Alexander Benois: brief biography and creativity. Brief biography of Alexander Nikolaevich Benois A Benois brief biography

Benois Alexander Nikolaevich (1870-1960) graphic artist, painter, theater artist, publisher, writer, one of the authors modern image books. Representative of Russian Art Nouveau.

A. N. Benois was born into the family of a famous architect and grew up in an atmosphere of reverence for art, however art education not received. He studied at the Faculty of Law of St. Petersburg University (1890-94), but at the same time independently studied the history of art and was engaged in drawing and painting (mainly watercolors). He did this so thoroughly that he was able to write a chapter on Russian art for the third volume of “The History of Painting in the 19th Century” by R. Muter, published in 1894.

They immediately started talking about him as a talented art critic who upended established ideas about development Russian art. In 1897, based on impressions from trips to France, he created his first serious work - a series of watercolors " Last walks Louis XIV,” showing himself to be an original artist.

The last walks of Louis XIV

Masquerade under Louis 14. 1898

The King's Walk. 1906

from the series “The Last Walks of Louis 14th”. 1898

Repeated trips to Italy and France and copying artistic treasures there, studying the works of Saint-Simon, Western literature of the 17th-19th centuries, and interest in ancient engravings formed the foundation of his artistic education. In 1893, Benoit acted as a landscape painter, creating watercolors of the environs of St. Petersburg. In 1897-1898 he painted a series of watercolors and gouache landscape paintings Versailles parks, recreating in them the spirit and atmosphere of antiquity.

Versailles. 1906

Versailles. Trianon Garden. 1906

Versailles. Alley. 1906

Title of the painting: Cemetery. 1896-97

Title of the painting: Carnival on the Fontanka

He worked no less fruitfully as an art historian: he published the widely known book “Russian Painting in the 19th Century” in two editions (1901, 1902), having significantly revised his early sketch; began publishing serial publications "Russian School of Painting" and "History of Painting of All Times and Peoples" (1910-17; publication was interrupted with the beginning of the revolution) and the magazine " Artistic treasures Russia"; created the wonderful "Guide to the Hermitage Art Gallery" (1911).

Peterhof. Big cascade. 1901-17

Rey embankment in Basel in the rain. 1902

Summer Garden under Peter the Great. 1902

Oranienbaum. Japanese garden. 1902

From the world of fantasy. 1904

Pavilion. 1906

Marquise's bath. 1906

Wedding walk. 1906

History decisively predominated in the work of Benoit the artist. Two topics invariably attracted his attention: “Petersburg XVIII - early XIX century." and "France of Louis XIV". He addressed them primarily in his historical compositions - in two " Versailles series"(1897, 1905-06), widely famous paintings"Parade under Paul I" (1907)

Parade under Paul I. 1907

One of his highest achievements was the scenery for I. F. Stravinsky's ballet "Petrushka" (1911). Soon Benois began collaborating with the Moscow Art Theater, where he successfully designed two performances based on the plays of J.-B. Moliere (1913) and for some time even participated in the management of the theater along with K. S. Stanislavsky and V. I. Nemirovich-Danchenko.

Italian comedy. "Love Note" 1907

Bertha (costume design by V. Komissarzhevskaya). 1907

Evening. 1905-06

After the revolution of 1917, Benoit took an active part in the work of various organizations related mainly to the protection of monuments of art and antiquities, and from 1918 he also took up museum work - he became the head of Art gallery Hermitage. He developed and successfully implemented completely new plan the general exhibition of the museum, which contributed to the most expressive demonstration of each work.

At the beginning of the 20th century. Benois illustrates the works of Pushkin A.S. Acts as a critic and art historian. In the 1910s, people became the center of the artist’s interests.

Herman in front of the countess’s windows (screen saver for Pushkin’s “The Queen of Spades”). 1911

Into Russian history book graphics the artist entered with his book “The ABC in Pictures” Alexandra Benois" (1905) and illustrations for "The Queen of Spades" by A. S. Pushkin, executed in two versions (1899, 1910), as well as wonderful illustrations for " To the Bronze Horseman", three versions of which he devoted almost twenty years of work (1903-22).

illustration for Pushkin’s poem “The Bronze Horseman”. 1904

Sketch of the frontispiece for A. S. Pushkin’s poem “The Bronze Horseman”

Towards the end of the 19th and beginning of the 20th century, Benoit again returned to the landscapes of Peterhof, Oranienbaum, and Pavlovsk. It glorifies the beauty and grandeur of 18th century architecture. The artist is interested in nature mainly in its connection with history. Possessing a pedagogical gift and erudition, he late XIX V. organized the World of Art association, becoming its theoretician and inspirer. He worked a lot in book graphics. He often appeared in print and published his “Artistic Letters” (1908-16) every week in the newspaper “Rech”.

