Leonardo da Vinci biography in English. Leonardo da Vinci

Leonardo da Vinci

Everyone agrees that Leonardo da Vinci (1452-1519) was one of the greatest of all painters. His painting “The Last Supper” is probably the. most famous painting in the world. But Leonardo would be famous if he had never painted a stroke. For he was also a great inventor. He invented the wheelbarrow, the military tank, and roller bearings. He made plans for dozens of weapons and machines. He even experimented with airplane and submarine modes.

Besides, Leonardo was great as a scientist and engineer. He was also a poet, a musician, and a sculptor. Perhaps no other person in history has ever learned so much in a lifetime. Certainly no one ever deserved more to be called a genius.

Leonardo was born in the village of Vinci in Italy. As a small boy he lived most of the time with his fathers parents. Leonardo was a beautiful boy, with curly hair and bright blue eyes.

When his father found out that the boy was interested in painting, he sent him to an excellent painter and teacher. One day Leonardo painted a beautiful angel in one of his teacher’s pictures. “You are a greater painter than G,” said the teacher, “I will paint no more”

In a few years Leonardo’s father decided that he would pay no more to the teacher. His son, he thought, was spending too much time studying rocks and plants, watching birds to find out how their bodies work, and building models of machines. But Leonardo stayed on as his teachers helper. He stayed till he was nearly 25. Then he set out to paint for himself, first in Florence, then in Milan and Venice, and at the end of his life in France.

Leonardo had ideas that other painters liked to copy. “Let them” he said, “I will originate. They can copy.”

great painter left behind only a few paintings, he had many ideas for pictures and made many wonderful pen and ink sketches. But he had so many other interests that he found it hard to sit and paint for hours at a time.

Some of his paintings have been lost because he liked to experiment. He used colors mixed with wax to paint a wonderful mural of a cavalry battle, but the wax melted and the picture was ruined.

“The Last Supper” is on the wall of a chapel in Milan. This picture was famous long before it was finished.

There is such beauty in Leonardo’s paintings that they are as hard to describe as beautiful music. The faces of his people are full of expression. He used light and shade in a new way to make people look very lifelike.

One of Leonardo’s paintings is called “Mona Liza”. It is the picture of a woman with a faint smile on her face. The painting was ordered by the woman’s husband. But Leonardo liked it so much that he kept it for himself. He took it to France with him when he went to spend the last years of his life as a court painter to the king of France. Now it is one of the greatest treasures of the Louvre in Paris.

Leonardo da Vinci

No one will argue that Leonardo da Vinci (1452-1519) is one of the greatest artists. His “Last Supper” is one of the most famous paintings in the world. But Leonardo would have become famous even if he had not painted anything. After all, he was also a great inventor. He invented the hand truck, the military tank, and roller bearings. He designed many types of weapons and mechanisms. He also experimented with model airplanes and submarines.

In addition, Leonardo was a great scientist and designer. He was also a poet, musician and sculptor. Probably no one else in the history of mankind has managed to learn so many things in his life. Of course, Leonardo da Vinci can rightfully be called a genius.

Leonardo was born in the village of Vinci in Italy. He spent most of his childhood with his father's parents. Leonardo was a handsome boy with curly hair and blue eyes.

When his father noticed that the boy was interested in drawing, he sent him to a wonderful artist and teacher. One day Leonardo painted a beautiful angel in his teacher's painting. “You are more great artist“than me,” said the teacher, “I won’t draw anymore.”

After some time, Leonardo's father decided that he would no longer pay the teacher. He believed that his son spent too much time studying rocks and plants, watching birds, trying to figure out how their bodies worked, and creating models of mechanisms. But Leonardo remained with the teacher as an assistant. He remained with them until he was almost 25 years old. Then he began to paint on his own, first in Florence, then in Milan and Venice, and at the end of his life in France.

Many artists transferred Leonardo's ideas to their canvases. “Let me,” he said, “let me create. Let them copy.”

So, the great artist left behind few paintings, he had many ideas, and he created many wonderful sketches in pencil and ink. But Leonardo had so many different interests that he could not afford to sit for hours on one painting.

