Tolstoy historical ballads Mikhailo Repin. A

Tell me please summary Mikhailo Repnin. Urgently!!

Answers:

I think these small works You can read it yourself. PRINCE MIKHAILO REPNIN The daring Ivan Vasilich the Terrible feasts without rest with his retinue near Mother Moscow. A row of tables glitters with golden ladles, and riotous guardsmen sit behind them. From vespers wine pours onto the royal carpets, From midnight the dashing guslars sing to him, They sing the joys of battle, the deeds of bygone times, And the capture of Kazan, and the captivity of Astrakhan. But the voice of the king’s former glory does not amuse him. He orders the kravchi to disguise himself: “Long live the Tiuns, my guardsmen! Strike the strings louder, nightingale accordions! Let everyone choose a face for themselves, friends. I am the first to open a cheerful round dance. Follow me, my tiuns, my guardsmen! Strike the strings louder, nightingale accordions! "And everyone raised their cups. Only one didn't pick up; Only one did not raise the cup, Mikhailo Prince Repnin. “O king! You have forgotten God, you, Tsar, have forgotten your dignity. You have surrounded your throne with the Oprichnina on the mountain! Scatter the children of the demonic army with your sovereign word! Is it for you, lord, to dance here in the mashkar! “But the king, frowning his eyebrows: “In your mind, you know, are you weakened, Or are you overly intoxicated? Be silent, obstinate slave! Don’t object a word and put on your mask - Or I swear that you have lived your last day! “Then Repnin, the truthful prince, stood up and raised his cup: “Let the oprichnina perish!” - he said, crossing himself. - Long live our Orthodox Tsar forever! Let men rule as they were of old! Let the voice despise shameless flattery as treason! I won’t put on a disguise in my last hour! “He said and trampled the mask with his feet; From his hands the ringing cup fell to the ground... “Die, you daring one! “- the king cried out, enraged, and Repnin, the truthful prince, fell, pierced by a rod. And again the cups are raised, the ladles sound again, The guardsmen make noise at the long tables, And their laughter is heard, and the feast is in full swing again, But the clinking of ladles and goblets does not amuse the king: “I killed, I killed in vain a faithful servant, Now I can no longer taste the fun ! “In vain do guilt pour on the royal carpets, In vain do the dashing guslars sing to the king, They sing the joys of battle, the deeds of bygone times, And the capture of Kazan, and the captivity of Astrakhan. 1840s.

During the lesson you will be able to get acquainted with the biography of A.K. Tolstoy and learn about his passion for history. Comparative analysis A. Tolstoy’s ballads “Vasily Shibaev” and “Prince Mikhailo Repnin” will help determine their main idea and problematics, as well as understand the author’s concept in depicting the era of Ivan the Terrible. Special attention given in the lesson artistic features ballads

Until his death, his uncle remained the main adviser in the pupil’s literary experiments. He also showed the young man’s works to Zhukovsky and Pushkin, with whom he was on friendly terms, and there is
evidence that they have been approved.

Rice. 2. Alexander II with his sister Maria ()

Also, thanks to his uncle, while still a child, Alexey Tolstoy was introduced to the heir to the throne, the future Emperor Alexander II, and was among the children who came to the Tsarevich on Sundays to play.

Subsequently, the warmest relations remained between them. Friendship with the future emperor will help Tolstoy make a dizzying court career from chamber cadet to court master of ceremonies.

For the first time Alexey Tolstoy enters literary world at 24, when the world saw him fantastic story"Ghoul". Imitating his uncle, the writer publishes under the pseudonym Krasnorogsky (from the name of the Krasny Rog estate).

During the same period, Alexey Konstantinovich’s interest in history was noted. Subsequently, the historical ballad became one of the main genres of his poetic work.

Ballad- a lyric-epic work, that is, a story told in poetic form, of a historical, mythical or heroic nature. The plot of a ballad is usually borrowed from folklore.

The ballad genre was extremely popular in the era of romanticism and is found in the works of many representatives of literature of the first half of the 19th century (Goethe, Zhukovsky, Pushkin).

Turning to the ballad genre is associated with the search for an unusual plot, which is very important in romanticism, and, of course, with the author’s interest in history.

In his historical ballads, Alexey Tolstoy often refers to the era of Ivan the Terrible.

Rice. 3. Ivan the Terrible. Hood. V. M. Vasnetsov ()

The figure of this king is certainly colorful and popular. It is no coincidence that people dedicated many historical songs to him.