Peterhof. Flower beds under the Grand Palace. 1918

Peterhof. Lower fountain at the Cascade. 1942

Peterhof. Main fountain. 1942

From 1926 he lived in Paris, where he died. The artist's main works: "The King's Walk" (1906), "Fantasy on the Versailles Theme" (1906), "Italian Comedy" (1906), illustrations for the Bronze Horseman by A.S. Pushkin. (1903) and others.

Alexander Nikolaevich Benois (April 21 (May 3), 1870, St. Petersburg - February 9, 1960, Paris) - Russian artist, art historian, art critic, founder and chief ideologist of the World of Art association.

Biography of Alexander Benois

Alexander Benois was born on April 21 (May 3), 1870 in St. Petersburg, into a family Russian architect Nikolai Leontievich Benois and Camilla Albertovna Benois (née Kavos).

Graduated from the prestigious 2nd St. Petersburg Gymnasium. He studied for some time at the Academy of Arts, and also studied fine arts independently and under the guidance of his older brother Albert.

In 1894, he began his career as a theorist and art historian, writing a chapter on Russian artists for the German collection “History paintings of the 19th century century."

In 1896-1898 and 1905-1907 he worked in France.

Creativity of Benoit

Became one of the organizers and ideologists artistic association"World of Art", founded the magazine of the same name.

In 1916-1918, the artist created illustrations for A. S. Pushkin’s poem “The Bronze Horseman”. In 1918

Benois headed the Hermitage Picture Gallery and published its new catalogue. He continued to work as a book and theater artist, in particular, he worked on the design of BDT performances.

In 1925 he took part in International exhibition modern decorative and industrial arts in Paris.

In 1926, Benoit left the USSR without returning from a foreign business trip. Lived in Paris, worked mainly on sketches theatrical scenery and suits.

Alexander Benois played a significant role in the productions of S. Diaghilev’s ballet enterprise “Ballets Russes”, as an artist and author - director of performances.

Benoit began his creative activity as a landscape painter and throughout his life he painted landscapes, mainly watercolors. They make up almost half of his legacy. Benoit's very turn to landscape was dictated by his interest in history. Two topics invariably attracted his attention: “Petersburg in the 18th - early 19th centuries.” and "France of Louis XIV".

The earliest of Benoit's retrospective works are associated with his work at Versailles. The series dates back to 1897-1898 small paintings, made in watercolor and gouache and combined common theme— “The Last Walks of Louis XIV.” This is typical for creativity of Benoit example historical reconstruction past artist, inspired by living impressions of the Versailles parks with their sculpture and architecture; but at the same time the results of a scrupulous study of the old French art, especially engravings of the 17th-18th centuries. The famous “Notes” of Duke Louis de Saint-Simon gave the artist the plot outline of “The Last Walks of Louis XIV” and, together with Other memoirs and literary sources, introduced Benoit into the atmosphere of the era.

One of his highest achievements was the scenery for I. F. Stravinsky’s ballet “Petrushka” (1911); This ballet was created based on the idea of ​​Benois himself and the libretto he wrote. Soon after, the artist’s collaboration with the Moscow Art Theater began, where he successfully designed two performances based on the plays of J.-B. Moliere (1913) and for some time even participated in the management of the theater along with K. S. Stanislavsky and V. I. Nemirovich-Danchenko.

