green: Add white to green.
     • Dark green: Add a little black (or magenta) to the green. Magenta is complementary to green.
     • Grey-green: Add white and black (or magenta) to green.
   • Cyan (turquoise blue): Cyan cannot be obtained by mixing other colors. You'll have to buy it.
     • Light cyan: Add white to cyan.
     • Dark cyan: Add a little black (or red) to the cyan. Red is complementary to cyan.
     • Grey-blue: Add white and black (or red) to the cyan.
   • Purple Blue: Mix magenta with cyan or blue.
     • Light violet blue (lavender): Add white to the purple-blue.
     • Dark violet blue: Add a little black (or yellow) to the purple-blue. Yellow is complementary to violet.
     • Grayish-violet-blue: Add white and black (or yellow) to the purple-blue.
   • Violet: Mix magenta with a little cyan, blue or violet blue.
     • Light purple: Add white to purple.
     • Dark purple: Add some black (or lime green) to the purple. Lime green is complementary to purple.
     • Muted purple: Add white and black (or lime green) to the purple.
   • Black: Black can be created by mixing any two complementary colors or three equidistant colors on the precise CMY/RGB color wheel, such as red, green and blue. If you end up with a dark color instead of pure black, correct it by adding a color that is complementary to it.
   • White: White cannot be obtained by mixing other colors. You'll have to buy it. For a warm white (such as cream), add a little yellow. To get a cool white, add a little cyan.
   • Grey: Gray is a mixture of black and white.
   • When mixing paints, add a little at a time to adjust the color. You can always add more. This is especially true when working with black and blue, which tend to dominate other colors. Add a little at a time until you achieve the desired result.
   • To find out if a color is complementary, use your own eyes. It's an old trick: look closely at the color, then look away at the white surface. Due to “color fatigue” in the eyes, you will see the opposite color.
   • Choosing primary colors when purchasing can be difficult. Look for magenta that does not contain white or blue pigments (PW and PB). The best pigments are violet and red pigments such as PV19 and PR122. Good cyan PB15:3. PB15 and PG7 are also good. If you need art paints or glaze, you can try to match the colors using a printer. Print a sample from your computer to take with you to the store, or look for primary colors on the sides of a cereal or cookie package.
   • You need one color triangle of colors that provide visual balance to the painting, and another color triangle to identify pairs of colors that neutralize each other, since the complementary colors for these tasks are slightly different. So, ultramarine goes well with lemon yellow and other beautiful yellows, but to darken those yellows, use purple. More information on this subject can be found online.
   • How many tubes with different colors actually needed to paint a picture? In Jean-Louis Morell's book about watercolor painting shows how, using the cyan-yellow-magenta color triangle, you can get almost any desired color from just four or five, but this can also be done using the above three plus white (paper is used as white in watercolor painting)!
     • The best range of shades can be obtained by mixing colors close to the CMY primary colors, but to get a darker shade, one - or better yet, two - must be darker than these primary colors, for example, Persian blue or cobalt blue, alizarin crimson.
   • What are you writing? Required colors completely depend on what you write. For example, ultramarine, Neapolitan yellow, burnt sienna and whitewash are useful for distant landscapes if bright greens and yellows are not needed.

   What you will need

   • Palette - a disposable paper palette works well.
   • Palette knife (any size)
   • Watercolor paper or primed canvas (you can buy these from your local art store; ready-made primed canvas works well)
   • Containers with water or solvent for washing brushes
   • Synthetic brush of your choice (#8 round or #6 flat works well)
   • Spray bottle to keep water-based paints from drying out
   • Paper towels for removing dirt and cleaning brushes
   • Color circle
   • Paints
   • A robe or an old shirt that you don’t mind getting dirty
   • Gloves

When decorating the surfaces of walls, furniture and other objects with paint, the question arises of mixing them to obtain the desired color. It is not always possible to find the desired color or shade in stores, so you can use the mixing table. Creating color by hand from scrap paints is also cost-effective.

