Plan of Eugene Onegin for all chapters. Literature lesson plan (9th grade) on the topic: Basic outline based on the novel by A.S.

3.1. restless, not indifferent; While narrating, Pushkin experiences different feelings: joy, grief, excitement...

3.3. Creates historical paintings populated by typical characters (Morning Petersburg: “The merchant gets up, the peddler hurries…”) or historical figures (Napoleon: “Napoleon, intoxicated with his last happiness, waited in vain for Moscow kneeling with the keys of the old Kremlin... No, my Moscow did not go to him with a guilty head")

3.4. Reflections on everyday life and philosophical topics(about the stages of creating a novel, about love and friendship, about relatives, about social mores, about upbringing, etc.)

4. The story of fate and the personality of the author are expressed in lyrical digressions. The history of the people is conveyed through it.

Tatyana is Pushkin’s favorite heroine. The national principle in its moral character.

2. Fate and character of Tatiana

2.1. The originality of her character and behavior in childhood (deep inner world, democratic moods, passion for reading, daydreaming, romanticism);

2.2. Closeness to the people, love of Russian nature, Russian rituals and customs, friendship with the nanny;

2.3. Awakening love for Onegin (the romanticism and sophistication of his appearance, his democratic sentiments, “the time has come, she fell in love”); Tatiana's spiritual depth, sincerity and artlessness

2.4. The originality, originality of Tatiana’s character; her desire to build life independently, and not according to the laws of the environment;

2.5. Her break with Onegin (sense of duty, moral beauty).

3. The meaning of the image of Tatyana Larina (her image embodies best features national character women, her “Russian soul”.

Onegin. Formation of the personality of the main character. The drama of his life's journey.

1. The central position of Onegin in the novel (the main theme of the novel is a progressive personality in his relation to noble society and the people).

2. Typical and special in Onegin.

2.1. Typical noble upbringing;

2.2. Typical passion for social life;

2.3.Satiety with secular pleasures. Boredom as evidence of Onegin's remarkable nature.

2.4. Onegin's search for the meaning of life:

Attempts to engage literary work, by reading, transform the lives of serfs;

Tatyana's Love (appreciated the originality of her character, distinguished her from the Larin sisters and the local noble circle);

Friendship with Lensky.

What Onegin and Lensky have in common: noble origin, extraordinary nature, high intellectual level, disdain for the prosaic life of neighboring landowners, interest in the problems of modern society.

Excellent from Onegin and Lensky. Onegin is a cold, disappointed skeptic; Lensky is an enthusiastic romantic and idealist. Onegin's knowledge of life and Lensky's complete isolation from reality, his naivety, gullibility, enthusiastic daydreaming, idealism (which can lead to death or to reconciliation with reality).

2.5. Onegin's destiny is wandering and loneliness.

3. Onegin is a “superfluous man” (an enlightened nobleman who avoids serving tsarism, stands aloof from social and political activities, and does not have a positive program). Individualist hero: never takes the side of the government and never knows how to take the side of the people.

Pushkin’s artistic mastery in the novel “Eugene Onegin”

1. The novel “Eugene Onegin” as the first example of a major realistic work in Russian literature.

2. Artistic originality novel:

2.1. Combination of three image spheres:

Introduction of a broad historical, social, everyday and cultural-ideological background (a broad picture of the life of Russia in the capitals, and in landowners' estates, and in the provinces; a depiction of different segments of the population);

The lyrical part is varied in content - lyrical digressions and lyrical inserts;

The form of presentation of the novel is a casual conversation with the reader, organically combining the epic and lyrical parts;

2.2. Onegin's stanza, its flexibility and lightness: iambic tetrameter, richness of rhymes, all types of rhymes (cross, pair, ring: ababccddeffegg);

2.3. Language of the novel

Pushkin's desire to create popular basis living Russian speech “commonly understood language”

The use of speech of different lexical layers: folk, colloquial, bookish, outdated;

Using different speech social strata: the educated part of the nobility, provincial landowners, courtyards; speeches different areas use and different lit. directions: classicism, sentimentalism, romanticism;

Match the style and subject of the image;

Speech as a means of characterization.

3. “Eugene Onegin” as the pinnacle of Pushkin’s creativity, his “most sincere” work, as the foundation of new Russian poetry, new Russian literature.

Retelling plan

1. Introduction-dedication.
2. Expanded exposition: acquaintance with the hero and his way of life.
3. Onegin's life in the village.
4. Second tie storyline: Onegin's acquaintance with Lensky.
5. The Larin family. Olga and Tatyana.
6. The beginning of the first storyline: Onegin’s acquaintance with Tatyana.
7. Tatiana’s letter to Onegin.
8. Onegin’s explanation with Tatiana.
9. romantic love Lensky to Olga.
10. Tatiana's dream.
11. Tatiana’s name day.
12. Climax and denouement of the second storyline: the duel between Onegin and Lensky; death of Lensky.
13. Tatiana in Onegin’s empty house.
14. Departure of the Larins for Moscow. Tatiana's marriage.
15. Onegin’s return to the capital after long wanderings. Meeting with Tatyana.
16. Letter from Onegin to Tatyana.
17. Explanation of Tatiana and Onegin.

Retelling

The novel opens with a dedication to Pushkin’s friend Pletnev:

Accept the collection of motley heads,

Half funny, half sad,

Common people, ideal,

The careless fruit of my amusements...

Chapter 1

The hero of the novel goes to the village to visit his dying uncle in the hope of an inheritance. The background story of the hero's life is told:

Onegin, my good friend,
Born on the banks of the Neva...
I once walked there too:
But the north is bad for me.
<...>
Having served excellently and nobly,
His father lived in debt
Gave three balls annually
And finally squandered it.
Eugene's fate kept:
At first Madame followed him,
Then Monsieur replaced her.
The child was harsh, but sweet.
The author describes young Onegin:
He's completely French
He could express himself and wrote,
I danced the mazurka easily,
And he bowed casually;
What do you want more? The light has decided
That he is smart and very nice.

