Krymov Dmitry Anatolyevich (born 1954) is a famous Russian theater director, artist, and set designer. His performances are incredibly popular both in Russia and abroad. As a set designer, Krymov successfully worked with many capital and provincial theaters, taking part in the design of more than a hundred performances.
He is one of the revolutionaries of modern Russian theater, bringing to it a previously unprecedented aesthetics. His unique genre mix, work at the intersection of styles and trends cannot leave anyone indifferent. It is no coincidence that his productions, with the very precise guidance of theater historian V. Berezkin, are usually called “the artist’s theater.”
Early biography
Dmitry Krymov was born on October 10, 1954 in Moscow in creative family the famous director Anatoly Efros and theater critic and writer Natalia Krymova. WITH early childhood the boy, on the advice of his grandfather, was recorded under his mother's surname, since his father had Jewish roots, which could create certain problems in the future. There is an opinion that the birth of the future director is connected with the well-known “doctors’ case,” or rather with the rehabilitation of all those who went through it. Natalya and Anatoly really wanted a child, but were afraid to have one because of repression, and now fate has given them a chance.
They still say about him that he comes from childhood, and, remembering the old film in which Anatoly Efros talks about his four-year-old son, it’s hard to disagree with this. We see childish spontaneity, dressed in the figure of a talented boy, whose paintings hung at home next to the works of A. Matisse.
Krymov was brought up and grew up in an unusually talented environment of his mother and father, who gave him a lot and at the same time cast a certain shadow on his individuality. Often Anatoly Efros criticized his son for taking too long to solve a creative problem, and his mother had to explain for a long time that not everyone is like him. However, this did not at all prevent Krymov from becoming a self-sufficient person.
Talented set designer
Having received a school certificate, Dmitry went to learn the basics of scenographic art at the Moscow Art Theater School-Studio in the production department. After graduating from university in 1976, Krymov got a job as a set designer at the theater on Malaya Bronnaya. Here he took part in the design of a whole series of performances staged by his father: “Othello”, “Summer and Smoke”, “Continuation of Don Juan”, “A Month in the Country”. In addition, he designed several productions of the Moscow Art Theater. Chekhov - “The Living Corpse”, “Tartuffe”, “Attempted Flight”. IN different time Dmitry Anatolyevich managed to work in many metropolitan theaters, including the Variety Theater, Central Children's Theater, Theater named after. Mossovet, theater named after. Mayakovsky and others. In addition, Krymov fruitfully collaborated with theaters in other cities. Soviet Union- Tallinn, St. Petersburg, Nizhny Novgorod, Volgograd.
In the 90s, after the sudden death of his father and then his mother, he left the theater. Then it seemed that it was for good, since the theater hit the living - the most important losses and deep disappointments were associated with it. In the interval between serving Melpomene, Krymov seriously took up easel art and plunged headlong into graphics, painting and installation. His paintings were exhibited in the Russian Museum, fine arts them. A. S. Pushkin and at sites in a number of foreign countries. The author’s works are also in private collections among collectors from Israel, Germany, and the USA.
But life forced him to return to where he found his calling, and Dmitry Anatolyevich did not tempt fate again. On the stage of the theater. Stanislavsky, unexpectedly for many, he staged Hamlet, and then went to teach at GITIS, where he finally realized the need for theatrical art.
Teaching path
Dmitry Anatolyevich turned out to be a wonderful teacher who trained a galaxy of talented young actors. Some of them remain on the same team with him even after graduation. Since 2002 Krymov has been teaching at Russian Academy theatrical arts, where he teaches his course. In 2008, he, together with director E. Kamenkovich, recruited an experimental group in which future actors, stage designers and directors studied together. “Being able to negotiate is a great skill”, - says Dmitry Anatolyevich. For domestic theater education, this was truly a unique learning experience in such co-creation. He did not always speak positively about his experiment; sometimes he wanted to quit this thankless task, but each time he set a new course again. Teaching activities, which involved communication with students, seriously motivated Krymov to return to the theater. And this theater became his famous laboratory.
Krymov's laboratory
Its story began in October 2004, when the director, together with students of the art department of the Russian Academy of Theater Arts, staged the play “Innuendos”. The production is based on Russian stories folk tales, published under the editorship of Afanasyev. main feature performance - communication with the audience exclusively in language visual images, united by a common semantic outline. Director Anatoly Vasiliev really liked this production, who proposed to include it in the repertoire of his “Theater of Europe” and create a laboratory. Since then, it has been a unique division of the theater, possessing a unique artistic aesthetics. The turning point for Krymov’s platform was Vasiliev’s departure from the theater, which occurred in 2006. The director’s first desire was to follow the example of his colleague, but he firmly said: “Don’t go.” As a result, Krymov stayed, thanks to which the laboratory maintained its existence.