How the Orthodox Tsar lives in the mansion:

Orthodox Tsar Ivan Vasilyevich:

He is formidable, father, and merciful,

He pardons for truth, hangs for untruth.

The years have come that are angry with the Moscow people,

Just like the Orthodox Tsar became more formidable than before.

He carried out cruel executions for truth and untruth.

The image of Tsar Ivan the Terrible is central in M. Yu. Lermontov’s work “The Song of the Merchant Kalashnikov.” Just like Lermontov, Alexey Tolstoy tries to give his ballads a folklore stylization, thereby bringing the reader as close as possible to that era.

Comparative analysis of ballads by A. K. Tolstoy

It should be noted that, using historical data, the poet brings a share of fiction. Tolstoy believed that the writer and poet have every right to do this.

Question

"Vasily Shibanov"

"Prince Mikhailo Repnin"

What means artistic expression help to recreate events of the past?

Epithets: slavish fidelity, dashing villain, daring messenger, dog treason.

Metaphors:“his pen breathes revenge”; “a message full of poison”; “Pitch darkness rings to the entire oprichnina.”

Epithets: riotous guardsmen, demonic children, sovereign word, obstinate slave, truthful prince.

Metaphors:“From Vespers, wine flows onto the royal carpets,” “Scatter the children of the demonic army with the word of sovereignty.”

Folklore stylization

Outdated vocabulary:

Oprichnya - oprichnina. This was the name of the part of the state, with special management, allocated for the maintenance of the royal court and guardsmen.

Peaceful clothing is mourning.

The devious are the close ones.

Az, others like me, who.

Liyah - lil.

The back master is the executioner.

Folklore composition:

Repeat stanzas (refrain):

“King, his word is all one:

He praises his master!"

Outdated vocabulary:

Kravchiy was in charge of serving food and drinks to the royal table.

Tiuns are faithful servants.

Mashkara, mask - mask.

Rek said.

Folklore composition:beginning, main part, ending.

Repeat stanzas (refrain):

“They sing the joys of war, the deeds of bygone times,

And the capture of Kazan, and captivity of Astrakhan.”

Conclusion. The ballads are united stylistically and thematically. In the images of Vasily Shibanov and Prince Repnin, the author embodied the idea of ​​just popular anger, indignation at the bloody policies of Ivan the Terrible. Both heroes die, but do not change their life principles.

The image of the king in ballads is contradictory. In the ballad “Vasily Shibanov,” the tsar highly praised the servant’s devotion and courage, but his sentence was harsh:

Messenger, you are not a slave, but a comrade and friend,

And Kurbsky has a lot of loyal servants,

Why gave you away for nothing!

Go with Malyuta to the dungeon!"

In the ballad “Prince Mikhailo Repnin,” the tsar in anger kills a rebellious boyar, and then bitterly repents of his deeds:

And their laughter is heard, and the feast is in full swing again,

But the clinking of ladles and cups does not amuse the king:

"I killed, I killed in vain a faithful servant,

Now I can no longer taste the fun!”

Difficult, controversial image Tsar Ivan the Terrible will run like a red thread through all the works of A.K. Tolstoy. In 1863 the author will write historical novel about this era "Prince Silver". Then a historical trilogy will appear - the tragedies “The Death of Ivan the Terrible” (1866), “Tsar Fyodor Ioannovich” (1868), “Tsar Boris” (1870). main topic All three works are a tragedy of power.

A. Tolstoy himself had a special relationship with the authorities. We have already noted the writer’s friendship with the future emperor and his impetuous career. However, this not only did not please the writer, but over the years it became a burden. He resigns and in 1861 receives his long-awaited freedom. It is now that he is experiencing a creative upsurge, writes a lot and publishes:

In the midst of a world of lies, in the midst of a world that is alien to me,

My blood has not cooled forever;

The time has come, and you have risen again,

My old anger and my old love!

The fog cleared and, thank God,

I'm on the old road!

  1. Didactic materials on literature grade 7. Author - Korovina V.Ya. - 2008
  2. Homework on literature for grade 7 (Korovina). Author - Tishchenko O.A. - year 2012
  3. Literature lessons in 7th grade. Author - Kuteinikova N.E. - year 2009
  4. Textbook on literature 7th grade. Part 1. Author - Korovina V.Ya. - year 2012
  5. ).
  6. World history in faces. Ivan groznyj ().
  1. Compare the image of Ivan the Terrible, created by A. Tolstoy, with the image from Lermontov’s work “The Song of the Merchant Kalashnikov.”
  2. What is the author's attitude towards the heroes of the ballads?
  3. What is the significance of the historical ballads of A.K. Tolstoy?

