Material for making the keyboard monument. Where is the Keyboard Monument located?

The Keyboard Monument is the first land art sculpture in Yekaterinburg dedicated to computer keyboard, located on the second tier of the Iset River embankment, from Gogol Street. Opened on October 5, 2005. Author - Anatoly Vyatkin.

History of creation

The keyboard was created in 2005 as a special project of the festival " Long stories Yekaterinburg" based on the project of Anatoly Vyatkin. The producers and curators of the project were Nailya Allahverdieva and Arseniy Sergeev, who at that time represented the cultural agency ArtPolitika. The production of the project was carried out with the technical support of the Atomstroykompleks company. Despite the high popularity among citizens and guests of the city, the project never acquired the official status of a monument or landmark. In fact, not recognized by local authorities as a culturally significant object, the keyboard was nevertheless included in many unofficial guides to Yekaterinburg. In the spring of 2011, painting began on the asphalt of the “Red Line”, passing through 32 main attractions of the city center.

Design features

The monument is a replica of a concrete keyboard on a scale of 30:1. Consists of 104 keys made of concrete weighing from 100 to 500 kg, arranged in a QWERTY layout. The keys are located in recesses at intervals of 15 cm. The total area of ​​the project is 16 4 m. The surface of the keys is flat with raised symbols of the alphabet and functional symbols, placed in the same order as on a regular computer keyboard.

Cultural features and assessments

The concrete “Keyboard” can be considered simultaneously both as a fetish of the computer era and as an industrial “rock garden”, a large-scale environmental experiment that forms a new communication environment on the territory of the city embankment of Yekaterinburg. Each button on the concrete keyboard is also a makeshift bench. The monument has become a cultural landmark of the city’s modern image and a new “brand”.

A positive response to the project is observed among all segments of the city's population. Monitoring the reaction of passers-by on the embankment showed that in 80% of cases the reaction of passers-by is enthusiastic, in other cases it is interested. Residents of the city are proud of the implementation of such a project on the territory of the city, in which they are primarily attracted by the non-standard implementation and modernity of the image.

Object security issues

Anatoly Vyatkin and Anton Borisenko restore lost keys

Until June 2011, several keys from the monument were stolen (keys F1, F2, F3, Y), and the Windows key was damaged Apple logo.

In this regard, in June 2011, the head of the public art program of the Perm Museum contemporary art PERMM Nailya Allahverdieva proposed to postpone keyboard monument to neighboring Perm. According to her, no one cared about it in Yekaterinburg, but the Perm museum was very interested in this art object.

But through the efforts of the Yekaterinburg initiative group, which included Evgeny Zorin, Lidia Karelina, and director of Litek LLC Nadezhda Zaostrovnykh, on August 17, 2011, the lost keys were restored. The renovation of the monument was made possible thanks to Anton Borisenko, director of the Union Trucks company, which sells and services trucks. The author of the monument, Anatoly Vyatkin, was present during the restoration work.

According to the project coordinator, Nadezhda Zaostrovnykh, thanks to the renovation, the famous Ekaterinburg landmark will now definitely not leave for Perm. “But the problem remains, I would like the largest keyboard in the world to be included in the register of monuments, protected by the state and no one could ever take it away from us. To do this, we have compiled a collective appeal to add the keyboard monument to the register cultural values, On July 30, 2011, System Administrator Day, we collected more than 100 signatures and on August 4, 2011, we handed over everything to the city administration. We are still waiting for an answer,” noted Nadezhda Zaostrovnykh.

Every city has local attractions that attract tourists with their uniqueness. In Yekaterinburg, for example, there is a huge grater, a monument to a bank card and a huge keyboard on the banks of the fast Iset River.

interests many, because it still looks great, despite the daily active use of it “for its intended purpose.” Let's find out more about him!

History of the Ekaterinburg keyboard Artist Anatoly Vyatkin, preparing for the next art exhibition, almost all his work and free time spent time at the computer keyboard and suddenly realized that new symbol modern history

- it's a keyboard! Each of us spends a lot of time typing texts or playing games. And you can’t do this without a keyboard. Therefore, there definitely needs to be a monument to the keyboard!

If you are wondering in what year Vyatkin’s idea was accepted with a bang and yet a monument to the keyboard was built, then the answer is that they did it in 2005. The final idea was developed by Arseny Sergeev and his colleague Nailya Allahverdieva. Of course, the design of the monument is simple and uncomplicated - a huge monument to the keyboard was installed on a fairly large scale of 30:1 on a huge area. The modern keyboard is more than a hundred years old and all this time it has been an indivisible part of any computer device.