At different times, V. Garkalin, M. Smolnikova, E. Startsev, V. Martynova, A. Mikhalev and many others took part in the project. Theater critics, who did not ignore Krymov, awarded his creations with various epithets - piercing sincerity, bright visual expressiveness, unexpected associative series, together with acting in the realities of an unusual artistic structure. They are not far from the truth - all this and much more is present in the performances of the laboratory, allowing it to be considered a kind of experimental platform. All performances on it are created in two stages. First, there is a brainstorming session, during which there is an active discussion of the material and everyone can express their opinion and also make a proposal. Then the actors appear before the director in makeup and the character development begins.
Music plays a special role in Krymov’s productions. He calls her a full participant in the performance, so he rarely takes ready-made works for performances. Most often, a production has its own, original melody written for it. Recently, Dmitry Anatolyevich has been fruitfully collaborating with the composer K. Bodrov, who at one time wrote several works for the Pope’s Mass. He created musical accompaniment for the performances “Oh, last love", "As you like it", "Gorki-10" and some others.
Avant-garde director
Krymov himself claims that for him there is no fundamental principle set in the play. He considers himself entitled to tailor the work, subtracting what is unnecessary and adding what is necessary. “Using any play, I create my own basis, and in this sense, my theater is author’s”, says the director. During the existence of the laboratory, over a dozen performances were staged. Among them: “The Death of a Giraffe”, “Opus No. 7”, “Tararabumbia”, dedicated to the 150th anniversary of A.P. Chekhov, “Honoré de Balzac. Notes about Berdichev", "Oh, late love", "A Midsummer Night's Dream", which became a laureate Edinburgh Festival arts and many others.
Each production performed by Krymov is a real masterpiece, presented in the language of metaphors. They force you to delve deeply into pressing problems, changing the perspective of perception of reality. For example, in the diptych “Opus No. 7” seemingly two completely different plots are organically combined - the plight of the people of Israel and the vicissitudes life path outstanding composer D. Shostakovich. But the master was able to show: the destinies of the persecuted people and the musician are merged together, private and historical issues have many points of contact and are sometimes very closely intertwined.
Krymov also has experience in the opera genre. At one time, he staged two one-act operas on the premises of Helikon, and in 2011, in collaboration with composer K. Bodrov, on stage Musical theater them. Stanislavsky staged the play “H.M. Mixed media" This is exactly what the director calls his performance, although there is a place for a choir and orchestra in it. In addition, in 2010, Krymov had a a joint project with M. Baryshnikov “In Paris” - a play staged in Russian for European audiences.
New plans
As always, Dmitry Anatolyevich is full of creative plans. In the summer of 2016, Krymov publicly announced his desire to make a feature film. And although he story line is still unknown, the director shared his vision of the film. Mainly his pupils and students will take part in the filming process, and the figurative outline of the film will be identical to one of his father’s first films “ Leap year", filmed in 1961.
Personal life
Dmitry Anatolyevich is married and has a son. His wife Inna is a social psychologist by training, but Lately provides great assistance to her husband in his directorial activities. In 2007, Krymov was awarded the “Crystal Turandot” prize, and two years later received the title “Person of the Year” according to Russian Federation Jewish communities.
He hasn’t celebrated his birthday for a long time and is calm about round dates. Instead of magnificent celebrations, Dmitry Anatolyevich every year visits the graves of his parents, who gave him life and gave him so much to realize his talent.
Dmitry Anatolyevich Krymov is a famous set designer, artist and theater teacher. Prominent representative of the Union of Artists and the Union theatrical figures Russia. Dmitry's life is creative path a true artist, filled with significant achievements in the field of painting and theatrical art.
Biography of Dmitry Krymov
Dmitry was brought up in a creative atmosphere. Father is the famous stage director Anatoly Efros. During the Soviet era, he had a hard time: Jewish origin interfered career growth, so the boy was given his mother's surname. Natalya Krymova is a talented art critic and prominent theater critic. It was she who instilled a passion for art in her son from early childhood.
The year 1976 was significant for Dmitry with his graduation from the Moscow Art Theater School and the beginning of his professional career. His career began at the Theater on Malaya Bronnaya.
