"Truly, this was the Golden Age of our literature,
the period of her innocence and bliss!..”
M. A. Antonovich
M. Antonovich in his article called the beginning of the 19th century, the period of creativity of A. S. Pushkin and N. V. Gogol, the “golden age of literature.” Subsequently, this definition began to characterize the literature of all XIX century- right up to the works of A.P. Chekhov and L.N. Tolstoy.
What are the main features of Russian classical literature this period?
Sentimentalism, fashionable at the beginning of the century, gradually fades into the background - the formation of romanticism begins, and from the middle of the century realism rules the roost.
New types of heroes appear in literature: " small man", who most often dies under the pressure of the accepted principles of society and the "superfluous person" - this is a string of images, starting with Onegin and Pechorin.
Continuing the traditions of satirical depiction, proposed by M. Fonvizin, in the literature of the 19th century satirical image vices modern society becomes one of the central motives. Often satire takes grotesque forms. Vivid examples— Gogol’s “The Nose” or “The History of a City” by M. E. Saltykov-Shchedrin.
Another one distinguishing feature literature of this period had an acute social orientation. Writers and poets are increasingly turning to socio-political topics, often plunging into the field of psychology. This leitmotif permeates the works of I. S. Turgenev, F. M. Dostoevsky, L. N. Tolstoy. Appears new form- Russian realistic novel, with its deep psychologism, severe criticism reality, irreconcilable hostility with existing foundations and loud calls for renewal.
Well main reason, which prompted many critics to call the 19th century the golden age of Russian culture: the literature of this period, despite a number of unfavorable factors, had a powerful influence on the development of world culture as a whole. Absorbing all the best that was offered world literature, Russian literature was able to remain original and unique.
Russian writers of the 19th century
V.A. Zhukovsky- Pushkin’s mentor and his Teacher. It is Vasily Andreevich who is considered the founder of Russian romanticism. We can say that Zhukovsky “prepared” the ground for Pushkin’s bold experiments, since he was the first to expand the scope of the poetic word. After Zhukovsky, the era of democratization of the Russian language began, which Pushkin so brilliantly continued.
Selected poems:
A.S. Griboyedov went down in history as the author of one work. But what! Masterpiece! Phrases and quotes from the comedy “Woe from Wit” have long become popular, and the work itself is considered the first realistic comedy in the history of Russian literature.
Analysis of the work:
A.S. Pushkin. He was called differently: A. Grigoriev argued that “Pushkin is our everything!”, F. Dostoevsky “a great and still incomprehensible Forerunner,” and Emperor Nicholas I admitted that, in his opinion, Pushkin is “the most clever man in Russia." Simply put, this is a Genius.
Pushkin's greatest merit is that he radically changed Russian literary language, freeing him from pretentious abbreviations like “mlad, breg, sweet”, from the absurd “zephyrs”, “Psyches”, “Cupids”, so revered in pompous elegies, from the borrowings that then abounded in Russian poetry. Pushkin brought colloquial vocabulary, craft slang, and elements of Russian folklore to the pages of printed publications.
A. N. Ostrovsky pointed out another important achievement of this brilliant poet. Before Pushkin, Russian literature was imitative, stubbornly imposing traditions and ideals alien to our people. Pushkin “gave the courage to a Russian writer to be Russian,” “revealed the Russian soul.” In his stories and novels, the theme of morality is raised so vividly for the first time. social ideals that time. And the main character with light hand Pushkin now becomes an ordinary “little man” - with his thoughts and hopes, desires and character.
Analysis of works:
M.Yu. Lermontov- bright, mysterious, with a touch of mysticism and an incredible thirst for will. All his work is a unique fusion of romanticism and realism. Moreover, both directions do not oppose at all, but rather complement each other. This man went down in history as a poet, writer, playwright and artist. He wrote 5 plays: the most famous is the drama “Masquerade”.
And among prose works a real diamond of creativity was the novel “A Hero of Our Time” - the first realistic novel in prose in the history of Russian literature, where for the first time the writer tries to trace the “dialectics of the soul” of his hero, mercilessly subjecting him psychological analysis. This innovative creative method Lermontov will be used in the future by many Russian and foreign writers.
Selected works:
N.V. Gogol known as a writer and playwright, but it is no coincidence that one of his most famous works is " Dead Souls"is considered a poem. There is no other such Master of Words in world literature. Gogol's language is melodious, incredibly bright and imaginative. This was most clearly manifested in his collection "Evenings on a Farm near Dikanka."
