Russian writer, Count Lev Nikolaevich Tolstoy was born on September 9 (August 28, old style) 1828 in the Yasnaya Polyana estate, Krapivensky district, Tula province (now Shchekinsky district, Tula region).

Tolstoy was the fourth child in a large noble family. His mother, Maria Tolstaya (1790-1830), née Princess Volkonskaya, died when the boy was not yet two years old. Father, Nikolai Tolstoy (1794-1837), a participant in the Patriotic War, also died early. A distant relative of the family, Tatyana Ergolskaya, was involved in raising the children.

When Tolstoy was 13 years old, the family moved to Kazan, to the house of Pelageya Yushkova, his father’s sister and the children’s guardian.

In 1844, Tolstoy entered Kazan University at the Department of Oriental Languages ​​of the Faculty of Philosophy, then transferred to the Faculty of Law.

In the spring of 1847, having submitted a request for dismissal from the university “due to poor health and domestic circumstances,” he went to Yasnaya Polyana, where he tried to establish new relations with the peasants. Disappointed by his unsuccessful management experience (this attempt is depicted in the story “The Morning of the Landowner,” 1857), Tolstoy soon left first for Moscow, then for St. Petersburg. His lifestyle changed frequently during this period. Religious sentiments, reaching the point of asceticism, alternated with carousing, cards, and trips to the gypsies. It was then that his first unfinished literary sketches appeared.

In 1851, Tolstoy left for the Caucasus with his brother Nikolai, an officer in the Russian troops. He took part in hostilities (first voluntarily, then receiving an army position). Tolstoy sent the story “Childhood” written here to Sovremennik magazine without revealing his name. It was published in 1852 under the initials L.N. and, together with the later stories “Adolescence” (1852-1854) and “Youth” (1855-1857), formed an autobiographical trilogy. Tolstoy's literary debut brought him recognition.

Caucasian impressions were reflected in the story "Cossacks" (18520-1863) and in the stories "Raid" (1853), "Cutting Wood" (1855).

In 1854, Tolstoy went to the Danube front. Soon after the start of the Crimean War, at his personal request, he was transferred to Sevastopol, where the writer had the opportunity to survive the siege of the city. This experience inspired him to write his realistic Sevastopol Stories (1855-1856).
Soon after the end of hostilities, Tolstoy left military service and lived for some time in St. Petersburg, where he had great success in literary circles.

He joined the Sovremennik circle, met Nikolai Nekrasov, Ivan Turgenev, Ivan Goncharov, Nikolai Chernyshevsky and others. Tolstoy took part in dinners and readings, in the establishment of the Literary Fund, became involved in disputes and conflicts among writers, but felt like a stranger in this environment.

In the autumn of 1856 he left for Yasnaya Polyana, and at the beginning of 1857 he went abroad. Tolstoy visited France, Italy, Switzerland, Germany, returned to Moscow in the fall, and then again to Yasnaya Polyana.

In 1859, Tolstoy opened a school for peasant children in the village, and also helped to establish more than 20 similar institutions in the vicinity of Yasnaya Polyana. In 1860, he went abroad for the second time to get acquainted with the schools of Europe. In London, I often saw Alexander Herzen, visited Germany, France, Switzerland, Belgium, and studied pedagogical systems.

In 1862, Tolstoy began publishing the pedagogical magazine Yasnaya Polyana with reading books as an appendix. Later, in the early 1870s, the writer created "ABC" (1871-1872) and "New ABC" (1874-1875), for which he composed original stories and adaptations of fairy tales and fables, which made up four "Russian books for reading."

The logic of the writer’s ideological and creative quest of the early 1860s was the desire to depict folk characters (“Polikushka”, 1861-1863), the epic tone of the narrative (“Cossacks”), attempts to turn to history to understand modernity (the beginning of the novel “Decembrists” , 1860-1861) - led him to the idea of ​​the epic novel "War and Peace" (1863-1869). The time of creation of the novel was a period of spiritual elation, family happiness and calm, solitary work. At the beginning of 1865, the first part of the work was published in the Russian Bulletin.

In 1873-1877, another great novel by Tolstoy was written - "Anna Karenina" (published in 1876-1877). The problems of the novel directly led Tolstoy to the ideological “turning point” of the late 1870s.

At the height of his literary fame, the writer entered a period of deep doubts and moral quests. In the late 1870s and early 1880s, philosophy and journalism came to the fore in his work. Tolstoy condemns the world of violence, oppression and injustice, believes that it is historically doomed and must be radically changed in the near future. In his opinion, this can be achieved through peaceful means. Violence must be excluded from social life; it is opposed to non-resistance. Non-resistance was not understood, however, as an exclusively passive attitude towards violence. A whole system of measures was proposed to neutralize the violence of state power: a position of non-participation in what supports the existing system - the army, courts, taxes, false teaching, etc.

Tolstoy wrote a number of articles that reflected his worldview: “On the census in Moscow” (1882), “So what should we do?” (1882-1886, published in full in 1906), “On Hunger” (1891, published in English in 1892, in Russian in 1954), “What is art?” (1897-1898), etc.

The writer’s religious and philosophical treatises are “A Study of Dogmatic Theology” (1879-1880), “The Connection and Translation of the Four Gospels” (1880-1881), “What is My Faith?” (1884), "The Kingdom of God is within you" (1893).

At this time, such stories as “Notes of a Madman” (work was carried out in 1884-1886, not completed), “The Death of Ivan Ilyich” (1884-1886), etc. were written.

In the 1880s, Tolstoy lost interest in artistic work and even condemned his previous novels and stories as lordly “fun.” He became interested in simple physical labor, plowed, sewed his own boots, and switched to vegetarian food.

Tolstoy's main artistic work in the 1890s was the novel "Resurrection" (1889-1899), which embodied the entire range of problems that worried the writer.

As part of the new worldview, Tolstoy opposed Christian dogma and criticized the rapprochement between the church and the state. In 1901, the reaction of the Synod followed: the internationally recognized writer and preacher was officially excommunicated from the church, this caused a huge public outcry. The years of disruption also led to family discord.

Trying to bring his way of life into harmony with his beliefs and burdened by the life of a landowner’s estate, Tolstoy secretly left Yasnaya Polyana in the late autumn of 1910. The road turned out to be too much for him: on the way, the writer fell ill and was forced to make a stop at the Astapovo railway station (now Leo Tolstoy station, Lipetsk region). Here, in the station master's house, he spent the last few days of his life. All of Russia followed reports about the health of Tolstoy, who by this time had gained worldwide fame not only as a writer, but also as a religious thinker.

On November 20 (November 7, old style), 1910, Leo Tolstoy died. His funeral in Yasnaya Polyana became a nationwide event.

Since December 1873, the writer was a corresponding member of the Imperial St. Petersburg Academy of Sciences (now the Russian Academy of Sciences), and since January 1900 - an honorary academician in the category of belles lettres.

For the defense of Sevastopol, Leo Tolstoy was awarded the Order of St. Anna, IV degree, with the inscription “For bravery” and other medals. Subsequently, he was also awarded medals “In memory of the 50th anniversary of the defense of Sevastopol”: silver as a participant in the defense of Sevastopol and bronze as the author of “Sevastopol Stories”.

Leo Tolstoy's wife was the daughter of a doctor, Sophia Bers (1844-1919), whom he married in September 1862. For a long time, Sofya Andreevna was a faithful assistant in his affairs: a copyist of manuscripts, a translator, a secretary, and a publisher of works. Their marriage produced 13 children, five of whom died in childhood.

The material was prepared based on information from open sources

“The world, perhaps, did not know another artist in whom the eternally epic, Homeric principle would be as strong as Tolstoy. The element of the epic lives in his works, its majestic monotony and rhythm, similar to the measured breath of the sea, its tart, powerful freshness , its burning spice, indestructible health, indestructible realism"

Thomas Mann

Tolstoy was born on September 9, 1828 in the Yasnaya Polyana estate in the Tula province in the family of a landowner. Tolstoy's parents belonged to the highest nobility; even under Peter I, Tolstoy's paternal ancestors received the title of count. Lev Nikolaevich's parents died early, leaving him only with a sister and three brothers. Tolstoy's aunt, who lived in Kazan, took custody of the children. The whole family moved in with her.

In 1844, Lev Nikolaevich entered the university at the oriental faculty, and then studied law. Tolstoy knew more than fifteen foreign languages ​​at the age of 19. He was seriously interested in history and literature. His studies at the university did not last long; Lev Nikolaevich left the university and returned home to Yasnaya Polyana. Soon he decides to leave for Moscow and devote himself to literary activity. His older brother, Nikolai Nikolaevich, leaves for the Caucasus, where the war was going on, as an artillery officer. Following the example of his brother, Lev Nikolaevich enlists in the army, receives an officer rank and goes to the Caucasus. During the Crimean War, L. Tolstoy was transferred to the active Danube Army, fighting in besieged Sevastopol, commanding a battery. Tolstoy was awarded the Order of Anna ("For Bravery"), medals "For the Defense of Sevastopol", "In Memory of the War of 1853-1856".

In 1856, Lev Nikolaevich retired. After some time, he travels abroad (France, Switzerland, Italy, Germany).

Since 1859, Lev Nikolaevich has been actively involved in educational activities, opening a school for peasant children in Yasnaya Polyana, and then promoting the opening of schools throughout the district, publishing the pedagogical magazine "Yasnaya Polyana". Tolstoy became seriously interested in pedagogy and studied foreign teaching methods. In order to deepen his knowledge in pedagogy, he went abroad again in 1860.

After the abolition of serfdom, Tolstoy actively participated in resolving disputes between landowners and peasants, acting as a mediator. For his activities, Lev Nikolaevich gains a reputation as an unreliable person, as a result of which a search was carried out in Yasnaya Polyana in order to find a secret printing house. Tolstoy's school is closed, and the continuation of teaching activities becomes almost impossible. By this time, Lev Nikolaevich had already written the famous trilogy “Childhood. Adolescence. Youth.”, the story “Cossacks”, as well as many stories and articles. “Sevastopol Stories” occupied a special place in his work, in which the author conveyed his impressions of the Crimean War.

In 1862, Lev Nikolaevich married Sofya Andreevna Bers, the daughter of a doctor, who became his faithful friend and assistant for many years. Sofya Andreevna took on all the household chores, and in addition, she became her husband’s editor and his first reader. Tolstoy's wife rewrote all his novels by hand before sending them to the editor. It is enough to imagine how difficult it was to prepare War and Peace for publication to appreciate the dedication of this woman.

In 1873, Lev Nikolaevich finished work on Anna Karenina. By this time, Count Leo Tolstoy became a famous writer who received recognition, corresponded with many literary critics and authors, and actively participated in public life.

In the late 70s - early 80s, Lev Nikolaevich was experiencing a serious spiritual crisis, trying to rethink the changes taking place in society and determine his position as a citizen. Tolstoy decides that it is necessary to take care of the well-being and education of the common people, that a nobleman has no right to be happy when the peasants are in distress. He is trying to start changes from his own estate, from restructuring his attitude towards the peasants. Tolstoy's wife insists on moving to Moscow, as the children need to get a good education. From this moment, conflicts began in the family, as Sofya Andreevna tried to ensure the future of her children, and Lev Nikolaevich believed that the nobility was over and the time had come to live modestly, like the entire Russian people.

