Odod Irina Gennadievna
solfeggio teacher
Children's School of Music
Competitive testing in 1st grade musical literacy
1..Find one of the positions T5/3
a) VI - II - IV
b) III - V - I
c) III - V - VII
2..How many sounds are there in a tetrachord?
at 4
3. Find stable steps:
a) IV, VI, VII
b) VI, II, IV
c) I, III, V
4. Find introductory sounds:
a) VII, II
b) II, IV
c) I, III
5. Find singing:
a) I-VI-VII
b) I-III-II
c) IV - VI - V
6. What sounds are there?
a) musical and noise
b) big and small
c) clean and thin
7. What is a pause?
a) repetition sign
b) sign of silence
c) alteration sign
8. How many semitones are there in 1 tone?
a) 1
b) 3
at 2
9. What is tact?
a) the distance from one downbeat to the next downbeat
b) repetition sign
c) sign of silence
10. How many signs are there in the key of G major?
a) no signs
b) one sharp
c) one flat
11. What 3 registers are divided into musical sounds?
a) thick, thin, medium
b) high, medium, low
c) narrow, wide, medium
12. What is a semitone?
a) alteration sign
b) repetition sign
c) the closest distance between two sounds
13. Which sign raises a note by a semitone?
a) sharp
b) flat
c) bekar
14. What does the top size number indicate?
a) duration of beats
b) number of beats in a measure
c) number of cycles
15. In which key are there no key signs?
a) G major
b) D major
c) C major
16.Which level is called tonic?
a) V
b) VI
c) I
17. Note the structure of the major scale:
a) semitone, 3 tones, semitone, 2 tones
b) 2 tones, semitone, 3 tones, semitone
c) 3 tones, semitone, 2 tones, semitone
18. What are the names of the 5 rulers on which notes are written?
a) beat
b) staff
c) duration
19. What signs of alteration do you know?
a) semitone, note, duration
b) note, sharp, bar
c) flat, sharp, becar
20. How many half notes are there in one whole note?
a) 2
b) 3
at 4
21. What is gamma?
a) steps in music
b) sounds of the scale, located step by step up and down from tonic to tonic
c) repetition of any melodic or harmonic turn from different degrees of the scale
22. Key signs in the key of D major
a) B-flat
b) F sharp
c) F-sharp, C-sharp
Keys to the test
1 -b 8 -c 15 -c
2 - at 9 -a 16 - at
3 – in 10 -b 17 -b
4 - a 11 - b 18 - b
5 - at 12 - at 19 - at
6 - a 13 - a 20 - a
7 - b 14 - b 21 - b
22 - in
Evaluation criteria:
Competitive t music literacy testing grade 2
1. How many types does the minor have?
2. In what form of the minor do VI, VII rise upward? step, and down as in natural minor?
a) natural
b) harmonic
c) melodic
3. Find the main steps:
a) I, V, IV
b) V, VI, VII
c) V, VI, II
4. What stage is called D?
a) IV
b) V
c) II
5.Note the structure of the minor scale:
a) semitone, 2 tones, semitone, 3 tones
b) tone, semitone, 2 tones, semitone, 2 tones
c) 2 tones, semitone, 3 tones, semitone
6. In what form of minor is the distance between the VII and I steps 1 tone?
a) natural
b) harmonic
c) melodic
7. What stage is called T?
a) V
b) VI
c) I
8. In what form of minor are the VII degrees raised?
a) natural
b) harmonic
c) melodic
9. What stage is called S?
a) IV
b) V
c) II
10. Key signs of the key of D minor
a) F sharp
b) B flat
c) G flat
11.Find parallel tones
a) G major - A minor
b) A minor - C major
c) C major - D minor
12.Find keys of the same name
a) A minor - D major
b) D minor-D major
c) F major - G major
13.What is a fifth?
a) big
c) clean
14.On what steps in the major scale are b.3 built?
a) I, V, IV
b) V, VI, VII
c) V, VI, II
15.How many steps does a fifth contain?
a) 3 steps
b) 5 steps
c) 7 steps
16.How many sounds are there in a pentachord?
