How to get orange color and its shades in 10 photos + table of all possible derivatives. How to get coral, peach, terracotta and red colors? The influence of white, black and brown in color composition.
Orange color is obtained by mixing red and yellow, but you can get a shade of this color (soft and quite light) by adding pink to yellow paint. Subsequently, all the main saturated shades of orange are in one way or another connected with red, yellow, pink, and white. More complex and darker tones are obtained using purple, brown and black.

How to get orange color by mixing paints: red and yellow of the desired tone?

Everyone knows that the main gradient of orange lies within red-orange and yellow-orange. Since the color is obtained from two colors, depending on the percentage of each color there is a shift in one direction or another.
Of course, all the resulting shades from the primary colors (in our case, red and yellow) will be paler. However, orange consists of 2 warm tones, the waves of which are not very different (the opposite would be blue and yellow to create green), and even in the second order it looks quite catchy.

Mixing acrylic paints for painting:

How to get yellow-orange and red-orange?

It is believed that to get classic orange, you need to take 1 part yellow and 1 part red. However, in practice it turns out that you have to take more yellow than red. In the palette you can always choose the desired tone by adding yellow or red to the mixture.

How to get light orange color?

This tone comes in a wide range of pastel shades. They are built using white, but there is an alternative option: we mix pink and yellow, the resulting shade is a soft orange tone, belonging to the light range:

Another option would be to add yellow and white.
Usually in a palette of 12 colors there is already an orange tint, which is much brighter than the color obtained by mixing, so when constructing shades we will use the already existing one.
In my palette of glossy acrylic paints there is a bright red-orange tone. To get light orange tones from it, I will need to mix red-orange, yellow and white:

How to get coral color?

Although this shade is closer to pink, its construction is completely tied to orange color, and there are 2 scenarios for getting it:
1) Complex: take red-orange, pink and white in approximately equal parts (when you mix, adjust the shade by eye, the main thing is to mix the paint thoroughly).

2) Red-orange is close to scarlet, and scarlet is a shade of red. Red, when mixed with white, produces pink, and coral can be called a light shade of pink with an orange undertone.

In this case, coral will lean closer to orange, but still remain a luxurious tropical shade.

How to get peach color?

Another light and subtle shade of the main color. Peach belongs to the soft pastel palette, standing out from it with its sophistication, it has long been loved and entrenched in our imagination. Its construction consists of 4 colors:
1) Red + yellow + pink + white
2) Orange + yellow + pink + white
3) Coral + yellow + white

How to get terracotta color?

Let's move on to dark shades of orange. One of interesting options– this is terracotta: a medium-dark, but rich complex red-orange shade is obtained by mixing violet and red-orange:

Adding a drop of white will help make the shade lighter.

How to get red color?

Red color has an orange undertone. If you take brown and mix it with red-orange, the resulting shades will be dark but rich. You can adjust the tone by adding yellow.

How to get dark orange color?

You can adjust the brightness of shades of orange using black: either to complete darkness or simply dim the brightness. This is necessary to create contrast.
If you want to tone down light shades: mix white with black to a gray mass and bring it into the working tone.

Table for obtaining orange shades when mixing colors:

Practice in color science is irreplaceable, but theory can give you an understanding of how this or that tone is built.

In the center is the main color from which the color is built. The first circle of colors is the shades with which the color is mixed in the proportion indicated below. The third circle is formed by tones that were obtained by mixing the main color and the first circle in a smaller proportion than the third. On each side of the color at the end of the beam, the same color with the addition of black (darker) and white (lighter).

How to get other colors and their shades: theory and practice. Click on the icon.

The color mixing table allows you to learn how to get the right one when mixing two or more colors and shades.

This table is used in various fields art - fine art, modeling, and others. Can also be used in construction when mixing paints and plasters.