Onegin was “in the opinion of many” “a learned fellow, but a pedant”, “knew enough Latin to parse epigraphs”, “read Adam Smith / And was a deep economist.” “But what was his true genius... / Was the science of tender passion”:

How early could he be a hypocrite?
To harbor hope, to be jealous,
To dissuade, to make believe,
Seem gloomy, languish...
How early could he have disturbed
Hearts of coquettes!

Onegin’s life is “monotonous and motley”, scheduled from evening to morning: receptions, restaurants, theater; "There will be a ball there, there children's party- “It’s no wonder it’s easy to keep up everywhere.” Onegin's office is described in detail: Amber on the pipes of Constantinople, Porcelain and bronze on the table... Combs, steel files, Straight scissors, curved ones

And brushes of thirty kinds... Second Chadayev, my Evgeniy... In his clothes there was a pedant And what we called a dandy. Onegin is going to the next ball. The description of the ball is interrupted by a lyrical digression:

Alas, for different fun
I've ruined a lot of lives!
...Oh, legs, legs! Where are you now?
Where do you crush the spring flowers?..
The happiness of youth has disappeared,
Like your light trail in the meadows.
<...>
Diana's breasts, Flora's cheeks
Lovely, dear friends!
However, Terpsichore's leg
Something more charming for me...
I remember the sea before the storm,
How I envied the waves
Running in a friendly line
Lay down with love at her feet!..
The words and gaze of these sorceresses
Deceptive... like their legs.

Onegin returns from the ball in the morning, when “restless Petersburg has already been awakened by the drum.” But the “fun and luxury child” is not at all happy:

No: his feelings cooled down early;
He was tired of the noise of the world;
The beauties didn't last long
The subject of his usual thoughts...

“...The Russian blues / Little by little took possession of him,” he “completely lost interest in life.” Onegin is trying to find at least some kind of occupation: “I wanted to write - but the persistent work / He was sick of it,” “He lined the shelf with a detachment of books, / He read and read, but all to no avail: / There is boredom, there is deception or delirium; / There is no conscience in that, there is no meaning in that...”

I became friends with him at that time.
I liked his features
Involuntary devotion to dreams,
Inimitable strangeness

And a sharp, chilled mind.
I was embittered, he was gloomy;
We both knew the game of passion,
Life tormented both of us;
The heat in both hearts has faded...
Onegin was ready with me
See foreign countries;
But soon we were destined
Divorced for a long time.
His father then died.

My father’s inheritance had to be given to “lenders” for debts. Soon his uncle died, leaving him a large inheritance.

Here is our Onegin - a villager...
And I’m very glad that the old path
Changed it to something.
Two days seemed new to him
Lonely fields
The coolness of the gloomy oak tree...
On the third grove, hill and field
He was no longer occupied...
Then he saw clearly
That in the village there is the same boredom...

The chapter ends with a lyrical digression:

Love has passed, the muse has appeared,
And the dark mind became clear.
Free, looking for union again
Magic sounds, feelings and thoughts...

Chapter 2

The village where Evgeniy was bored,
It was a lovely place...
He settled in that peace,
Where is the village old-timer?
For about forty years he was quarreling with the housekeeper,
I looked out the window and squashed flies.

Onegin tried to take care of the household: “He replaced the ancient corvée with a yoke / With an easy quitrent ...”, so the neighbors decided “that he is a most dangerous eccentric.” Onegin was burdened by getting to know his neighbors, so “everyone stopped making friends with him”: “Our neighbor is ignorant; crazy; / He’s a farmazon...”

To my village at the same time
The new landowner rode up...
Named Vladimir Lensky...
Handsome man in full bloom,
Kant's admirer and poet...
He was a sweet ignoramus at heart...
He believed that his soul was dear
I must connect with him...
He believed that his friends were ready
It is an honor to accept his shackles...
He sang love, obedient to love...
He sang separation and sadness,
And something, and the foggy distance,
And romantic roses...
He sang the faded color of life
Almost eighteen years old...
Lensky is rich and handsome,
Everywhere he was accepted as a groom.
But Lensky, without having, of course,
There is no desire to marry,
With Onegin I wished cordially
Let's make the acquaintance shorter.
They got along. Wave and stone.
Poetry and prose, ice and fire
Not so different from each other.
First by mutual difference
They were boring to each other;
Then I liked it; Then
We came together every day on horseback
And soon they became inseparable.
...Everything gave rise to disputes between them
And it led me to think:
Tribes of past treaties,
The fruits of science, good and evil...

Lensky is in love with Olga Larina: “he loved as in our years / they no longer love...” “And the children were destined for crowns / by their friends-neighbors, their fathers.” Olga:

Always modest, always obedient,
Always as cheerful as the morning...
Eyes like the sky are blue,
Smile, flaxen curls,
Movements, voice, light frame,
Everything in Olga... but any romance

Take it and you will find it, right,
Her portrait...
Her sister's name was Tatyana...
Not your sister's beauty,
Nor the freshness of her ruddy
She wouldn't attract anyone's attention.
Dick, sad, silent,
Like a forest deer, timid...
She is in her own family
The girl seemed like a stranger...
And there were children's pranks
Alien to her: scary stories
In winter in the dark of nights
They captivated her heart more...
She liked novels early on;
They replaced everything for her...

The story of Tatyana’s mother is described, who was married to an unloved man, but soon got used to it, took up housekeeping, began to manage not only the house, but also her husband: “A habit has been given to us from above: / She is a substitute for happiness.”

They kept life peaceful
Habits of a dear old man...
And so they both grew old.
And finally they opened
In front of the husband are the doors of the coffin...

Lensky, standing at the grave of Dmitry Larin, remembers how he predicted Olga to be his wife.