On the other hand, N.V. Gogol is considered the founder of " natural school", with its satire bordering on the grotesque, accusatory motives and ridicule of human vices.
Selected works:
I.S. Turgenev- the greatest Russian novelist who established the canons classic novel. He continues the traditions established by Pushkin and Gogol. He often refers to the topic " extra person", trying to convey the relevance and significance of social ideas through the fate of his hero.
Turgenev’s merit also lies in the fact that he became the first propagandist of Russian culture in Europe. This is a prose writer who opened the world of the Russian peasantry, intelligentsia and revolutionaries to foreign countries. And the string female images in his novels became the pinnacle of the writer's skill.
Selected works:
A.N. Ostrovsky- outstanding Russian playwright. Most precisely, Ostrovsky’s merits were expressed by I. Goncharov, recognizing him as the creator of the Russian folk theater. The plays of this writer became a “school of life” for playwrights of the next generation. And the Moscow Maly Theater, where most of the plays of this talented writer were staged, proudly calls itself the “House of Ostrovsky.”
Selected works:
I.A.Goncharov continued to develop the traditions of the Russian realistic novel. The author of the famous trilogy, who, like no one else, was able to describe the main vice of the Russian people - laziness. With the light hand of the writer, the term “Oblomovism” appeared.
Selected works:
L.N. Tolstoy- a real block of Russian literature. His novels are recognized as the pinnacle of the art of writing novels. L. Tolstoy's style of presentation and creative method are still considered the standard of the writer's skill. And his ideas of humanism had a huge influence on the development humanistic ideas worldwide.
Selected works:
N.S. Leskov- a talented successor of the traditions of N. Gogol. Did huge contribution in the development of new genre forms in literature, such as pictures from nature, rhapsodies, incredible events.
Selected works:
N.G. Chernyshevsky — outstanding writer And literary critic, who proposed his theory about the aesthetics of the relationship between art and reality. This theory became the standard for the literature of the next several generations.
Selected works:
F.M. Dostoevsky — brilliant writer, whose psychological novels known all over the world. Dostoevsky is often called the forerunner of such cultural movements as existentialism and surrealism.
Selected works:
M.E. Saltykov-Shchedrin- the greatest satirist who brought the art of denunciation, ridicule and parody to the heights of mastery.
Selected works:
A.P. Chekhov. With this name, historians traditionally end the era of the golden age of Russian literature. Chekhov was recognized throughout the world during his lifetime. His stories have become a standard for short story writers. A Chekhov's plays had a huge influence on the development of world drama.
Selected works:
By the end of the 19th century, traditions critical realism began to gradually fade away. In a society thoroughly permeated with pre-revolutionary sentiments, mystical, partly even decadent, sentiments came into fashion. They became the forerunners of the emergence of a new literary direction- symbolism and marked the beginning of a new period in the history of Russian literature - the Silver Age of poetry.
The current generation now sees everything clearly, marvels at the errors, laughs at the foolishness of its ancestors, it is not in vain that this chronicle is inscribed with heavenly fire, that every letter in it screams, that a piercing finger is directed from everywhere at it, at it, at the current generation; but the current generation laughs and arrogantly, proudly begins a series of new errors, which posterity will also laugh at later. "Dead Souls"
For what? It's like inspiration
Love the given subject!
Like a true poet
Sell your imagination!
I am a slave, a day laborer, I am a tradesman!
I owe you, sinner, for gold,
For your worthless piece of silver
Pay with divine payment!
"Improvisation I"
Literature is a language that expresses everything a country thinks, wants, knows, wants and needs to know.
In hearts simple feeling the beauty and grandeur of nature is stronger, a hundred times more vivid than in us, enthusiastic storytellers in words and on paper."Hero of our time"
And everywhere there is sound, and everywhere there is light,
And all the worlds have one beginning,
And there is nothing in nature
Whatever breathes love.
In days of doubt, in days of painful thoughts about the fate of my homeland, you alone are my support and support, oh great, powerful, truthful and free Russian language! Without you, how can one not fall into despair at the sight of everything that is happening at home? But one cannot believe that such a language was not given to a great people!
Poems in prose, "Russian language"
So, I complete my dissolute escape,
Prickly snow flies from the naked fields,
Driven by an early, violent snowstorm,
And, stopping in the wilderness of the forest,
Gathers in silver silence
A deep and cold bed.
Listen: shame on you!