During these years, Tolstoy wrote philosophical works and articles, participated in the creation of the Posrednik publishing house, which dealt with books for the common people, and wrote the stories “The Death of Ivan Ilyich,” “The History of a Horse,” and “The Kreutzer Sonata.”

In 1889 - 1899, Tolstoy completed the novel "Resurrection".

At the end of his life, Lev Nikolaevich finally decides to break ties with the wealthy life of the nobility, engages in charity work, education, and changes the order of his estate, giving freedom to the peasants. This life position of Lev Nikolaevich became the cause of serious domestic conflicts and quarrels with his wife, who looked at life differently. Sofya Andreevna was worried about the future of her children and was against Lev Nikolaevich’s unreasonable spending, from her point of view. The quarrels became more and more serious, Tolstoy more than once made an attempt to leave home forever, the children experienced conflicts very hard. The former mutual understanding in the family disappeared. Sofya Andreevna tried to stop her husband, but then the conflicts escalated into attempts to divide property, as well as ownership rights to the works of Lev Nikolaevich.

Finally, on November 10, 1910, Tolstoy leaves his home in Yasnaya Polyana and leaves. Soon he falls ill with pneumonia, is forced to stop at the Astapovo station (now Leo Tolstoy station) and dies there on November 23.

Control questions:
1. Tell the biography of the writer, mentioning exact dates.
2. Explain the connection between the writer’s biography and his work.
3. Summarize his biographical data and determine his features
creative heritage.

Lev Nikolaevich Tolstoy

Lev Nikolaevich Tolstoy(August 28 (September 9), 1828, Yasnaya Polyana, Tula province, Russian Empire - November 7 (20), 1910, Astapovo station, Ryazan province, Russian Empire) - one of the most widely known Russian writers and thinkers, revered as one of the greatest writers of the world.

Born in the Yasnaya Polyana estate. Among the writer's paternal ancestors is an associate of Peter I - P. A. Tolstoy, one of the first in Russia to receive the title of count. A participant in the Patriotic War of 1812 was the father of the writer, Count. N.I. Tolstoy. On his mother's side, Tolstoy belonged to the family of the Bolkonsky princes, related by kinship to the Trubetskoy, Golitsyn, Odoevsky, Lykov and other noble families.
When Tolstoy was in his ninth year, his father took him to Moscow for the first time, the impressions of his meeting with which were vividly conveyed by the future writer in his children's essay "The Kremlin." Moscow is here called “the greatest and most populous city in Europe,” the walls of which “saw the shame and defeat of Napoleon’s invincible regiments.” The first period of young Tolstoy's Moscow life lasted less than four years. He was orphaned early, losing first his mother and then his father. With his sister and three brothers, young Tolstoy moved to Kazan. One of my father’s sisters lived here and became their guardian.
Living in Kazan, Tolstoy spent two and a half years preparing to enter the university, where he studied from 1844, first at the Oriental Faculty and then at the Faculty of Law. He studied Turkish and Tatar languages ​​from the famous Turkologist Professor Kazembek. In his mature years, the writer was fluent in English, French and German; read in Italian, Polish, Czech and Serbian; knew Greek, Latin, Ukrainian, Tatar, Church Slavonic; studied Hebrew, Turkish, Dutch, Bulgarian and other languages.
Classes on government programs and textbooks weighed heavily on Tolstoy the student. He became interested in independent work on a historical topic and, leaving the university, left Kazan for Yasnaya Polyana, which he received through the division of his father's inheritance. Then he went to Moscow, where at the end of 1850 his writing activity began: an unfinished story from gypsy life (the manuscript has not survived) and a description of one day he lived (“The History of Yesterday”). At the same time, the story “Childhood” was begun. Soon Tolstoy decided to go to the Caucasus, where his older brother, Nikolai Nikolaevich, an artillery officer, served in the active army. Having entered the army as a cadet, he later passed the exam for junior officer rank. The writer's impressions of the Caucasian War were reflected in the stories "Raid" (1853), "Cutting Wood" (1855), "Demoted" (1856), and in the story "Cossacks" (1852-1863). In the Caucasus, the story “Childhood” was completed, published in 1852 in the magazine “Sovremennik”.

When the Crimean War began, Tolstoy was transferred from the Caucasus to the Danube Army, which was operating against the Turks, and then to Sevastopol, which was besieged by the combined forces of England, France and Turkey. Commanding the battery on the 4th bastion, Tolstoy was awarded the Order of Anna and the medals “For the Defense of Sevastopol” and “In Memory of the War of 1853-1856.” More than once Tolstoy was nominated for the military Cross of St. George, but he never received the “George.” In the army, Tolstoy wrote a number of projects - about the reformation of artillery batteries and the creation of artillery battalions armed with rifled guns, about the reformation of the entire Russian army. Together with a group of officers of the Crimean Army, Tolstoy intended to publish the magazine "Soldier's Bulletin" ("Military Leaflet"), but its publication was not authorized by Emperor Nicholas I.
In the fall of 1856, he retired and soon went on a six-month trip abroad, visiting France, Switzerland, Italy and Germany. In 1859, Tolstoy opened a school for peasant children in Yasnaya Polyana, and then helped open more than 20 schools in the surrounding villages. To direct their activities along the right path, from his point of view, he published the pedagogical magazine Yasnaya Polyana (1862). In order to study the organization of school affairs in foreign countries, the writer went abroad for the second time in 1860.
After the manifesto of 1861, Tolstoy became one of the world mediators of the first call who sought to help peasants resolve their disputes with landowners about land. Soon in Yasnaya Polyana, when Tolstoy was away, the gendarmes carried out a search in search of a secret printing house, which the writer allegedly opened after communicating with A. I. Herzen in London.
At the same time, already at the beginning of his creative career, Tolstoy becomes a supervised writer. Some of the writer's first works were the stories "Childhood", "Adolescence" and "Youth", "Youth" (which, however, was not written). According to the author's plan, they were supposed to compose the novel "Four Epochs of Development."
In the early 1860s. For decades, the order of Tolstoy’s life, his way of life, is established. In 1862, he married the daughter of a Moscow doctor, Sofya Andreevna Bers.
The writer is working on the novel "War and Peace" (1863-1869). Having completed War and Peace, Tolstoy spent several years studying materials about Peter I and his time. However, after writing several chapters of Peter’s novel, Tolstoy abandoned his plan. In the early 1870s. The writer was again fascinated by pedagogy. He put a lot of work into the creation of the ABC, and then the New ABC. At the same time, he compiled “Books for Reading”, where he included many of his stories.
In the spring of 1873, Tolstoy began and four years later completed work on a great novel about modernity, calling it after the name of the main character - Anna Karenina.
The spiritual crisis experienced by Tolstoy at the end of 1870 - beginning. 1880, ended with a turning point in his worldview. In "Confession" (1879-1882), the writer talks about a revolution in his views, the meaning of which he saw in a break with the ideology of the noble class and a transition to the side of the "simple working people."
At the beginning of the 1880s. Tolstoy moved with his family from Yasnaya Polyana to Moscow, caring about providing an education to his growing children.
In these and subsequent years, Tolstoy also wrote religious and philosophical works: “Criticism of Dogmatic Theology”, “What is My Faith?”, “Combination, Translation and Study of the Four Gospels”, “The Kingdom of God is Within You”. In them, the writer not only showed a change in his religious and moral views, but also subjected to a critical revision of the main dogmas and principles of the teaching of the official church. In the mid-1880s. Tolstoy and his like-minded people created the Posrednik publishing house in Moscow, which printed books and paintings for the people. The first of Tolstoy's works, published for the "common" people, was the story "How People Live." In it, as in many other works of this cycle, the writer made extensive use not only of folklore plots, but also of the expressive means of oral creativity. Thematically and stylistically related to Tolstoy’s folk stories are his plays for folk theaters and, most of all, the drama “The Power of Darkness” (1886), which depicts the tragedy of a post-reform village, where under the “power of money” the centuries-old patriarchal order collapsed.
In 1880 Tolstoy's stories "The Death of Ivan Ilyich" and "Kholstomer" ("The Story of a Horse"), and "The Kreutzer Sonata" (1887-1889) appeared. In it, as well as in the story “The Devil” (1889-1890) and the story “Father Sergius” (1890-1898), the problems of love and marriage, the purity of family relationships are posed.
Tolstoy’s story “The Master and the Worker” (1895), stylistically connected with the cycle of his folk stories written in the 80s, is based on social and psychological contrast. Five years earlier, Tolstoy wrote the comedy “The Fruits of Enlightenment” for a “home performance.” It also shows the “owners” and “workers”: noble landowners living in the city and peasants who came from a hungry village, deprived of land. The images of the former are given satirically, the author portrays the latter as reasonable and positive people, but in some scenes they are “presented” in an ironic light.
All these works of the writer are united by the idea of ​​the inevitable and close in time “denouement” of social contradictions, of the replacement of an obsolete social “order.” “I don’t know what the outcome will be,” Tolstoy wrote in 1892, “but that things are approaching it and that life cannot continue like this, in such forms, I am sure.” This idea inspired the largest work of all the creativity of the “late” Tolstoy - the novel “Resurrection” (1889-1899).
Less than ten years separate Anna Karenina from War and Peace. "Resurrection" is separated from "Anna Karenina" by two decades. And although the third novel differs in many ways from the previous two, they are united by a truly epic scope in the depiction of life, the ability to “pair” individual human destinies with the fate of the people in the narrative. Tolstoy himself pointed out the unity that existed between his novels: he said that "Resurrection" was written in the "old manner", meaning, first of all, the epic "manner" in which "War and Peace" and "Anna Karenina" were written ". "Resurrection" became the last novel in the writer's work.
At the beginning of 1900 The Holy Synod excommunicated Tolstoy from the Orthodox Church.
In the last decade of his life, the writer worked on the story “Hadji Murat” (1896-1904), in which he sought to compare “the two poles of imperious absolutism” - the European, personified by Nicholas I, and the Asian, personified by Shamil. At the same time, Tolstoy created one of his best plays, “The Living Corpse.” Its hero - the kindest soul, gentle, conscientious Fedya Protasov leaves his family, breaks off relations with his usual environment, falls to the "bottom" and in the courthouse, unable to bear the lies, pretense, pharisaism of "respectable" people, shoots himself with a pistol. scores with life. The article “I Can’t Be Silent” written in 1908, in which he protested against the repression of participants in the events of 1905–1907, sounded sharply. The writer’s stories “After the Ball”, “For What?” belong to the same period.
Weighed down by the way of life in Yasnaya Polyana, Tolstoy more than once contemplated and for a long time did not dare to leave it. But he could no longer live according to the principle of “together and apart,” and on the night of October 28 (November 10) he secretly left Yasnaya Polyana. On the way, he fell ill with pneumonia and was forced to stop at the small station of Astapovo (now Leo Tolstoy), where he died. On November 10 (23), 1910, the writer was buried in Yasnaya Polyana, in the forest, on the edge of a ravine, where as a child he and his brother were looking for a “green stick” that held the “secret” of how to make all people happy.