The second chapter ends with a lyrical digression:

Our time will come, our time will come,
And our grandchildren in good time
They will push us out of the world too!
For now, revel in it,
Have an easy life, friends!
...And, preserved by fate,
maybe it won't drown in Lethe
stanza composed by me...

Chapter 3

Lensky is going to the Larins. Onegin is surprised that his friend spends every evening with them, but then asks to introduce him to the Larins. Returning from the Larins, Onegin and Lensky talk about their sisters:

“Are you really in love with the smaller one?”
- And what? - “I would choose another,

If only I were like you, a poet.
Olga has no life in her features...

She's round and red-faced,

Like this stupid moon

On this stupid horizon."

Vladimir answered dryly

And then he was silent the whole way.

The neighbors began to “predict a groom for Tatiana”; “Lensky’s wedding was long ago / They had already decided.”

Tatyana listened with annoyance

Such gossip; but secretly

With inexplicable joy

I couldn't help but think about it...

The time has come, she fell in love...

The soul was waiting... for someone.

And she waited... The eyes opened;

She said: it's him!

Tatyana rereads novels in a new way. All the heroes merge for her into the image of Onegin, and she also imagines herself as the heroine of a love story. Pushkin in a lyrical digression addresses his heroine:

Tatiana, dear Tatiana!

With you now I shed tears;

You're in the hands of a fashionable tyrant

I've already given up my fate.

Tatyana can’t sleep, she asks the nanny to tell her about her youth, about how she was in love. The nanny tells the story of her marriage:

- And, that’s it, Tanya! These summers

We haven't heard about love;

Otherwise I would have driven you away from the world

My deceased mother-in-law.

My Vanya

My light was younger than me, And I was thirteen years old. But Tatyana no longer listens, she is all burning with love: “I’m not sick: / I... you know, the nanny... is in love!” Tatiana writes a letter to Onegin. In a lyrical digression, the author protects Tatyana from the condemnation of society:

Why is Tatyana more guilty?

Because in sweet simplicity

She knows no deception

And believes in his chosen dream?

Why is she so trusting?

What is gifted from heaven

With a rebellious imagination,

Alive in mind and will,

And wayward head,

And with a fiery and tender heart?

Tatiana’s letter is imbued with love and fear of being misunderstood:

I am writing to you - what more?

What more can I say?

Now I know it's in your will

Punish me with contempt...

Another!.. No, no one in the world

I wouldn't give my heart!

It is destined in the highest council...

That is the will of heaven: I am yours;

My whole life was a pledge

The faithful's meeting with you;

I know you were sent to me by God,

Until the grave you are my keeper...

Who are you, my guardian angel

Or the insidious tempter:

Resolve my doubts.

Imagine: I'm here alone,

nobody understands me...

I freeze with shame and fear...

But your honor is my guarantee,

And I boldly entrust myself to her...

Tatyana asks the nanny to send her grandson with a letter to Onegin. She anxiously awaits an answer:

But the day passed and there was no answer.

Another has come: everything is no different.

And meanwhile her soul ached,

And the languid gaze was full of tears.

Suddenly there was a stomp!.., her blood froze.

Here's closer!

They gallop... and into the yard Evgeniy!

"Oh!" - and lighter than a shadow
Tatyana jumped into another hallway,

From the porch to the yard, and straight into the garden,

Flying, flying; look back

He doesn't dare...
And, out of breath, onto the bench

Fell...
She trembles and glows with heat,

And waits: is it coming?

But finally she sighed

And she rose from her bench;

I went, but only turned around

In the alley, right in front of her,

Shining eyes, Evgeniy

Stands like a menacing shadow...

Chapter 4

The chapter opens with Onegin’s thoughts: “What smaller woman we love, / The easier it is for her to like us...” Onegin:

In his first youth

Was a victim of stormy delusions

And unbridled passions.

This is how he killed eight years old

Having lost the best color of life.

He no longer fell in love with beauties,

And somehow I was dragging my feet...

But, having received Tanya’s message,

Onegin was deeply touched...

Perhaps the feeling is an ancient ardor

He took possession of it for a minute;

But he didn't want to deceive

The gullibility of an innocent soul.

Now we'll fly to the garden,

Where Tatyana met him.

Onegin's explanation with Tatiana:

Accept my confession:

I submit myself to you for judgment...

Whenever life around home

I wanted to limit...

That would be true, except for you alone,

I was looking for no other bride...

But I am not made for bliss;

My soul is alien to him;

Your perfections are in vain:

I am not worthy of them at all.

Believe me (conscience is a guarantee),

Marriage will be torment for us.

No matter how much I love you,

Once I get used to it, I’ll stop loving it immediately.

And that's what they were looking for

Are you a pure, fiery soul?

There is no return to dreams and years;

I will not renew my soul...

I love you with the love of a brother

And maybe even more tender...

You will love again: but...

Learn to control yourself;

Not everyone will understand you like I do;

Inexperience leads to trouble.

After Onegin’s explanation, “Love’s insane suffering / Has not ceased to excite / The young soul...” Tatyana knows no peace, “turns pale, goes dark and is silent.” Pushkin sympathizes with his heroine:

Involuntarily, my dears,

I am constrained by regret;

Forgive me: I love you so much

My dear Tatiana!

Description happy love Olga and Lensky:

Intoxicated with love,

In the confusion of tender shame,

He only dares sometimes

Encouraged by Olga's smile,

Play with a developed curl

Or kiss the hem of clothes...

Onegin, meanwhile, continues his usual life on the estate:

Onegin lived as an anchorite...

Walking, reading, deep sleep...

Solitude, silence:

This is Onegin's holy life...

Landscape sketches:

The sky was already breathing in autumn,

The sun shone less often,
The day was getting shorter...

And now the frost is crackling...

The first snow flashes and curls,

Stars falling on the shore.

Lensky comes to Onegin:

“What about the neighbors? What about Tatyana?

Why is Olga your frisky?” —

Oh, darling, how prettier you are

Olga has shoulders, what a chest!