To the question URGENTLY. SUMMARY AK Tolstoy Mikhailo Repnin Please give me the link or. Write, I didn’t find the one given by the author on the Internet Evangelinochka the best answer is Tsar Ivan the Terrible feasts with the guardsmen, remembering past victories in Kazan and Astrakhan. The wine flows like a river, the guslar players play. The king decides to hold a masquerade and orders everyone to put on disguises, that is, masks. Prince Mikhailo Repnin does not like this fun, he does not accept or respect the oprichnina and the oprichniki and refuses to put on a mask, for which Ivan the Terrible kills him. The fun continues, but the king has no time for it, because he realizes that he has killed a faithful and devoted servant.
Indeed, Evangelinochka, it only takes 5 minutes to read.)
Mikhailo Repnin.
Alexey Konstantinovich Tolstoy.
Without rest he feasts with his daring squad
Ivan Vasilich the Terrible near Mother Moscow.
A row of tables glitters with ladles of gold,
The guardsmen are sitting riotously behind them.
From Vespers wine flows onto the royal carpets,
Dashing guslars have been singing to him since midnight,


But the voice of the king’s former glory does not amuse him,
He orders the crook to show himself a guise:
“Long live the Tiuns, my guardsmen!
Strike the strings louder, nightingale accordions!
Let everyone choose his own identity, friends,
I am the first to open a cheerful round dance.
Follow me, my tiuns, my guardsmen!
Strike the strings louder, nightingale accordions!”
And everyone raised their cups. Only one didn't pick up;
Only one did not raise the cup, Mikhailo Prince Repnin.
“O king! You have forgotten God, you, king, have forgotten your rank
The oprichnina surrounded his throne on the mountain!
Scatter the children of the demonic army with your sovereign word!
Is it for you, the ruler, to dance here in the mashkar!”
But the king, frowning: “In your mind, you know, you have weakened,
Or is it too drunk? Be silent, obstinate slave!
Don’t object to a word and put on your mask -
Or I swear that you have lived your last day!”
Then Repnin, the truthful prince, stood up and raised his cup:
“Let the oprichnina perish!” he said, crossing himself.
Long live our Orthodox Tsar forever!
Let men rule as they were of old!
Let the voice despise shameless flattery as treason!
I won’t put on a disguise in my last hour!”
He spoke and trampled the mask with his feet;
From his hands the ringing cup fell to the ground...
“Die, you daring one!” - the king screamed, furious,
And Repnin, the truthful prince, fell, pierced by a rod.
And again the cups are raised, the ladles sound again,
At the long tables the guardsmen are noisy,
And their laughter is heard, and the feast is in full swing again,
But the clinking of ladles and cups does not amuse the king:
“I killed, I killed in vain a faithful servant,
Now I can no longer taste the fun!”
In vain wine is poured on the royal carpets,
The dashing guslars sing to the king in vain,
They sing the joys of war, the deeds of bygone times,
And the capture of Kazan, and Astrakhan captivity.
nina baslanova
Higher intelligence
(224428)
You're welcome.) Try it. Stand in front of the mirror and express yourself as if you are entering the acting department and in front of you is a commission of famous and beloved actors. Not only will you read it playfully, but you will also flip through the dictionary to understand the meaning of unfamiliar words.)

Answer from Neuropathologist[guru]
What's the summary?! The poem has 46 lines.


Answer from Welfare[guru]
The source of the poem is the story of Repnin’s death in “The History of Ivan the Terrible” by the book. A. M. Kurbsky: John “became drunk and began to dance with the buffoons in the mashkars, .. seeing this outrage, he [Repnin], a deliberate and noble man, began to cry and say to him: “Whoever is not worthy of you, O Christian king, should do such things.” “. He began to pester him, saying: “Have fun and play with us,” and, taking the mashkara, he began to put it on his face; he rejected him and trampled on him... The king, filled with rage, drove him away from his eyes, and for many days then, on a week’s day, all-night vigil I stand for him in the church... I commanded the inhuman and cruel soldiers to slaughter him, standing near the altar itself, like an innocent lamb of God.” Meanwhile, in the poem, Grozny kills Repnin with his own hands, and right there at the feast, and not a few days later in church. Tolstoy made these changes for purely artistic reasons: in “Prince Serebryany” (chapter 6) the episode with Repnin is told in accordance with historical data. The ending - Grozny's repentance - also belongs to Tolstoy.