From 1985 to the early 90s, Dmitry was a production designer at the Taganka Theater. The nineties had a negative impact on all sectors of life, including art. Krymov had to leave theatrical activities and devote himself to graphics and painting. His works are highly valued in many prominent museums in Russia, England, France, Japan, and Germany. Today they are part of the permanent exhibition Tretyakov Gallery and the Pushkin Museum.
Krymov's creative work as a production designer is especially valued in European countries.
Currently, Dmitry teaches at the Russian Academy of Theater Arts. With the participation of graduates of theater universities in the capital, he staged dramatic performances in my creative laboratory. Subsequently, they are presented at large theater festivals. Krymov’s laboratory has produced dozens of successful productions. Among them are: “Demon. View from above" (the author's interpretation of Lermontov's poem); "Three sisters"; "Trading" and others.
Thanks to the joint efforts of directors Dmitry Krymov and Mikhail Baryshnikov, the play “In Paris” was presented to the European public in 2010. Despite the Russian-language production, the premiere never took place in its homeland.
Personal life of Dmitry Krymov
A successful director and artist lives not only professional activity. He is the head of a happy family.
His wife Inna is an economist and social psychologist by training. Now she helps her husband in his work. The couple have a son.
Dmitry has not celebrated his birthdays for several years. Instead, he visits his parents' graves to thank them for everything they gave him.
Dmitry Krymov, whose biography is described in this article, is a Russian artist, theater teacher, director and set designer. His performances are popular not only in Russia, but also abroad. As a set designer, Krymov worked not only with the capital, but also with many provincial theaters. Dmitry Anatolyevich brought a new aesthetics to art, an unusual genre mix.
Childhood
Dmitry Krymov was born on October 10, 1954 in Moscow into a creative family. His father, Anatoly Efros, was a famous director. Mother, Natalya Krymova, is a theater critic and writer. At birth, Dmitry was registered in his mother's surname on the advice of his grandfather. The fact is that his father, Anatoly Efros, had Jewish roots. In those days, this could have had a negative impact on Dmitry’s fate.
He grew up in an atmosphere of parental love. Father and mother gave great importance creative education of his son, so Anatoly could not come to terms with the fact that Dmitry sometimes took a long time to decide some creative task. As a result, the mother acted as a conciliator between her husband and son. But all this only helped Dmitry become an outstanding and self-sufficient person.
Education
After graduation high school Krymov decided to connect his fate with the theater. Therefore, I entered the Moscow Art Theater School and began to learn the basics of scenographic art. Studied at the production department. Graduated from university in 1976.
Work as a set designer
He got a job in his specialty at a theater located on Malaya Bronnaya. There, Anatoly Efros staged a whole series of productions, the design of which was done by Dmitry Krymov. The performances he served were shown in many theaters in the capital and in many cities of the Soviet Union.
Tragic break
Krymov’s talent was noticed by many artists, and the young set designer’s career was very successful. But life made its own adjustments - my parents died: first my father, and then my mother. Dmitry Anatolyevich had to temporarily leave the theater. Then it seemed to Krymov that it was for good, since everything reminded him of his parents, it hit home, and the work done seemed unnecessary to anyone.
Dmitry decided to change his profession and seriously study easel art. Krymov plunged into painting, graphics and installation. It turned out that another talent of Dmitry was revealed here. His works began to be exhibited in many museums, including foreign ones. Some paintings ended up in private collections.
Return to the theater world
After some time, the pain from the loss dulled, and Dmitry Krymov returned to the theater again. It came as a surprise to many when he staged Hamlet at the Stanislavsky Theater. After that, he got a job at GITIS. Dmitry turned out to be an excellent teacher and trained many young actors. In 2002, Krymov began teaching his course at the Russian Theater Academy. In 2008, he recruited an experimental group, which simultaneously trained aspiring directors, actors and screenwriters. Such a mixed co-creation course turned out to be unique, since it was organized for the first time.
Own creative laboratory
In 2004, the production based on Russian folk tales captivated director A. Vasiliev. He included it in the repertoire of the Theater of Europe and suggested that Krymov create a creative laboratory. It has become a separate division with a unique artistic aesthetic.
In 2006, Vasiliev left the theater, and it became turning point in the life of Dmitry Anatolyevich. At first he wanted to follow the director, but after deliberation he still remained working in the same place. The creative laboratory of Dmitry Krymov continued its work.
All productions were awarded vivid epithets by theater critics. The expressiveness of the productions was noted, their unique artistic structure and associative series. Performances in the laboratory are created in two stages: active discussion of the plays, and only then the development of images. Music plays an important role in productions. Ready-made works are rarely taken for a performance; in most cases, new, original ones are written. Dmitry Krymov has already for a long time collaborates with composer Bodrov, who writes music for productions.