Color Mixing Chart 1

Color mixing chart 2

Mixing paints
black= brown+blue+red in equal proportions
black= brown+blue.
gray and black= blue, green, red and yellow are mixed in equal proportions, and then one or the other is added by eye. it turns out we need more blue and red
black= it turns out if you mix red, blue and brown
black=red, green and blue. You can additionally add brown.
bodily= red and yellow paint.... little bit. After kneading, if it turns yellow, add a little red, if a little yellow paint turns pink. If the color turns out to be very saturated, add a piece of white mastic and mix again
dark cherry= red + brown + a little blue (cyan)
strawberry= 3 parts pink + 1 part red
Turkiz= 6 parts sky blue + 1 part yellow
silver gray= 1 hour black + 1 hour blue
dark red= 1 part red + a little black
rust color=8 hours orange+2 hours red+1 hours brown
greenish= 9 hours sky blue + a little yellow
dark green= green+a little black
lavender=5 parts pink + 1 part purple
bodily= a little copper color
nautical=5h. blue+1 hour green
peach=2h. orange + 1 tsp. dark yellow
dark pink=2h. red+1 hour brown
Navy blue=1h. blue+1h. Sereneviy
avocado= 4h. yellow + 1 part green + a little black
coral=3 hours pink + 2 hours yellow
gold= 10 hours yellow + 3 hours orange + 1 hour red
plum = 1 part purple + a little red
light green= 2 hours purple + 3 hours yellow

red + yellow = orange
red + ocher + white = apricot
red + green = brown
red + blue = violet
red + blue + green = black
yellow + white + green = citric
yellow + cyan or blue = green
yellow + brown = ocher
yellow + green + white + red = tobacco
blue + green = sea ​​wave
orange + brown = terracotta
red + white = coffee with milk
brown + white + yellow = beige
light green=green+yellow, more yellow,+white= light green

lilac=blue+red+white, more red and white, +white= light lilac
lilac= red and blue, with red predominating
Pistachio paint obtained by mixing yellow paint with a small amount of blue

Decorating walls in a house or apartment is impossible without a creative approach. Ready-made paint shades do not always satisfy personal or customer requirements, so it is important to know which colors and in what proportions to mix to get purple. Purple can be adjusted by introducing light shades. The article discusses ways to obtain purple by mixing paints

Making purple from magenta, blue or cyan

The color spectrum perceived by the human eye and brain is made up of three colors. Shades are formed by mixing red, blue and yellow. The effect of color saturation depends on the amount of one of the three shades. This information provides an understanding that one color is produced by different variations of primary colors. You can get a rich purple from magenta. Magenta is a rich light pink color and absorbs green tones well. After absorption, the visible spectrum remains red and blue. When a portion of blue is added to magenta, green and red are absorbed, leaving violet in the visible spectrum. The effect is explained by the color receptors receiving a strong signal from blue and a weak signal from red. The brain, combining signals, perceives them as purple.

Advice! The brain perceives violet when cyanogen is added to magenta. Cyan covers the spectrum of red, leaving a bright violet to be perceived.

A five-color printer will help in mixing shades. One of the subtractive colors in it is magenta. A drawing or figure created in graphic editor, it will not be difficult to print. A sample is required to purchase magenta paint. The store makes a small dab of paint next to the sample for comparison. It is impossible to obtain magenta by mixing shades, since the color belongs to the main spectrum. The result of adding yellow to magenta in varying proportions is a red and orange tint. When cyanide is added, not only violet is formed, but also bright blue. The saturation of violet is varied by adding blue and cyan to the mix without a greenish tint.

Making purple from pure red and blue

You can achieve a violet shade without using magenta. The result will be in the presence of pure blue and red colors. Determining their purity is important because manufacturers add yellow and orange pigments to tubes of red paint to create a rich tone. The blue paint container contains yellow and red pigments. Mixing containers with flowers that are not pure will result in a dirty brown color. You can check the purity of color using white. To do this, blue or red is diluted in a glass of water. White is added to the aqueous solution. When diffused, shades of different colors are visible. If peach is visible in the case of red and sea green in the case of blue, then the colors are impure.

Note! Pure red when mixed with white forms pink, pure blue - cyan.

It is convenient to mix pure colors on the palette. An equal amount of red and blue is poured into the cells, which are mixed with a brush. If the target is purple, then the blue portion should be smaller. An extra dose of red will create a purple with a pink tint.