Some of his paintings have been lost due to the artist's love of experimentation. He mixed paints with wax, working on a wonderful fresco depicting a horse fight, but the wax melted and the image disappeared.

“The Last Supper” is on the wall of a chapel in Milan. This painting became famous long before it was completed.

Leonardo's paintings are so beautiful that they are as difficult to describe as beautiful music. The faces of the people in the paintings are very expressive. He used light and shadow in new ways to make his characters more natural.

One of Leonardo's paintings is called “Mona Lisa”. This is a portrait of a woman with a slight smile on her face. The portrait was commissioned by the woman's husband. But Leonardo liked the painting so much that he kept it for himself. He took her with him to France, where he spent his last years, working as a court artist to the King of France. Now this painting is one of the treasures of the Paris Louvre.

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Leonardo da Vinci is an outstanding artist, the man of genius of Renaissance and Humanism. The unique fame that the Florentine artist and scientist Leonardo da Vinci enjoyed in his lifetime has remained undimmed to the present day. It is based on the equally unique universality of his spirit. He was a painter, sculptor, architect and engineer. An unlimited desire for knowledge guided his thinking and behavior. He found that his eyes were his main avenue to knowledge. “Knowing how to see” (Saper vedere) became the great theme of his studies of man’s works and nature’s creations. His superb intellect, his unusual powers of observation, and his mastery of the art of drawing led him to the study of nature itself.

Leonardo was born in 1452 on his father’s family estate in Vinci. His father was a Florentine notary and landlord. His mother was a young peasant woman. Leonardo grew up in his father’s house, where he was treated as a legitimate son and received the usual elementary education of that day: reading, writing, and arithmetic.

Leonardo’s artistic inclinations must have appeared early. When he was about 15, his father took him to a renowned workshop of Andrea del Verrocchio. Leonardo received a many-sided training that included not only painting and sculpture but the technical-mechanical arts as well. In 1472 Leonardo was accepted in the painters’ guild of Florence and worked independently until 1481.

In 1482 he moved to Milan where he spent 17 years serving the Duke until Ludovico’s fall from power in 1499. Highly esteemed, Leonardo was constantly kept busy as a painter and sculptor and as a designer of court festivals, technical adviser and engineer. There Leonardo’s genius unfolded to the full He created “Lady with an Ermine” (the portrait of Cecilia Gallerani), an altar painting of “The Virgin of the Rocks”, a monumental wall painting of the “Last Supper”. He wrote treatises on painting, architecture, a book on the elements of mechanics, a work on human anatomy, geographical, botanical, hydrological and aerological researches.

From 1500 till 1502 Leonardo traveled from one city to another until he entered the service of the notorious son of Pope Alexander VI, Cesare Borgia as “senior military architect and general engineer”. Only his “appetite to life” can explain Leonardo’s decision. For ten months he traveled across the territories and sketched some of the city plans and topographical maps that laid the groundwork for modern cartography. In 1503 he returned to Florence and for three years worked on “Battle of Anghiari” but it remained unfinished. These same years he painted the portrait of “Mona Lisa” and a painting of a standing “Leda”, which was not completed and has survived only in copies.

In 1506 the governor of Milan invited Leonardo da Vinci and the latter accepted the invitation. In Milan he did very little as a painter but his scientific activity flourished.

In 1513 Leonardo went to Rome hoping to find employment there. He remained in the Eternal City for three years. While Donato Bramante'was building St. Peter’s, Raphael was painting the last rooms of the Pope’s new apartments, Michelangelo was struggling to complete the tomb of Pope Julius, and many younger artists were active there, the aging master worked in his studio on mathematical studies and technical experiments.

In a life of such loneliness, it is easy to understand why Leonardo, despite his 65 years, decided to accept the invitation of the young king Francis I to enter his service in France. Leonardo spent the last three years of his life in the small residence near the King’s summer palace. The King treated him in every respect as an honored guest. Leonardo spent most of his time arranging and editing his scientific studies.

They called him “fat boy,” this seventeen-year old apprentice in the studio of Florentine painter Verrocchio who would receive care packages from his step-father, a pastry chef. The bastard son of a Florentine notary and a lady of Vinci, the boy’s doting step-father gave him a taste for marzipans and sugars from a very young age.

