Pavlovsk scarves drawings for children. Russian fashion

Summary of a fine arts lesson in 3rd grade

Lesson topic: “Pavlovo Posad shawls”

During the classes

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Fine Arts The lesson is based on the author’s program “Fine Arts” by Nemensky Municipal budget educational institution average comprehensive school No. 3 (MBOU Secondary School No. 3) Lesson topic: “Mom’s scarf” Teacher: A.M. Burlakova Class: 3 – in 2015, Surgut

Kulikov Ivan Semenovich. " Wildflowers "

They meet you by their clothes, they see you off by their minds

There lived a man and a woman. They had a daughter and a little son. Daughter,” the mother said, “we’ll go to work, take care of your brother!” Don't leave the yard, be smart - we'll buy you... a handkerchief

The song “Blue Handkerchief” during the Great Patriotic War

The Pavlovo Posad factory for the production of scarves with original printed designs was first mentioned in 1795. The production was founded by a wealthy peasant, Ivan Labzin.

In the 19th century The application of patterns on scarves at the Pavlovo-Posad manufactory was carried out only by hand. Wooden forms for printing patterns on scarves were called “flowers” ​​and “manners”. Using the “flower,” paint was applied to wool or silk fabric; each color required a separate board, the “flower.” Wooden forms for printing patterns on Pavloposad shawls were called “flowers” ​​and “manners”; only hard wood (oak, pear, walnut) was used for their production, and for greater strength they were glued together from three layers of wood. Using the “flower,” paint was applied to wool or silk fabric; each color required a separate board, the “flower.”

Automatic machines have made it possible to relieve the workload of master carpenters, but don’t worry, it’s still excellent quality!

"Sunny summer" " South night» Often, in the “bouquet” of the Pavlovo Posad scarf, artists use a flower - a lily. The most popular flower in Pavlovo Posad patterns is the rose. "Evening Garden"

Multicolored scarves made Pavlovsky Posad famous throughout the world. The luxurious rose became a symbol of the Pavlov Posad scarf. The usual pattern of a Pavlov Posad scarf is from large at the edges to small in the center. In the corners there are large, catchy flowers, towards the center the pattern decreases, and the middle is filled with disappearing small elements

Three magical brothers

Master of Construction

We determine the center using diagonal lines. Place the pattern in the center.

Image Wizard

Master Decoration Warm and cool colors.

Rhythm is the alternation of elements

Work plan: Choose the location of the pattern. Select an image on the scarf. Turn the image into a pattern; to do this, choose the color and rhythm of the pattern.

Today we paid a lot of attention to clothes, “we met by clothes,” but I still advise you to see off wisely, it has been tested for centuries!!!

On the topic: methodological developments, presentations and notes

This presentation is used in 3rd grade when studying the topic “Art in your home” (Nemensky program). The work is a video sequence with images of various toy books and is intended to...

The presentation begins with the display of the first flowers, poems are used, step by step drawing daffodils....

Presentation for an art lesson on historical events.

During the lesson, the children are asked to draw a Russian hero. Before this, a conversation is held about great events in the history of Rus' - Battle on the Ice and the Battle of Kulikovo. Having looked at the paintings dedicated to...

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Mom's scarf MBOU gymnasium No. 10 Peshkova I.V. (3rd grade)

The scarf is the most popular and diverse women's accessory. After all, this is not only a decoration that can add zest to the most boring and everyday look, not only protection from the cold or wind.

IN Russian Empire antique shawls and stoles were first brought from Western Europe and from the East, but their production was very quickly established in Russia. The history of the scarf in Rus' loses its roots in the 12th century: then women wore the so-called head towel - ubrus. It was sewn from both linen and silk, decorated depending on wealth - with stones, gold and silver thread, freshwater pearls, embroidery; They wore such a scarf over their headdress. In everyday life, peasant women wore simple scarves - a symbol of marriage. In the 17th century, “mass” manufacturing production of scarves and shawls began, mainly in the Volga region. And until now, a scarf with traditional Russian patterns is relevant in our wardrobe.

Kashmiri shawls were a marvel of craft. They were woven from the finest yarn, for which only the fluff of Tibetan goats was suitable, and, at worst, the fluff of saigas. From 13 grams of such yarn, a thread four and a half kilometers long was drawn. The shawls turned out to be weightless and soft to the touch. Each shawl, which had dozens of shades and combinations, took two craftswomen to weave from one and a half to two years, and it cost a fortune - up to 12 thousand rubles.

In the second half of the 19th century, “Turkish” square shawls became very popular among peasants and merchants; they were quite affordable, as they were produced on jacquard looms. Various manufactories made different drawings, and it was from the design that one could determine the place of origin of the shawl: bright yellow, green and blue flowers, and the scarves of the Moscow Trekhgorka merchants Prokhorov were famous for their patterns with dark blue and red roses, tulips and carnations. At the end of the 1850s, such shawls began to be produced in the small town of Pavlovsky Posad near Moscow.