Biography

Origin

Education

Military career

Traveling around Europe

Pedagogical activity

Family and offspring

Creativity flourishes

"War and Peace"

"Anna Karenina"

Other works

Religious quest

Excommunication

Philosophy

Bibliography

Translators of Tolstoy

World recognition. Memory

Film adaptations of his works

Documentary

Movies about Leo Tolstoy

Portrait gallery

Translators of Tolstoy

Graph Lev Nikolaevich Tolstoy(August 28 (September 9) 1828 - November 7 (20), 1910) - one of the most widely known Russian writers and thinkers. Participant in the defense of Sevastopol. Educator, publicist, religious thinker, whose authoritative opinion provoked the emergence of a new religious and moral movement - Tolstoyism.

The ideas of nonviolent resistance, which L. N. Tolstoy expressed in his work “The Kingdom of God is Within You,” influenced Mahatma Gandhi and Martin Luther King.

Biography

Origin

He came from a noble family, known, according to legendary sources, since 1353. His paternal ancestor, Count Pyotr Andreevich Tolstoy, is known for his role in the investigation of Tsarevich Alexei Petrovich, for which he was put in charge of the Secret Chancellery. The traits of Pyotr Andreevich’s great-grandson, Ilya Andreevich, are given in “War and Peace” to the good-natured, impractical old Count Rostov. The son of Ilya Andreevich, Nikolai Ilyich Tolstoy (1794-1837), was the father of Lev Nikolaevich. In some character traits and biographical facts, he was similar to Nikolenka’s father in “Childhood” and “Adolescence” and partly to Nikolai Rostov in “War and Peace.” However, in real life, Nikolai Ilyich differed from Nikolai Rostov not only in his good education, but also in his convictions, which did not allow him to serve under Nikolai. A participant in the foreign campaign of the Russian army, including participating in the “Battle of the Nations” near Leipzig and being captured by the French, after the conclusion of peace he retired with the rank of lieutenant colonel of the Pavlograd Hussar Regiment. Soon after his resignation, he was forced to go into bureaucratic service in order not to end up in debtor's prison because of the debts of his father, the Kazan governor, who died under investigation for official abuses. For several years, Nikolai Ilyich had to save. The negative example of his father helped Nikolai Ilyich develop his ideal of life - a private, independent life with family joys. To put his upset affairs in order, Nikolai Ilyich, like Nikolai Rostov, married an ugly and no longer very young princess from the Volkonsky family; the marriage was happy. They had four sons: Nikolai, Sergei, Dmitry and Lev and a daughter Maria.

Tolstoy's maternal grandfather, Catherine's general, Nikolai Sergeevich Volkonsky, had some resemblance to the stern rigorist - the old Prince Bolkonsky in War and Peace, however, the version that he served as the prototype of the hero of War and Peace is rejected by many researchers of Tolstoy's work. Lev Nikolayevich's mother, similar in some respects to Princess Marya depicted in War and Peace, had a remarkable gift for storytelling, for which, with her shyness passed on to her son, she had to lock herself with the large number of listeners who gathered around her in a dark room.

In addition to the Volkonskys, L.N. Tolstoy was closely related to several other aristocratic families: the princes Gorchakovs, Trubetskoys and others.

Childhood

Born on August 28, 1828 in the Krapivensky district of the Tula province, on his mother’s hereditary estate - Yasnaya Polyana. Was the 4th child; his three older brothers: Nikolai (1823-1860), Sergei (1826-1904) and Dmitry (1827-1856). In 1830, Sister Maria (1830-1912) was born. His mother died when he was not yet 2 years old.

A distant relative, T. A. Ergolskaya, took up the task of raising orphaned children. In 1837, the family moved to Moscow, settling on Plyushchikha, because the eldest son had to prepare to enter university, but soon his father suddenly died, leaving affairs (including some litigation related to the family’s property) in an unfinished state, and the three younger ones The children again settled in Yasnaya Polyana under the supervision of Ergolskaya and their paternal aunt, Countess A. M. Osten-Sacken, who was appointed guardian of the children. Here Lev Nikolaevich remained until 1840, when Countess Osten-Sacken died and the children moved to Kazan, to a new guardian - their father's sister P. I. Yushkova.

The Yushkov house, somewhat provincial in style, but typically secular, was one of the most cheerful in Kazan; All family members highly valued external shine. "My good aunt, - says Tolstoy, - the purest being, always said that she would like nothing more for me than for me to have a relationship with a married woman: rien ne forme un jeune homme comme une liaison avec une femme comme il faut" (« Confession»).

He wanted to shine in society, to earn a reputation as a young man; but he did not have the external qualities for this: he was ugly, it seemed to him awkward, and, in addition, he was hampered by natural shyness. Everything that is told in " adolescence" And " Youth"about the aspirations of Irtenyev and Nekhlyudov for self-improvement, Tolstoy took from the history of his own ascetic attempts. The most varied, as Tolstoy himself defines them, “philosophies” about the most important questions of our existence - happiness, death, God, love, eternity - painfully tormented him in that era of life when his peers and brothers were completely devoted to the cheerful, easy and carefree pastime of the rich and noble people. All this led to the fact that Tolstoy developed a “habit of constant moral analysis,” which, as it seemed to him, “destroyed the freshness of feeling and clarity of reason” (“ Youth»).

Education

Was his education first under the guidance of the French tutor Saint-Thomas? (Mr. Jerome "Boyhood"), who replaced the good-natured German Reselman, whom he portrayed in "Childhood" under the name Karl Ivanovich.

At the age of 15, in 1843, following his brother Dmitry, he became a student at Kazan University, where Lobachevsky and Kovalevsky were professors at the Faculty of Mathematics. Until 1847, he was preparing here to enter the only Oriental Faculty in Russia at that time in the category of Arabic-Turkish literature. In the entrance exams, in particular, he showed excellent results in the compulsory “Turkish-Tatar language” for admission.

Due to a conflict between his family and a teacher of Russian history and German, a certain Ivanov, at the end of the year, he had poor performance in the relevant subjects and had to re-take the first-year program. To avoid repeating the course completely, he transferred to the Faculty of Law, where his problems with grades in Russian history and German continued. The latter was attended by the outstanding civil scientist Meyer; Tolstoy at one time became very interested in his lectures and even took on a special topic for development - a comparison of Montesquieu’s “Esprit des lois” and Catherine’s “Order”. However, nothing came of this. Leo Tolstoy spent less than two years at the Faculty of Law: “It was always difficult for him to have any education imposed by others, and everything that he learned in life, he learned himself, suddenly, quickly, with intense work,” writes Tolstaya in her “Materials for biography of L. N. Tolstoy."

It was at this time, while in a Kazan hospital, that he began to keep a diary, where, imitating Franklin, he sets goals and rules for self-improvement and notes successes and failures in completing these tasks, analyzes his shortcomings and his train of thoughts and motives for his actions. In 1904 he recalled: “... for the first year... I did nothing. In the second year I started studying. .. there was Professor Meyer, who ... gave me a work - a comparison of Catherine’s “Order” with Montesquieu’s “Esprit des lois”. ... this work fascinated me, I went to the village, began to read Montesquieu, this reading opened up endless horizons for me; I started reading Rousseau and dropped out of university precisely because I wanted to study.”

Beginning of literary activity

Having dropped out of the university, Tolstoy settled in Yasnaya Polyana in the spring of 1847; his activities there are partly described in “The Morning of the Landowner”: Tolstoy tried to establish a new relationship with the peasants.

I followed journalism very little; although his attempt to somehow attenuate the guilt of the nobility before the people dates back to the same year when Grigorovich’s “Anton the Miserable” and the beginning of Turgenev’s “Notes of a Hunter” appeared, but this is a simple accident. If there were literary influences here, they were of much older origin: Tolstoy was very fond of Rousseau, a hater of civilization and a preacher of a return to primitive simplicity.

In his diary, Tolstoy sets himself a huge number of goals and rules; Only a small number of them were able to follow. Among those who succeeded were serious studies in English, music, and law. In addition, neither the diary nor the letters reflected the beginning of Tolstoy's studies in pedagogy and charity - in 1849 he first opened a school for peasant children. The main teacher was Foka Demidych, a serf, but L.N. himself often conducted classes.

Having left for St. Petersburg, in the spring of 1848 he began to take the exam for a candidate of rights; He passed two exams, from criminal law and criminal proceedings, successfully, but he did not take the third exam and went to the village.

Later he came to Moscow, where he often succumbed to his passion for gambling, greatly upsetting his financial affairs. During this period of his life, Tolstoy was especially passionately interested in music (he played the piano quite well and was very fond of classical composers). The author of the “Kreutzer Sonata” drew an exaggerated description in relation to most people of the effect that “passionate” music produces from the sensations excited by the world of sounds in his own soul.

Tolstoy's favorite composers were Bach, Handel and Chopin. In the late 1840s, Tolstoy, in collaboration with his acquaintance, composed a waltz, which in the early 1900s he performed under the composer Taneev, who made a musical notation of this musical work (the only one composed by Tolstoy).

The development of Tolstoy’s love for music was also facilitated by the fact that during a trip to St. Petersburg in 1848, he met in a very unsuitable dance class setting with a gifted but lost German musician, whom he later described in Alberta. Tolstoy came up with the idea of ​​saving him: he took him to Yasnaya Polyana and played a lot with him. A lot of time was also spent on carousing, gaming and hunting.

In the winter of 1850-1851. started writing "Childhood". In March 1851 he wrote “The History of Yesterday.”

This is how 4 years passed after leaving the university, when Tolstoy’s brother Nikolai, who served in the Caucasus, came to Yasnaya Polyana and began inviting him there. Tolstoy did not give in to his brother’s call for a long time, until a major loss in Moscow helped the decision. In order to pay off, it was necessary to reduce his expenses to a minimum - and in the spring of 1851, Tolstoy hastily left Moscow for the Caucasus, at first without any specific purpose. Soon he decided to enlist in military service, but obstacles arose in the form of a lack of necessary papers, which were difficult to obtain, and Tolstoy lived for about 5 months in complete solitude in Pyatigorsk, in a simple hut. He spent a significant part of his time hunting, in the company of the Cossack Epishka, the prototype of one of the heroes of the story “Cossacks”, who appears there under the name Eroshka.

In the fall of 1851, Tolstoy, having passed the exam in Tiflis, entered the 4th battery of the 20th artillery brigade, stationed in the Cossack village of Starogladov, on the banks of the Terek, near Kizlyar, as a cadet. With a slight change in details, she is depicted in all her semi-wild originality in “Cossacks”. The same “Cossacks” will also give us a picture of the inner life of Tolstoy, who fled from the capital’s whirlpool. The moods that Tolstoy-Olenin experienced were of a dual nature: here is a deep need to shake off the dust and soot of civilization and live in the refreshing, clear bosom of nature, outside the empty conventions of urban and, especially, high society life, here and the desire to heal the wounds of pride, brought out of the pursuit of success in this “empty” life, there is also a grave consciousness of transgressions against the strict requirements of true morality.