Features when working with acrylic paints

Acrylic paints are an inexpensive material that is easy to work with and dries relatively quickly. But the disadvantage is the narrow palette of colors, so you need to create the desired shade manually. You can get burgundy, lilac, turquoise, sand, wenge, lilac, and others by mixing colors.

There are some rules when working with acrylic:

1. The surface to be painted must be smooth, clean, free of oil and grease stains. It must first be cleaned of the previous finish. It is not recommended to apply a new coat of paint over an old one;
2. Before painting, the walls need to be leveled with putty, and then several layers of primer must be applied. The primer is used for better adhesion of paint and for less paint consumption;
3. Before use, acrylic must be diluted with water or special solvents, but it is better to do this in a separate container with a portion of paint. This is necessary so as not to spoil the entire volume at once, but to use only as much as needed.
4. After use, used rollers and brushes must be rinsed thoroughly with water, otherwise they will become unsuitable for further work. You also need to wash other tools that were used. The top of the paint bucket needs to be wiped down so that the lid can be opened in the future.
5. Most often, painting occurs in 2-3 stages, and for an effective result, this must be done in one direction. To simplify and speed up the work, you can take a spray bottle.

Important! Also, do not forget about precautions; before work, it is better to cover or seal all places and objects that will not be painted. You can work with the material at a temperature not lower than 5 degrees and not higher than 27 degrees.

Another main rule of application is to use paint first on a small area or a completely separate surface. When creating the desired shade, it is better to try it on a draft. You also need to wait until it dries completely, as after that the color becomes a little darker or lighter, depending on the type of paint. And if the color matches the expected desired result, then you can start painting the surface or decorating objects.

What colors should you buy?

Tinting is the name of the science that studies mixing styles and obtaining the desired shade. It is this science that helps to obtain purple colour, as well as fuchsia, ivory, sea ​​wave or the sea when mixing paints. In theory, to create many colors, it is enough to have yellow, red and blue. But in this case, you can get a narrow spectrum.

To create a wide palette, it is enough to buy the following colors:

• Red;
• Yellow;
• Brown;
• Pink;
• Blue;
• Black;
• White.

These colors are quite sufficient for applying the basic scales. For decoration Gold, silver, mother-of-pearl and other additional colors are also used for designs.

Mixing Features

You can find out how to mix correctly and get the desired shade by consulting with a specialist in the store when purchasing.

Tip: The main rule of mixing is that you cannot combine dry and liquid colors. They don't match.

There are 4 main colors - white, red, blue and green. With their help, many others can be achieved. For example, khaki can be obtained by mixing brown and green. And you can get a brown color by mixing from red and green. Beige – take brown and white.

Working with a table

Working with the table is to find the desired color and shade, and next to it in the line, the necessary colors for mixing will be indicated. For example, you can get purple by mixing acrylic paints by mixing red and blue. And to make it light or dark, just add a little white or black color, respectively. The disadvantage of working from the table is that it does not indicate the amount of pigment added - the ratio. Therefore, when mixing, you need practice and color perception.

Here you can simply take and mix colors, first in the same proportion, and then add another for the desired shade. Or use specialized tables that have been developed by specialists for working with the material.

For example, to get Orange color When mixing acrylic paints, just mix red and yellow.

Color mixing chart for acrylic paints

Working with paints is simple, the only difficulty is creating the desired shade, without proportions. But, if you understand the mixing table and practice, and also know the rules of working with acrylic, you can create a unique and inimitable interior design with your own hands and relatively cheaply.

Blue is one of the primary colors. Along with red and yellow, it is on the list of tones that cannot be produced at home. But artists know very well how to get blue in its various shades - to do this, you need to mix the classic color with other pigments, which gives amazing results.