It's time to get up! You know yourself
What time has come;
In whom the sense of duty has not cooled,
Who is incorruptibly straight in heart,
Who has talent, strength, accuracy,
Tom shouldn't sleep now...
"Poet and Citizen"
Is it really possible that even here they will not and will not allow the Russian organism to develop nationally, with its own organic strength, and certainly impersonally, servilely imitating Europe? But what should one do with the Russian organism then? Do these gentlemen understand what an organism is? Separation, “detachment” from their country leads to hatred, these people hate Russia, so to speak, naturally, physically: for the climate, for the fields, for the forests, for the order, for the liberation of the peasant, for Russian history, in a word, for everything, They hate me for everything.
Spring! the first frame is exposed -
And noise burst into the room,
And the good news of the nearby temple,
And the talk of the people, and the sound of the wheel...
Well, what are you afraid of, pray tell! Now every grass, every flower is rejoicing, but we are hiding, afraid, as if some kind of misfortune is coming! The thunderstorm will kill! This is not a thunderstorm, but grace! Yes, grace! It's all stormy! The northern lights will light up, you should admire and marvel at the wisdom: “from the midnight lands the dawn rises”! And you are horrified and come up with ideas: this means war or pestilence. Is there a comet coming? I wouldn’t look away! Beauty! The stars have already taken a closer look, they are all the same, but this is a new thing; Well, I should have looked and admired it! And you are afraid to even look at the sky, you are trembling! Out of everything you have created a scare for yourself. Eh, people! "Storm"
There is no more enlightening, soul-cleansing feeling than that which a person feels when acquainted with a great work of art.
We know that loaded guns must be handled with care. But we don’t want to know that we must treat words in the same way. The word can kill and make evil worse than death.
There is a well-known trick of an American journalist who, in order to increase subscriptions to his magazine, began to publish in other publications the most harsh, arrogant attacks on himself from fictitious persons: some in print exposed him as a swindler and perjurer, others as a thief and murderer, and still others as a debauchee on a colossal scale. He didn’t skimp on paying for such friendly advertisements until everyone started thinking - it’s obvious he’s a curious and remarkable person when everyone is shouting about him like that! - and they began to buy up his own newspaper.
"Life in a Hundred Years"
Nikolai Semenovich Leskov (1831 - 1895)
I... think that I know the Russian person to his very depths, and I do not take any credit for this. I didn’t study the people from conversations with St. Petersburg cab drivers, but I grew up among the people, on the Gostomel pasture, with a cauldron in my hand, I slept with it on the dewy grass of the night, under a warm sheepskin coat, and on Panin’s fancy crowd behind the circles of dusty habits...
Between these two clashing titans - science and theology - there is a stunned public, quickly losing faith in the immortality of man and in any deity, quickly descending to the level of a purely animal existence. Such is the picture of the hour illuminated by the brilliant noonday sun of the Christian and scientific era!
"Isis Unveiled"
Sit down, I'm glad to see you. Throw away all fear
And you can keep yourself free
I give you permission. You know, the other day
I was elected king by everyone,
But it doesn't matter. They confuse my thoughts
All these honors, greetings, bows...
"Crazy"
Gleb Ivanovich Uspensky (1843 - 1902)
- What do you want abroad? - I asked him while in his room, with the help of the servants, his things were being laid out and packed for sending to the Warsaw station.
- Yes, just... to feel it! - he said confusedly and with a kind of dull expression on his face.
"Letters from the Road"
Is the point to get through life in such a way as not to offend anyone? This is not happiness. Touch, break, break, so that life boils. I am not afraid of any accusations, but I am a hundred times more afraid of colorlessness than death.
Poetry is the same music, only combined with words, and it also requires a natural ear, a sense of harmony and rhythm.
You experience a strange feeling when, with a light pressure of your hand, you force such a mass to rise and fall at will. When such a mass obeys you, you feel the power of man...
"Meeting"
Vasily Vasilievich Rozanov (1856 - 1919)
The feeling of the Motherland should be strict, restrained in words, not eloquent, not talkative, not “waving your arms” and not running forward (to appear). The feeling of the Motherland should be a great ardent silence.
"Secluded"
And what is the secret of beauty, what is the secret and charm of art: in the conscious, inspired victory over torment or in the unconscious melancholy of the human spirit, which does not see a way out of the circle of vulgarity, squalor or thoughtlessness and is tragically condemned to appear complacent or hopelessly false.