In a remote village, Tolstoy began to write and in 1852 he sent the first part of the future trilogy: “Childhood” to the editors of Sovremennik.

The relatively late start of his career is very characteristic of Tolstoy: he was never a professional writer, understanding professionalism not in the sense of a profession that provides a means of living, but in the less narrow sense of the predominance of literary interests. Purely literary interests always stood in the background for Tolstoy: he wrote when he wanted to write and the need to speak out was ripe, and in ordinary times he is a secular man, an officer, a landowner, a teacher, a world mediator, a preacher, a teacher of life, etc. He he never took the interests of literary parties to heart, and was far from willing to talk about literature, preferring to talk about issues of faith, morality, and social relations. Not a single work of his, in the words of Turgenev, “stinks of literature,” that is, did not come out of a bookish mood, out of literary isolation.

Military career

Having received the manuscript of “Childhood”, the editor of Sovremennik Nekrasov immediately recognized its literary value and wrote a kind letter to the author, which had a very encouraging effect on him. He sets about continuing the trilogy, and plans for “The Morning of the Landowner,” “The Raid,” and “The Cossacks” are swarming in his head. “Childhood,” published in Sovremennik in 1852, signed with the modest initials L.N.T., was extremely successful; the author immediately began to be ranked among the luminaries of the young literary school, along with Turgenev, Goncharov, Grigorovich, Ostrovsky, who already enjoyed great literary fame. Criticism - Apollo Grigoriev, Annenkov, Druzhinin, Chernyshevsky - appreciated the depth of psychological analysis, the seriousness of the author's intentions, and the bright prominence of realism with all the truthfulness of the vividly captured details of real life, alien to any vulgarity.

Tolstoy remained in the Caucasus for two years, participating in many skirmishes with the mountaineers and being exposed to all the dangers of combat life in the Caucasus. He had rights and claims to the St. George Cross, but did not receive it, which apparently upset him. When the Crimean War broke out at the end of 1853, Tolstoy transferred to the Danube Army, participated in the battle of Oltenitsa and the siege of Silistria, and from November 1854 to the end of August 1855 he was in Sevastopol.

Tolstoy lived for a long time on the terrible 4th bastion, commanded a battery in the battle of Chernaya, and was during the hellish bombardment during the assault on Malakhov Kurgan. Despite all the horrors of the siege, Tolstoy at this time wrote a battle story from Caucasian life, “Cutting Wood,” and the first of three “Sevastopol stories,” “Sevastopol in December 1854.” He sent this last story to Sovremennik. Immediately printed, the story was eagerly read throughout Russia and made a stunning impression with its picture of the horrors that befell the defenders of Sevastopol. The story was noticed by Emperor Nicholas; he ordered to take care of the gifted officer, which, however, was impossible for Tolstoy, who did not want to go into the category of the “staff” he hated.

For the defense of Sevastopol, Tolstoy was awarded the Order of St. Anne with the inscription “For bravery” and the medals “For the defense of Sevastopol 1854-1855” and “In memory of the war of 1853-1856.” Surrounded by the brilliance of fame and enjoying the reputation of a very brave officer, Tolstoy had every chance of a career, but he “ruined” it for himself. Almost the only time in his life (except for the “Combination of different versions of epics into one” made for children in his pedagogical works) he dabbled in poetry: he wrote a satirical song, in the manner of soldiers, about an unfortunate case 4 (August 16, 1855, when General Read, misunderstanding the order of the commander-in-chief, unwisely attacked the Fedyukhinsky heights. Song (As on the fourth, it was not easy for us to take away the mountains), which affected a number of important generals, was a huge success and, of course, harmed the author Immediately after the assault on August 27 (8. September) Tolstoy was sent by courier to St. Petersburg, where he completed “Sevastopol in May 1855” and wrote “Sevastopol in August 1855.”

“Sevastopol Stories” finally strengthened his reputation as a representative of the new literary generation.

Traveling around Europe

In St. Petersburg he was warmly welcomed both in high society salons and in literary circles; He became especially close friends with Turgenev, with whom he lived in the same apartment for a while. The latter introduced him to the circle of Sovremennik and other literary luminaries: he became on friendly terms with Nekrasov, Goncharov, Panaev, Grigorovich, Druzhinin, Sologub.

“After the hardships of Sevastopol, life in the capital had a double charm for a rich, cheerful, impressionable and sociable young man. Tolstoy spent whole days and even nights on drinking and gambling, carousing with gypsies” (Levenfeld).

At this time, “Blizzard”, “Two Hussars” were written, “Sevastopol in August” and “Youth” were completed, and the writing of the future “Cossacks” continued.

The cheerful life was not slow to leave a bitter aftertaste in Tolstoy’s soul, especially since he began to have a strong discord with the circle of writers close to him. As a result, “people became disgusted with him and he became disgusted with himself” - and at the beginning of 1857, Tolstoy left St. Petersburg without any regret and went abroad.

On his first trip abroad, he visited Paris, where he was horrified by the cult of Napoleon I (“The idolization of a villain, terrible”), at the same time he attends balls, museums, and is fascinated by the “sense of social freedom.” However, his presence at the guillotine made such a grave impression that Tolstoy left Paris and went to places associated with Rousseau - to Lake Geneva. At this time, Albert was writing a story and a story by Lucerne.

In the interval between the first and second trips, he continued to work on “Cossacks”, wrote Three Deaths and Family Happiness. It was at this time that Tolstoy almost died while on a bear hunt (December 22, 1858). He has an affair with the peasant woman Aksinya, and at the same time the need for marriage matures.

On his next trip, he was mainly interested in public education and institutions aimed at raising the educational level of the working population. He closely studied issues of public education in Germany and France, both theoretically and practically, and through conversations with specialists. Of the outstanding people in Germany, he was most interested in Auerbach, as the author of the “Black Forest Stories” dedicated to folk life and the publisher of folk calendars. Tolstoy paid him a visit and tried to get closer to him. During his stay in Brussels, Tolstoy met Proudhon and Lelewell. In London he visited Herzen and attended a lecture by Dickens.

Tolstoy’s serious mood during his second trip to the south of France was also facilitated by the fact that his beloved brother Nikolai died of tuberculosis in his arms. The death of his brother made a huge impression on Tolstoy.

Pedagogical activity

He returned to Russia soon after the liberation of the peasants and became a peace mediator. At that time they looked at the people as a younger brother who needed to be lifted up; Tolstoy thought, on the contrary, that the people are infinitely higher than the cultural classes and that the gentlemen need to borrow the heights of spirit from the peasants. He actively began setting up schools in his Yasnaya Polyana and throughout the Krapivensky district.

The Yasnaya Polyana school is one of the original pedagogical attempts: in the era of boundless admiration for the latest German pedagogy, Tolstoy resolutely rebelled against any regulation and discipline in school; the only method of teaching and education that he recognized was that no method was needed. Everything in teaching should be individual - both the teacher and the student, and their mutual relationships. At the Yasnaya Polyana school, the children sat where they wanted, as much as they wanted, and as they wanted. There was no specific teaching program. The teacher's only job was to get the class interested. The classes were going great. They were led by Tolstoy himself with the help of several regular teachers and several random ones, from his closest acquaintances and visitors.

Since 1862, he began publishing the pedagogical magazine “Yasnaya Polyana”, where he, again, was the main employee. In addition to theoretical articles, Tolstoy also wrote a number of stories, fables and adaptations. Combined together, Tolstoy's pedagogical articles made up an entire volume of his collected works. Hidden away in a very rarely circulated special magazine, they remained little noticed at the time. Nobody paid attention to the sociological basis of Tolstoy’s ideas about education, to the fact that Tolstoy saw only simplified and improved ways of exploiting the people by the upper classes in education, science, art and technological successes. Moreover, from Tolstoy’s attacks on European education and on the concept of “progress” that was favorite at that time, many seriously concluded that Tolstoy was a “conservative.”

This curious misunderstanding lasted for about 15 years, bringing closer to Tolstoy such a writer as organically opposite to him as N. N. Strakhov. Only in 1875, N.K. Mikhailovsky, in the article “The Hand and Shuyts of Count Tolstoy,” striking with the brilliance of his analysis and prediction of Tolstoy’s future activities, outlined the spiritual appearance of the most original of Russian writers in the present light. The little attention that was paid to Tolstoy's pedagogical articles is partly due to the fact that little attention was paid to it at that time.

Apollo Grigoriev had the right to title his article about Tolstoy (Time, 1862) “Phenomena of modern literature missed by our criticism.” Having extremely cordially greeted Tolstoy’s debits and credits and “Sevastopol Tales”, recognizing in him the great hope of Russian literature (Druzhinin even used the epithet “genius” in relation to him), critics then 10-12 years before the appearance of “War and Peace” not only ceases to recognize him as a very important writer, but somehow grows cold towards him.

The stories and essays he wrote in the late 1850s include “Lucerne” and “Three Deaths.”

Family and offspring

At the end of the 1850s, he met Sofia Andreevna Bers (1844-1919), the daughter of a Moscow doctor from the Baltic Germans. He was already in his fourth decade, Sofya Andreevna was only 17 years old. On September 23, 1862, he married her, and the fullness of family happiness fell to his lot. In his wife, he found not only his most faithful and devoted friend, but also an irreplaceable assistant in all matters, practical and literary. For Tolstoy, the brightest period of his life begins - the intoxication of personal happiness, very significant thanks to the practicality of Sofia Andreevna, material well-being, outstanding, easily given tension of literary creativity and, in connection with it, unprecedented all-Russian and then worldwide fame.

However, Tolstoy's relationship with his wife was not cloudless. Quarrels often arose between them, including in connection with the lifestyle that Tolstoy chose for himself.

• Sergei (July 10, 1863 - December 23, 1947)
• Tatiana (October 4, 1864 - September 21, 1950). Since 1899 she has been married to Mikhail Sergeevich Sukhotin. In 1917-1923 she was the curator of the Yasnaya Polyana museum-estate. In 1925 she emigrated with her daughter. Daughter Tatyana Mikhailovna Sukhotina-Albertini 1905-1996
• Ilya (May 22, 1866 - December 11, 1933)
• Leo (1869-1945)
• Maria (1871-1906) Buried in the village. Kochety Krapivensky district. Since 1897 married to Nikolai Leonidovich Obolensky (1872-1934)
• Peter (1872-1873)
• Nicholas (1874-1875)
• Varvara (1875-1875)
• Andrey (1877-1916)
• Mikhail (1879-1944)
• Alexey (1881-1886)
• Alexandra (1884-1979)
• Ivan (1888-1895)

Creativity flourishes

During the first 10-12 years after his marriage, he created War and Peace and Anna Karenina. At the turn of this second era of Tolstoy’s literary life stand the works conceived back in 1852 and completed in 1861-1862. "Cossacks", the first of the works in which Tolstoy's great talent reached the proportions of a genius. For the first time in world literature, the difference was shown with such clarity and certainty between the brokenness of a cultured person, the absence of strong, clear moods in him - and the spontaneity of people close to nature.