Municipal budgetary educational institution

"Secondary school No. 13"

Topic “Pavlovo Posad shawl. Square ornament. Heel."

Lesson for 6th grade.

Developed MBOU teacher"Secondary School No. 13"

Lygina Natalia Nikolaevna

Cherepovets

2015

The purpose of the lesson: “Depict an ornament in a square based on the Pavlovo Posad scarf using the stamping technique.”

Tasks:

1. Get acquainted with the history of the Pavlov Posad printed scarf.

2. Study the patterns of patterns in a square, characteristic of the Pavlov Posad shawl.

3. Study the ornamental motifs of Pavlovo Posad shawls.

4. Study the color scheme of the Pavlovo Posad scarf.

5. Make a stamp - a style with a floral ornament from vegetables.

6. An image of an ornament in a square according to one of the selected patterns using the “stamping” technique (the square is cut out of colored paper).

Structure and course of the lesson.

Lesson stage

Teacher activities

Student activity

2

3

4

Organizing time

Offers to formulate the purpose and objectives of the lesson.

The teachers are listening. Formulate the purpose and objectives of the lesson based on the topic of the lesson.

Learning new material

Offers information about the history of the production of Pavlovo Posad printed scarves.

The area of ​​Pavlovsky Posad (the territory of the former Bogorodsky district) is one of the oldest Russian ancient centers. In the 18th – first half of the 19th century, Bogorodsk shawls and sarafan fabrics were distinguished by the special beauty of the ornament woven with gold thread. Later, silk weaving became widespread here, and in the 1860s, the production of woolen and half-woolen scarves began. decorated with colorful printed patterns.

Gradually production expanded and acquired a pronounced national character. The production features, compositional and color splendor of the Pavlovsk scarf are based on the masterly skill of the carvers of printed boards, from which the design begins on the fabric, as well as the skill of colorists - typesetters. Each color is printed from a separate board, the number of which sometimes reaches several dozen. The decoration of Pavlovsk scarves is dominated by lush floral bouquets and garlands. The ornamental motif “Turkish cucumbers” is popular, borrowed from the famous Indian cashmere shawls that became fashionable in Europe during the Napoleonic era. The predominant colors are milky white, black, red, dark blue, and cherry.

Throughout the 1920-30s. In Pavlovsky Posad, mainly cotton fabrics with printed and printed patterns were produced.

The art of an elegant printed woolen scarf was revived after the Second World War, when hand-printed fabric began to be actively used. However, since the late 1950s. manual production began to be gradually replaced by modern printing machines and photo printing techniques. Currently, only a small number of hand-printed scarves are produced at the Moscow Shawl Association in Pavlovsky Posad. However, when creating samples for replication using modern methods printing, artists strive to preserve the traditional techniques for decorative generalization of floral motifs for Pavlov Posad shawls, the nature of the composition and color features.

The teachers are listening.

Remember new terms.

Answer questions.

Creative Practical activities

(creative

search)

Offers to consider several schemes for constructing an ornament in a square (schemes for constructing an ornament of a Pavlo-Posad shawl), ornamental motifs, and colors. Clarifies the meaning of the terms: ornament, printed material, manner, stamping, stylization, coloring.

He suggests cutting out stamps from vegetables with floral patterns and depicting the pattern in a square using the stamping technique.

The children get acquainted with the meaning of new terms. Consider patterns of ornaments; cut out stamps; determined by color scheme. Perform the composition of the ornament.

Lesson summary. Reflection.

He invites you to admire your work and answer questions about the history of scarf production, patterns, ornamental motifs and execution techniques.

Review their work. They draw conclusions and answer questions.

Presentation:

1. Tit. sheet

Goal and objectives - on the 2nd sheet

3. History of the scarf with pictures of scarves

4. Shawl samples

5 Example circuits

6. Examples of ornamental motifs

7. Photo of stamp making

8. Photo of ornament printing

9. Photos of samples of children's work.

Yakov Ivanovich Labzin (1827-1891)
Vasily Ivanovich Gryaznov (1816-1869)

Vasily Ivanovich Gryaznov (1816-1869). Born into a simple family in the village of Evseevo (currently Pavlovo-Posad district), received home education, inherited from his parents deep faith and love for God.

But when he went to work at the factory, the naive village youth plunged into the world of vice and passions, began to drink wine, and fell under the influence of bad company. However, over time, he managed to overcome his weaknesses and take the path of correction.

After meeting the merchant Ya.I. Labzin and joining the business, Gryaznov continued to lead the life of a holy ascetic. When did he have more money, he spent them on helping the poor and on worthy causes. Vasily, together with Yakov Labzin and Yakov’s sisters, built schools and almshouses. Vasily dreamed of building a monastery in the city of Pavlovsky Posad, but did not have time. Thanks to Yakov Labzin and his sisters, in 1874 a church was built in Pavlovsky Posad at the burial site of St. Basil. In 1894, the Pokrovsko-Vasilievsky Monastery was opened on the site of the temple.