17.Qualitative value of the interval b.3
a) 1 tone
b) 2 tones
c) 3 tones
18. Quantitative value of the interval part 4
a) 2 steps
b) 3 steps
c) 4 steps
19. At what stages is part 1 a stable interval?
a) I, III, V
b) V, VI, VII
c) V, VI, II
20. At what level in the major scale is part 5 not built?
a) I
b) VII
c) V
21. How many steps does a third contain?
a) two stages
b) three steps
c) four steps
22. How many tones does the minor third contain?
a) 5 tones
b) one and a half tone
c) 4 tones
Keys to the test
1 -a 8 -b 15 - b
2 – at 9 a.m. 16 a.m.
3 – a 10 -b 17 -b
4 - b 11 - b 18 - c
5 - b 12 - b 19 - a
6 - a 13 - c 20 - b
7 - c 14 - a 21 - b
22 - b
Evaluation criteria:
For each correct answer - 1 point. Maximum amount points -22.
Hello, dear readers. On this page you can check your ear for music using the "Solfeggio online" block. Let's figure out how it works. To test your musical ear, click "Start". Previously, you can select one of the five presented keys, as well as a mode. By default, the “note” mode and the key of C major will be enabled.
You can guess one note - "note" mode, guess five notes - "test" mode, guess an interval - "intervals" mode.
rice. 1
By clicking on the "Start" button, either a note or an interval will be played to you, in accordance with the mode that you have chosen. Next, from the list, you need to select which note/interval was sounded and click on the “Check” button.
If you guessed correctly, the sun sign will appear. If you select the test mode, you will be shown how many of the proposed notes you guessed. By clicking the "Again" button, you can take the test again, select a different key or mode.
You can also enable or disable the display of the correct note or interval if you do not guess correctly (by default - off) by clicking on the green square with the note in the lower left corner:
rice. 2
And here is the test itself - I wish you good luck.
Note Test Intervals Chords
About intervals
You will hear that the sound of all intervals is different, but they can be divided into several groups - some sound sharp and dissonant - this group is called sharp or dissonant, these include seconds (m2, b2), sevenths (m7, b7) , as well as the tritone (which is called the diminished fifth - um5 or the augmented quart - uv4). All other intervals are euphonious.
But the latter can also be divided into large, small and pure. Major and minor euphonious intervals are thirds and sixths, pure fourths, fifths, octaves (pure ones are also called “empty”, since they have a sound neither major nor minor). Major and minor, as you remember, differ in their sound - major third (b3), for example, sounds major (cheerful) and is the main indicator of the major chord, minor (m3) - minor (sad), with sixths also - major (b6 ) - has a major sound; small (m6) - minor.
Now that you know how intervals are distributed in terms of sound, it will be easier for you to navigate the process of recognizing them by ear.
We bring to your attention a program that will teach you how to navigate stave. The idea is simple: the program guesses a note and shows it on the staff. Your task is to determine what kind of note it is.
Instructions
There are 2 staffs on the screen. The hidden note is displayed on the left. You need to define it and give the correct answer. You will see your answer on the right staff.
If a guitar is selected as an instrument, you will see all the places on the fretboard where the selected note “lives”.
If the piano is selected as the instrument, then the notes on the keys will be signed taking into account the selected key.
Notes on a stave
(Your browser must support flash)
What can the program do?
- Tonality. The program knows them all. You can specify in which keys to guess the notes. The program also knows about natural, harmonic and melodic minor and major.
- Keys. The program knows most of the musical keys.
- Tools. your choice: piano, 6-string guitar and bass guitar. There is a separate “No tool” mode.
- Sound. Of course, you can listen to the notes on a stave.