How to correct the resulting purple color

The color result is adjusted until the desired shade is obtained. You can use black white, dark blue, light blue and pink for this. You can lighten the mixture with white. In this case, the method of obtaining the result is unimportant. A small amount of white added to purple makes it brighter. By increasing the white content, pastel colors are formed. Black adds depth to purple. The substance is added gradually, in small doses, so as not to turn the main shade black. It will not be possible to correct the result with white, because adding white will result in gray.

With the right combination of white and black along with purple, a lavender color with a gray sheen is formed. For the predominance of pink, red or magenta is added. You can adjust the color to purple using blue and cyan. A purple shimmer is formed when paired with blue or cyan.

To ensure the purity of the resulting shade, when working with substances, clean containers and tools are required to collect the composition. The instruments are washed several times, because dark background Residues of components are not always noticeable. If white remains, the color will not be saturated, black will blur the result. Understanding consistency and ratio comes with experience, so at first the composition of substances is done gradually so that you don’t have to start again. On the palette, a substance may have one reflection, and on the canvas another, so after mixing, part of the composition is applied to the edge of the canvas to compare the result. Mixing the components until the required shade is formed is required not only by artists, but also, for example, by confectioners.

The absorption effect may interfere with the results, so add components with caution. Lilac belongs to the cold spectrum, so it is obtained by correcting violet with blue and red. Accompanying the correction with white, the composition is saturated. Lilac can set off one of the components used for correction; this can be compensated for by rich black, added splashes from the brush.

Shades of purple: palette, color names

By experimenting with substances you can obtain all 196 elements of the Panton palette. As a result, one substance becomes bright, dull, saturated, purple, with a hint of gray, purple, bluish, with a pink tint and others. Pastel colors flow into rich dark ones. The names of each of them are shown in the diagram above.

Color Mixing Chart

Above is a table for making each of the pigments shown on the left. Fashion encourages the use of non-standard pigments in the production of clothing, accessories and furniture. Understanding the principle of shade formation will make it possible to convey the full depth of mood in a painting or photograph. The artist achieves the result by expressing the mood by mixing components. Chromatic substances are located nearby in the palette; achromatic components are located at a great distance. Mixing achromatic pigments adds a grayish sheen to the result. There is a video below about how to obtain the required shade.

The use of pigments will not give the desired result if their chemical composition differs. Pigment components are capable of reacting, which can lead to fading of the composition during the mixing process. An example of this is the interaction of red cinnabar and white lead. The short-term result will be a bright pink substance. When left to stand, the substance darkens and loses its properties. Oil compounds are mixed with oil compounds. Sensitivity to solvents is taken into account when treating surfaces. Mixing experiments are conveniently carried out with acrylic paints. This is explained by their versatility. Acrylic compositions are applied and fixed to glass, concrete, canvas and paper, so it is easy to paint any surface with them. At the same time, to implement the idea you will need several colors, among which there will definitely be white and black for adjustment.

Note! It is more difficult to obtain the required result when working with large volumes of substances, so the ratio is calculated mathematically and verified practically, starting with drops.

Conclusion

As you can see, in most cases it is not necessary to purchase the entire range of coloring compositions to create unique paintings or interiors. Imagination and understanding of how some tones absorb others will make it possible to create exclusive solutions that will be difficult to repeat. After creating a masterpiece, even the author himself often finds it difficult to repeat the result obtained when mixing the components. A sense of proportion is important. The task of mixing components will be simplified by tools with printed scales. Thanks to the scales, you can make records of which component was mixed and in what proportions.

Blue is one of the primary colors. Along with red and yellow, it is on the list of tones that cannot be produced at home. But artists know perfectly well how to get Blue colour in its various shades - to do this you need to mix the classic color with other pigments, which gives amazing results.

Traditional color wheel

Experts call blue, red, yellow colors“three pillars” of color and painting. It is on them that the widest palette of halftones of the second and third orders rests; they are combined with each other, while creation with is excluded.

All the most important colors are included in the so-called color circle. It represents a conditional model divided into sectors. The latter are placed in an order close to their location in the visible light spectrum. The adjacent shades are called chromatic; they can be mixed together to obtain a new chromatic (color) paint. If, when mixing paints, you take opposite tones, the result will be achromatic color(grayish). That is, the further the colors are from each other, the more likely it is that their mixture will give an inexpressive, ugly tone.