Vasily Ivanovich Gryaznov was canonized by the Russian Orthodox Church like a saint among the righteous - Righteous Vasily Pavlovo-Posadsky.

Until the 1860s, the factory produced woolen, half-woolen, cotton fabrics and Pavlovo Posad shawls. In the second half of the 19th century, popular printed woolen stoles and shawls already prevailed. Just at this time they were widely coming into fashion as an indispensable element of the costume of city and rural women. Merchants, bourgeois women, and peasant women sported stoles and shawls draped over their shoulders or heads with ornaments in the “oriental” spirit or with bright floral arrangements.

After October revolution The factory was nationalized, it parted with the names of the previous owners and began to be called Staropavlovskaya.

Changes in the life of the country immediately affected the assortment. In the 1920s, experiments with designs began, and motifs of the revolution, the success of collectivization and industrialization, unexpected for the scarf theme, arose. But the flower arrangements still remained business card Pavlovo Posad shawls.

New designs and ornaments in line with the factory’s classic tradition were the main concern of the artists of that time, among whom Nil Postigov and Konstantin Abolikhin, who worked even before the revolution, stood out.

Natural wool, cotton and silk scarves can be worn at any time of the year.

In addition, fashion designers find interesting solutions using Pavlovo Posad scarves.
Women's clothing items such as the ones below can become the calling card of their owner, and they will make any cloudy day bright and sunny.

Fur-lined scarves and vests made from Pavlovo Posad scarves are warm and stylish elements of the costume modern woman, who loves Russian folk flavor. All this can be worn with trousers and skirts, on holidays and on weekdays.

All these wonderful models were invented and made by craftswomen Alyona, Valentina Davydova (valentin-ka), Iraida Nightingale

The Pavlovo Posad scarf is so recognizable that it seems difficult to find a person who has never seen it. The Pavlovo Posad shawl near Moscow has long become one of the symbols of Russian traditional culture. Let us remember the merchant women in bright shawls from the paintings of Kustodiev and Malyavin. The designs on Pavlovian scarves were applied manually using special wooden boards: “manners” and “flower”.

Printed patterns are prepared using a unique direct engraving machine that, under computer control, deposits droplets of molten wax onto the surface of a photoemulsion-coated mesh.

Printing inks are prepared on an automatic ink cooker, where all processes are performed without human intervention. Here, for the first time in the world, plasma-chemical treatment of fabric before printing was introduced instead of harmful chlorination.

For more than two centuries of existence, the Pavlovo Posad shawl manufactory has come a long way in its development from a peasant brighthouse to a modern competitive production that meets all international standards. Her achievements have been repeatedly noted at various exhibitions, ranging from the Small Silver Medal at the Moscow Exhibition of Russian Manufactures, to the Large Gold Medal at the World Exhibition in the capital of Belgium in Brussels.

In the finished products workshop

Working with fringe

A factory worker demonstrates ready product

“Once, at Orlov’s ball, they asked one of the Moscow beauties, the wife of his illegitimate son, to dance “pas de chele,” recalls E. I. Raevskaya. “She agreed and, standing in the middle of the hall, as if by accident, dropped the comb holding her hair. Luxurious jet black hair spilled over her shoulders and hid her figure almost to her knees. Everyone present screamed with delight and begged her to perform the dance with her hair down. That's all she wanted; performed a dance with general applause." The emergence of this dance was facilitated by the passion of French society ancient culture. “The pas de chal is solo, danced with a light gauze scarf in her hands: the dancer either wraps herself in it, then loosens it.” Special attention focused on the smoothness and grace of hand movements. Dance with a shawl required grace and elegance. The lady slowly turned to the public, now with her face, now with her back, alternately raising her right hand, now left hand with the end of the shawl pinched in it. Each new movement began with the extended toe of the right or left leg. At the beginning of the 19th century it could have been couples dance, but later it became a ladies' solo dance. To make the shawl obedient, heavy gold, silver or coral balls were sewn into its ends. At first the dance was called a la Greek, a new name appeared closer to the 30s. This is an improvisational dance, where playing with a scarf and hand movements were of particular importance. The lady went out into the middle of the hall and, throwing up a light scarf, caught it, making various graceful movements with it. All attention was focused on the smoothness and beauty of hand movements. During the reign of Alexander I, female pupils educational institutions started teaching dancing with a shawl. This is how the girls demonstrated their grace, grace and good posture. This tradition has been preserved until late XIX century.

Photographer Lara Kantur

Drawing of a Pavlovo Posad shawl. Postage Stamp Russia, 2013

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