Do you have a voice? Voka-loka voice cards and audio greetings

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According to music teachers and experts, there is no person on Earth who does not have an ear for music. The thing is that some people are endowed with a greater ear for music, others less. However, there are no people for whom it would be completely absent!

The vocal voice is very closely related to musical ear, and its development requires colossal strength and energy. To find out whether you have a voice and how developed it is, it is enough to conduct a few small experiments.

Try to sing something very a simple melody. If the melody seems too difficult to master, try singing a regular scale (do, re, mi...). Record your singing using a voice recorder or mobile phone.

Listen and hear how your voice sounds. Most people who hear their voice on a recording panic and don't like the voice or the way it sounds at all. Actually, this is normal. The reason the voice will sound foreign is that you hear it through the bones, and as a result, some of the overtones are lost. However, listening to the recording, you will hear your clear voice, the way everyone around you hears it.

Now, you can absolutely accurately analyze whether you have a voice or not. So, on the recording you will hear all the falsity that was committed during the singing. And if, when listening, you really hear it, this is great, since it confirms that you still have hearing. If there is no falsehood, this does not mean that everything is lost. It is quite possible, on the contrary, that you were gifted with developed hearing and voice from birth.

If you don’t believe yourself, play your recording to a vocal or music teacher, some musician who will tell you for sure whether you have a voice or not. Most likely, the answer will be positive, but depending on how developed the hearing is, the number of indicated errors may vary.

What to do if it turns out that you actually have hearing? You can do whatever you want with this. You can contact music school and gain additional skills, experience and special education. You can try yourself in some singing competition and so on.

Of course, you can do nothing at all, thereby ruining your will to music. This is the simplest path that a huge number of people have followed. Today, there are much fewer people who sing than there used to be. And the point is not that there are fewer talented people, but that no one wants to work on themselves. Previously, many even spoke in rhyme, but now they don’t...

Each voice is unique and inimitable in its sound. Thanks to these features, we can easily recognize the voices of our friends even over the phone. Singing voices differ not only in timbre, but also in pitch, range, and individual coloring. And in this article you will learn how to correctly determine the voice type of a child or an adult. And also how to determine your comfortable range.

Singing voices always fit one of the vocal characteristics that were invented in the Italian opera school. Their sound was compared to the musical instruments of a string quartet. As a rule, the sound of the violin was compared to the female voice of a soprano, and the viola - with a mezzo. The lowest voices - the contralto - were compared to the sound of the horn (as was the timbre of the tenor), and the low bass timbres - to the double bass.

This is how a classification of voices appeared, close to the choral one. Unlike, in which only men sang, opera school Italy expanded the possibilities of singing and allowed the creation of a classification of female and male voices. After all, in the church choir, women's parts were performed by treble (soprano) or tenor-altino. This characteristic of voices has been preserved today not only in opera, but also in pop singing, although in the stage the presentation of sound is different. Some criteria:

4 criteria for determining voice

Professional singing has its own definition criteria. While listening, the teacher pays attention to:

1. Voice timbre . This is the name for the unique coloring of the voice, which can be light and dark, rich and soft, lyrically tender. Timbre consists of the individual voice color that each person has. One's voice sounds soft, subtle, even a little childish, the other's is already early years has a rich chest color. There are head, chest and mixed timbres, soft and sharp. It is the main characteristic of color. There are voices whose harsh timbre sounds very repulsive and unpleasant to such an extent that it is not recommended for them to practice vocals. Timbre, like range, is distinctive feature singer, and voice outstanding singers and singers are distinguished by their bright individuality and recognition. In vocals, a soft, beautiful and pleasant to the ear timbre is valued.
2. Range. Each voice type has not only its own characteristic sound, but also a range. It can be determined during chanting or by asking a person to sing a song in a key that is convenient for him. Typically, singing voices have a certain range, which allows one to accurately determine its type. There is a distinction between working and non-working voice ranges. Professional singers have a wide working range, which allows them not only to replace colleagues with other voices, but also to beautifully perform opera arias for other parts.
3. Key . Any voice has its own key in which it is convenient for the performer to sing. It will be different for each type.
4. Tessitura. This is the name of a certain part of the range in which it is convenient for the performer to sing. There is one for each voice. The wider this area, the better. It is often said that there is a comfortable and uncomfortable tessitura for a voice or performer. This means that a song or part in a choir can be comfortable for one performer to sing and uncomfortable for another, although their ranges may be the same. This way you can determine the characteristics of your voice.