Classic blue and its shades

You won’t be able to make blue at home, so to create different shades of it you need to purchase ready-made gouache, watercolor, acrylic paint or another type of dye (even plasticine). Then you can use other colors from the set, because when they are combined you can get incredible tones and halftones of blue. Artists have special tables with the names of shades and the required proportions for paints, but in practice they still have to experiment.

In regular gouache sets, blue is represented by the shade ultramarine. It is very bright, moderately dark, and has slightly purple notes. Eat important rule, which must be remembered: to lighten the tone add White color, for darkening - black, for changing the reflection of paint - various colors.

Blue-green

Making shades of blue with green highlights is easy. The effect of a dark green tone is achieved by introducing a small amount of ready-made green paint into the blue. If it is not there, you can do it differently. Since the combination of blue and yellow gives a green color, you can add a little yellow to the blue. Next, the paint is lightened with white, the result is a third-order shade, less saturated.

Prussian blue

The azure color also contains green shades. Artists have a recipe for its preparation - you need to combine 1 part blue and the same amount of light green or bright green (grass) shade. If necessary, the tone is diluted with white.

Blue-violet

This color is considered very rich and powerful in energy; it is prepared by combining blue with red paint in equal proportions. But the finished purple must be made to turn blue, for which blue color is added drop by drop until the desired tone is obtained. Typically the final ratio does not exceed 2:1.

Royal blue

The royal color is a dark, cool tone, close to classic. Traditional royal blue comes in color scheme HTML used in computer graphics. It is also the main tone of ink and paint for cartridges. To make this color, a drop of black and even less of green are added to ultramarine.

Blue-gray

This shade is reminiscent of a cloudy sky, as well as the color of water on a non-sunny day. You need to add a little brown to the base blue, the result will be a dark blue-gray tone. It is diluted with white to the desired degree of lightening. There is another option for creating a gray-blue tint - combining blue with orange, the result will be a grayish mass with a slightly blue tint.

Dark blue

The blue paint begins to darken with the addition of a small amount of black color. The ratio should be no more than 4:1. Creating such a shade is required if you need to “calm down” a color when it is initially too bright.

Blue

Blue color is easy to make. To do this, blue of any tone is diluted with white 3:1 or more. Increasing the volume of white paint results in even greater lightening, up to a sky blue or pastel blue. To achieve an original tone, you can dilute turquoise with white.

Other shades

Wedgwood tone is obtained by combining a portion of blue, as well as a drop of white and black paint. For dark turquoise, yellow-green color is added dropwise to blue. Cornflower blue is created by mixing purple, blue, a drop of brown and the same amount of black dye.

Blue in nature

IN real world Blue is perceived by the eye in the range of 440-485 nm. This is a digital length value electromagnetic wave, which has a blue tone in the general light spectrum. In nature, you can see up to 180 shades of blue - its tones are visible in the colors of the seas and oceans, the sky, twilight, moonlight, many plants, and insects.

To obtain the ideal color, you need to ensure that all ingredients are similar in chemical composition. Otherwise, the mass may separate, leaving unmixed veins. It is also important to use high-quality paints, because others begin to darken and turn gray over time. Oil dyes are very susceptible to changes - it is better to first try the work on a small area and evaluate the effect after a couple of days. Artists note: the fewer colors were combined, the better the result will be, and the lower the risk of fading and peeling of the finished decor.

Whatever you say, this color is magical, but it evokes dual feelings: on the one hand, it is a kind of sadness, and on the other, peace and tranquility. In this article we will look at how to get blue by mixing paints. Let's find out what shades exist and what they are called. Let's consider what percentage is needed to solve the problem set before us: how to get blue?

Blue color. Psychological perception

It is this shade that has attracted humanity since ancient times. He was always given Special attention. So in Ancient Egypt the process of sacrifice to the Gods was depicted in this color. In astrology it corresponds to the planet Venus. In esotericism it is used for meditation, concentration, and also for the process of self-knowledge. IN modern world psychologists have an ambivalent attitude towards this tone: on the one hand, it promotes concentration to achieve a set goal, and on the other hand, it can separate a person from reality and introduces emotional coldness into the worldview.