Tolstoy showed that the peculiarity of people close to nature is not that they are good or bad. The heroes of Tolstoy’s works, the dashing horse thief Lukashka, a kind of dissolute girl Maryanka, and the drunkard Eroshka, cannot be called good. But they cannot be called bad either, because they do not have the consciousness of evil; Eroshka is directly convinced that “there is no sin in anything”. Tolstoy's Cossacks are simply living people, in whom not a single mental movement is clouded by reflection. "Cossacks" were not assessed in a timely manner. At that time, everyone was too proud of “progress” and the success of civilization to be interested in how a representative of culture gave in to the force of the immediate spiritual movements of some semi-savages.

"War and Peace"

Unprecedented success befell War and Peace. Excerpt from a novel entitled "1805" appeared in the Russian Messenger of 1865; in 1868 three of its parts were published, which were soon followed by the remaining two.

Recognized by critics all over the world as the greatest epic work of new European literature, War and Peace amazes from a purely technical point of view with the size of its fictional canvas. Only in painting can one find some parallel in the huge paintings of Paolo Veronese in the Venetian Doge's Palace, where hundreds of faces are also painted with amazing clarity and individual expression. In Tolstoy's novel all classes of society are represented, from emperors and kings to the last soldier, all ages, all temperaments and throughout the entire reign of Alexander I.

"Anna Karenina"

The endlessly joyful rapture of the bliss of existence is no longer present in Anna Karenina, dating back to 1873-1876. There is still a lot of joyful experience in the almost autobiographical novel of Levin and Kitty, but there is already so much bitterness in the depiction of Dolly’s family life, in the unhappy ending of the love of Anna Karenina and Vronsky, so much anxiety in Levin’s mental life that in general this novel is already a transition to the third period Tolstoy's literary activity.

In January 1871, Tolstoy sent a letter to A. A. Fet: “How happy I am... that I will never write verbose rubbish like “War” again”.

On December 6, 1908, Tolstoy wrote in his diary: “People love me for those trifles - “War and Peace”, etc., which seem very important to them.”

In the summer of 1909, one of the visitors to Yasnaya Polyana expressed his delight and gratitude for the creation of War and Peace and Anna Karenina. Tolstoy replied: “It’s the same as if someone came to Edison and said: “I really respect you because you dance the mazurka well.” I attribute meaning to completely different books of mine (religious ones!).”.

In the sphere of material interests, he began to say to himself: “Well, okay, you will have 6,000 acres in the Samara province - 300 heads of horses, and then?”; in the literary field: “Well, okay, you will be more famous than Gogol, Pushkin, Shakespeare, Moliere, all the writers in the world - so what!”. As he began to think about raising children, he asked himself: "For what?"; reasoning “about how the people can achieve prosperity,” he “suddenly said to himself: what does it matter to me?” In general, he “I felt that what he stood on had given way, that what he had lived on was no longer there”. The natural result was thoughts of suicide.

“I, a happy man, hid the cord from myself so as not to hang myself on the crossbar between the cabinets in my room, where I was alone every day, undressing, and stopped going hunting with a gun so as not to be tempted by too easy a way to rid myself of life. I myself didn’t know what I wanted: I was afraid of life, I wanted to get away from it and, meanwhile, I hoped for something else from it.”

Other works

In March 1879, in the city of Moscow, Leo Tolstoy met Vasily Petrovich Shchegolenok and in the same year, at his invitation, he came to Yasnaya Polyana, where he stayed for about a month and a half. The Goldfinch told Tolstoy many folk tales and epics, of which more than twenty were written down by Tolstoy, and Tolstoy, if he didn’t write them down on paper, remembered the plots of some (these notes are published in Volume XLVIII of the Anniversary Edition of Tolstoy’s Works). Six works written by Tolstoy are based on legends and stories of Shchegolenok (1881 - “ How people live", 1885 - " Two old men" And " Three elders", 1905 - " Korney Vasiliev" And " Prayer", 1907 - " Old man in church"). In addition, Count Tolstoy diligently wrote down many sayings, proverbs, individual expressions and words told by the Goldfinch.

Literary criticism of Shakespeare's works

In his critical essay “On Shakespeare and Drama”, based on a detailed analysis of some of Shakespeare’s most popular works, in particular: “King Lear”, “Othello”, “Falstaff”, “Hamlet”, etc. - Tolstoy sharply criticized Shakespeare’s abilities as a playwright.

Religious quest

To find an answer to the questions and doubts that tormented him, Tolstoy first of all took up the study of theology and wrote and published in 1891 in Geneva his “Study of Dogmatic Theology,” in which he criticized the “Orthodox Dogmatic Theology” of Metropolitan Macarius (Bulgakov). He had conversations with priests and monks, went to the elders in Optina Pustyn, and read theological treatises. In order to understand the original sources of Christian teaching in the original, he studied ancient Greek and Hebrew (the Moscow rabbi Shlomo Minor helped him in studying the latter). At the same time, he looked closely at the schismatics, became close to the thoughtful peasant Syutaev, and talked with the Molokans and Stundists. Tolstoy also sought the meaning of life in the study of philosophy and in becoming familiar with the results of the exact sciences. He made a number of attempts at greater and greater simplification, striving to live a life close to nature and agricultural life.

Gradually, he abandons the whims and comforts of a rich life, does a lot of manual labor, dresses in simple clothes, becomes a vegetarian, gives his entire large fortune to his family, and renounces literary property rights. On this basis of unalloyed pure impulse and desire for moral improvement, the third period of Tolstoy’s literary activity is created, the distinctive feature of which is the denial of all established forms of state, social and religious life. A significant part of Tolstoy’s views could not receive open expression in Russia and were presented in full only in foreign editions of his religious and social treatises.

No unanimous attitude was established even in relation to Tolstoy’s fictional works written during this period. Thus, in a long series of short stories and legends intended primarily for popular reading (“How people live”, etc.), Tolstoy, in the opinion of his unconditional admirers, reached the pinnacle of artistic power - that elemental mastery that is given only to folk tales, because that they embody the creativity of an entire people. On the contrary, according to people who are indignant at Tolstoy for turning from an artist into a preacher, these artistic teachings, written for a specific purpose, are grossly tendentious. The lofty and terrible truth of “The Death of Ivan Ilyich”, according to fans, placing this work along with the main works of the genius of Tolstoy, according to others, is deliberately harsh, deliberately sharply emphasizes the soullessness of the upper strata of society in order to show the moral superiority of the simple “kitchen peasant” Gerasim. The explosion of the most opposite feelings, caused by the analysis of marital relations and the indirect demand for abstinence from married life, in the “Kreutzer Sonata” made us forget about the amazing brightness and passion with which this story was written. The folk drama “The Power of Darkness,” according to Tolstoy’s admirers, is a great manifestation of his artistic power: within the tight framework of an ethnographic reproduction of Russian peasant life, Tolstoy was able to accommodate so many universal human traits that the drama with tremendous success went around all the stages of the world.

In his last major work, the novel “Resurrection,” he condemned judicial practice and high society life, and caricatured the clergy and worship.

Critics of the last phase of Tolstoy’s literary and preaching activity find that his artistic power certainly suffered from the predominance of theoretical interests and that creativity is now only needed by Tolstoy in order to propagate his socio-religious views in a publicly accessible form. In his aesthetic treatise (“On Art”) one can find enough material to declare Tolstoy an enemy of art: in addition to the fact that Tolstoy here in part completely denies, in part significantly belittles the artistic significance of Dante, Raphael, Goethe, Shakespeare (at the performance of “Hamlet” he experienced “special suffering” for this “false likeness of works of art”), Beethoven and others, he directly comes to the conclusion that “the more we surrender to beauty, the more we move away from goodness.”

Excommunication

Belonging by birth and baptism to the Orthodox Church, Tolstoy, like most representatives of the educated society of his time, was indifferent to religious issues in his youth and youth. In the mid-1870s, he showed increased interest in the teachings and worship of the Orthodox Church. The turning point for him from the teachings of the Orthodox Church was the second half of 1879. In the 1880s, he took a position of unambiguously critical attitude towards church doctrine, the clergy, and official church life. The publication of some of Tolstoy's works was prohibited by spiritual and secular censorship. In 1899, Tolstoy’s novel “Resurrection” was published, in which the author showed the life of various social strata in contemporary Russia; the clergy were depicted mechanically and hastily performing rituals, and some took the cold and cynical Toporov for a caricature of K. P. Pobedonostsev, Chief Prosecutor of the Holy Synod.

In February 1901, the Synod finally decided to publicly condemn Tolstoy and declare him outside the church. Metropolitan Anthony (Vadkovsky) played an active role in this. As it appears in the Chamber-Fourier journals, on February 22, Pobedonostsev visited Nicholas II in the Winter Palace and talked with him for about an hour. Some historians believe that Pobedonostsev came to the Tsar directly from the Synod with a ready-made definition.

On February 24 (Old Art.), 1901, in the official organ of the Synod, “Church Gazette published under the Holy Governing Senod” was published “Definition of the Holy Synod of February 20-22, 1901 No. 557, with a message to the faithful children of the Greek Orthodox Church about Count Leo Tolstoy”:

In his “Response to the Synod,” Leo Tolstoy confirmed his break with the Church: “The fact that I renounced the church, which calls itself Orthodox, is absolutely fair. But I renounced it not because I rebelled against the Lord, but on the contrary, only because I wanted to serve him with all the strength of my soul.” However, Tolstoy objected to the charges brought against him in the resolution of the synod: “The resolution of the synod in general has many shortcomings. It is illegal or deliberately ambiguous; it is arbitrary, unfounded, untruthful and, in addition, contains slander and incitement to bad feelings and actions.” In the text of his “Response to the Synod,” Tolstoy reveals these theses in detail, recognizing a number of significant discrepancies between the dogmas of the Orthodox Church and his own understanding of the teachings of Christ.

The Synodal definition caused outrage among a certain part of society; Numerous letters and telegrams were sent to Tolstoy expressing sympathy and support. At the same time, this definition provoked a flow of letters from another part of society - with threats and abuse.

At the end of February 2001, the count's great-grandson Vladimir Tolstoy, manager of the writer's museum-estate in Yasnaya Polyana, sent a letter to Patriarch Alexy II of Moscow and All Rus' with a request to revise the synodal definition; in an unofficial interview on television, the Patriarch said: “We cannot reconsider now, because after all, it is possible to reconsider if a person changes his position.” In March 2009, Vl. Tolstoy expressed his opinion about the significance of the synodal act: “I studied documents, read newspapers of that time, and became acquainted with the materials of public discussions around excommunication. And I had the feeling that this act gave a signal for a total split in Russian society. The reigning family, the highest aristocracy, the local nobility, the intelligentsia, the common strata, and the common people split. A crack has passed through the body of the entire Russian, Russian people.”