Additionally
Move your mouse cursor over the tuning pegs of a 6-string guitar. The names of the notes will appear on the string. For bass guitar, just move the mouse to a section of the string outside the nut.
Hello! Here is a test for your knowledge of musical notation. It is both testing and educational. In total, there are about 40 questions, many of them are accompanied by pictures (sometimes you can see hints in these pictures).
How to use the test? Here are simple instructions:
- Read the question and think about the answer.
- Click the “Show answer” button and check for yourself.
- Is your answer correct? Hooray! This is a success!
- Was your answer wrong? It's OK! You have already read the explanation and now you know the correct answer!
- For each correct answer, give yourself one plus.
And now, without wasting a minute, start solving test tasks . It can take you from 10 to 40 minutes to do everything about everything. I wish you success!
Question: The picture shows a note. List its main graphic elements.
Answer: The main graphic elements of a note are the head, the stem, and the flag.
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Question: A staff - a special line for writing notes on it - consists of five lines. How to count the lines of a staff correctly? Top down or bottom up?
Answer: The correct counting of rulers is done from bottom to top.
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Question: A fragment of musical notation is given. What mistake was made?
Answer: Calms are written incorrectly. When recording in a single voice, up to the third line, the stils are written with right side and should be directed upward, starting from the third - written on the left and directed downward.
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Question: Which of the main degrees “do-re-mi-fa-sol-la-si-do” are located at a semitone distance from each other?
Answer: The sounds mi-fa and si-do are located at a semitone distance from each other.
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Question: How many tones (or semitones) are there between the sounds C and G of the first octave?
Answer: There are 3.5 tones between these sounds.
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Question: How many tones are there between the sounds D and B-flat of the first octave?
Answer: Between D and B flat there are 4 tones.
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Question: How many sounds are there in an octave?
Answer: There are 12 sounds in an octave. There are also 12 sounds in the octave on the piano keyboard (7 white keys corresponding to the 7 basic steps + 5 black keys corresponding to the majority of derivative steps).
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Question: How many tones are there between any note and its repetition in the next octave? For example, between the D of the first octave and the D of the second, or between the G of the second octave and the G of the first octave.
Answer: Between any sounds separated from each other by an octave, there are 6 tones.
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Question: How many tones or semitones are there between any sound and its repetition at the same pitch?
Answer: Between a sound and its repetition at the same pitch there are no tones or semitones, in other words, zero of them.
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Question: In which octave are the lowest sounds?
Answer: The lowest sounds are in the subcontractave.
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Question: How many full octaves are there in a musical scale? Name them in order of increasing pitch level.
Answer: There are 7 full octaves in the musical scale. These are counter octave, major octave, minor octave, first octave, second octave, third octave and fourth octave.
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Question: How many partial octaves are there in a musical scale? Name these octaves and their sounds.
Answer: There are 2 incomplete octaves in the musical scale. These are a subcontractave (three sounds - A, B-flat and B) and a fifth octave (one sound - C).
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Question: What does treble clef mean?
Answer: The treble clef is called the “G” clef and means that the G note of the first octave is written on the second line.
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Question: What does bass clef mean?
Answer: The bass clef is called the “F” clef and means that the note F of the small octave is written on the fourth line.
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Question: What notes in the treble clef are written on the rulers (main)?
Answer: The notes E (on the first), G (on the second), B (on the third), D (on the fourth), F (on the fifth) are written on the five lines of the staff in the treble clef.
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Question: What notes in the bass clef are written on the rulers (main)?
Answer: On five staff lines in the bass clef, the notes G (on the first), B (on the second), D (on the third), F (on the fourth), A (on the fifth) are written.
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Question: Some notes are often written in both treble and bass clefs. What note (see picture) is written on the first additional line from below in the treble clef and on the first additional line from above in the bass clef?
Answer: Note to the first octave.
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Answer: Possible musical names: F, E-sharp, G-double-flat.
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Question: A sound is taken on the piano keyboard (see picture). Give this sound all possible musical names.