What a soul!..
Well... what a fool I am!

You were invited to them this week.

"I?" - Yes, Tatyana’s name day

On Saturday.

Lensky speaks only about Olga: “In two weeks / A happy date was set” - the wedding. “He was loved... at least / So he thought, and he was happy.”

Chapter 5

Landscape sketch:

That year the weather was autumn

I stood in the yard for a long time,

Winter was waiting, nature was waiting.

Snow only fell in January...

Winter!.. The peasant, triumphant,

On the firewood he renews the path...

Tatiana (Russian soul,

Without knowing why)

With her cold beauty

I loved Russian winter...

Tatyana believed the legends

Of common folk antiquity,

And dreams, and card fortune-telling...

Christmas time has arrived. What a joy!

Windy youth wonders...

Old age guesses through glasses...

Description of Christmas fortune telling. Tatyana also wonders:

Tatyana, on the advice of the nanny,

Going to cast a spell at night,

She quietly ordered in the bathhouse

Set the table for two utensils.

At night she has a prophetic dream:

She dreams that she

Walking through a snowy meadow...

But suddenly the snowdrift began to move.

And who came from under it?

Big disheveled bear;

Tatyana ah! And he roars...

Tatiana in the forest; the bear is behind her...

She runs, he follows,

And she no longer has the strength to run.

Fell into the snow; bear quickly

She is grabbed and carried...

I came to my senses, Tatyana looks:

There is no bear; she's in the hallway...

She looks quietly through the crack,

And what does he see?.., at the table

There are monsters all around...

Barking, laughing, singing, whistling and clapping,

Human rumor and horse top!

Onegin sits at the table

And he looks at the door furtively...

He's the boss there, that's clear...

Everyone stood up; he goes to the door.

And she's scared and hasty

Tatyana tries to run:

There's no way...

Evgeniy pushed the door:

And to the gaze of hellish ghosts

A maiden appeared; furious laughter

It sounded wild...

Everything points to her

And everyone shouts: mine! my!

My! - Evgeny said menacingly,

And the whole gang suddenly disappeared.

Onegin quietly captivates

Tatyana in the corner...

And bows his head

On her shoulder; all of a sudden

Olga enters

Behind her is Lensky; the light flashed;

Onegin waved his hand...

He grabs a long knife and instantly
Lensky is defeated...

The hut shook...

And Tanya woke up in horror...

She unsuccessfully tries to unravel the meaning of the dream using a dream book. The name day is coming. Guests are arriving. Their description is reminiscent of the description of the monsters from Tatiana’s dream. Onegin is “planted directly opposite Tanya”:

Tragi-nervous phenomena,

Girlish fainting, tears

For a long time I couldn’t stand Evgeniy...

Swore to enrage Lensky

And take some revenge.

Description of the ball:

Monotonous and crazy

Like a young whirlwind of life,

A noisy whirlwind swirls around the waltz...

Approaching the moment of vengeance,

Onegin, smiling secretly,

Approaches Olga.

Quick with her

Hovering around the guests...

Again he continues the waltz with her;

Everyone is amazed. Lensky himself

He doesn't believe his own eyes.

Coquette, flighty child!

She knows the trick,

I've learned to change!

Lensky is unable to bear the blow...

A couple of pistols

Two bullets - nothing more -

Suddenly his fate will be resolved.

Chapter 6

Onegin is pleased with his revenge. He returns home. Tatyana is worried about a premonition of trouble. The next day, Onegin receives, through Zaretsky, a challenge to a duel from Lensky. Onegin “said that he is always ready.” Left alone, Onegin “blamed himself for many things”:

Eugene,
Loving the young man with all my heart,

Had to prove myself

Not a ball of prejudice,

Not an ardent boy, a fighter,

But a husband with honor and intelligence. ...

"But now
It's too late; time has flown...

Besides - he thinks - in this matter

The old duelist intervened;

He is angry, he is a gossip, he is loud...

But the whispers, the laughter of fools..."

And here is public opinion!

Before the duel, Lensky goes to Olga, thinking to embarrass her. But she is “playful, carefree, cheerful, / Well, exactly the same as she was.”

Jealousy and annoyance disappeared

Before this clarity of sight...

I'm ready to ask her for forgiveness...

He's happy, he's almost healthy...

The night before the duel, Lensky writes poetry:

Where, where have you gone,

Are the golden days of my spring?

What does the coming day have in store for me?

Will I fall, pierced by an arrow,

Or she will fly by,

All is well...
Heart friend, desired friend,

Come, come: I am your husband!..

Early in the morning, Lensky, together with Zaretsky, arrives at the place of the duel and waits for Onegin, who “was sleeping at that time dead asleep" Finally Evgeniy arrives. When Zaretsky asks who will be his second, he points to his servant.

Enemies! How long have we been apart?

Has their bloodlust gone?

Shouldn't they laugh while

Their hand is not stained,

Shouldn't we part ways amicably?

Now the pistols are already flashing...

Onegin fired... They struck

Time clock: poet

Silently drops the pistol,

Quietly puts his hand on his chest

And falls. Misty Eyes

Depicts death, not agony...

In the anguish of heart remorse,

Clutching the gun in my hand,
Evgeniy looks at Lensky.

Reasoning about how Lensky’s fate could have developed if he had remained alive:

Perhaps he is for the good of the world

Or at least he was born for glory...

Or maybe even that: a poet

The ordinary one was waiting for his fate...

The chapter ends with a lyrical digression:

Summer is inclined towards harsh prose,

Summer is chasing the naughty rhyme...

Dreams Dreams! Where is your sweetness?

Where, the eternal rhyme to it, is youth?

But so be it: let’s say goodbye together,

Oh my easy youth!

Chapter 7

The chapter opens with a picture of spring:

Nature's clear smile

Through a dream he greets the morning of the year...

How sad your appearance is to me,

Spring, spring, time for love!