Artist's works

• Cemetery
• Carnival on Fontanka
• Summer Garden under Peter the Great
• Rey embankment in Basel in the rain
• Oranienbaum. Japanese garden
• Versailles. Trianon Garden
• Versailles. Alley
• From the world of fantasy
• Parade under Paul 1

• Italian comedy. "Love Note"
• Bertha (costume design by V. Komissarzhevskaya)
• Evening
• Petrushka (costume design for Stravinsky's ballet "Petrushka")
• Herman in front of the countess’s windows (screen saver for Pushkin’s “The Queen of Spades”)
• Illustration for Pushkin’s poem “The Bronze Horseman”
• From the series “The Last Walks of Louis 14th”
• Masquerade under Louis 14
• Marquise's bath
• Wedding walk
• Peterhof. Flower beds under the Grand Palace
• Peterhof. Lower fountain at the Cascade
• Peterhof. Grand Cascade
• Peterhof. Main fountain
• Pavilion

"Academician Alexandre Benois is a subtle esthete, a wonderful artist, a charming person." A.V. Lunacharsky

World famous Alexander Nikolaevich Benois acquired as a decorator and director of Russian ballets in Paris, but this is only part of the activity of an eternally searching, captivating nature, possessed of irresistible charm and the ability to light up those around him with his necks. Art historian, art critic, editor of two major art magazines “World of Art” and “Apollo”, head of the painting department of the Hermitage and, finally, just a painter.

Himself Benois Alexander Nikolaevich wrote to his son from Paris in 1953 that “... the only one of all the works worthy of outliving me... will probably be a” multi-volume book “ A. Benois remembers“, because “this story about Shurenka is at the same time quite detailed about an entire culture.”

In his memoirs, Benoit calls himself "the product of an artistic family." Indeed, his father - Nikolai Benois was a famous architect, maternal grandfather of A.K. Kavos was an equally significant architect, the creator of St. Petersburg theaters. Elder brother A.N. Benoit - Albert is a popular watercolorist. With no less success we can say that he was a “product” of an international family. On his father's side he is French, on his mother's side he is Italian, or more precisely Venetian. Its family connection with Venice - the city of the beautiful decay of once powerful muses - Alexander Nikolaevich Benois felt especially acute. There was Russian blood in him too. The Catholic religion did not interfere with the family's amazing respect for Orthodox Church. One of the strongest childhood impressions of A. Benois - Nikolsky naval cathedral(Nikola Morsky), a work of the Baroque era, the view of which opened from the windows of the Benois family house. With all his completely understandable cosmopolitanism, Benoit was the only place in the world, which he loved with all his soul and considered his homeland - St. Petersburg. In this creation of Peter, who crossed Russia and Europe, he felt “some kind of great, strict force, great predestination.”

That amazing charge of harmony and beauty that A. Benoit received in childhood, helped make his life something like a work of art, amazing in its integrity. This was especially evident in his novel of life. On the threshold of his ninth decade, Benoit admits that he feels very young, and explains this “curiosity” by the fact that the attitude of his adored wife towards him has not changed over time. AND " Memories"He dedicated his to her, " Dear Ate" - Anna Karlovna Benoit (née Kind). Their lives have been connected since they were 16 years old. Atya was the first to share his artistic delights and first creative attempts. She was his muse, sensitive, very cheerful, artistically gifted. Although not a beauty, she seemed irresistible to Benoit with her charming appearance, grace, and lively mind. But the serene happiness of the children in love was to be tested. Tired of their relatives' disapproval, they separated, but the feeling of emptiness did not leave them during the years of separation. And finally, with what joy they met again and got married in 1893.

The couple Benoit there were three children - two daughters: Anna and Elena, and a son, Nikolai, who became a worthy successor to his father’s work, a theater artist who worked a lot in Rome and at the Milan Theater...

A. Benoit is often called “ artist of Versailles" Versailles symbolizes in his work the triumph of art over the chaos of the universe.
This theme determines the originality of Benoit’s historical retrospectiveism and the sophistication of his stylization. The first Versailles series appears in 1896 - 1898. She received the name " The last walks of Louis XIV" It includes such famous works as “ The king walked in any weather», « Feeding the fish" Versailles Benoit begins in Peterhof and Oranienbaum, where he spent his childhood.

Nevertheless, the first impression of Versailles, where he visited for the first time during honeymoon, was stunning. The artist was overcome by the feeling that he had “already experienced this once.” Everywhere in the Versailles works there is a slightly dejected, but still outstanding personality Louis XIV, King - the Sun. The feeling of sunset majestic culture was extremely in tune with the era of the end of the century when he lived Benoit.

In a more refined form, these ideas were embodied in the second Versailles series of 1906, in the artist’s most famous works: “”, “”, “ Chinese pavilion», « Jealous», « Fantasia on a Versailles theme" The grandiose in them coexists with the curious and exquisitely fragile.