Answer: Possible musical names: F-sharp, G-flat, E-double-sharp.
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Question: A fragment of musical notation is given (see picture). Should I play flat in the next measure?
Answer: Not necessary, since this alteration sign is random and extends its effect only within one beat.
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Question: What is the name of the accidental sign that cancels any derivative changes to a musical step and indicates that the main step should be played?
Answer: This is a bekar sign.
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Question: A fragment of musical notation is given (see picture). Should I play F sharp in the second bar?
Answer: Yes, you need to play F-sharp, since F-sharp in this case is a key sign that operates throughout the entire piece and in any octave.
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Question: The key has 4 flats. What kind of flats will these be? State the order of the flats in their entirety.
Answer: If 4 flats are written in the key, then these will be the following flats: B-flat, E-flat, A-flat and D-flat. The entire flat order is B-E-LA-D-S-DO-F.
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Question: The key has 2 sharps. What sharps will these be? State the entire order of sharps.
Answer: If 2 sharps are written on the key, then these will be the following signs: F-sharp and C-sharp. The entire order of sharps is F-do-sol-re-la-mi-si.
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Question: Does musical time stop during pauses?
Answer: During pauses, musical time does not stop or slow down.
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Question: The picture shows a whole note (duration). How many notes, quarter notes, eighth notes and sixteenth notes (durations) fit into it?
Answer: An entire note can be split into any number of equal durations. This duration fits 2 half notes (a whole note in half), 4 quarter notes (we divide a whole note into 4 parts), 8 eighth notes (if we divide each quarter note in half or divide a whole note into 8 equal parts) or 16 sixteenth notes (similarly, we divide a whole note into 16) .
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Question: How many eighth notes (durations) fit in a half note?
Answer: One half note contains 4 eighth notes.
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Question: How many sixteenth notes (durations) fit in one quarter note?
Answer: There are 4 sixteenth notes in one quarter note.
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Question: What one note (duration) can express the sum of the durations of three quarter notes?
Answer: Half note with a dot. One half duration fits two quarter notes + a dot lengthens it by half (that is, by another quarter note). In total, we get three quarter notes in one half note with a dot.
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Question: How much does the duration increase if you put two dots to the right of it?
Answer: Two dots increase the duration of a note by 75% or ¾ of the original duration. In this case, the first point increases the duration of the note by half of the original duration, and the second by another quarter of the original duration.
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Question: How to write half duration with a dot of two durations?
Answer: You need to divide a half note with a dot into two equal or unequal durations (for example, into a half and a quarter note or into two quarter notes with dots) and combine these two durations with a league.
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Question: There are two quarter notes in a 2/4 measure. How to fit 6 notes of equal duration into one such measure?
Answer: In order to fit six notes of equal duration into one 2/4 measure, you need to divide each quarter note not into two parts, but into three. By dividing the duration by 3, triplets are obtained - groups of notes; each such group must be specially marked at the top or bottom with the number “3”.
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Question: What do the numbers that make up the time signature for piece of music?
Answer: The top number indicates the number of beats in each measure, the bottom number shows the exact duration of each beat.
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Question: What is shown in this picture (see picture)?
Answer: This is a pause of one quarter duration.
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Question: A rhythmic pattern of two measures of a piece of music is given (see image). Determine the time signature.
Answer: In each measure, the sum of the durations is equal to three quarter notes, which means the measure of the measure is ¾.
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Question: How can you find out the exact duration of each note (in seconds) without using a stopwatch?
Answer: In order to calculate the exact duration of each note in seconds, you need to use a metronome: set it to a suitable tempo and look at the number of beats per minute. One metronome beat corresponds to one conventional unit of musical time (for example, one beat). If one beat is expressed as a quarter note, and at the set tempo the metronome makes 90 beats per minute (1.5 beats per second), then the duration of one quarter note at this tempo will be 0.75 seconds, the duration of an eighth note, respectively, 0.375 seconds, half – 1.5 seconds, etc.