Moscow census of 1882. L. N. Tolstoy - census participant

The 1882 census in Moscow is famous for the fact that the great writer Count L.N. Tolstoy took part in it. Lev Nikolaevich wrote: “I proposed to use the census in order to find out poverty in Moscow and help it with deeds and money, and make sure that there are no poor people in Moscow.”

Tolstoy believed that the interest and significance of the census for society is that it gives it a mirror into which, like it or not, the whole society and each of us can look. He chose one of the most difficult and difficult sites, Protochny Lane, where the shelter was located; among the Moscow chaos, this gloomy two-story building was called “Rzhanova Fortress.” Having received the order from the Duma, Tolstoy, a few days before the census, began to walk around the site according to the plan that was given to him. Indeed, the dirty shelter, filled with beggars and desperate people who had sunk to the very bottom, served as a mirror for Tolstoy, reflecting the terrible poverty of the people. Under the fresh impression of what he saw, L. N. Tolstoy wrote his famous article “On the Census in Moscow.” In this article he writes:

Despite the good goals of the census declared by Tolstoy, the population was suspicious of this event. On this occasion, Tolstoy writes: “When they explained to us that the people had already learned about the bypass of the apartments and were leaving, we asked the owner to lock the gate, and we ourselves went into the yard to persuade the people who were leaving.” Lev Nikolaevich hoped to arouse sympathy among the rich for urban poverty, collect money, recruit people who wanted to contribute to this cause and, together with the census, go through all the dens of poverty. In addition to fulfilling the duties of a copyist, the writer wanted to enter into communication with the unfortunate, find out the details of their needs and help them with money and work, expulsion from Moscow, placing children in schools, old men and women in shelters and almshouses.

According to the census results, the population of Moscow in 1882 was 753.5 thousand people and only 26% were born in Moscow, and the rest were “newcomers”. Of the Moscow residential apartments, 57% faced the street, 43% faced the courtyard. From the 1882 census we can find out that in 63% the head of the household is a married couple, in 23% it is the wife, and only in 14% it is the husband. The census noted 529 families with 8 or more children. 39% have servants and most often they are women.

Last years of life. Death and funeral

In October 1910, fulfilling his decision to live his last years in accordance with his views, he secretly left Yasnaya Polyana. He began his last journey at Kozlova Zaseka station; On the way, he fell ill with pneumonia and was forced to make a stop at the small station of Astapovo (now Lev Tolstoy, Lipetsk region), where he died on November 7 (20).

On November 10 (23), 1910, he was buried in Yasnaya Polyana, on the edge of a ravine in the forest, where as a child he and his brother were looking for a “green stick” that held the “secret” of how to make all people happy.

In January 1913, a letter from Countess Sophia Tolstoy dated December 22, 1912 was published, in which she confirms the news in the press that his funeral service was performed at the grave of her husband by a certain priest (she refutes rumors that he was not real) in her presence. In particular, the countess wrote: “I also declare that Lev Nikolaevich never once before his death expressed a desire not to be buried, and earlier he wrote in his diary in 1895, as if a will: “If possible, then (bury) without priests and funeral services. But if this will be unpleasant for those who will bury, then let them bury as usual, but as cheaply and simply as possible."

There is also an unofficial version of the death of Leo Tolstoy, stated in emigration by I.K. Sursky from the words of a Russian police official. According to it, the writer, before his death, wanted to reconcile with the church and came to Optina Pustyn for this. Here he awaited the order of the Synod, but, feeling unwell, was taken away by his arriving daughter and died at the Astapovo post station.

Philosophy

Tolstoy's religious and moral imperatives were the source of the Tolstoyanism movement, one of the fundamental theses of which is the thesis of “non-resistance to evil by force.” The latter, according to Tolstoy, is recorded in a number of places in the Gospel and is the core of the teachings of Christ, as well as Buddhism. The essence of Christianity, according to Tolstoy, can be expressed in a simple rule: “ Be kind and do not resist evil with force».

The position of non-resistance, which gave rise to controversy in the philosophical community, was opposed, in particular, by I. A. Ilyin in his work “On Resistance to Evil by Force” (1925)

Criticism of Tolstoy and Tolstoyism

• Chief Prosecutor of the Holy Synod Pobedonostsev, in his private letter dated February 18, 1887, to Emperor Alexander III, wrote about Tolstoy’s drama “The Power of Darkness”: “I have just read L. Tolstoy’s new drama and cannot come to my senses from horror. And they assure me that they are preparing to perform it at the Imperial Theaters and are already learning the roles. I don’t know anything like this in any literature. It is unlikely that Zola himself reached the level of crude realism that Tolstoy reaches here. The day on which Tolstoy's drama will be presented at the Imperial Theaters will be the day decisive fall our scene, which has already fallen very low.”

• The leader of the extreme left wing of the Russian Social Democratic Labor Party V.I. Ulyanov (Lenin), after the revolutionary unrest of 1905-1907, wrote, while in forced emigration, in the work “Leo Tolstoy as a Mirror of the Russian Revolution” (1908): “Tolstoy ridiculous, like a prophet who discovered new recipes for the salvation of mankind - and therefore the foreign and Russian “Tolstoyites” who wanted to turn into dogma precisely the weakest side of his teaching are completely miserable. Tolstoy is great as an exponent of those ideas and those sentiments that had developed among millions of the Russian peasantry at the time of the onset of the bourgeois revolution in Russia. Tolstoy is original, because the totality of his views, taken as a whole, expresses precisely the features of our revolution, as a peasant bourgeois revolution. The contradictions in Tolstoy's views, from this point of view, are a real mirror of the contradictory conditions in which the historical activity of the peasantry was placed in our revolution. "
• Russian religious philosopher Nikolai Berdyaev wrote at the beginning of 1918: “L. Tolstoy must be recognized as the greatest Russian nihilist, the destroyer of all values ​​and shrines, the destroyer of culture. Tolstoy triumphed, his anarchism, his non-resistance, his denial of state and culture, his moralistic demand for equality in poverty and non-existence and subordination to the peasant kingdom and physical labor triumphed. But this triumph of Tolstoyism turned out to be less meek and beautiful-hearted than Tolstoy imagined. It is unlikely that he himself would have rejoiced at such a triumph. The godless nihilism of Tolstoyism, its terrible poison that destroys the Russian soul, is exposed. To save Russia and Russian culture, Tolstoy’s morality, low and destructive, must be burned out of the Russian soul with a hot iron.”

His article “Spirits of the Russian Revolution” (1918): “There is nothing prophetic in Tolstoy, he did not foresee or predict anything. As an artist, he is drawn to the crystallized past. He did not have that sensitivity to the dynamism of human nature that Dostoevsky had to the highest degree. But in the Russian revolution, it is not Tolstoy’s artistic insights that triumph, but his moral assessments. There are few Tolstoyans in the narrow sense of the word who share Tolstoy’s doctrine, and they represent an insignificant phenomenon. But Tolstoyism in the broad, non-doctrinal sense of the word is very characteristic of Russian people; it determines Russian moral assessments. Tolstoy was not a direct teacher of the Russian left-wing intelligentsia; Tolstoy’s religious teaching was alien to them. But Tolstoy grasped and expressed the peculiarities of the moral make-up of the majority of the Russian intelligentsia, perhaps even the Russian intellectual, perhaps even the Russian person in general. And the Russian revolution represents a kind of triumph of Tolstoyism. It is imprinted both by Russian Tolstoyan moralism and Russian immorality. This Russian moralism and this Russian immorality are interconnected and are two sides of the same disease of moral consciousness. Tolstoy managed to instill in the Russian intelligentsia a hatred of everything historically individual and historically divergent. He was an exponent of that side of Russian nature that had an aversion to historical power and historical glory. It was he who taught us to moralize over history in an elementary and simplified way and to transfer the moral categories of individual life to historical life. By doing this, he morally undermined the opportunity for the Russian people to live a historical life, to fulfill their historical destiny and historical mission. He morally prepared the historical suicide of the Russian people. He clipped the wings of the Russian people as a historical people, morally poisoned the sources of any impulse towards historical creativity. The world war was lost by Russia because Tolstoy's moral assessment of the war prevailed. In the terrible hour of world struggle, the Russian people were weakened by Tolstoy’s moral assessments, in addition to betrayals and animal egoism. Tolstoy’s morality disarmed Russia and gave it into the hands of the enemy.”

• V. Mayakovsky, D. Burliuk, V. Khlebnikov, A. Kruchenykh, called for “throwing L.N. Tolstoy and others from the ship of modernity” in the 1912 Futurist manifesto “A Slap in the Face of Public Taste”
• George Orwell defended W. Shakespeare against criticism of Tolstoy

• Researcher of the history of Russian theological thought and culture Georgy Florovsky (1937): “There is one decisive contradiction in Tolstoy’s experience. He undoubtedly had the temperament of a preacher or a moralist, but he had no religious experience at all. Tolstoy was not religious at all, he was religiously mediocre. Tolstoy did not derive his “Christian” worldview from the Gospel. He already checks the Gospel with his own view, and that is why he cuts it down and adapts it so easily. For him, the Gospel is a book compiled many centuries ago by “poorly educated and superstitious people,” and it cannot be accepted in its entirety. But Tolstoy does not mean scientific criticism, but simply personal choice or selection. In some strange way, Tolstoy seemed to be mentally late in the 18th century, and therefore found himself outside of history and modernity. And he deliberately leaves modernity for some far-fetched past. All his work is in this regard some kind of continuous moralistic Robinsonade. Annenkov also called Tolstoy's mind sectarian. There is a striking discrepancy between the aggressive maximalism of Tolstoy's socio-ethical denunciations and denials and the extreme poverty of his positive moral teaching. For him, all morality comes down to common sense and everyday prudence. “Christ teaches us exactly how we can get rid of our misfortunes and live happily.” And this is what the whole Gospel boils down to! Here Tolstoy’s insensibility becomes terrible, and “common sense” turns into madness... The main contradiction of Tolstoy is precisely that for him the untruths of life can be overcome, strictly speaking, only abandonment of history, only by leaving the culture and simplifying, that is, by removing questions and abandoning tasks. Tolstoy's moralism turns around historical nihilism.»

• The holy righteous John of Kronstadt sharply criticized Tolstoy (see “Response of Father John of Kronstadt to Count L.N. Tolstoy’s appeal to the clergy”), and in his dying diary (August 15 - October 2, 1908) he wrote:

"24 August. How long, O Lord, do you tolerate the worst atheist who has confused the whole world, Leo Tolstoy? How long do you not call him to Thy Judgment? Behold, I am coming quickly, and My reward will be with Me, and will He reward everyone according to his deeds? (Rev. 22:12) Where, the earth is tired of tolerating his blasphemy. -»
"6 September. Where, do not allow Leo Tolstoy, the heretic who surpassed all heretics, to reach the feast of the Nativity of the Most Holy Theotokos, whom he terribly blasphemed and blasphemes. Take him from the ground - this stinking corpse, which stinks the whole earth with its pride. Amen. 9 pm."