Keys and the material from which they are made They allowed to decorate the landscape of the Iset bank quite quickly - it was included in the program of the festival, which is held regularly, “long stories of Yekaterinburg.” The material from which the keyboard monument is made is raises many questions - every day he takes on not only the blows of the elements, but also active actions

from the people.

When deciding what high-quality and inexpensive material the keyboard monument would ultimately be made from, the creators decided to choose concrete. It is quite durable and still gives the appearance of the smooth white keys of the original.

On the lower tier of the embankment, in the rain in October, 104 concrete keys were placed. They were not only bulky, but also heavy - the weight of the “gap” reaches 500 kg! The keys still display all the symbols that can be seen on a home keyboard - letters, numbers, symbols. Many people don't know where is concrete keyboard monument,

• As already mentioned, the monument to the keyboard is an unofficial landmark, but it was from here that they began to draw a red line uniting interesting places city ​​of Yekaterinburg.
• It was also important to decide what material the keyboard monument would be made of in order to minimize the risk of theft of part of the exhibition. This happened in 2011 - craftsmen were found who stole the top 4 concrete keys. True, why they need them remains unclear.

• When you arrive in Yekaterinburg, be sure to find out where the unusual but wonderful monument to the keyboard is located - local residents are sure that with its help it is quite possible to change their lives. This is easy to do - you need to step on certain keys to create a word (or phrase) that expresses a higher desire (health, money, promotion) and at the end be sure to press Enter. And if you want to completely “reboot” your current life, just jump on the delete, ctrl, alt keys.

The only concrete keyboard in the world attracts the attention of everyone who walks along the Iset embankment. They allowed to decorate the landscape of the Iset bank quite quickly - it was included in the program of the festival, which is held regularly, “long stories of Yekaterinburg.” its history and beliefs are interesting to many, and we were glad to surprise you with such an unusual landscape sculpture.

Monument to the keyboard- the first land art sculpture in Yekaterinburg dedicated to a computer keyboard. Opened on October 5, 2005. Author - Anatoly Vyatkin.

History of creation

The keyboard was created in 2005 as a special project of the festival “Long Stories of Yekaterinburg” according to the design of Anatoly Vyatkin. The producers and curators of the project were Nailya Allahverdieva and Arseniy Sergeev, who at that time represented the cultural agency ArtPolitika. The production of the project was carried out with the technical support of the Atomstroykompleks company. Despite the high popularity among citizens and guests of the city, the project never acquired the official status of a monument or landmark. In fact, not recognized by local authorities as a culturally significant object, the keyboard was nevertheless included in many unofficial guides to Yekaterinburg. With her, in the spring of 2011, painting began on the asphalt of the “Red Line”, passing through 32 main attractions of the city center.

Design features

The monument is a replica of a concrete keyboard on a scale of 30:1. Consists of 104 keys made of concrete weighing from 100 to 500 kg, arranged in a QWERTY layout. The keys are located in recesses at intervals of 15 cm. The total area of ​​the project is 16 × 4 m. The surface of the keys is flat with raised alphabet and functional symbols, placed in the same order as on a regular computer keyboard.

Cultural features and assessments

The concrete “Keyboard” can be considered simultaneously both as a fetish of the computer era and as an industrial “rock garden”, a large-scale environmental experiment that forms a new communication environment on the territory of the city embankment of Yekaterinburg. Each button on the concrete keyboard is also a makeshift bench. The monument has become a cultural landmark of the city’s modern image and a new “brand”.

A positive response to the project is observed among all segments of the city's population. Monitoring the reaction of passers-by on the embankment showed that in 80% of cases the reaction of passers-by is enthusiastic, in other cases it is interested. Residents of the city are proud of the implementation of such a project on the territory of the city, in which they are primarily attracted by the non-standard implementation and modernity of the image.

Object security issues

Before June 2011, several keys from the monument were stolen (keys F1, F2, F3, Y), and the Apple logo was applied to the Windows key.

In this regard, in June 2011, the head of the public art program of the Perm Museum of Contemporary Art PERMM, Nailya Allahverdieva, proposed moving the monument to the keyboard to neighboring Perm. According to her, no one cared about it in Yekaterinburg, but the Perm museum was very interested in this art object.

But through the efforts of the Yekaterinburg initiative group, which included Evgeny Zorin, Lidiya Karelina, and director of Litek LLC Nadezhda Zaostrovnykh, on August 17, 2011, the lost keys were restored. The renovation of the monument was made possible thanks to Anton Borisenko, director of the Union Trucks company, which sells and services trucks. The author of the monument, Anatoly Vyatkin, was present during the restoration work.