Narration of Olga's fate:

My poor Lensky! languishing,

She didn't cry for long...

Ulan managed to captivate her,

Ulan loves her with all her soul...

The Larins family fell silent.

Ulan, his slave of his share,

I had to go with her to the regiment.

Tatyana is left alone:

And in cruel loneliness

Her passion burns stronger

And about distant Onegin

Her heart speaks louder.

She won't see him;

She must hate him

The killer of his brother...

It was evening. The sky was darkening.

The waters flowed quietly...

Immersed in my dreams,

Tatyana walked alone for a long time.

She walked and walked. And suddenly in front of me

From the hill the master sees the house...

“Is it possible to see the manor’s house?” —

Tanya asked...

And Tanya enters the empty house,

Where did our hero recently live?

Tatiana with a touching gaze

He looks at everything around him,

And everything seems priceless to her,

All lives the languid soul

Half-painful joy:

And a table with a dim lamp,

And a pile of books...

And Lord Byron's portrait,

And a post with a cast iron doll

Under a hat with a cloudy brow,

With hands clenched in a cross.

A day later, Tatyana comes to Onegin’s house again:

And in a silent office,

Forgetting everything in the world for a while,

Finally left alone

And she cried for a long time.

Then I started reading books.

At first she had no time for them,

But their choice appeared

It's strange to her. I indulged in reading

Tatiana is a greedy soul;

And a different world opened up to her...

Stored many pages

Sharp nail mark...

Onegin's soul is everywhere

Involuntarily expresses himself

That in a nutshell, then with a cross,

That's a question hook.

And it starts little by little

My Tatyana understand

It's clearer now - thank God -

The one for whom she sighs

Condemned by an imperious fate:

The eccentric is sad and dangerous,

The creation of hell or heaven,

This angel, this arrogant demon,

What is he? Is it really imitation?

An insignificant ghost, or else

Muscovite in Harold's cloak,

interpretation of other people's whims,

A complete lexicon of fashion words,

Isn't he a parody?..

Tatyana's mother is concerned about her future:

Find a girl, hey,

It's time; what should I do with her?

Everyone says exactly the same thing:

Neidu. And she's still sad

Yes, she wanders through the forests alone.

“Well, mother? What happened?

To Moscow, to the bride fair!

Tatyana sadly says goodbye to her dear native places:

Changing the sweet, quiet light

To the noise of brilliant vanities...

Forgive me too, my freedom!

What does my fate promise me?

After much preparation, the day of departure arrived: “The servants came running at the gate / To say goodbye to the bars.” “And our maiden fully enjoyed / The boredom of the road: / They rode for seven days.”

But it's getting close. In front of them

Already white-stone Moscow,

Like heat, golden crosses

Ancient chapters are burning...

How often in sorrowful separation,

In my wandering destiny,

Moscow, I was thinking about you! Moscow!

There is so much in this sound

For the Russian heart it has merged!

How much resonated with him!

Finally, the tiring journey ended: “To the old aunt, / The patient has been suffering from consumption for four years, / They have arrived now.”

Sick and caresses and fun

Tatiana is touched; but she

Not good for a housewarming party

Accustomed to her upper room...

And here: for related dinners

They deliver Tanya every day..

To relatives who arrived from afar,

An affectionate meeting everywhere...

And the grandmothers repeat in unison:

“How our years fly by!”

But no change is visible in them;

Everything about them is the same as the old model:

Everything is whitewashed Lukerya Lvovna,

Lyubov Petrovna lies all the same,

Ivan Petrovich is just as stupid

Semyon Petrovich is also stingy...

Tatyana wants to listen

In conversations, in general conversation;

But everyone in the living room is occupied

Such incoherent, vulgar nonsense;

Everything about them is so pale and indifferent;

They slander even boringly...

And even nonsense is funny

You won’t find it in you, the light is empty.

She is also brought to Sobranie.

There is cramped space, excitement, heat...

Noise, laughter, running, bowing,

Gallop, mazurka, waltz...

Unnoticed by anyone

Tatyana looks and doesn’t see,

He hates the excitement of the world;

She's stuffy here... she's a dream

Strives for the life of the field...

And into the darkness of the linden alleys,

Where he appeared to her.

And meanwhile he doesn’t take his eyes off her

Some important general...

But here we congratulate you on your victory

My dear Tatiana...

Chapter 8

The chapter opens with a lyrical introduction:

In those days when in the gardens of the Lyceum

I blossomed serenely

I read Apuleius willingly,
But I haven’t read Cicero,

In those days in the mysterious valleys,

In the spring, when the swan calls,

Near the waters shining in silence,

The muse began to appear to me...

And the youth of days gone by

She was wildly dragged after her,

And I was proud among friends

My windy friend...

Suddenly everything around me changed,

And here she is in my garden

She appeared as a district young lady,

With a sad thought in his eyes

With a French book in hand...

And now I'm a muse for the first time

I bring it to a social event...

But who is this in the chosen crowd?

Stands silent and foggy?

- Why so unfavorably?

Do you respond to him?

Because we are restless

Let's work hard and judge everything...

That there are too many conversations

We are happy to accept business,

That stupidity is flighty and evil,

What important people nonsense is important

And that mediocrity is one

We can handle it and isn’t it strange?

Lyrical digression:

Blessed is he who was young from his youth,

Blessed is he who matures in time,

Who gradually life is cold

Over the years I was able to endure...

But it's sad to think that it's in vain

We were given youth

That they cheated on her all the time,

That she deceived us...

It's unbearable to see in front of you

There's a long row of dinners alone,

Look at life as a ritual
And after the decorous crowd
Go without sharing with her
No common opinions, no passions.