"Sentimental Memory"
Since birth I have lived in Moscow, but by God I don’t know where Moscow came from, what it is for, why, what it needs. In the Duma, at meetings, I, together with others, talk about the city economy, but I don’t know how many miles there are in Moscow, how many people there are, how many are born and die, how much we receive and spend, how much and with whom we trade... Which city is richer: Moscow or London? If London is richer, why? And the jester knows him! And when some issue is raised in the Duma, I shudder and be the first to start shouting: “Pass it over to the commission!” To the commission!
Everything new in an old way:
From a modern poet
In a metaphorical outfit
The speech is poetic.
But others are not an example to me,
And my charter is simple and strict.
My verse is a pioneer boy,
Lightly dressed, barefoot.
1926
Under the influence of Dostoevsky, as well as foreign literature, Baudelaire and Edgar Poe, my fascination began not with decadence, but with symbolism (even then I already understood their difference). I entitled the collection of poems, published at the very beginning of the 90s, “Symbols.” It seems that I was the first to use this word in Russian literature. Vyacheslav Ivanovich Ivanov (1866 - 1949)
The running of changeable phenomena,
Past the howling ones, speed up:
Merge the sunset of accomplishments into one
With the first shine of tender dawns.
From the lower reaches of life to the origins
In a moment, a single overview:
In one face with a smart eye
Collect your doubles.
Unchanging and wonderful
Gift of the Blessed Muse:
In the spirit the form of harmonious songs,
There is life and heat in the heart of the songs.
"Thoughts on Poetry"
I have a lot of news. And all are good. I'm lucky". It's written to me. I want to live, live, live forever. If you only knew how many new poems I wrote! More than a hundred. It was crazy, a fairy tale, new. Publishing new book, not at all similar to the previous ones. She will surprise many. I changed my understanding of the world. No matter how funny my phrase may sound, I will say: I understand the world. For many years, perhaps forever.
K. Balmont - L. Vilkina
Man - that's the truth! Everything is in man, everything is for man! Only man exists, everything else is the work of his hands and his brain! Human! It's great! It sounds... proud!
"At the bottom"
I'm sorry to create something useless and no one needs now. Collection, book of poems in given time- the most useless useless thing... I don’t want to say by this that poetry is not needed. On the contrary, I maintain that poetry is necessary, even necessary, natural and eternal. There was a time when everyone seemed to need entire books of poetry, when they were read in bulk, understood and accepted by everyone. This time is the past, not ours. For the modern reader no need for a collection of poems!
Language is the history of a people. Language is the path of civilization and culture. That is why studying and preserving the Russian language is not an idle activity because there is nothing to do, but an urgent necessity.
What nationalists and patriots these internationalists become when they need it! And with what arrogance they mock the “frightened intellectuals” - as if there is absolutely no reason to be afraid - or at the “frightened ordinary people”, as if they have some great advantages over the “philistines”. And who, exactly, are these ordinary people, the “prosperous townsfolk”? And who and what do revolutionaries care about, in general, if they so despise the average person and his well-being?
"Cursed Days"
In the struggle for their ideal, which is “liberty, equality and fraternity,” citizens must use means that do not contradict this ideal.
"Governor"
“Let your soul be whole or split, let your worldview be mystical, realistic, skeptical, or even idealistic (if you are so unhappy), let creative techniques be impressionistic, realistic, naturalistic, let the content be lyrical or fabulistic, let there be a mood, an impression - whatever you want, but I beg you, be logical - may this cry of the heart be forgiven me! – are logical in concept, in the structure of the work, in syntax.”
Art is born in homelessness. I wrote letters and stories addressed to a distant, unknown friend, but when the friend came, art gave way to life. I'm talking, of course, not about home comfort, but about life, which means more than art.
"You and I. Love Diary"
An artist can do no more than open his soul to others. You cannot present him with pre-made rules. It is a still unknown world, where everything is new. We must forget what captivated others; here it is different. Otherwise, you will listen and not hear, you will look without understanding.
From Valery Bryusov's treatise "On Art"
Alexey Mikhailovich Remizov (1877 - 1957)
Well, let her rest, she was exhausted - they tormented her, alarmed her. And as soon as it’s light, the shopkeeper gets up, starts folding her goods, grabs a blanket, goes and pulls out this soft bedding from under the old woman: wakes the old woman up, gets her on her feet: it’s not dawn, please get up. It's nothing you can do. In the meantime - grandmother, our Kostroma, our mother, Russia! "
"Whirlwind Rus'"
Art never addresses the crowd, the masses, it speaks to the individual, in the deep and hidden recesses of his soul.