According to the project coordinator, Nadezhda Zaostrovnykh, thanks to the renovation, the famous Ekaterinburg landmark will now definitely not leave for Perm. “But the problem remains, I would like the largest keyboard in the world to be included in the register of monuments, protected by the state and no one could ever take it away from us. To do this, we compiled a collective appeal to include the keyboard monument in the register of cultural property; on July 30, 2011, on System Administrator Day, we collected more than 100 signatures and on August 4, 2011, we transferred everything to the city administration. We are still waiting for an answer,” noted Nadezhda Zaostrovnykh.

At the instigation of Evgeny Zorin and like-minded people, regular cultural events began to be held at the monument, the main one of which is the so-called annual “Subbotnik on the Keyboard”. During the cleanup work, keys are cleaned and painted, and championships are also held in throwing non-working computer mice at range, lifting a bunch of hard drives, etc.

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Excerpt characterizing the Keyboard Monument

Princess Marya postponed her departure. Sonya and the Count tried to replace Natasha, but they could not. They saw that she alone could keep her mother from insane despair. For three weeks Natasha lived hopelessly with her mother, slept on an armchair in her room, gave her water, fed her and talked to her incessantly - she talked because her gentle, caressing voice alone calmed the countess.
The mother's mental wound could not be healed. Petya's death took away half of her life. A month after the news of Petya’s death, which found her a fresh and cheerful fifty-year-old woman, she left her room half-dead and not taking part in life - an old woman. But the same wound that half killed the countess, this new wound brought Natasha to life.
A mental wound that comes from a rupture of the spiritual body is exactly the same as a physical wound, strange as it may seem, after deep wound has healed and seems to have come together at its edges, the mental wound, like the physical one, heals only from the inside with the bulging force of life.
Natasha’s wound healed in the same way. She thought her life was over. But suddenly love for her mother showed her that the essence of her life - love - was still alive in her. Love woke up and life woke up.
The last days of Prince Andrei connected Natasha with Princess Marya. The new misfortune brought them even closer together. Princess Marya postponed her departure and for the last three weeks, like a sick child, she looked after Natasha. Last weeks Natasha spent in her mother’s room strained her physical strength.
One day, Princess Marya, in the middle of the day, noticing that Natasha was trembling with a feverish chill, took her to her place and laid her on her bed. Natasha lay down, but when Princess Marya, lowering the curtains, wanted to go out, Natasha called her over.
– I don’t want to sleep. Marie, sit with me.
– You’re tired, try to sleep.
- No no. Why did you take me away? She will ask.
- She's much better. “She spoke so well today,” said Princess Marya.
Natasha lay in bed and in the semi-darkness of the room looked at the face of Princess Marya.
“Does she look like him? – thought Natasha. – Yes, similar and not similar. But she is special, alien, completely new, unknown. And she loves me. What's on her mind? All is good. But how? What does she think? How does she look at me? Yes, she is beautiful."
“Masha,” she said, timidly pulling her hand towards her. - Masha, don’t think that I’m bad. No? Masha, my dear. I love you so much. We will be completely, completely friends.
And Natasha, hugging and kissing the hands and face of Princess Marya. Princess Marya was ashamed and rejoiced at this expression of Natasha’s feelings.
From that day on, that passionate and tender friendship that only happens between women was established between Princess Marya and Natasha. They kissed constantly, spoke tender words to each other and spent most of their time together. If one went out, then the other was restless and hurried to join her. The two of them felt greater agreement among themselves than apart, each with itself. A feeling stronger than friendship was established between them: it was an exceptional feeling of the possibility of life only in the presence of each other.
Sometimes they were silent for hours; sometimes, already lying in bed, they began to talk and talked until the morning. They talked mostly about the distant past. Princess Marya talked about her childhood, about her mother, about her father, about her dreams; and Natasha, who previously with calm incomprehension turned away from this life, devotion, humility, from the poetry of Christian self-sacrifice, now, feeling bound by love with Princess Marya, fell in love with Princess Marya’s past and understood a side of life that was previously incomprehensible to her. She did not think of applying humility and self-sacrifice to her life, because she was accustomed to looking for other joys, but she understood and fell in love with this previously incomprehensible virtue in another. For Princess Marya, listening to stories about Natasha’s childhood and early youth, a previously incomprehensible side of life, faith in life, in the pleasures of life, also opened up.
They still never spoke about him in the same way, so as not to violate with words, as it seemed to them, the height of feeling that was in them, and this silence about him made them forget him little by little, not believing it.
Natasha lost weight, turned pale and became so physically weak that everyone constantly talked about her health, and she was pleased with it. But sometimes she was suddenly overcome not only by the fear of death, but by the fear of illness, weakness, loss of beauty, and involuntarily she sometimes carefully examined her bare arm, surprised at its thinness, or looked in the mirror in the morning at her elongated, pitiful, as it seemed to her , face. It seemed to her that this was how it should be, and at the same time she became scared and sad.
Once she quickly went upstairs and was out of breath. Immediately, involuntarily, she came up with something to do downstairs and from there she ran upstairs again, testing her strength and observing herself.
Another time she called Dunyasha, and her voice trembled. She called her again, despite the fact that she heard her steps, called her in the chest voice with which she sang, and listened to him.
She didn’t know this, she wouldn’t have believed it, but under the seemingly impenetrable layer of silt that covered her soul, thin, tender young needles of grass were already breaking through, which were supposed to take root and so cover with their life shoots the grief that had crushed her that it would soon not be visible and not noticeable. The wound was healing from the inside. At the end of January, Princess Marya left for Moscow, and the Count insisted that Natasha go with her in order to consult with doctors.