Howcorrectly determine the voice type in children

Children's voices do not yet have a formed timbre, but already at this time it is possible to determine their type in adulthood. They are usually divided into high and short, for both boys and girls. In the choir they are called soprano and alto or treble and bass. Mixed choirs have 1st and 2nd sopranos, and 1st and 2nd altos. After adolescence they will acquire a brighter color and after 16-18 years it will be possible to determine the adult voice type.

Most often, trebles produce tenors and baritones, and altos produce dramatic baritones and basses.. The low voices of girls can turn into mezzo-soprano or contralto, and the soprano can become a little higher and lower and acquire its own unique timbre. But it happens that low voices become high and vice versa.

The treble is well recognizable by its ringing high sound. Some of them can even sing parts for girls. They have a well-developed high register and range.

Both boys and girls violas have a chest sound. Their low notes sound more beautiful than their high notes. Sopranos have the most high voices for girls, high notes sound better, starting from G of the first octave, than low ones. If you determine their tessitura, you can understand how it will develop. That is, how to determine the range of this voice as an adult.

Howcorrectly determine your voice type

There are currently 3 types of female and male voices. Each type has its own differences.

Soprano is the most sonorous, light high female voice. It has a bright feminine timbre and can sound high, ringing and shrill. He is more comfortable singing at the end of the first octave and in the second, and some coloratura sopranos easily sing high notes in the third. In men similar sound has a tenor.

Mezzo-soprano is a rich and rich average female voice. Most often, it has a beautiful deep timbre and range that opens beautifully in the first octave and at the beginning of the second. The low notes of this voice sound full, juicy, with a beautiful chesty sound. It is similar to the sound of a baritone.

Contralto – deep, sensual, velvety and the most low voice among women. It has a cello-like sound and can play low notes of a small octave. And the lowest male voice is the bass profundo, which is very rare in nature. Most often, the lowest parts in the choir are sung by the basses.

After listening to outstanding singers of your gender, you will easily understand how to determine your type by color.

How to accurately determine the tone of a voice? You can do this at home if you have musical instrument. Choose a song that you like and sing it in a comfortable key. It should have a wide range to cover at least one and a half octaves. Then try to match its melody. In what range do you feel comfortable singing it? Then lift it higher and lower.

Where does your voice shine best? This is the most convenient part of your operating range. The soprano will sing comfortably at the end of the first and beginning of the second octave and above, the mezzo in the first, and the contralto sounds most clearly in the last tetrachord of the small octave and in the first sixth of the first. This good way, correctly determine the tone of your voice.

Here's another way, how to determine what your natural voice is. You need to take a chant in the octave range (for example, do - mi - la - do (up) do - mi - la (down), and sing it in different keys, which will differ for a second. If the voice opens up when you sing up, This means that his type is soprano. And if it fades and loses expressiveness, it is mezzo or contralto.

Now do the same from top to bottom. In what key did you become most comfortable singing? Has your voice begun to lose its timbre and become dull? When moving down, sopranos lose their timbre on low notes; they are uncomfortable singing them, unlike mezzo and contralto. This way you can determine not only the timbre of your voice, but also the most convenient area for singing, that is, the working range.

How to determine what kind of voice you have in the studio? Select several soundtracks of your favorite song in different keys and sing them. Where the voice reveals itself best is where it is worth singing in the future. Well, at the same time, you will know how to determine your timbre by listening to the recording several times. And, although you may not recognize your voice out of habit, sometimes a recording can most accurately determine its sound. So, if you want to define your voice and understand how to work with it, go to the studio. Good luck!

A velvety or sonorous voice, the ability to touch a nerve with the help of one’s singing is true skill. Some people have this gift by nature, others need to study long and hard to get even a little closer to the ideal. It also happens that a person has ear for music, but the vocal cords are not developed enough and the singing is not as desired. Such people will benefit from long and hard training to develop their voice. After all, the vocal cords are also muscles that can be developed and trained.