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Question: How can you determine that the musical notation of a piece has ended?
Answer: At the end of the musical notation, a final double bar is placed.
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The answers to absolutely all questions are in, which each of you can receive completely free of charge as a gift from our website. Haven't you picked up your gift yet? Do it right now!
If during the test you scored more than 30 pluses on the first try, congratulations! You have mastered the material in the provided textbook well. If you scored fewer pluses, take this test again every other day.
Transcript
1 Municipal budget educational institution additional education children "Children's School of Arts and folk crafts» Tests on musical literacy and solfeggio Performed by Kamalova Zulfiya Galeevna teacher of music theoretical disciplines Khanty Mansiysk 2016 1
2 The use of effective visual and gaming techniques in the course of solfeggio and music theory is productive in working with children school age. A test is a better and more objective way of assessing knowledge. One of the tasks of the tests is to expand the forms of control in the passage of material and identify difficulties in mastering it. Being one of modern forms training, tests will help make lessons more entertaining, increase the student’s attention and reaction speed. Contents 1. Games - tests for 1st grade (game “Fill in the table”) test for knowledge of notes, crossword puzzle, rhythmic tasks) pp. 3,4,5 2. Screening tests for 2nd grade p. 6,7 3. Screening tests for 3 grades p. Screening tests for grade 4 p. 9,19,11,12 5. Screening tests and cards for grade 5 p. 13,14,15,17,18,19,20 6. Screening tests for grade 6 p. 15,16 7. Test cards for grade 7 pp. 19,20,21,22 8. References p. Photos p. 24 2
6 Tests for grade 2 Where are the key signs placed? Between the key and the meter After the meter Before the note Which degree is called the tonic? V step I step VII step Parallel keys have the same key signs The same tonics The same modes The tonic of a parallel minor is from the tonic of a major downwards After 2 steps Through 1 step After 3 steps Find parallel keys G major - B minor F major D minor C major B minor Minor , where the VII step rises Harmonic Natural Melodic In harmonic A minor there is F#, F# and C#, G# 6
7 Minor, where the VI and VII degrees rise Harmonic Natural Melodic In the melodic B minor there are A#, G# and G#, A# How many signs are there in E minor? F#, C#, B flat, G# How many signs are there in B minor? Fa#, do#, fa#, no signs How many sounds are in a triad? 3, 2, 1 What is the name of the consonance of two sounds Chord Interval Mode Key What is the name of the consonance of three or more sounds Chord Mode Interval Key 7
8 Tests for grade 3 Question 1 List the sharp tongue twister - the order in which sharps appear in the key. Examples 2 Write down the rule for the structure of the major scale. 3 Name the sound enharmonically equal to G flat 4 Determine the size and divide into measures 5 What are the signs in the key of C minor? 6 Decipher the interval in G major with notes (third on the third degree) 7 What kind of scale is this? And what type of mode is 8 What degrees of mode are included in the triad? 9 Place 3# in the key as they should be 10 Determine the intervals: 11 Write all the groups of sixteenth note durations known to you in the volume of a quarter beat. 12 How does a harmonic minor differ from a natural minor? 13 What is the name of the sign indicating the repetition of a musical passage. 14 Which interval contains one and a half tones? 15 What is the first inversion of a triad called? 8