After the clash at Vyazma, where Kutuzov could not restrain his troops from the desire to overturn, cut off, etc., the further movement of the fleeing French and the Russians who fled after them, to Krasnoye, took place without battles. The flight was so fast that the Russian army running after the French could not keep up with them, that the horses in the cavalry and artillery became weak and that information about the movement of the French was always incorrect.

In the central part of Yekaterinburg, on the second tier of the Iset River embankment, there is interesting monument, the existence of which most residents of our country do not even suspect - this is the “Monument to the Keyboard”!

Description of the appearance and dimensions of the “Monument to the Keyboard”

The monument is a concrete monument in the form exact copy personal computer keyboards at a scale of 30:1. This is the largest “clave” not only in Russia, but also in the world! It consists of 104 keys cast from a “vandal-proof” material - concrete. Each of them weighs from 100 kilograms, and the weight of the gap reaches 500 kilograms. The key layout corresponds to the QWERTY layout. The surface of the concrete keys is flat, but it has raised letter designations, as well as functional symbols, which are placed in the same order as on a regular personal computer keyboard.

The total area of ​​this unique monument is 16x4 meters. The size of each key is 36x36 centimeters.

History of creation

The author of the “Monument to the Keyboard” project in Yekaterinburg is Anatoly Vyatkin. The Ural artist created a monument for the festival of the Ural urban action “Long Stories of Yekaterinburg”. Technical support during the production of the keyboard was provided by the Atomstroykompleks company. The curator of the project was the cultural agency “ArtPolitika”.

The opening of the “Monument to the Keyboard” took place on October 5, 2005. The author created the keys manually, and the installation was carried out using special equipment. Manual labor took more than a month, and installation took about a week. One of the first visitors to the monument was the author of the Pascal language, the Swiss scientist Niklaus Wirth. He specially came to look at the “clave” in September 2005, when installation work was still underway.

Art historians classify the monument as a land art style. This art direction arose in the 60s of the twentieth century. This style implies that the work must be closely related to the natural landscape. The keyboard not only fit perfectly into the image of the embankment, but also influenced the objects surrounding it. So the house of the merchant Chuvildin, standing on a slope, began to be called the “system block”, and the Iset River on forums is referred to as the “I-network”. Residents of Yekaterinburg fantasize about creating a monument to a modem, monitor and computer mouse next to the keyboard. The object itself is used as a place to relax - you can sit on the keyboard as if on a bench. And children love to play here, jumping over the keys.

Protection of the monument

Despite its high popularity among local residents and tourists, the project did not receive official monument status. But nevertheless, in many guidebooks to Yekaterinburg, the “Monument to the Keyboard” is listed as a culturally significant object. The tourist “Red Line”, passing through the main attractions of the city, includes this unusual monument.

Despite the impressive weight, the F1, F2, F3, Y keys were stolen before June 2011. And vandals put the Apple logo on the Windows key. In this regard, the Perm Museum of Contemporary Art PERMM proposed moving the “Monument to the Keyboard” to Perm, since no one cares about it in Yekaterinburg. However, an initiative group, which included Evgeny Zorin, Lydia Karelina and the author of the project Anatoly Vyatkin, together with the Union Trucks company began restoring the monument. On August 17, 2011, the lost keys were restored. The group also drew up an appeal to the city administration to include the monument in the register of cultural property. Since the same year, clean-up days and cultural events began to be held at the keyboard, during which the keys are cleaned and painted, and various competitions are also held, for example, a championship in throwing non-working computer mice, lifting bundles of hard drives, etc.