He was called "fat boy", this 17-year-old student in the studio of the Florentine artist Verrocchio, to whom his stepfather sent bags of treats every day. The stepfather was a cook, a master of (butter) baking, and doted on his adopted son, whom he taught early on to marzipan and other sweets. In general, Leonardo was the legitimate son of a Florentine notary and a lady from the city of Vinci.

After three years as an apprentice, twenty-year old Leonardo took a job as a cook at the Tavern of the Three Snails near the Ponte Vecchio, working during the day on the few commissions his master sent his way and slinging polenta in the evenings. Polenta was the restaurant’s signature dish, a tasteless hash of meats and corn porridge. When in the spring of 1473, a poisoning sickened and killed the majority of the cooking staff of the tavern, Leonardo was put in charge of the kitchen. He changed the menu completely, serving up delicate portions of carved polenta arranged beautifully on the plate. However, like most tavern clientele, the patrons preferred their meals in huge messy portions. Upset with the change in management, they ran Leonardo out of a job.

After studying [with the artist] for three years, 21-year-old Leonardo took the place of cook at the Three Snails tavern not far from the famous Ponte Vecchie bridge. During the day he fulfilled the few orders he received from his art teacher, and in the evenings he prepared polenta. Polenta was a specialty at the tavern. This is a porridge made from corn flour (like hominy) with minced meat, rather tasteless. In the spring of 1473, most of the cooks in the tavern died from poisoning and Leonardo became the head of the kitchen. He completely changed the menu, introducing small portions of chopped polenta with elegant presentation. Meanwhile, the tavern's regulars preferred huge portions without any finesse. They didn’t like the innovations and Leonardo was kicked out of work.

He wrote a humble letter to Ludovico Sforza, the future Duke of Milan, by way of a job application: “My painting and my sculpture will stand comparison with that of any other artist. I am supreme at telling riddles and tying knots. And I make cakes that are without compare.”

He wrote a humble letter to Ludovico Sforza, the future Duke of Milan, offering his services: “My paintings and sculptures will stand comparison with the works of any artist. I magnificent master asking riddles and tying (difficult) knots. And my pies and cakes are simply incomparable."

Sforza took him on neither as a cook, painter, or sculptor, but instead as a lute player and after-dinner entertainer. Leonardo attempted to show his lord his new inventions for fortifications, catapults, and ladders, but Sforza paid little attention until the lute-player fashioned his inventions out of marzipan and jelly. Sforza charged the young man with refurbishing his kitchen, a task which would consume the life of Leonardo and the entire Sforza court.

Sforza hired him not as a cook, not as an artist, not as a sculptor, but assigned him to play the lute and entertain the guests after dinner. Leonardo made attempts to show his master his inventions on fortification, catapults, stairs. But Sforza paid attention to them only after Leonardo had made them from marzipan and jelly, after which he was commissioned to refurbish the kitchen (of the palace).

Five hundred years before modern cooking books, The Kitchen Notebooks of Leonardo da Vinci envisioned a culinary world as studio and laboratory, where food was to be prepared efficiently, beautifully, and ingeniously. Unfortunately, Italian food of the late fifteenth century had less to do with the luxurious feats of Ancient Rome and more to do with the rustic tastes of the Goths, whose dishes included meats and birds for those who could afford it, and an endless parade of porridge and gruel for those who could not. Leonardo was horrified by much of the food that was served to him, both at court and at home, and he included in his notebooks a running list of dishes that he hated, but that his own servant insisted on serving him: jellied goat, hemp bread, inedible turnips, and eel balls—which he notes, “this dish if eaten often can cause madness.”

Five hundred years before modern cookbooks, Leonardo wrote Kitchen Notes, in which the world of the kitchen appeared as an artist's studio and a scientist's laboratory, where food had to be prepared efficiently, beautifully and inventively. Unfortunately, Italian food of the late 15th century had little in common with the luxurious menu of ancient Rome, it was more in line with the rustic tastes of the Goths: the rich ate a variety of meats and game, and the poor ate all kinds of thick and thin porridges. Leonardo did not like the food that he had to eat at court and at home, and he included in his notes a list of dishes that he did not like, but which his servant stubbornly served him: goat meat in jelly, hemp bread, inedible turnips different types etc. About eel dumplings, he wrote: “If you eat them often, they can cause madness.”