Having killed a friend in a duel,
Having lived without a goal, without work
Until twenty-six years old,
Languishing in idle leisure
Without work, without wife, without business,
I didn't know how to do anything.
He was overcome with anxiety
Wanderlust...
And began wandering without a goal...
And travel for him,
Like everyone else in the world, we’re tired;
He returned and hit
Like Chatsky, from the ship to the ball.
But the crowd hesitated
A whisper ran through the hall...
The lady was approaching the hostess,
Behind her is an important general.
She was leisurely
Not cold, not talkative,
Without an insolent look for everyone,
Without pretensions to success...
Everything was quiet, it was just there...
“Really,” thinks Evgeniy:
Is she really?..”
“Tell me, prince, don’t you know
Ko there in a raspberry beret
Does he speak Spanish to the ambassador?
...- Yeah! You haven't been in the world for a long time.
Wait, I'll introduce you. —
“Who is she?” - "My wife".
...The princess looks at him...
And whatever troubled her soul...
But nothing changed her:
It retained the same tone
Her bow was just as quiet.

But also traces of the former Tatyana
Onegin could not find...
Is it really the same Tatyana...
The girl he
Neglected in humble fate,
Was she really with him now?
So indifferent, so brave?
...What about him? What a strange dream he is in!
What moved in the depths
A cold and lazy soul?
Annoyance? Vanity? Or again
The concern of youth is love?

Onegin seizes every opportunity to see Tatiana:

But my Onegin is a whole evening
I was busy with Tatyana alone,
Not this timid girl,
In love, poor and simple,
But an indifferent princess,
But an unapproachable goddess
Luxurious, royal Neva.
...How Tatyana has changed!
How firmly she stepped into her role!
...Doubts of the years: alas! Eugene
I'm in love with Tatiana like a child...
He chases after her like a shadow...
She doesn't notice him
No matter how he fights, even if he dies...
But he is stubborn, he doesn’t want to fall behind,
Still hoping, fussing;
Be brave, healthy, sick,
To the princess with a weak hand
He writes a passionate message.
“I foresee everything: you will be insulted
An explanation for the sad mystery.
What bitter contempt
Your proud look will portray!
...Having met you once by chance,
Noticing a spark of tenderness in you,
I didn't dare believe her...

I thought: freedom and peace

Substitute for happiness. My God!
How wrong I was, how I was punished.
No, I see you every minute
Follow you everywhere...
To freeze in agony before you,
To turn pale and fade away... that's bliss!
I know: my life has already been measured;
But so that my life may last,
I have to be sure in the morning
That I will see you this afternoon...
If only you knew how terrible
To yearn for love...
Everything is decided: I am in your water
And I surrender to my fate."
No answer. He is a message again.
Second, third letter
No answer...
...He again renounced the light.
...He began to read again indiscriminately...
So what? His eyes read
But my thoughts were far away...
And he did not become a poet,
He didn't die, he didn't go crazy.
Spring lives him...
He rushed to her, to his Tatyana
My uncorrected eccentric...
The princess is in front of him, alone
Sits untidy, pale,
He's reading some letter
And quietly tears flow like a river...
Who is the old Tanya, poor Tanya
Now I wouldn’t recognize the princess!
In the anguish of insane regrets
Evgeniy fell at her feet...
A long silence passes,
And finally she quietly:
"Enough; stand up. I must
You need to explain yourself frankly.
Onegin, I was younger then,
I think I was better
And I loved you; and what?
What did I find in your heart?..
...But you
I don't blame: at that terrible hour
You did a noble thing...
You didn't like me...
Why are you persecuting Me now?
How about your heart and mind
To be a petty slave to feelings?
...Now I'm glad to give it away
All this rags of a masquerade,
All this shine, and noise, and fumes
For a shelf of books, for a wild garden,
For our poor home,
For those places where for the first time,
Onegin, I saw you...
And happiness was so possible
So close!.. But my destiny
It's already decided...
I got married. You must,
I ask you to leave me...
I love you (why lie?),
But I was given to another;
I will be faithful to him forever.
She left. Evgeniy stands,
It's like being struck by thunder...
But a sudden ringing of spurs rang out,
And Tatyana’s husband showed up,
And here is my hero,
In a moment that is evil for him,
Reader, we will now leave,
For a long time... forever.

The novel ends with an address to the reader, a farewell to the characters:

Whoever you are; oh my reader,
Friend, foe, I want to be with you
To part now as friends...
Forgive me too, my strange companion,
And you, my true ideal,

And you, alive and constant,
Even a little work...
Blessed is he who celebrates life early
Left without drinking to the bottom
Glasses full of wine,
Who hasn't finished reading her novel?
And suddenly he knew how to part with him,
Like me and my Onegin.

The work presents in a condensed form the history of creation, plot, composition, features of the genre, comparative characteristics heroes of the novel by A.S. Pushkin "Eugene Onegin". The basic outline can be used to prepare for a lesson, as well as to repeat and summarize the material studied.

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Basic outline plan

based on the novel by A.S. Pushkin "Eugene Onegin"

Creation of the novel "Eugene Onegin".Work on the novel lasted from 1823 (southern link) -1830 (Boldino autumn). In 1831, the poet redid chapter 8 and wrote a letter from Onegin to Tatyana. In 1833 the novel was published. The last draft included 10 chapters: chapter 8 was supposed to become chapter 9. Instead, I wanted to describe Onegin’s journey. And at 10 Pushkin wanted to write about the origin secret societies Decembrists. Chapter 10 and Onegin's Journey were not completed. The poet understood that for censorship reasons it could not appear in print. The work covers events from 1819 to 1825 (the reign of Alexander 1). This time was full of various historical events, it was at this time that a type of person similar to the hero of Pushkin’s work emerged. Pushkin looked for the reasons for the disappointment of the young intellectual, his dissatisfaction with life.

Plot. Provincial girl Tatyana Larina fell in love with the “socialite” Evgeniy Onegin, who was disappointed in life and indifferent to everything. She confesses her love, but Onegin does not reciprocate. Eugene's journey separated the heroes. Tatyana got married and became a brilliant society lady. Now Onegin is in love, but Tatyana cannot sacrifice the honor and peace of her family.