9 Tests for grade 4 1. Alteration signs before sounds a) key b) random c) double-sharps 2. Triad on the IV degree of the mode a) Tonic b) Subdominant c) Dominant 3. Repetition of the phrase from different sounds a) reprise b) sequence c) transposition 4. Minor with two flats a) D minor b) C minor c) G minor 5. Which interval is involved in the formation of the circle of tonalities? a) third b) fourth c) fifth 6. A chord consisting of 4 sounds arranged in thirds? a) sixth chord b) quarter sex chord c) seventh chord 9
10 7. F major in Latin a) D-dur b) A-dur c) F-dur 8. Type of minor with a raised VII degree? a) melodic b) harmonic c) natural 9. Sign of lowering the sound by tone? a) double-sharp b) double-flat c) becar 10. Sixth chord on the third degree a) subdominant b) dominant c) tonic 11. What chord inversion consists of a fourth and a third? a) sixth chord b) triad c) vartsex chord 12. Major with three flats a) A major b) E flat major c) B flat major 13. Modification of the melody 10
11 a) sequence b) variation c) transposition 14. Musical form, in which the repeated part of the refrain alternates with episodes? a) variations b) rondo c) 3-part 15. How many signs are there in E major? a) 3 sharps b) 4 sharps c) 3 flats 16. Which scale is parallel to A flat major? a) C minor b) F sharp minor c) F minor 17. Transferring a melody from one key to another a) sequence b) transposition c) alteration 18. Unit of measurement musical meter a) quarter b) eighth c) beat 19. How many strong beats are there in ¾? a) one 11
12 b) two c) none 20. Alternation of different durations a) tempo b) rhythm c) meter 21. How many inversions does a triad have? a) one b) two c) three 22. What is the first inversion of a triad called? a) quarter-sex chord b) sixth chord c) seventh chord 23. What interval is a dissonance a) fifth b) tritone c) third 24. In what interval is the level 4 allowed a) octave b) third c) sixth 25. What is the name of a seventh chord built on Stage V a) tonic b) dominant c) subdominant 12
13 Tests for grade 5 “Chords”. Harmonic color, inversions and chord resolution. 1. The main triads are the triads a) I, III, V steps b) I, IV, V steps c) II, IV, VI, VII steps (underline the letter) 2. Inversions B 5/3, M 5/3. Connect with arrows the designation of chords with their structure M6 B6 m.3 + part 4 b.3 + part 4 M6/4 part 4 + b.3 B6/4 part 4 + m.3 3. Show with arrows the resolution of the main calls triads D5/3 Т5/3 (t5/3) S5/3(s 5/3) D 6 T6 (t6) S6 (s6) D6/4 T6/4 (t6/4) S6/4 (s6/4) 4. Main and secondary triads, which triads correspond to these names? (Connect with arrows) Main triads of the mode II 5/3, III 5/3, VI 5/3, VII 5/3 Secondary triads of the mode I 5/3, IV 5/3, V 5/3 5. Connect the names of the chords with arrows, intervals with their designation Main triads with inversions VII7, T7, II7, S7, II7, VI7, D7 Intervals D2, D6/5, D7, D4/3 D7 with inversions D6, T6/4, S6, T5/3, S6/ 4, D5/3, S5/3 D6/4,T6 Seventh chords part 1, b.7, m.3, part 5 13
14 6. Determine the answer for inversion of intervals and chords (connect with arrows) Inversion of chords a) transfer of the lower sound an octave up, another sound in place Inversion of intervals b) transfer of the lower sound up an octave, other sounds in place 7. Where inversion occurs ? Underline the 3 correct answers: a) in size; b) at the scale; c) at seventh chords; d) for triads; e) at intervals 8. What is the resolution of all unstable intervals and chords most often based on? Select the answer, circle the letter a) on the smooth movement of unstable sounds into adjacent stable sounds; b) when moving abruptly into steady sounds; c) on movement into any adjacent sounds 9. Arrange in in the right order inversion of chords about the main form from top to bottom T 64 D6 S6 D2 T53 D64 S64 D65 T6 D53 S53 D7 D Mark the correct resolution (connect with arrows to the tonic chords) D7 T6 T5/3 with a missed fifth, tripled by 1 degree m.vii7 um.vii7 T64 T53 with doubling of fifths T53 with doubling of thirds 14