Leonardo believed that every kitchen task could be mechanized—crushing garlic, pulling spaghetti, plucking ducks—but the machines Leonardo imagined were sometimes far more elaborate than the task required. His invention for a giant whiskey twice the size of a man involved an operator from within who was constantly in danger of being wisked into the sauce. (See below) Another model involved a team of three horses engaged in the task of crushing a nut. One machine was intended to be operated by bees.

Leonardo believed that all work in the kitchen could be mechanized: cutting garlic, making pasta, plucking poultry - but the machines that Leonardo invented were sometimes much more complex than they were required to be. He invented a whorl (beater) twice the height of a man, inside of which there was a human operator, who was constantly in danger of being pulled into a vat of sauce. A team of three horses was cracking nuts. One of the machines he invented was supposed to be powered by bees.

Leonardo was also a master of dining etiquette. Bad behavior at table was common among the courtiers. So Leonardo had to remind them that a courtier:

Leonardo was also an expert in table etiquette. Poor table manners were common among courtiers. Therefore Leonardo reminded them that the courtier:

He should not place his head upon his plate to eat.
Should not lean towards the plate and take food from it with your mouth.
Neither should he sit beneath the table for any length of time.
Should not sit under the table for any length of time.
He should not place unpleasing or half-chewed pieces of his own food upon his neighbor’s plate without first asking him.
He must not put unsightly or half-chewed pieces of his food on his neighbor's plate without asking his permission.
He should not wipe his knife upon his neighbor’s clothing.
You should not wipe your knife on your neighbor's clothes.
Nor use his knife to carve upon the table.
Should not cut images on the table with a knife.
He should not set loose birds upon the table.
Should not release unattached birds onto the table.
Not snakes nor beetles...
Or snakes, or bugs...
And if he is to vomit then he leaves the table.
If he feels like he is going to vomit, he needs to leave the table.
Likewise if he is to urinate.
The same goes if you need to urinate.

Leonardo's notebooks also humorously reveal the hidden violence of the Sforza court. He included instructions for hiring a new taster after Sforza’s dies from a poisoning (“the old taster has done his job too well”). What Leonardo didn’t know at the time was that Sforza had his man killed in order to install an actual poisoner, hired to slowly kill his elder brother and assume the Dukedom. The possibility of an actual assassination was a real concern at the Sforza court, and Leonardo explained that there should be a refined protocol to the affair:

In Leonardo's Kitchen Notes, through the humor, one senses the hidden cruelty of customs at the Sforza court. When a poisoned food taster at the Sforza court died, Leonardo wrote instructions for hiring a new taster, humorously remarking that “the old one did his job too well.” At that time, Leonardo did not know that Sforza himself ordered the poisoning of the taster, and in his place a poisoner was installed in order to slowly poison his elder brother and take possession of the duchy. The danger of death at the Sforza court was constant, and Leonardo demanded strict adherence to protocol in such cases:

"If there is an assassination planned for the meal, then it is seemliest that the assassin should be seated next to he who is to become the subject of his craft...as this will cause less interruption to the conversation if the action of the event is confined to one small area...After the corpse (and bloodstains if any) are removed by the serving persons, it is customary for the assassin also to withdraw from the table as this presence may sometimes be disturbing to the digestions of the persons who now find themselves seated next to him, and to this end a good host will always have a fresh guest, who has waited without, ready to join the table at this juncture."

“If it is planned to kill (poison) someone at the table, then it is most decent to seat the killer next to the future victim... so that interference with the conversation of the guests does not extend beyond the small space... After the servants remove the corpse and bloody stains (if any will), the killer should also leave the feast, since his presence may have a bad effect on the digestion of other guests sitting next to him. good owner There is always a new guest waiting at the entrance to the dining room, ready to join the table if necessary.”