Finally, let us turn to the most significant thing that the artist created in the theater. This is primarily a production of the ballet "" to the music of N. Tcherepnin in 1909 and the ballet " Parsley"to the music of I. Stravinsky from 1911.

In these productions, Benois showed himself not only as a brilliant theater artist, but also as a talented libretto author. These ballets seem to personify two ideals that lived in his soul. "" - embodiment European culture, the Baroque style, its pomp and grandeur, combined with overripeness and withering. In the libretto, which is a free adaptation famous work Torquato Tasso " Liberated Jerusalem", tells about a certain young man, Viscount René de Beaugency, who, while hunting, finds himself in a lost pavilion of an old park, where he is miraculously transported into the world of a living tapestry - the beautiful gardens of Armida. But the spell dissipates, and he, having seen the highest beauty, returns to reality. Remains creepy impression a life forever poisoned by mortal longing for extinct beauty, for fantastic reality. In this magnificent performance, the world of retrospective paintings seems to come to life. Benoit.

IN " Parsley“The Russian theme, the search for an ideal, was embodied people's soul. This production sounded all the more poignant and nostalgic because the booths and their hero Petrushka, so beloved by Benoit, were already becoming a thing of the past. In the play, puppets are animated by the evil will of an old man - a magician: Petrushka is an inanimate character, endowed with all the living qualities that exist in a suffering and spiritualized person; his lady Columbine is a symbol of eternal femininity and the “blackamoor” is rude and undeservedly triumphant. But the end of this puppet drama Benoit sees differently than in an ordinary farce theater.

In 1918 year Benoit becomes the head of the Hermitage art gallery and does a lot to ensure that the museum becomes the largest in the world. At the end of the 20s, the artist left Russia and lived in Paris for almost half a century. He died in 1960 at the age of 90. A few years before his death Benoit writes to his friend I.E. Grabar, to Russia: “And how I would like to be where my eyes were opened to the beauty of life and nature, where I first tasted love. Why am I not at home?! Everyone remembers some pieces of the most modest, but so lovely landscape.”