15 11. In what type of mode are m VII7 and mind VII7 constructed? Connect with arrows m VII7 Dur n Dur g um VII7 moll n moll g 12. Inversions of intervals and chords. How many inversions do intervals, triads, seventh chords have? Connect the answer with a number: for intervals 1 for triads 2 for seventh chords Underline the most intense chords: VI 5/3, D7, um.vii7, S6/4, um.5/3, D6, D6/4, S5/3 14. Emphasize the lightest chords: D5/3, T5/3, S5/3, t6, S6/4, um.vii5/3, D7, m.vii7. Tests for grade 6 1 Harmonic minor: A. The VI level increases. B. The VII level increases. B. The VII level is reduced. 3 Key signs in B flat minor: A. B, E. B. si, mi, la, re, salt. V. si, mi, la. 5 Parallel keys: A. D dur d- mol B. E dur cis moll C. As dur f - moll 7 Reversals of intervals: A. Septima turns into seventh. 2 Key signs in F sharp major: A. F#, C#, G# B. F#, C#, G#, D#. B. F#, C#, G#, D#, A#, E# 4 Harmonic major: A. The VI degree is lowered. B. The VI level increases. B. The VII level is reduced. 6 Main steps in A major A. F#, A, B B. A, D, E. V. la, do#, mi. 8 Reversals of intervals: A. Large intervals do not have accesses. 15
16 B. Septima turns per second. V. Septima turns into prima. 9 Major thirds on major scales: A. On I, IV, V. B. On III, VI, VII. B. On I, III, VI. 11 Tritones in harmonic major: A. lv.4 on the 1st degree, um.5 on the 3rd degree. B. lv.4 at the IV stage, lv.5 at the VII stage. V. level 4 at the VI stage, level 5 at the II stage. 13 Composition of a major triad: A. b.3 + m.3 B. m.3 + b.3 C. b.3 + b.3 15 Composition of a major quartsex chord A. ch.4 + m.3 B. b.3 + part 4 V. part 4 + b.3 17 Main triads of the mode: A. Built on stable steps B. Built on I, IV, V. C. Built on I, III, V. 19 Dominant seventh chord: A. Built at the IV stage. B. Built on the VII stage C. Built on the V stage. 21 Types of introductory seventh chords: A. Large and enlarged. B. Small and reduced. B. Small and large. B. Large intervals turn into small ones. B. Large intervals turn into large ones. 10 Triton: A. uv.5 and um.4. B. um.5 and lv.4. B. uv.4 and uv Resolution of the increased quart: A. Counter movement of voices. B. Opposite movement of voices. B. Indirect movement of votes. 14 Inversions of triads: A. A triad has three inversions. B. The triad has two inversions. B. A triad has one inversion. 16 Composition of a minor sixth chord: A. m3 + part 4 B. b.3 + part 4 B. part 4 + m.3 18 Dominant triad in B minor: A. F# A# C# B. V. B re fa#. 20 Composition D7: A. b.3 + m.3 + m3. B. b3 + b.3 + m.3. V. m.3 + b.3 + m.3 22 Composition of the reduced opening seventh chord: A. m.3 + m.3 + b.3 B. m.3 + b.3 + m.3 V. m.3 + m.3 +m.3 16
17 The cards are facing up with the side on which the intervallic structure of the chord is written. The teacher plays one chord or another: the students sing it to a certain syllable, and then use these intervals to determine the chord and show the card face down to the teacher. 17
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21 These game trainings are aimed at the practical development of the indicated harmonic turns and sequences 21
22 22
23 References 1. Vakhromeeva T. Tests for musical literacy and solfeggio / Tutorial for children's music schools and studios. M., Kamaeva T.A., Kamaev A.F. Gambling solfeggio / Toolkit in solfeggio and music theory. M., Link to Internet resources: 23
24 24
Kogalym 2010 1 The textbook can be used by teachers in solfeggio lessons according to the T.A. Kaluzhskaya program for repetition and consolidation educational material 1 7 classes. One of the objectives of this manual
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