Composition The novel is mirrored (a mirror image of the first seven chapters in the eighth). Two parts: two letters - Tatiana and Onegin, two reprimands.

Genre. This is a "novel in verse." The work intertwines the lyrical (the image of the author, the activity of the author’s voice, lyrical digressions) and the epic (reflection historical era, presented through the hero's story) beginning. Onegin stanza: 14 lines - AbAb CCdd EffE gg (uppercase A - female rhyme, lowercase b - masculine).

Chapter 1 - Onegin - “a child of fun and luxury,” “an involuntary egoist.” He received a noble education, typical for that time. Pushkin justifies the hero: “We all learned a little.” The poet described in detail the hero's daily routine: late awakening of the aristocrats, a walk along Nevsky Prospect, lunch in a restaurant, visiting the theater, a ball. Before us is a typical representative of his time. However, being an intelligent and critical person, Onegin quickly becomes disillusioned with the bustle social life. For him there are no values, he does not believe in the sincerity of feelings.

Heroes of the novel

“Onegin is my good friend”

Chapter 2 Onegin in the village. Meeting Lensky, Olga, Tatyana

Chapter 3 Meeting of Onegin and Tatiana. Tatyana's love for Onegin. Her lover merges in her mind with the images of the heroes of her favorite novels: he is “a model of perfection.” The author elevates the image of his heroine above secular beauties, experienced in the secrets of “love”. The letter to Onegin is an expression of a sincere, deep feeling, the feeling that Eugene was “sent by God.”

Chapter 4 The climax in the Onegin - Tatiana storyline (date in the garden), further development storylines Onegin - Lensky, Lensky - Olga. Tatyana's letter touched Onegin; a lot of good, sincere honest things awoke in his soul. Evgeniy does not deceive Tatyana, he acts nobly, but his speech is like a “lesson”, it is strict and dry. Disappointed Onegin, who does not believe in the depth of feelings, passes by pure love Tatiana.

Chapter 5 The dream (designed in tones close to folk poetry, rich fairy-tale images, this is a prophetic dream), Tatiana’s name day, a characteristic of the provincial nobility. One of the main features of the heroine is “Russian in soul”: she is close to nature, in folk tales and fortune telling. Provincial nobles are people of low culture; there is neither passion nor intelligence in their lives. These are ruthless serf owners with primitive, base interests. But landed nobility- this is the Larin family, true to the traditions of antiquity. The author loves them for their hospitality, hospitality, and simplicity. Onegin's courtship of Olga on Tatiana's name day, Lensky's jealousy.

Chapter 6 The culmination of the Onegin-Lensky storyline (duel), its denouement (death). Onegin’s inconsistency: he understands that he acted with Lensky wrongly, but goes to the duel, since he is still dependent on the opinion of the world. The author’s deep sadness caused by the death of his youth and young talent.

Chapter 7 The heroine visits Onegin’s office, reading his books, is at the origins of Eugene’s soul, she is worried about the question: “Isn’t he a parody?” Tatiana in Moscow. The meeting with the general is a turning point in the heroine’s fate. Different attitude to the Moscow of the author (for him it is a great historical city) and Tatiana (for her Moscow is just a noble capital, stuffy, hateful).

Chapter 8 Meeting of Onegin and Tatiana. Love flares up in the hero’s soul, as if they are changing roles. Evgeniy writes a passionate letter, full of disappointment in your past. Onegin is refused. The highly moral heroine could not have acted differently. She changed externally, but internally remained the same.

A novel in verse by A.S. Pushkin - “encyclopedia of Russian life”, which “reflected the century and modern man" From the pages of the novel we learn about the era: about raising children in a noble family, details of everyday life, fashion, education, culture, the life of serfs, the high society of St. Petersburg, Moscow, provincial landowners and much more.

Subjects lyrical digressions in the novel is very diverse: the author’s opinion about balls, fashion, food, theater, everyday life, love, the Russian language, etc. Numerous landscape sketches: all seasons pass before the reader.

The novel presents a holistic view of Russian life at the beginning of the 19th century, huge world Russia with its culture, nature, lifestyle.

I. Introduction. Heroes are typical representatives of the advanced part of the Russian nobility early XIX century.

Image of Evgeny Onegin

Tatiana - Russian soul

1) Tatyana’s place in the novel “Eugene Onegin”.

2) Who is she, Pushkin’s heroine?

a) Conditions of education in a landowner environment.

10. b) Originality of character in childhood and early adolescence.

11. c) Reasons that influenced the formation of her character:

12. d) Harmony of Tatiana’s nature:

13. 3) Belinsky about Tatyana Larina.

Like a satire on modern society, but in the process of work the novel grew into a work about the spiritual quest of youth of the 19th century.

The author began writing “Eugene Onegin” as a romantic, and ended up as a realist. This evolution from romanticism to realism is reflected in the novel. In addition, it was started before the Decembrist uprising, and finished after its defeat, and these socio-political changes are also reflected in the book.

Novel ( immortal work) begins with an epigraph, followed by a dedication to Pletnev, then eight chapters without titles; notes, Onegin's travels and excerpts from the tenth chapter.

In his dedication, Pushkin pointed out the uniqueness of the used artistic method, which is determined by the fact that it contains evolution, the transition from romanticism to realism.

In addition, in his dedication Pushkin defines genre originality works - "a collection of motley chapters." He also points out the special role of the author, whom he defines as the main character of the novel.

In "Eugene Onegin" Pushkin for the first time in Russian literature deduces the type " extra person". He was one of the first to pose the problem of personality and society and solved it realistically. That is, he shows that a person’s character is determined by his environment, society, and upbringing. Onegin was not born an egoist, he is a man of rich abilities, but, not having the opportunity to reveal his qualities, Eugene withdraws into himself, that is, he becomes “an egoist against his will.” Pushkin shows in detail the conditions that shape Onegin’s character, using the technique of comparison: he shows how a foreign environment, someone else’s upbringing shapes Eugene’s character and how the Russian environment shapes Tatiana’s character. Moreover, in the character of the main character, the author shows not only typical, but also personality traits. It is this combination of the typical and the individual that determines the originality of the realistic character.