The main thing to remember when starting exercises to develop your voice is the need correct breathing. This is where you need to start training. After all, if a person breathes incorrectly, the strength of his voice will never reach the desired level. To learn how to breathe correctly, you can try walking around the room, counting your inhalations and exhalations. Inhale in the first two steps, exhale in the second. But this is only in the first days of class. Gradually you need to increase the intervals between inhalation and exhalation to ten steps. The following exercise is also useful: you need to stand up straight, put your feet shoulder-width apart, and clasp your hands and raise them up. As you bend back, inhale, and as you exhale, bend forward. When bending over, simultaneously with exhalation, pronounce various vowels: “a-a-a”, “u-u-u”, “o-o-o”, “i-i-i”, “e-e-e”. Regularly performing these simple exercises is the first step in developing a singing voice. It is advisable to perform these and subsequent exercises in front of a mirror to monitor how the diaphragm works.

For those who have set themselves the goal of how to develop a voice for singing at home, it is worth moving on to the following exercises - pronouncing syllables. It is best to use sound combinations that contain both voiced and voiceless consonants in combination with vowel sounds. For example: thpi, thpe, thpa, thpo, thpu. If it’s difficult to remember at first, you can write them in advance on a piece of paper and read them out loud. Tongue twisters also help to strengthen the vocal cords. There are a lot of them, so you can choose the ones you like the most. For example: “Beavers wander into the damp forests. Beavers are brave, but they are kind to the beavers.” It is best to find tongue twisters that contain different sounds and sound combinations. They need to be spoken at different paces: starting slowly and gradually increasing.

It is useful to read aloud various works: both poetry and prose. At the same time, you need to monitor your diction and clearly pronounce each letter, learn to place logical stress in the right places. It is better to do this by recording it on a voice recorder so that you can listen to your voice and understand what mistakes are made during the reading process. At first, you can read literature out loud for ten to fifteen minutes, but gradually increase the time to an hour or more.

Singing directly helps in developing the voice, from chanting to performing musical works. The chants can be very different: the same syllables that were spoken out loud, but sung in a different key. You should start low and end as high as possible. This way you can determine your range. Sometimes breathing through your nose helps lower your voice. A simple exercise called buzzing will also help for this purpose. You need to press your chin to your chest and simply make the sound: “zh-zh-zh.” If you perform humming every day, you can notice the results quite quickly. So, knowing these simple techniques on how to develop a voice for singing at home, you can make your voice more sonorous and stronger.

Answer:

Many women love to sing in the shower, but how do you know if you have a voice? It has long been proven that a person hears himself differently than the people around him. Resonance in the sinuses is to blame. People hear themselves through bone. In order for a person to find out how those around him perceive singing, you can record your voice even on the most ordinary voice recorder.

When listening to the recording for the first time, many are horrified by their voice. This happens because people cannot recognize their own timbre. An outsider will not be surprised by anything, because the voice on the recording will be familiar to him.

After listening to your singing, you can hear falseness, which was not initially felt. If a person recognizes it, it means he still has hearing. Otherwise, there is no need to be upset. Most likely, coordination of hearing and voice may be naturally developed.

In order to finally be sure whether there is a voice, you need to contact a professional musician or vocal teacher. It’s clear that their services will cost a lot of money, but what can’t you do to get started? musical career. It is not necessary to contact specialists from higher educational institutions, you can also choose a teacher from a music school or college.

How to check if you have hearing and voice - expert comments

You shouldn’t give up playing music, thinking that you have no hearing or voice. They just need to be developed. We will give some recommendations on how to check whether you have hearing and voice:

• one person plays a note on the piano, the other listens to it and remembers it. The keys will then be pressed randomly until the second person hears the desired note. If you can identify a note by sound, it means you have hearing;
• one person silently taps a rhythm on the table with a pencil for ten seconds. The subject then tries to reproduce this rhythm. Over time, you can complicate the musical pattern;
• If the subject knows how to play the piano, you can conduct a musical dictation. The teacher takes turns playing single sounds. The subject tries to get his voice in unison with the sounds he hears;
• the vocalist plays the piano, the subject tries to write down the notes he heard in a notebook. The vocalist then checks for errors.

If something doesn’t work out, experts advise not to give up. Sooner or later it will work out, the main thing is that there is a desire to develop. You just need to practice a little. Voice and hearing are inherent in humans by nature. People who have them less developed will have to put a lot of effort into improving them.

You might be singing like a rock star in the shower or in the car, but sometimes it's hard to objectively evaluate your own vocal abilities. It turns out that it’s quite possible to evaluate yourself if you learn to listen and hear correctly. Record yourself and pay attention to tone, pitch, and ability to control your voice. The good news is that almost anyone can learn to sing well. Follow simple recommendations to develop your vocal abilities.