• In 2009, as part of a court case regarding the liquidation of the local religious organization Jehovah's Witnesses "Taganrog", a forensic examination was carried out, in the conclusion of which Leo Tolstoy's statement was cited: "I am convinced that the teaching of the [Russian Orthodox] Church is theoretically an insidious and harmful lie, practically “the same collection of the grossest superstitions and witchcraft, completely hiding the entire meaning of Christian teaching,” which was characterized as forming a negative attitude towards the Russian Orthodox Church, and L. N. Tolstoy himself was described as “an opponent of Russian Orthodoxy.”

Expert assessment of individual statements of Tolstoy

• In 2009, as part of a court case on the liquidation of the local religious organization Jehovah's Witnesses "Taganrog", a forensic examination of the organization's literature was carried out to determine whether it contained signs of inciting religious hatred, undermining respect and hostility towards other religions. The expert report noted that the Awake! contains (without specifying the source) a statement by Leo Tolstoy: “I am convinced that the teaching of the [Russian Orthodox] Church is theoretically an insidious and harmful lie, practically a collection of the grossest superstitions and witchcraft, hiding the entire meaning of Christian teaching,” which was characterized as formative a negative attitude and undermining respect for the Russian Orthodox Church, and L.N. Tolstoy himself - as an “opponent of Russian Orthodoxy.”

• In March 2010, in the Kirov Court of Yekaterinburg, Leo Tolstoy was accused of “inciting religious hatred against the Orthodox Church.” An expert on extremism, Pavel Suslonov, testified: “Leo Tolstoy’s leaflets “Preface to the “Soldier’s Memo” and “Officer’s Memo”,” directed to soldiers, sergeant majors and officers, contain direct calls to incite interreligious hatred directed against the Orthodox Church.”

Bibliography

Translators of Tolstoy

World recognition. Memory

Museums

In the former Yasnaya Polyana estate there is a museum dedicated to his life and work.

The main literary exhibition about his life and work is in the State Museum of L. N. Tolstoy, in the former house of the Lopukhins-Stanitskaya (Moscow, Prechistenka 11); its branches also: at the Lev Tolstoy station (former Astapovo station), the memorial museum-estate of L. N. Tolstoy “Khamovniki” (Lva Tolstoy Street, 21), an exhibition hall on Pyatnitskaya.

Scientists, cultural figures, politicians about L. N. Tolstoy

Film adaptations of his works

• "Resurrection"(English) Resurrection, 1909, UK). A 12-minute silent film based on the novel of the same name (filmed during the writer’s lifetime).
• "Power of Darkness"(1909, Russia). Silent film.
• "Anna Karenina"(1910, Germany). Silent film.
• "Anna Karenina"(1911, Russia). Silent film. Dir. - Maurice Maitre
• "Living Dead"(1911, Russia). Silent film.
• "War and Peace"(1913, Russia). Silent film.
• "Anna Karenina"(1914, Russia). Silent film. Dir. - V. Gardin
• "Anna Karenina"(1915, USA). Silent film.
• "Power of Darkness"(1915, Russia). Silent film.
• "War and Peace"(1915, Russia). Silent film. Dir. - Y. Protazanov, V. Gardin
• "Natasha Rostova"(1915, Russia). Silent film. Producer - A. Khanzhonkov. Starring: V. Polonsky, I. Mozzhukhin
• "Living Dead"(1916). Silent film.
• "Anna Karenina"(1918, Hungary). Silent film.
• "Power of Darkness"(1918, Russia). Silent film.
• "Living Dead"(1918). Silent film.
• "Father Sergius"(1918, RSFSR). Silent film film by Yakov Protazanov, starring Ivan Mozzhukhin
• "Anna Karenina"(1919, Germany). Silent film.
• "Polikushka"(1919, USSR). Silent film.
• "Love"(1927, USA. Based on the novel “Anna Karenina”). Silent film. As Anna - Greta Garbo
• "Living Dead"(1929, USSR). Starring: V. Pudovkin
• "Anna Karenina"(Anna Karenina, 1935, USA). Sound film. As Anna - Greta Garbo
• « Anna Karenina"(Anna Karenina, 1948, UK). As Anna - Vivien Leigh
• "War and Peace"(War & Peace, 1956, USA, Italy). As Natasha Rostova - Audrey Hepburn
• "Agi Murad il diavolo bianco"(1959, Italy, Yugoslavia). As Hadji Murat - Steve Reeves
• "People too"(1959, USSR, based on a fragment of “War and Peace”). Dir. G. Danelia, starring V. Sanaev, L. Durov
• "Resurrection"(1960, USSR). Dir. - M. Schweitzer
• "Anna Karenina"(Anna Karenina, 1961, USA). As Vronsky - Sean Connery
• "Cossacks"(1961, USSR). Dir. - V. Pronin
• "Anna Karenina"(1967, USSR). In the role of Anna - Tatiana Samoilova
• "War and Peace"(1968, USSR). Dir. - S. Bondarchuk
• "Living Dead"(1968, USSR). In ch. roles - A. Batalov
• "War and Peace"(War & Peace, 1972, UK). Series. As Pierre - Anthony Hopkins
• "Father Sergius"(1978, USSR). Feature film by Igor Talankin, starring Sergei Bondarchuk
• "Caucasian Tale"(1978, USSR, based on the story “Cossacks”). In ch. roles - V. Konkin
• "Money"(1983, France-Switzerland, based on the story “False Coupon”). Dir. - Robert Bresson
• "Two Hussars"(1984, USSR). Dir. - Vyacheslav Krishtofovich
• "Anna Karenina"(Anna Karenina, 1985, USA). As Anna - Jacqueline Bisset
• "A Simple Death"(1985, USSR, based on the story “The Death of Ivan Ilyich”). Dir. - A. Kaidanovsky
• "Kreutzer Sonata"(1987, USSR). Starring: Oleg Yankovsky
• "For what?" (Za co?, 1996, Poland / Russia). Dir. - Jerzy Kawalerowicz
• "Anna Karenina"(Anna Karenina, 1997, USA). In the role of Anna - Sophie Marceau, Vronsky - Sean Bean
• "Anna Karenina"(2007, Russia). In the role of Anna - Tatiana Drubich

For more details, see also: List of film adaptations of “Anna Karenina” 1910-2007.

• "War and Peace"(2007, Germany, Russia, Poland, France, Italy). Series. In the role of Andrei Bolkonsky - Alessio Boni.

Documentary

• "Lev Tolstoy". Documentary. TsSDF (RTSSDF). 1953. 47 minutes.

Movies about Leo Tolstoy

• "The Passing of the Great Elder"(1912, Russia). Director - Yakov Protazanov
• "Lev Tolstoy"(1984, USSR, Czechoslovakia). Director - S. Gerasimov
• "The Last Station"(2008). In the role of L. Tolstoy - Christopher Plummer, in the role of Sofia Tolstoy - Helen Mirren. A film about the last days of the writer's life.

Portrait gallery

Translators of Tolstoy

• Into Japanese - Konishi Masutaro
• In French - Michel Aucouturier, Vladimir Lvovich Binshtok
• In Spanish - Selma Ancira
• Into English - Constance Garnett, Leo Wiener, Aylmer and Louise Maude
• In Norwegian - Martin Gran, Olaf Broch, Martha Grundt
• Into Bulgarian - Sava Nichev, Georgi Shopov, Hristo Dosev
• Into Kazakh - Ibray Altynsarin
• Into Malay - Viktor Pogadaev
• In Esperanto - Valentin Melnikov, Viktor Sapozhnikov
• Into Azerbaijani - Dadash-zade, Mammad Arif Maharram oglu

Lev Nikolaevich Tolstoy is a great Russian writer, by origin a count from a famous noble family. He was born on August 28, 1828 in the Yasnaya Polyana estate located in the Tula province, and died on October 7, 1910 at the Astapovo station.

The writer's childhood

Lev Nikolaevich was a representative of a large noble family, the fourth child in it. His mother, Princess Volkonskaya, died early. At this time, Tolstoy was not yet two years old, but he formed an idea of ​​​​his parent from the stories of various family members. In the novel "War and Peace" the image of the mother is represented by Princess Marya Nikolaevna Bolkonskaya.

The biography of Leo Tolstoy in his early years is marked by another death. Because of her, the boy became an orphan. Leo Tolstoy's father, a participant in the War of 1812, like his mother, died early. This happened in 1837. At that time the boy was only nine years old. Leo Tolstoy's brothers, he and his sister, were entrusted to the upbringing of T. A. Ergolskaya, a distant relative who had enormous influence on the future writer. Childhood memories have always been the happiest for Lev Nikolaevich: family legends and impressions of life in the estate became rich material for his works, reflected, in particular, in the autobiographical story “Childhood”.

Study at Kazan University

The biography of Leo Tolstoy in his youth was marked by such an important event as studying at the university. When the future writer turned thirteen years old, his family moved to Kazan, to the house of the children’s guardian, a relative of Lev Nikolaevich P.I. Yushkova. In 1844, the future writer was enrolled in the Faculty of Philosophy at Kazan University, after which he transferred to the Faculty of Law, where he studied for about two years: study did not arouse keen interest in the young man, so he devoted himself passionately to various social entertainments. Having submitted his resignation in the spring of 1847, due to poor health and “domestic circumstances,” Lev Nikolaevich left for Yasnaya Polyana with the intention of studying a full course of legal sciences and passing an external exam, as well as learning languages, “practical medicine,” history, and rural studies. economics, geographical statistics, study painting, music and write a dissertation.

Years of youth

In the fall of 1847, Tolstoy left for Moscow and then to St. Petersburg in order to pass candidate exams at the university. During this period, his lifestyle often changed: he either studied various subjects all day long, then devoted himself to music, but wanted to start a career as an official, or dreamed of joining a regiment as a cadet. Religious sentiments that reached the point of asceticism alternated with cards, carousing, and trips to the gypsies. The biography of Leo Tolstoy in his youth is colored by the struggle with himself and introspection, reflected in the diary that the writer kept throughout his life. During the same period, interest in literature arose, and the first artistic sketches appeared.

Participation in the war

In 1851, Nikolai, Lev Nikolayevich’s older brother, an officer, persuaded Tolstoy to go to the Caucasus with him. Lev Nikolaevich lived for almost three years on the banks of the Terek, in a Cossack village, traveling to Vladikavkaz, Tiflis, Kizlyar, participating in hostilities (as a volunteer, and then was recruited). The patriarchal simplicity of the life of the Cossacks and the Caucasian nature struck the writer with their contrast with the painful reflection of representatives of educated society and the life of the noble circle, and provided extensive material for the story “Cossacks,” written in the period from 1852 to 1863 on autobiographical material. The stories “Raid” (1853) and “Cutting Wood” (1855) also reflected his Caucasian impressions. They also left a mark in his story “Hadji Murat,” written between 1896 and 1904, published in 1912.