The novel clearly demonstrates the principle of historicism: the era described is reflected in its main trends and patterns, depicting typical characters under typical circumstances.

The novel has a number of original features. First of all, the genre definition - “novel in verse” - became original.

"Eugene Onegin" became a kind of parody of romantic work. The novel combines two components in an inseparable unity: its form traces the traditions of Byron, and the second component is innovation. It is that Pushkin created a national and original novel about Russia and for Russia. There is not one individualistic hero, but at least two main characters.

The plot was created according to the principle mirror composition. Tatyana meets with Onegin, becomes interested in him, writes him a letter, Onegin in a conversation with her gives a cold answer - a “rebuke”. Later the same thing happens to Onegin. He meets Tatyana at the ball and falls in love with her, writes her a letter and receives a response similar to his own.

The names of the heroes Eugene Onegin and Tatyana Larina have become household names in Russian literature. In addition to the love conflict between Tatyana and Onegin, there is another very important conflict in the novel - between Evgeny Onegin and Vladimir Lensky. The motives for their duel have been discussed more than once in critical articles. The duel between Onegin and Lensky was provoked by Lensky - a hot, passionate, romantic young man, the challenge was made thoughtlessly. Who else but Onegin understood this? The duel itself was arranged in the image of romantic duels from novels. Lensky is a typical hero romantic literature, died in accordance with the cliches of this literature.

This duel is also a test for Onegin - for his mask of a cynic, an egoist. After it, the hero goes abroad. Duel sparks change inner world hero, confirmation of which we see in the last parts of the novel, where his relationship with Tatyana develops again.

A novel (immortal work) includes varieties of novels that exist in Western Europe: biography novel, education novel, travel novel, love story, adventure novel, historical novel. From this unique combination came what Pushkin called a “free novel.”

Plan

Onegin receives an inheritance. Biography of the hero, Evgeniy’s current lifestyle. Onegin's blues, attempts to cope with this condition. Onegin's arrival in the village. Meeting Lensky and Larins. Letter from Tatiana. Her meeting with Onegin. Tatiana's name day. Quarrel between Onegin and Lensky. Duel. Death of Lensky. Departure of the Larins for Moscow. Last meeting with Onegin.

How to download a free essay? . And a link to this essay; Analysis of the novel “Eugene Onegin” by A. S. Pushkin, plan already in your bookmarks.

Having begun his article about the novel “Eugene Onegin” by pointing out that this “most sincere work of Pushkin” reflected the poet’s personality with particular completeness, Belinsky declares that the novel, not to mention its artistic merits, “has for us Russians, enormous historical and social significance." Pushkin in "Eugene Onegin", according to Belinsky, created the first "national work of art"; "together with his contemporary a brilliant creation Griboyedov's "Woe from Wit" Pushkin's poetic novel laid a solid foundation for a new
Poems by N. Ya. Plyuskova To Chaadaev Village I survived my desires... Dagger Prisoner Bird Demon Half my lord, half merchant... To the sea Burnt letter By October 19 Winter evening Prophet I. I. Pushchin Winter road In the depths of Siberian ores... Arion May 26, 1828 Anchar Poet and crowd On the hills of Georgia... November 2 I loved you: love is still, perhaps... Do I wander along the noisy streets. .. Caucasus What's in my name... Madonna
1. The life of which layers of society is shown in A. S. Pushkin’s novel “Eugene Onegin”? A. Local nobility B. Barskaya Moscow C. Provincial bureaucracy D. High society of St. Petersburg D. Serf peasantry E. Common intelligentsia 2. About which of the heroes of A. S. Pushkin’s novel “Eugene Onegin” A. I. Herzen said: “He never takes the side of the government,” but “is never able to take the side of the people”? A. Lensky B. Onegin C. Larin’s father D. Tatyana Larina’s husband 3. Which of the characters in the novel “Eugene Onegin” is A.
Onegin, my good friend... A.S. Pushkin Already the first readers of the novel "Eugene Onegin" paid attention to one feature: the active role of the author, his direct presence in the work. He is not just an eyewitness to everything that happens in the novel; the author’s personality bears a double burden. Firstly, he is the creator of the work, accelerating or slowing down the development of the action. At the same time, he is the poet Pushkin, in all the originality of his creative appearance, with his views on life and art,
It was not for nothing that Pushkin emphasized that he was writing not a novel, but a novel in verse and said about this: “The devilish difference.” In an ordinary novel, the author is absent as an equal hero. Conventional novels are created on the basis of an epic (narrative) beginning, that is, the readers' attention is focused on the stories of the heroes. Here Pushkin introduces himself as one of the heroes and, to a degree equal to the epic, is revealed in the novel lyrical beginning(so-called lyrical digressions). The plot corresponds to the plot, but at the same time
Pushkin's original intention for the novel Eugene Onegin was to create a comedy similar to Griboedov's Woe from Wit. In the poet's letters one can find sketches for a comedy in which main character portrayed as a satirical character. During the work on the novel, which lasted more than seven years, the author’s plans changed significantly, as did his worldview as a whole. By its genre nature, the novel is very complex and original. This is a "novel in verse." Works of this genre can also be found
The novel (immortal work) "Eugene Onegin" was and remains an unsurpassed example of Russian classical literature. This work is unique in its originality. Emphasizing its unconventionality, Pushkin himself said: “Now I’m not writing a novel, but a novel in verse - a devilish difference.” The poet called his novel “free,” and we feel this freedom in the sincere expression of the author’s “I”, in his relaxed conversation with the reader. Following events, we constantly feel the presence of the author-poet, who shares with us