Steps

Part 1

Assess the overall tone and timbre of your voice. Timbre is general characteristics the sound of the voice. If you hit all the notes but the tone or timbre doesn't match the song, the performance won't sound right. in the best possible way. Pay attention to how clearly and consistently you emphasize vowel sounds, how fully you use your vocal register, and how you reproduce rhythmic nuances (adapt your voice to suit various styles performance).

• When assessing timbre, pay attention to the softness or hardness, harshness or smoothness, strength or weakness of the voice.

Part 2

How to learn to sing better

1. Use listening. Listen to a short melody or sound, then mentally imagine that melody or sound in complete silence. Next, imagine yourself singing this melody without making a sound. Finally, sing the melody or sound out loud.

   Private music teacher

   Annabeth Nowitzki is a private music teacher from Texas. She received her bachelor's degree in music from Carnegie Mellon University in 2004 and her master's degree in vocal music from the University of Memphis in 2012.

   Private music teacher

   Annabeth Nowicki, private vocal teacher:“Even though some people are naturally better singers than others, it is a skill that can be developed and improved. If you really love singing, then approach it wisely and work on yourself regularly.”

   Use your range and technique daily. Some people are naturally better at controlling their voices than others, but every singer benefits from practice. Continue to learn to control your breathing, develop your voice and hearing, and find that musical style, which best suits your tone.

   • Musical talent often develops parallel to musical talent. Get to know vocal techniques and learn to use your voice as an instrument. The more you know about the different components of proper execution, the more effective your practice will be.

2. Take vocal lessons. If you find someone who can teach you how to use your voice as an instrument, your singing will improve significantly. Choose a tutor who will not only teach you how to hit the notes correctly, but will also be able to develop your overall performance technique. A good teacher will tell you how to stand, breathe, move and read notes correctly while performing vocal parts.

   • If you have friends taking vocal lessons, ask them for recommendations. You can also rely on feedback from the choir director, local groups and ensembles.
   • Many teachers offer a trial lesson for free or at a reduced price. Take trial lessons from several teachers to choose best option. Did the teacher inspire you? Did you talk most of the class? Did you focus only on the voice or also pay attention to the technique?

3. Learn to accept constructive criticism. If you have a wonderful singing voice, you will already know this, as well as the reverse situation. Just as a beginner guitarist has to go through an awkward stage when he is still not very good at playing the instrument and does not always hit the strings, singers should work hard to improve their voice. Such skills are not given to a person from birth, but are acquired through hard work.

   • If someone told you that you can't sing, but you have desire learn, then continue to work tirelessly on your voice. Don't listen to ill-wishers. There are people who will never learn to sing, no matter how hard they try. If this is the case, then you will already know about it.

4. Join a music school or local choir to practice singing and develop your voice. Joining a choir is a great way to improve your vocal skills. You will be given the opinion of the choir director and other members about your abilities, and you will also have the chance to work in a team. Often, inexperienced performers are more comfortable singing with other people and not becoming the center of attention from critics.

   Continue to study and practice regularly to improve your technique. If you decide that you don't have natural ability, but you love to sing, then keep working. Your teacher will help you get the most out of your abilities. The joy of singing is available to everyone.

Part 3

How to test your innate abilities

1. Take a music deafness test. Musical deafness is the inability to correctly perceive the pitch of sounds. You can find several tests on the Internet that will allow you to identify the presence of such a problem. Find out if you can distinguish between high and low notes, or if you are part of the 1.5% of the population who suffer from “amusia” and cannot recognize pitch, tone and even rhythm.

   • Most online tests consist of a few short passages famous songs and motives. Listen to the passage and then indicate whether it was performed correctly.
   • Musical deafness does not mean you have a bad voice, but it does limit your ability to tune your voice to a specific song or tune.
   • Likewise, having difficulty controlling your singing voice does not mean you have music deafness. Good performance depends on many factors. It's possible that you just need to work harder.

2. Find out the opinions of people you trust. Just like singing in front of friends and family, play a recording of your voice to those closest to you to get their opinions. If your friend sings well, then ask him about the technical aspects. If the listener is not familiar with vocal techniques, then find out the first reaction.

   • Choose people who will give you an honest answer and whose opinions you trust. It is better not to contact a person who will either praise or criticize you.