In 2015, after the death of Evgeniy Zorin, who did a lot for the development of the IT industry in Yekaterinburg, a memorial plaque with a QR code was installed on the End key, with the help of which anyone can find out brief information about him.

Keyboard Monument on Google Panorama

How to get to the monument

“Monument to the Keyboard” is located on the left side of Iset. The most convenient way to get to the object is from the M. stop. Gorky" on Malysheva Street. You can get there by trolleybuses No. 3, 7, 17; buses No. 2, 13, 13A, 19, 25, 32; minibuses No. 04, 070. Routes can be found on the website wikiroutes.info.

Location of the keyboard monument, coordinates: 56.832389, 60.607548.

From the stop you can walk along Malysheva to the embankment and walk along it towards Kuibysheva Street, or go out onto Gorky Street and, having reached the old brick house of the merchant Chuvildin, go down the steps to the river. The stairs lead directly to the monument.

Route from stop "M. Gorky" to the keyboard monument on Google maps.

You can also order a taxi through mobile applications: Yandex, Maxim, Uber, Gett; or rent a car.

“Monument to the Keyboard” in Yekaterinburg: video

The giant keyboard was created in 2005 in Yekaterinburg, as an example of a special project for the city festival "Long Stories of Yekaterinburg". The curators of the project were Arseny Sergeev and Nailya Allahverdieva, who presented this conceptual solution to the jury and the public. The author of the project and performer was Anatoly Vyatkin. The Atomstroykompleks company was involved as a contractor.

What is curious, despite the high popularity original idea and the implementation of the project among local residents and guests of Yekaterinburg, it never acquired the status of an official monument or landmark. In fact, the composition, not recognized by municipal authorities, was nevertheless included in the register of the most popular and recommended places in the city by many guidebooks.

It was from the keyboard that at the beginning of 2011 the drawing of the “Red Line” on the asphalt began, which passed through 32 main attractions of the central part of Yekaterinburg. The monument is an exact concrete copy of a computer keyboard on a scale of 1:30. The composition consists of 104 closely spaced keys made of concrete and laid out in a QWERTY layout. The weight of individual keys reaches 500 kg. They are mounted in recesses at intervals of up to 15 cm. The total area of ​​the project reaches 64 m2. The base of the concrete keys follows symbols and letters from the alphabet, and the layout is the same as on a standard keyboard.

“Monument to the Keyboard” was installed on the second tier of the Iset River embankment, from Gogol Street. The monument consists of 86 keys, each weighing about 80 kg (the space bar weighs half a ton).
The sculptor had to do almost all the work, which was done by hand, in the pouring rain, which, however, did not hinder him too much. The keyboard symbolizes the unification of communications between Europe and Asia. The material chosen to implement the plan is “vandal-resistant” concrete. The sculpture had to be installed using special equipment. Now city residents and tourists do not sit on the lawns, as before, but sit comfortably on concrete keys.

The key surface is flat with alphabet and function symbols arranged in the same order as standard keyboards.
The concrete “Keyboard” can be considered simultaneously both as a fetish of the computer era and as an industrial “rock garden”, a large-scale environmental experiment that forms a new communication environment on the territory of the city embankment of Yekaterinburg. Each button on the concrete keyboard is also a makeshift bench. The monument has become a cultural landmark of the city’s modern image and a new “brand”.

A positive response to the project is observed among all segments of the city's population. Monitoring the reaction of passers-by on the embankment showed that in 80% of cases the reaction of passers-by is enthusiastic, in other cases it is interested. Residents of the city are proud of the implementation of such a project on the territory of the city, in which they are primarily attracted by the non-standard implementation and modernity of the image.
Before June 2011, several keys from the monument were stolen (F1, F2, F3, Y keys), and the Apple logo was applied to the Windows key.

Professor Niklaus Wirth, inventor of the Pascal language, who visited Yekaterinburg, expressed a desire to visit the project even at the installation stage.
The monument influenced the symbolic reinterpretation of the entire surrounding space and a sharp increase in its creativity. An ancient stone house located nearby is now called the "system block". The main city river Iset is now written on Internet forums as “I-network”, and next to the “Keyboard” it is proposed to place a monument to the modem. Residents of Yekaterinburg fantasize about the possible placement of a monument to the Monitor and the computer Mouse.

Monument with restored keys in August 2011
The project has been submitted to a competition for the status of one of the seven wonders of Russia.
In 2011, according to the results of online voting, the monument entered the “top 10” of the most popular attractions in Yekaterinburg.

There is a legend that if you press Ctrl+Alt+Del, the whole world will reboot.

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