In psychology, various color tests, and one of the most effective is the Luscher test, according to which the tone we describe symbolizes calmness and self-satisfaction. This test can determine a person’s stress tolerance and communication abilities. Every time the test amazes with its accuracy, it’s like true friend can provide answers to questions that for a long time were brewing inside.

Shades of blue

Our described tone is noble and stylish. It hides the peace of the cold sky and the raging passion of the sea. How to get blue? Mixing colors will give a large number of related tones and halftones, the percentage recipe is varied. There are many shades of it. And how beautifully they are called! Based on the names alone, you can understand how much we love this shade, how it inspires and gives strength. So, as an example, we will give the following names of shades of blue: cornflower blue, dove blue, Niagara color, cyan, ultramarine, heavenly, sea wave, light blue, azure, Persian blue, royal blue, indigo, Prussian blue, sapphire, blue-black. Here are the main shades of the tone we are describing. In addition to them, many semi-shades can be distinguished, that’s how multifaceted this tone is.

Even any shade can have various characteristics: blue - frivolous and playful, because it is not for nothing that they say “blue dream”, in other words, unrealistic and unrealistic. But the shade “indigo” is identified with highly developed mental abilities. Children who are mentally gifted are often called “indigos.” It is also worth taking into account a person’s tendency in clothing and in choosing an interior in favor of the specified tone, and the first thing that can be said about him is that this person has an analytical mind. But let's return to the main question: how to get blue?

Mixing colors

After all, it is the primary color, but we can get a large number of its shades using different tones. So how do you get blue when mixing colors? Consider getting "Royal Blue". To do this, you need to use blue as the main tone, adding to it a small part of black and a drop of green. As a result of this mixing, the desired shade should be obtained. How to get blue, but a brighter shade than the previous one? To do this, we use the same colors that we described above, but in this case we need to halve the amount of black. The result of mixing should be a beautiful dark blue shade.

Now let's look at what colors to get the blue color of the sea, a shade of turquoise. To do this, it is also necessary to use the main shade of our tone, and the additional one will be a green tone, taken in a ratio of one to three. You should get an unforgettable color of the sea, eye color beautiful girl, mysterious and deep, simultaneously exciting and calming. Now I would like to figure out what tones are needed to get a Wedgwood blue. In this case, the peculiarity is that the main color will be used not blue, as was previously the case, but white. To the white original tone you need to add half of our described tone. Considering the amount of base color, and as a highlight or as a cherry on the cake, add a drop of black. The result should be a peaceful, calm shade of the same tone we adore.

Let's consider this option: how to get a blue color by mixing orange colors in a very small amount with our main tone, which in this recipe we define as the original one. The result of this operation should be a heavy shade, one might even say menacing. The result obtained is identified with a dirty and harsh sky during a wild storm, when the sea roars like a wild beast, and the wind howls and tears the sails of ships.

Blue in nature

What colors are needed to produce blue in nature, you ask? In our real world, at the level of physics, this tone is perceived by the human eye in the range 440 - 485 nm. In other words, spectral blue color is felt when exposed to electromagnetic radiation with a wavelength whose digital value is indicated above.

Blue paint

How to get blue color artificially, you ask? As you know, natural dyes of this shade are very rare and therefore valuable. One of the dyes of the aniline series is fuchsin. Its significant drawback is that it is far from the beautiful blue tint that one would so much like to achieve; in this case, magenta gives a bluish-red tone. The result of waiting will make you disappointed.

Conclusion

In conclusion, to summarize what has been said, I would like to note that the main question of our article is how to get blue. Mixing colors in different proportions will be the answer, but do not forget that today acrylic paint of the described shade can be classified as dark blue with a purple tone. This type of shade is called "ultramarine". Moreover, the issue of mixing paints is relevant for young artists, for whom, in addition to theoretical information, practice is important. The ability to form your own style, still based on theoretical knowledge, is one of the main tasks. I would like to believe that this material will be useful and interesting.