[Translator's note- towards the end I remembered someone’s explanation of the mysterious smile of Mona Lisa: “This is the smile of a woman who has just dined with her own husband.”]

Leonardo da Vinci

Leonardo was born in the village of Vinci in Italy. As a small boy he lived most of the time with his fathers parents. Leonardo was a beautiful boy, with curly hair and bright blue eyes.

When his father found out that the boy was interested in painting, he sent him to an excellent painter and teacher. One day Leonardo painted a beautiful angel in one of his teacher's pictures. "You are a greater painter than G, said the teacher, "I will paint no more"

In a few years Leonardo's father decided that he would pay no more to the teacher. His son, he thought, was spending too much time studying rocks and plants, watching birds to find out how their bodies work, and building models of machines . But Leonardo stayed on as his teachers helper. He stayed till he was nearly 25. Then he set out to paint for himself, first in Florence, then in Milan and Venice, and at the end of his life in France.

Leonardo had ideas that other painters liked to copy. "Let them" he said, "I will originate. They can copy."

Some of his paintings have been lost because he liked to experiment. He used colors mixed with wax to paint a wonderful mural of a cavalry battle, but the wax melted and the picture was ruined.

"The Last Supper" is on the wall of a chapel in Milan. This picture was famous long before it was finished.

There is such beauty in Leonardo's paintings that they are as hard to describe as beautiful music. The faces of his people are full of expression. He used light and shade in a new way to make people look very lifelike.

One of Leonardo's paintings is called "Mona Liza". It is the picture of a woman with a faint smile on her face. The painting was ordered by the woman's husband. But Leonardo liked it so much that he kept it for himself. He took it to France with him when he went to spend the last years of his life as a court painter to the king of France. Now it is one of the greatest treasures of the Louvre in Paris.

Leonardo da Vinci

No one will argue that Leonardo da Vinci (1452-1519) is one of the greatest artists. His "Last Supper" is one of the most famous paintings in the world. But Leonardo would have become famous even if he had not painted anything. After all, he was also a great inventor. He invented the hand truck, the military tank, and roller bearings. He designed many types of weapons and mechanisms. He also experimented with model airplanes and submarines.

Leonardo was born in the village of Vinci in Italy. He spent most of his childhood with his father's parents. Leonardo was a handsome boy with curly hair and blue eyes.

When his father noticed that the boy was interested in drawing, he sent him to a wonderful artist and teacher. One day Leonardo drew a beautiful angel in his teacher's painting. “You are a greater artist than me,” said the teacher, “I won’t paint anymore.”

Many artists transferred Leonardo's ideas to their canvases. “Let me,” he said, “let me create. Let them copy."

The Last Supper is on the wall of a chapel in Milan. This painting became famous long before it was completed.

One of Leonardo's paintings is called "Mona Lisa". This is a portrait of a woman with a slight smile on her face. The portrait was commissioned by the woman's husband. But Leonardo liked the painting so much that he kept it for himself. He took her with him to France, where he spent his last years working as court painter to the King of France. Now this painting is one of the treasures of the Paris Louvre.

Please write a short story about Leonardo Da Vinci in English. For example: where he was born, when, what he became famous for, significant dates, who he was and in what year he died. A story of approximately 10-15 sentences

Answers:

Everyone agrees that Leonardo da Vinci (1452-1519) was one of the greatest of all painters. His painting "The Last Supper" is probably the. most famous painting in the world. But Leonardo would be famous if he had never painted a stroke. For he was also a great inventor. He invented the wheelbarrow, the military tank, and roller bearings. He made plans for dozens of weapons and machines. He even experimented with airplane and submarine modes.Besides, Leonardo was great as a scientist and engineer. He was also a poet, a musician, and a sculptor. Perhaps no other person in history has ever learned so much in a lifetime. Certainly no one ever deserved more to be called a genius.Leonardo was born in the village of Vinci in Italy. As a small boy he lived most of the time with his fathers parents. Leonardo was a beautiful boy, with curly hair and bright blue eyes.

Leonardo da Vinci biography in English. Leonardo da Vinci - Leonardo da Vinci

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