In the poetic mini-poem by Alexei Tolstoy, events develop during a noisy feast at which Ivan the Terrible himself and his guardsmen feast. The author seems to smile at his main characters: while the poor people are starving and languishing in poverty, the rulers are having fun and not doing business. The table is bursting with food, the dishes sparkle with gold, the wine flows like rivers without edges. Drunk guardsmen spoil the carpets and royal chambers with spilled drinks. But all this does not concern Ivan the Terrible.

The Tsar is having fun, he decides to arrange such a masquerade for fun. He demands to be given a mask and becomes a pagan in it, which is completely unacceptable at a Christian feast. Toasts sound, the king orders more loud music. The musicians dutifully strike the strings and keys.

Meanwhile, amid this revelry there is one person - Prince Mikhailo Repnin, who dares to bring the tsar and his revelers to reason. The prince does not hide under any guise and directly declares at the feast that Ivan the Terrible recklessly pushed away Christian faith. And he even described the guardsmen as children of demons.

Ivan the Terrible could not believe his ears and began to clarify who this daredevil was. And is he not drunk, is he out of his mind, allowing such insolence? The king became incredibly angry and threatened the prince with death. “You obstinate slave, put on your mask or die!” - the king demands. And the prince rises to his full height, crosses himself and pronounces speeches cursing the oprichnina.

He says good words addressed to the tsar, but the former tsar - when Ivan the Terrible was fair and generous. The prince turns to the king and calls on him to understand that flatterers and bandits have gathered around him. And then he tramples underfoot the rejected mask, symbolizing the vile deception. Ivan the Terrible cannot tolerate these actions; in blind hatred he beats and kills the prince with a rod.

The cups are filled with wine again. But Repnin's death is not aimless. Alexei Tolstoy at the end of the poem shows that Ivan the Terrible is thinking about his life, as if his eyes are opening to the oprichniki and the oprichnina. Songs and feasts cannot drown out the insights of Ivan the Terrible. The fun isn't the same anymore.

the main idea

The little poem shows how important it is not to adapt to anyone, not to betray oneself... But it also teaches us to understand at what price such a challenge to almighty rulers can be paid. Yes, Prince Mikhailo Repnin will be elevated to a hero - but only posthumously.

You can use this text for a reader's diary

Tolstoy Alexey Konstantinovich. All works

Prince Mikhailo Repnin. Picture for the story

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During the lesson you will be able to get acquainted with the biography of A.K. Tolstoy and learn about his passion for history. A comparative analysis of A. Tolstoy’s ballads “Vasily Shibaev” and “Prince Mikhailo Repnin” will help determine their main idea and problematics, as well as understand the author’s concept in depicting the era of Ivan the Terrible. Particular attention in the lesson is paid to the artistic features of ballads.

Until his death, his uncle remained the main adviser in the pupil’s literary experiments. He also showed the young man’s works to Zhukovsky and Pushkin, with whom he was on friendly terms, and there is
evidence that they have been approved.

Rice. 2. Alexander II with his sister Maria ()

Also, thanks to his uncle, while still a child, Alexey Tolstoy was introduced to the heir to the throne, the future Emperor Alexander II, and was among the children who came to the Tsarevich on Sundays to play.

Subsequently, the warmest relations remained between them. Friendship with the future emperor will help Tolstoy make a dizzying court career from chamber cadet to court master of ceremonies.

Alexey Tolstoy first entered the literary world at the age of 24, when his fantastic story “The Ghoul” saw the light. Imitating his uncle, the writer publishes under the pseudonym Krasnorogsky (from the name of the Krasny Rog estate).

During the same period, Alexey Konstantinovich’s interest in history was noted. Subsequently, the historical ballad became one of the main genres of his poetic work.

Ballad- a lyric-epic work, that is, a story told in poetic form, of a historical, mythical or heroic nature. The plot of a ballad is usually borrowed from folklore.

The ballad genre was extremely popular in the era of romanticism and is found in the works of many representatives of literature of the first half of the 19th century (Goethe, Zhukovsky, Pushkin).

Turning to the ballad genre is associated with the search for an unusual plot, which is very important in romanticism, and, of course, with the author’s interest in history.

In his historical ballads, Alexey Tolstoy often refers to the era of Ivan the Terrible.

Rice. 3. Ivan the Terrible. Hood. V. M. Vasnetsov ()

The figure of this king is certainly colorful and popular. It is no coincidence that people dedicated many historical songs to him.

How the Orthodox Tsar lives in the mansion:

Orthodox Tsar Ivan Vasilyevich:

He is formidable, father, and merciful,

He pardons for truth, hangs for untruth.