Mikhail Andreevich Osorgin (Ilyin) (1878 - 1942)
How strange /.../ There are so many cheerful and cheerful books, so many brilliant and witty philosophical truths, but there is nothing more comforting than Ecclesiastes.
Babkin was brave, read Seneca
And, whistling carcasses,
Took it to the library
Noting in the margin: “Nonsense!”
Babkin, friend, is a harsh critic,
Have you ever thought
What a legless paralytic
A light chamois is not a decree?..
"Reader"
The critic's word about the poet must be objectively concrete and creative; the critic, while remaining a scientist, is a poet.
"Poetry of the Word"
Only great things should be thought about, only great tasks should a writer set himself; put it boldly, without being embarrassed by your personal small strengths. Boris Konstantinovich Zaitsev (1881 - 1972)
“It’s true that there are goblins and water creatures here,” I thought, looking in front of me, “and maybe some other spirit lives here... A powerful, northern spirit that enjoys this wildness; maybe real northern fauns and healthy, blond women wander in these forests, eat cloudberries and lingonberries, laugh and chase each other.”
"North"
You need to be able to close a boring book...leave a bad movie...and part with people who don't value you!
Out of modesty, I will be careful not to point out the fact that on my birthday the bells were rung and there was general popular rejoicing. Gossips They connected this rejoicing with some big holiday that coincided with the day of my birth, but I still don’t understand what another holiday has to do with it?
That was the time when love, good and healthy feelings were considered vulgarity and a relic; no one loved, but everyone thirsted and, as if poisoned, fell for everything sharp, tearing apart the insides.
"The Road to Calvary"
Korney Ivanovich Chukovsky (Nikolai Vasilievich Korneychukov) (1882 - 1969)
“Well, what’s wrong,” I say to myself, “at least in a short word for now?” After all, exactly the same form of saying goodbye to friends exists in other languages, and there it does not shock anyone. great poet Walt Whitman, shortly before his death, said goodbye to his readers with a touching poem “So long!”, which means in English - “Bye!”. The French a bientot has the same meaning. There is no rudeness here. On the contrary, this form is filled with the most gracious courtesy, because the following (approximately) meaning is compressed here: be prosperous and happy until we see each other again.
"Alive as Life"
Switzerland? This is a mountain pasture for tourists. I myself have traveled all over the world, but I hate these ruminant bipeds with Badaker for a tail. They devoured all the beauty of nature with their eyes.
"Island of Lost Ships"
Everything that I have written and will write, I consider only mental rubbish and I do not regard my merits as a writer as anything. And I’m surprised and perplexed why by appearance smart people find some meaning and value in my poems. Thousands of poems, whether mine or those of the poets I know in Russia, are not worth one singer from my bright mother.
I am afraid that Russian literature has only one future: its past.
Article "I'm afraid"
We have been looking for a long time for a task similar to a lentil, so that the connected rays of the work of artists and the work of thinkers, directed by it to a common point, would meet in general work and could ignite and turn even the cold substance of ice into a fire. Now such a task - the lentil that guides together your stormy courage and the cold mind of thinkers - has been found. This goal is to create a common written language...
"Artists of the World"
He adored poetry and tried to be impartial in his judgments. He was surprisingly young at heart, and perhaps also in mind. He always seemed like a child to me. There was something childish in his buzz cut head, in his bearing, more like a gymnasium than a military one. He liked to pretend to be an adult, like all children. He loved to play “master”, the literary superiors of his “gumilets,” that is, the little poets and poetesses who surrounded him. The poetic children loved him very much.
Khodasevich, "Necropolis"
Me, me, me. What a wild word!
Is that guy over there really me?
Did mom love someone like that?
Yellow-gray, half-gray
And all-knowing, like a snake?
You have lost your Russia.
Did you resist the elements?
Good elements of dark evil?
No? So shut up: you took me away
You are destined for a reason
To the edges of an unkind foreign land.
What's the use of moaning and groaning -
Russia must be earned!
"What you need to know"
I didn't stop writing poetry. For me, they contain my connection with time, with new life my people. When I wrote them, I lived by the rhythms that sounded in heroic story my country. I am happy that I lived during these years and saw events that had no equal.
All the people sent to us are our reflection. And they were sent so that we, looking at these people, correct our mistakes, and when we correct them, these people either change too or leave our lives.