Benois Alexander Nikolaevich(1870-1960) graphic artist, painter, theater artist, publisher, writer, one of the authors of the modern image of the book. Representative of Russian Art Nouveau.
A. N. Benois was born into the family of a famous architect and grew up in an atmosphere of reverence for art, but did not receive an art education. He studied at the Faculty of Law of St. Petersburg University (1890-94), but at the same time independently studied the history of art and was engaged in drawing and painting (mainly watercolors). He did this so thoroughly that he was able to write a chapter on Russian art for the third volume of “The History of Painting in the 19th Century” by R. Muter, published in 1894.
They immediately started talking about him as a talented art critic who upended established ideas about the development of Russian art. In 1897, based on impressions from trips to France, he created his first serious work - a series of watercolors "The Last Walks of Louis XIV", showing himself in it to be an original artist.
Repeated trips to Italy and France and copying artistic treasures there, studying the works of Saint-Simon, Western literature of the 17th-19th centuries, interest in ancient engravings were the foundation of his artistic education. In 1893, Benoit acted as a landscape painter, creating watercolors of the environs of St. Petersburg. In 1897-1898, he painted a series of landscape paintings of the Versailles parks in watercolors and gouache, recreating in them the spirit and atmosphere of antiquity.
Towards the end of the 19th and beginning of the 20th century, Benoit again returned to the landscapes of Peterhof, Oranienbaum, and Pavlovsk. It glorifies the beauty and grandeur of 18th century architecture. The artist is interested in nature mainly in its connection with history. Possessing a pedagogical gift and erudition, at the end of the 19th century. organized the World of Art association, becoming its theoretician and inspirer. He worked a lot in book graphics. He often appeared in print and published his “Artistic Letters” (1908-16) every week in the newspaper “Rech”.
He worked no less fruitfully as an art historian: he published the widely known book “Russian Painting in the 19th Century” in two editions (1901, 1902), significantly revising his early essay for it; began publishing serial publications "Russian School of Painting" and "History of Painting of All Times and Peoples" (1910-17; publication was interrupted with the beginning of the revolution) and the magazine "Artistic Treasures of Russia"; created the wonderful “Guide to the Hermitage Art Gallery” (1911).
After the revolution of 1917, Benoit took an active part in the work of various organizations, mainly related to the protection of monuments of art and antiquities, and from 1918 he also took up museum work - he became the head of the Hermitage Picture Gallery. He developed and successfully implemented a completely new plan for the general exhibition of the museum, which contributed to the most expressive demonstration of each work.
At the beginning of the 20th century. Benois illustrates the works of Pushkin A.S. Acts as a critic and art historian. In the 1910s, people became the center of the artist’s interests. This is his painting “Peter I on a walk in Summer Garden", where the appearance of past life, seen through the eyes of a contemporary.
History decisively predominated in the work of Benoit the artist. Two topics invariably attracted his attention: “Petersburg XVIII - early XIX centuries.” and "France of Louis XIV". He addressed them primarily in his historical compositions - in two “Versailles series” (1897, 1905-06), in the well-known paintings “Parade under Paul I” (1907), “The Entry of Catherine II in the Tsarskoye Selo Palace” (1907 ) etc., reproducing a long-gone life with deep knowledge and a subtle sense of style. His numerous natural landscapes, which he usually executed either in St. Petersburg and its suburbs, or in Versailles (Benoit regularly traveled to France and lived there for a long time), were essentially devoted to the same themes. The artist entered the history of Russian book graphics with his book “The ABC in the Paintings of Alexandre Benois” (1905) and illustrations for “The Queen of Spades” by A. S. Pushkin, executed in two versions (1899, 1910), as well as wonderful illustrations for “The Bronze Horseman” ", three versions of which he devoted almost twenty years of work (1903-22).
During these same years, he took part in the design of the “Russian Seasons”, organized by S.P. Diaghilev. in Paris, which included in their program not only opera and ballet performances, but also symphony concerts.
Benois designed R. Wagner's opera "Twilight of the Gods" on stage Mariinsky Theater and after that he performed sketches of the scenery for N. N. Tcherepnin’s ballet “Armida’s Pavilion” (1903), the libretto of which he composed himself. The passion for ballet turned out to be so strong that on Benoit’s initiative and with his direct participation, a private ballet troupe was organized, which began triumphant performances in Paris in 1909 - “Russian Seasons”. Benois, who took over the post of artistic director in the troupe, performed the designs for several performances.
One of his highest achievements was the scenery for I. F. Stravinsky's ballet "Petrushka" (1911). Soon Benois began collaborating with the Moscow Art Theater, where he successfully designed two performances based on the plays of J.-B. Moliere (1913) and for some time even participated in the management of the theater along with K. S. Stanislavsky and V. I. Nemirovich-Danchenko.
From 1926 he lived in Paris, where he died. The artist's main works: "The King's Walk" (1906), "Fantasy on the Versailles Theme" (1906), "Italian Comedy" (1906), illustrations for the Bronze Horseman by A.S. Pushkin. (1903) and others.

Self-portrait. 1896 (paper, ink, pen)

Benois Alexander Nikolaevich

Marquise's bath. 1906

Carnival on Fontanka.

Italian comedy. “Love Note”. 1907.

Summer Garden under Peter the Great. 1902

Pavilion. 1906

Oranienbaum. Japanese hall 1901

Rey embankment in Basel in the rain. 1902

Masquerade under Louis 14. 1898

Parade under Paul I. 1907

Wedding walk. 1906

Paris. Carrousel. 1927

Peterhof. Flower beds under the Grand Palace. 1918

Peterhof. Lower fountain at the Cascade. 1942

Peterhof. Main fountain. 1942

Peterhof. Big cascade. 1901-17

Biography of Alexander Benois.

Benois Alexander Nikolaevich(1870-1960) graphic artist, painter, theater artist, publisher, writer, one of the authors of the modern image of the book. Representative of Russian Art Nouveau.

A. N. Benois was born into the family of a famous architect and grew up in an atmosphere of reverence for art, but did not receive an art education. He studied at the Faculty of Law of St. Petersburg University (1890-94), but at the same time independently studied the history of art and was engaged in drawing and painting (mainly watercolors). He did this so thoroughly that he was able to write a chapter on Russian art for the third volume of “The History of Painting in the 19th Century” by R. Muter, published in 1894.

They immediately started talking about him as a talented art critic who upended established ideas about the development of Russian art. In 1897, based on impressions from trips to France, he created his first serious work - a series of watercolors "The Last Walks of Louis XIV", showing himself in it to be an original artist.