The years have come that are angry with the Moscow people,

Just like the Orthodox Tsar became more formidable than before.

He carried out cruel executions for truth and untruth.

The image of Tsar Ivan the Terrible is central in M. Yu. Lermontov’s work “The Song of the Merchant Kalashnikov.” Just like Lermontov, Alexey Tolstoy tries to give his ballads a folklore stylization, thereby bringing the reader as close as possible to that era.

Comparative analysis of ballads by A. K. Tolstoy

It should be noted that, using historical data, the poet introduces a share of artistic fiction into the plot. Tolstoy believed that the writer and poet have every right to do this.

Question

"Vasily Shibanov"

"Prince Mikhailo Repnin"

What means of artistic expression help to recreate events of the past?

Epithets: slavish fidelity, dashing villain, daring messenger, dog treason.

Metaphors:“his pen breathes revenge”; “a message full of poison”; “Pitch darkness rings to the entire oprichnina.”

Epithets: riotous guardsmen, demonic children, sovereign word, obstinate slave, truthful prince.

Metaphors:“From Vespers, wine flows onto the royal carpets,” “Scatter the children of the demonic army with the word of sovereignty.”

Folklore stylization

Outdated vocabulary:

Oprichnya - oprichnina. This was the name of a part of the state, with special administration, allocated for the maintenance of the royal court and guardsmen.

Peaceful clothing is mourning.

The devious are the close ones.

Az, others like me, who.

Liyah - lil.

The back master is the executioner.

Folklore composition:

Repeat stanzas (refrain):

“King, his word is all one:

He praises his master!"

Outdated vocabulary:

Kravchiy was in charge of serving food and drinks to the royal table.

Tiuns are faithful servants.

Mashkara, mask - mask.

Rek said.

Folklore composition:beginning, main part, ending.

Repeat stanzas (refrain):

“They sing the joys of war, the deeds of bygone times,

And the capture of Kazan, and captivity of Astrakhan.”

Conclusion. The ballads are united stylistically and thematically. In the images of Vasily Shibanov and Prince Repnin, the author embodied the idea of ​​just popular anger, indignation at the bloody policies of Ivan the Terrible. Both heroes die, but do not change their life principles.

The image of the king in ballads is contradictory. In the ballad “Vasily Shibanov,” the tsar highly praised the servant’s devotion and courage, but his sentence was harsh:

Messenger, you are not a slave, but a comrade and friend,

And Kurbsky has a lot of loyal servants,

Why gave you away for nothing!

Go with Malyuta to the dungeon!"

In the ballad “Prince Mikhailo Repnin,” the tsar in anger kills a rebellious boyar, and then bitterly repents of his deeds:

And their laughter is heard, and the feast is in full swing again,

But the clinking of ladles and cups does not amuse the king:

"I killed, I killed in vain a faithful servant,

Now I can no longer taste the fun!”

The complex, contradictory image of Tsar Ivan the Terrible will run like a red thread through the entire work of A.K. Tolstoy. In 1863, the author will write a historical novel about this era, “Prince Silver.” Then a historical trilogy will appear - the tragedies “The Death of Ivan the Terrible” (1866), “Tsar Fyodor Ioannovich” (1868), “Tsar Boris” (1870). The main theme of all three works is the tragedy of power.

A. Tolstoy himself had a special relationship with the authorities. We have already noted the writer’s friendship with the future emperor and his rapid career growth. However, this not only did not please the writer, but over the years it became a burden. He resigns and in 1861 receives his long-awaited freedom. It is now that he is experiencing a creative upsurge, writes a lot and publishes:

In the midst of a world of lies, in the midst of a world that is alien to me,

My blood has not cooled forever;

The time has come, and you have risen again,

My old anger and my old love!

The fog cleared and, thank God,

I'm on the old road!

  1. Didactic materials on literature grade 7. Author - Korovina V.Ya. - 2008
  2. Homework on literature for grade 7 (Korovina). Author - Tishchenko O.A. - year 2012
  3. Literature lessons in 7th grade. Author - Kuteinikova N.E. - year 2009
  4. Textbook on literature 7th grade. Part 1. Author - Korovina V.Ya. - year 2012
  5. ).
  6. World history in faces. Ivan groznyj ().
  1. Compare the image of Ivan the Terrible, created by A. Tolstoy, with the image from Lermontov’s work “The Song of the Merchant Kalashnikov.”
  2. What is the author's attitude towards the heroes of the ballads?
  3. What is the significance of the historical ballads of A.K. Tolstoy?
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