Returning to his homeland, Lev Nikolayevich wrote in his diary that he really fell in love with this wild land, in which “war and freedom,” things so opposite in their essence, are combined. Tolstoy began to create his story “Childhood” in the Caucasus and anonymously sent it to the magazine “Sovremennik”. This work appeared on its pages in 1852 under the initials L.N. and, along with the later “Adolescence” (1852-1854) and “Youth” (1855-1857), formed the famous autobiographical trilogy. His creative debut immediately brought real recognition to Tolstoy.

Crimean campaign

In 1854, the writer went to Bucharest, to the Danube Army, where the work and biography of Leo Tolstoy were further developed. However, soon a boring staff life forced him to transfer to besieged Sevastopol, to the Crimean Army, where he was a battery commander, showing courage (awarded with medals and the Order of St. Anne). During this period, Lev Nikolaevich was captured by new literary plans and impressions. He began writing "Sevastopol stories", which were a great success. Some ideas that arose even at that time allow one to discern in the artillery officer Tolstoy the preacher of later years: he dreamed of a new “religion of Christ,” purified of mystery and faith, a “practical religion.”

In St. Petersburg and abroad

Lev Nikolaevich Tolstoy arrived in St. Petersburg in November 1855 and immediately became a member of the Sovremennik circle (which included N. A. Nekrasov, A. N. Ostrovsky, I. S. Turgenev, I. A. Goncharov and others). He took part in the creation of the Literary Fund at that time, and at the same time became involved in conflicts and disputes among writers, but he felt like a stranger in this environment, which he conveyed in “Confession” (1879-1882). Having retired, in the fall of 1856 the writer left for Yasnaya Polyana, and then, at the beginning of the next year, 1857, he went abroad, visiting Italy, France, Switzerland (impressions from visiting this country are described in the story “Lucerne”), and also visited Germany. In the same year in the fall, Lev Nikolaevich Tolstoy returned first to Moscow and then to Yasnaya Polyana.

Opening of a public school

In 1859, Tolstoy opened a school for peasant children in the village, and also helped establish more than twenty similar educational institutions in the Krasnaya Polyana area. In order to get acquainted with the European experience in this area and apply it in practice, the writer Leo Tolstoy again went abroad, visited London (where he met with A.I. Herzen), Germany, Switzerland, France, and Belgium. However, European schools somewhat disappoint him, and he decides to create his own pedagogical system based on personal freedom, publishes textbooks and works on pedagogy, and applies them in practice.

"War and Peace"

Lev Nikolaevich in September 1862 married Sofya Andreevna Bers, the 18-year-old daughter of a doctor, and immediately after the wedding he left Moscow for Yasnaya Polyana, where he devoted himself entirely to household concerns and family life. However, already in 1863, he was again captured by a literary idea, this time creating a novel about the war, which was supposed to reflect Russian history. Leo Tolstoy was interested in the period of our country's struggle with Napoleon at the beginning of the 19th century.

In 1865, the first part of the work “War and Peace” was published in the Russian Bulletin. The novel immediately evoked many responses. Subsequent parts provoked heated debate, in particular, the fatalistic philosophy of history developed by Tolstoy.

"Anna Karenina"

This work was created in the period from 1873 to 1877. Living in Yasnaya Polyana, continuing to teach peasant children and publish his pedagogical views, Lev Nikolaevich in the 70s worked on a work about the life of contemporary high society, building his novel on the contrast of two storylines: the family drama of Anna Karenina and the domestic idyll of Konstantin Levin , close both in psychological pattern, and in beliefs, and in the way of life of the writer himself.

Tolstoy strove for an externally non-judgmental tone of his work, thereby paving the way for a new style of the 80s, in particular, folk stories. The truth of peasant life and the meaning of existence of representatives of the “educated class” - these are the range of questions that interested the writer. “Family thought” (according to Tolstoy, the main one in the novel) is translated into a social channel in his work, and Levin’s self-exposures, numerous and merciless, his thoughts about suicide are an illustration of the author’s spiritual crisis experienced in the 1880s, which had matured even while working on this novel.

1880s

In the 1880s, Leo Tolstoy's work underwent a transformation. The revolution in the writer’s consciousness was reflected in his works, primarily in the experiences of the characters, in the spiritual insight that changes their lives. Such heroes occupy a central place in such works as “The Death of Ivan Ilyich” (years of creation - 1884-1886), “The Kreutzer Sonata” (a story written in 1887-1889), “Father Sergius” (1890-1898), drama "The Living Corpse" (left unfinished, begun in 1900), as well as the story "After the Ball" (1903).

Tolstoy's journalism

Tolstoy’s journalism reflects his spiritual drama: depicting pictures of the idleness of the intelligentsia and social inequality, Lev Nikolayevich posed questions of faith and life to society and himself, criticized the institutions of the state, going so far as to deny art, science, marriage, court, and the achievements of civilization.

The new worldview is presented in “Confession” (1884), in the articles “So what should we do?”, “On hunger”, “What is art?”, “I cannot remain silent” and others. The ethical ideas of Christianity are understood in these works as the foundation of the brotherhood of man.

As part of a new worldview and a humanistic understanding of the teachings of Christ, Lev Nikolaevich spoke out, in particular, against the dogma of the church and criticized its rapprochement with the state, which led to him being officially excommunicated from the church in 1901. This caused a huge resonance.

Novel "Sunday"

Tolstoy wrote his last novel between 1889 and 1899. It embodies the entire range of problems that worried the writer during the years of his spiritual turning point. Dmitry Nekhlyudov, the main character, is a person internally close to Tolstoy, who goes through the path of moral purification in the work, ultimately leading him to comprehend the need for active good. The novel is built on a system of evaluative oppositions that reveal the unreasonable structure of society (the deceit of the social world and the beauty of nature, the falsehood of the educated population and the truth of the peasant world).

last years of life

The life of Lev Nikolayevich Tolstoy in recent years was not easy. The spiritual turning point turned into a break with one’s environment and family discord. The refusal to own private property, for example, caused discontent among the writer’s family members, especially his wife. The personal drama experienced by Lev Nikolaevich was reflected in his diary entries.

In the fall of 1910, at night, secretly from everyone, 82-year-old Leo Tolstoy, whose life dates were presented in this article, accompanied only by his attending physician D.P. Makovitsky, left the estate. The journey turned out to be too much for him: on the way, the writer fell ill and was forced to disembark at the Astapovo railway station. Lev Nikolaevich spent the last week of his life in a house that belonged to her boss. The whole country was following reports about his health at that time. Tolstoy was buried in Yasnaya Polyana; his death caused a huge public outcry.

Many contemporaries came to say goodbye to this great Russian writer.

A classic of Russian literature, Leo Tolstoy was born on September 9, 1828 into the noble family of Nikolai Tolstoy and his wife Maria Nikolaevna. The father and mother of the future writer were nobles and belonged to revered families, so the family lived comfortably in their own Yasnaya Polyana estate, located in the Tula region.

Leo Tolstoy spent his childhood in the family estate. In these places he first saw the course of life of the working people, heard an abundance of old legends, parables, fairy tales, and here his first attraction to literature arose. Yasnaya Polyana is a place to which the writer returned at all stages of his life, drawing wisdom, beauty, and inspiration.

Despite his noble origin, Tolstoy had to learn the bitterness of orphanhood from childhood, because the future writer’s mother died when the boy was only two years old. His father passed away not much later, when Leo was seven years old. The grandmother first took custody of the children, and after her death, Aunt Palageya Yushkova, who took the four children of the Tolstoy family with her to Kazan.

Growing up

The six years of living in Kazan became the informal years of the writer’s growing up, because during this time his character and worldview were formed. In 1844, Leo Tolstoy entered Kazan University, first to the eastern department, then, not finding himself in the study of Arabic and Turkish, to the Faculty of Law.

The writer did not show significant interest in studying law, but he understood the need to obtain a diploma. After passing the external exams, in 1847 Lev Nikolaevich received the long-awaited document and returned to Yasnaya Polyana, and then to Moscow, where he began to engage in literary creativity.

Military service

Not having time to finish two planned stories, in the spring of 1851 Tolstoy went to the Caucasus with his brother Nikolai and began military service. The young writer takes part in military operations of the Russian army, acts as one of the defenders of the Crimean Peninsula, liberates his native land from Turkish and Anglo-French troops. Years of service gave Leo Tolstoy invaluable experience, knowledge of the life of ordinary soldiers and citizens, their characters, heroism, and aspirations.

The years of service are vividly reflected in Tolstoy’s stories “Cossacks”, “Hadji Murat”, as well as in the stories “Demoted”, “Cutting Wood”, “Raid”.

Literary and social activities

Returning to St. Petersburg in 1855, Leo Tolstoy was already well-known in literary circles. Remembering the respectful attitude towards serfs in his father’s house, the writer strongly supports the abolition of serfdom, illuminating this issue in the stories “Polikushka”, “Morning of the Landowner”, etc.

In an effort to see the world, in 1857 Lev Nikolaevich went on a trip abroad, visiting the countries of Western Europe. Getting acquainted with the cultural traditions of peoples, the master of words records information in his memory in order to later display the most important moments in his work.

Actively engaged in social activities, Tolstoy opens a school in Yasnaya Polyana. The writer strongly criticizes corporal punishment, which was widely practiced at that time in educational institutions in Europe and Russia. In order to improve the educational system, Lev Nikolaevich publishes a pedagogical magazine called “Yasnaya Polyana”, and in the early 70s he compiled several textbooks for primary schoolchildren, including “Arithmetic”, “ABC”, “Books for Reading”. These developments were effectively used in teaching several more generations of children.

Personal life and creativity

In 1862, the writer cast his lot with the daughter of doctor Andrei Bers, Sophia. The young family settled in Yasnaya Polyana, where Sofya Andreevna diligently tried to provide an atmosphere for her husband’s literary work. At this time, Leo Tolstoy was actively working on the creation of the epic “War and Peace”, and also, reflecting life in Russia after the reform, wrote the novel “Anna Karenina”.

In the 80s, Tolstoy moved with his family to Moscow, seeking to educate his growing children. Observing the hungry life of ordinary people, Lev Nikolaevich contributes to the opening of about 200 free tables for those in need. Also at this time, the writer published a number of topical articles about the famine, strongly condemning the policies of the rulers.

The period of literature of the 80-90s includes: the story “The Death of Ivan Ilyich”, the drama “The Power of Darkness”, the comedy “Fruits of Enlightenment”, the novel “Sunday”. For his strong attitude against religion and autocracy, Leo Tolstoy was excommunicated from the church.

last years of life

In 1901 - 1902 the writer became seriously ill. For the purpose of a speedy recovery, the doctor strongly recommends a trip to Crimea, where Leo Tolstoy spends six months. The prose writer's last trip to Moscow took place in 1909.

Beginning in 1881, the writer sought to leave Yasnaya Polyana and retire, but stayed, not wanting to hurt his wife and children. On October 28, 1910, Leo Tolstoy nevertheless decided to take a conscious step and live the rest of his years in a simple hut, refusing all honors.

An unexpected illness on the road becomes an obstacle to the writer’s plans and he spends his last seven days of life in the house of the station master. The day of death of the outstanding literary and public figure was November 20, 1910.