For Dmitry Anatolyevich there are no fundamental principles; he can “cut” the music in accordance with his ideas, removing unnecessary fragments or adding new ones. Therefore, the laboratory acquired the status of an author's laboratory. During its existence, dozens of performances have already been staged. The production of A Midsummer Night's Dream won the Edinburgh Festival.
All performances performed by Krymov are true masterpieces of art. The works make you think about pressing issues, changing perceptions and existing opinions. Dmitry Anatolyevich is an experienced specialist in the opera genre. He staged several one-act works.
In 2007, Dmitry Anatolyevich received the famous Crystal Turandot award. In 2010, the scriptwriter created the unforgettable play “In Paris.” It was collaboration Krymova with Baryshnikov. Many people remember the play “Mixed Technique”, staged in 2011.
Dmitry Krymov is a director from God. He takes his work very seriously and believes that he is responsible for what happens on stage. Therefore, he is satisfied with his work only when the performance he staged fully meets his requirements.
Ahead of Krymov’s plans are new creative works. In 2016, Dmitry Anatolyevich thought about withdrawing feature film. The plot is still being outlined in general outline. The director announced that Krymov's students and disciples would take part in the filming. The figurative outline of the picture is identical to one of the films of Anatoly Efros, which was filmed in 1961.
Personal life
Dmitry Krymov is married. His wife's name is Inna. The Krymovs have an adult son. Inna worked in the field social psychology and economics. Lately, she has been helping her husband in many ways with directing. In 2009, Dmitry Anatolyevich was named “Person of the Year” by the Jewish communities of the Russian Federation. Krymov has not celebrated his birthday for a very long time. On this day, he annually goes to the graves of his parents. Dmitry Anatolyevich still thanks his father and mother for his birth and creative upbringing.
Career Director, Producer, Author
Total films 23
Genres enterprise, drama, opera
Genres enterprise drama opera
Russian artist, stage designer, director and theater teacher.
Dmitry Krymov was born into the family of Anatoly Efros and Natalya Krymova. In 1976, he graduated from the production department of the Moscow Art Theater School-Studio. Since 1976, he began working at. Created the scenography for the productions of Efros "Othello" by Shakespeare ( graduate work), “A Month in the Country” by Turgenev, “Summer and Smoke” by Williams, “Memories” by Arbuzov, “Napoleon the First” by Bruckner, “Theater Director” by Dvoretsky. He also designed the stage performances of Efros “Tartuffe” by Moliere and “The Living Corpse” by Tolstoy.
Since 1985, Krymov has been a production designer, where he has produced the plays “War Has No woman's face" Alexievich, "One and a half square meters"based on the story by Mozhaev and "The Misanthrope" by Moliere.
In the early 90s, Dmitry Krymov left the theater and took up easel art: painting, graphics, installation.
Since 2002, he has been teaching at the Russian Academy of Theater Arts, where he teaches a course theater artists and leads creative laboratory in the theatre " ".
Krymov’s most high-profile productions: “Innuendos” based on Afanasyev’s fairy tales, “Three Sisters” based on the tragedy “King Lear” by Shakespeare, “” based on the novel “Don Quixote” by Cervantes, “” a play by Dmitry Krymov based on dramatic works Chekhov, "" based on the poem by Mikhail Lermontov, "" based on the story by Platonov, "" (idea, composition and production - Dmitry Krymov), "" - a performance for the 150th anniversary of Chekhov.
Dmitry Krymov: “Directing is a very difficult profession, because it is not in your hands. The artist paints with paints, bad or good, but it is worthwhile and can be shown. And here... She is not in her hands, in something else. The excitement is in understanding. A peculiar, but purposeful passion. Although there are different directors. Well, of course, we are people. I write a collective essay, we come up with it together. But there are different opinions. There are those that interfere with work and spoil the mood in the process. I try to work less with such people.”
“The performance is made by one person, the main one, and that is the director. There should be people around who understand this. I'm interested in opinions and I'm ready to talk. But you just need to stop in time. After all, this is often a way for actors not to work, but to get tired of it or fray their nerves.”
“The director is responsible for the performance. Well, what a tyrant I am, I am simply responsible for what is happening on stage. If it doesn’t turn out the way it seems to me, then the performance won’t be mine. Why then do I spend time instead of painting or doing something around the house? The handle on my door has been falling off for a year now, and I haven’t screwed it back in, I need to compensate with something. And it’s compensated by the best possible performance.”