Repeated trips to Italy and France and copying artistic treasures there, studying the works of Saint-Simon, Western literature of the 17th-19th centuries, interest in ancient engravings were the foundation of his artistic education. In 1893, Benoit acted as a landscape painter, creating watercolors of the environs of St. Petersburg. In 1897-1898, he painted a series of landscape paintings of the Versailles parks in watercolors and gouache, recreating in them the spirit and atmosphere of antiquity.

Towards the end of the 19th and beginning of the 20th century, Benoit again returned to the landscapes of Peterhof, Oranienbaum, and Pavlovsk. It glorifies the beauty and grandeur of 18th century architecture. The artist is interested in nature mainly in its connection with history. Possessing a pedagogical gift and erudition, at the end of the 19th century. organized the World of Art association, becoming its theoretician and inspirer. He worked a lot in book graphics. He often appeared in print and published his “Artistic Letters” (1908-16) every week in the newspaper “Rech”.

He worked no less fruitfully as an art historian: he published the widely known book “Russian Painting in the 19th Century” in two editions (1901, 1902), significantly revising his early essay for it; began publishing serial publications "Russian School of Painting" and "History of Painting of All Times and Peoples" (1910-17; publication was interrupted with the beginning of the revolution) and the magazine "Artistic Treasures of Russia"; created the wonderful “Guide to the Hermitage Art Gallery” (1911).

After the revolution of 1917, Benoit took an active part in the work of various organizations, mainly related to the protection of monuments of art and antiquities, and from 1918 he also took up museum work - he became the head of the Hermitage Picture Gallery. He developed and successfully implemented a completely new plan for the general exhibition of the museum, which contributed to the most expressive demonstration of each work.

At the beginning of the 20th century. Benois illustrates the works of Pushkin A.S. Acts as a critic and art historian. In the 1910s, people became the center of the artist’s interests. Such is his painting “Peter I on a Walk in the Summer Garden,” where in a multi-figure scene the appearance of a past life, seen through the eyes of a contemporary, is recreated.

History decisively predominated in the work of Benoit the artist. Two topics invariably attracted his attention: “Petersburg XVIII - early XIX centuries.” and "France of Louis XIV". He addressed them primarily in his historical compositions - in two “Versailles series” (1897, 1905-06), in the well-known paintings “Parade under Paul I” (1907), “The Entry of Catherine II in the Tsarskoye Selo Palace” (1907 ) etc., reproducing a long-gone life with deep knowledge and a subtle sense of style. His numerous natural landscapes, which he usually executed either in St. Petersburg and its suburbs, or in Versailles (Benoit regularly traveled to France and lived there for a long time), were essentially devoted to the same themes. The artist entered the history of Russian book graphics with his book “The ABC in the Paintings of Alexandre Benois” (1905) and illustrations for “The Queen of Spades” by A. S. Pushkin, executed in two versions (1899, 1910), as well as wonderful illustrations for “The Bronze Horseman” ", three versions of which he devoted almost twenty years of work (1903-22).

During these same years, he took part in the design of the “Russian Seasons”, organized by S.P. Diaghilev. in Paris, which included in their program not only opera and ballet performances, but also symphony concerts.

Benois designed R. Wagner's opera "Twilight of the Gods" on the stage of the Mariinsky Theater and then performed scenery sketches for N. N. Tcherepnin's ballet "Armida's Pavilion" (1903), the libretto of which he composed himself. The passion for ballet turned out to be so strong that on Benoit’s initiative and with his direct participation, a private ballet troupe was organized, which began triumphant performances in Paris in 1909 - “Russian Seasons”. Benois, who took over the post of artistic director in the troupe, performed the designs for several performances.

One of his highest achievements was the scenery for I. F. Stravinsky's ballet "Petrushka" (1911). Soon Benois began collaborating with the Moscow Art Theater, where he successfully designed two performances based on the plays of J.-B. Moliere (1913) and for some time even participated in the management of the theater along with K. S. Stanislavsky and V. I. Nemirovich-Danchenko.

From 1926 he lived in Paris, where he died. The artist's main works: "The King's Walk" (1906), "Fantasy on the Versailles Theme" (1906), "Italian Comedy" (1906), illustrations for the Bronze Horseman by A.S. Pushkin. (1903) and others

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