Traditional color wheel

Experts call blue, red, yellow colors“three pillars” of color and painting. It is on them that the widest palette of halftones of the second and third orders rests; they are combined with each other, while creation with is excluded.

All the most important colors are included in the so-called color wheel. It represents a conditional model divided into sectors. The latter are placed in an order close to their location in the visible light spectrum. The adjacent shades are called chromatic; they can be mixed together to obtain a new chromatic (color) paint. If, when mixing paints, you take opposite tones, the result will be achromatic color(grayish). That is, the further the colors are from each other, the more likely it is that their mixture will give an inexpressive, ugly tone.

Classic blue and its shades

You won’t be able to make blue at home, so to create different shades of it you need to purchase ready-made gouache, watercolor, acrylic paint or another type of dye (even plasticine). Then you can use other colors from the set, because when they are combined you can get incredible tones and halftones of blue. Artists have special tables with the names of shades and the required proportions for paints, but in practice they still have to experiment.

In regular gouache sets, blue is represented by the shade ultramarine. It is very bright, moderately dark, and has slightly purple notes. Eat important rule, which must be remembered: white is added to lighten the tone, black is added to darken, and various colors are added to change the reflection of the paint.

Blue-green

Making shades of blue with green highlights is easy. The effect of a dark green tone is achieved by introducing a small amount of ready-made green paint into the blue. If it is not there, you can do it differently. Since the combination of blue and yellow gives a green color, you can add a little yellow to the blue. Next, the paint is lightened with white, the result is a third-order shade, less saturated.

Prussian blue

The azure color also contains green shades. Artists have a recipe for its preparation - you need to combine 1 part blue and the same amount of light green or bright green (grass) shade. If necessary, the tone is diluted with white.

Blue-violet

This color is considered very rich and powerful in energy; it is prepared by combining blue with red paint in equal proportions. But the finished purple must be made to turn blue, for which blue color is added drop by drop until the desired tone is obtained. Typically the final ratio does not exceed 2:1.

Royal blue

The royal color is a dark, cool tone, close to classic. Traditional royal blue comes in color scheme HTML used in computer graphics. It is also the main tone of ink and paint for cartridges. To make this color, a drop of black and even less of green are added to ultramarine.

Blue-gray

This shade is reminiscent of a cloudy sky, as well as the color of water on a non-sunny day. You need to add a little brown to the base blue, the result will be a dark blue-gray tone. It is diluted with white to the desired degree of lightening. There is another option for creating a gray-blue tint - combining blue with orange, the result will be a grayish mass with a slightly blue tint.

Dark blue

The blue paint begins to darken with the addition of a small amount of black color. The ratio should be no more than 4:1. Creating such a shade is required if you need to “calm down” a color when it is initially too bright.

Blue

Blue color is easy to make. To do this, blue of any tone is diluted with white 3:1 or more. Increasing the volume of white paint results in even greater lightening, up to a sky blue or pastel blue. To achieve an original tone, you can dilute turquoise with white.

Other shades

Wedgwood tone is obtained by combining a portion of blue, as well as a drop of white and black paint. For dark turquoise, yellow-green color is added dropwise to blue. Cornflower blue is created by mixing purple, blue, a drop of brown and the same amount of black dye.

Blue in nature

IN real world Blue is perceived by the eye in the range of 440-485 nm. This is a digital length value electromagnetic wave, which has a blue tone in the general light spectrum. In nature, you can see up to 180 shades of blue - its tones are visible in the colors of the seas and oceans, the sky, twilight, moonlight, many plants, and insects.

To obtain the ideal color, you need to ensure that all ingredients are similar in chemical composition. Otherwise, the mass may separate, leaving unmixed veins. It is also important to use high-quality paints, because others begin to darken and turn gray over time. Oil dyes are very susceptible to changes - it is better to first try the work on a small area and evaluate the effect after a couple of days. Artists note: the fewer colors were combined, the better the result will be, and the lower the risk of fading and peeling of the finished decor.