In the wide field of Russian literature in the USSR, I was the only literary wolf. I was advised to dye the skin. Ridiculous advice. Whether a wolf is dyed or shorn, it still does not look like a poodle. They treated me like a wolf. And for several years they persecuted me according to the rules of a literary cage in a fenced yard. I have no malice, but I am very tired...
From a letter from M.A. Bulgakov to I.V. Stalin, May 30, 1931.
When I die, my descendants will ask my contemporaries: “Did you understand Mandelstam’s poems?” - “No, we didn’t understand his poems.” “Did you feed Mandelstam, did you give him shelter?” - “Yes, we fed Mandelstam, we gave him shelter.” - “Then you are forgiven.” Ilya Grigorievich Erenburg (Eliyahu Gershevich) (1891 - 1967)
Maybe go to the House of Press - there is one sandwich with chum caviar and a debate - “about the proletarian choral reading”, or to the Polytechnic Museum - there are no sandwiches there, but twenty-six young poets read their poems about the “locomotive mass”. No, I will sit on the stairs, shiver from the cold and dream that all this is not in vain, that, sitting here on the step, I am preparing the distant sunrise of the Renaissance. I dreamed both simply and in verse, and the results turned out to be rather boring iambics.
"The Extraordinary Adventures of Julio Jurenito and His Students"
Mommy, I'm going to die soon...
- Why such thoughts... after all, you are young, strong...
- But Lermontov died at 26, Pushkin - at 37, Yesenin - at 30...
- But you’re not Pushkin or Yesenin!
- No, but still..
Vladimir Semenovich’s mother recalled that she had such a conversation with her son. For Vysotsky, early death was something of a test of the “realness” of the poet. However, I cannot be sure of this. I'll tell you about myself. Since childhood, I “knew for sure” that I would become a poet (of course, a great one) and die early. I won’t live to see thirty, or at least forty. Can a poet live longer?
In biographies of writers, I always paid attention to the years of life. I calculated at what age the person died. I tried to understand why this happened. I think a lot of people do this writing people. I don't hope to figure out why early deaths, but I’ll try to collect materials, collect existing theories and dream up - I’m unlikely to be a scientist - my own.
First of all, I collected information about how Russian writers died. I entered the age at the time of death and the cause of death into the table. I tried not to analyze it, just enter the data into the required columns. I looked at the result - it was interesting. Prose writers of the 20th century, for example, often died from cancer (the leader was lung cancer). But in the world in general - according to WHO - among oncological diseases Lung cancer is the most common and cause of death. So is there a connection?
I can’t decide whether it’s necessary to look for “writing” diseases, but I feel that there is some sense in this search.
Russian prose writers of the 19th century
Name | Years of life | Age at death | Cause of death |
Herzen Alexander Ivanovich |
March 25 (April 6), 1812 - January 9 (21), 1870 |
57 years old |
pneumonia |
Gogol Nikolay Vasilievich |
March 20 (April 1) 1809 - February 21(March 4) 1852 |
42 years |
acute cardiovascular failure (conditionally, because there is no consensus) |
Leskov Nikolay Semenovich |
4 (February 16) 1831 - February 21(March 5) 1895 |
64 years old |
asthma |
Goncharov Ivan Alexandrovich |
6 (18) June 1812 - 15 (27) September 1891 |
79 years old |
pneumonia |
Dostoevsky Fyodor Mikhailovich |
October 30 (November 11) 1821 - January 28 (February 9) 1881 |
59 years old |
pulmonary artery rupture (progressive lung disease, throat bleeding) |
Pisemsky Alexey Feofilaktovich |
March 11 (23), 1821 - January 21 (February 2), 1881 |
59 years old |
|
Saltykov-Shchedrin Mikhail Evgrafovich |
January 15 (27), 1826 - April 28 (May 10), 1889 |
63 years old |
cold |
Tolstoy Lev Nikolaevich |
August 28 (September 9), 1828 - November 7 (20), 1910 |
82 years old |
pneumonia |
Turgenev Ivan Sergeevich |
October 28 (November 9) 1818 - August 22 (September 3) 1883 |
64 years old |
malignant tumor of the spine |
Odoevsky Vladimir Fedorovich |
1 (13) August 1804 - 27 February (11 March) 1869 |
64 years old |
|
Mamin-Sibiryak Dmitry Narkisovich |
October 25 (November 6), 1852 - November 2 (15), 1912 |
60 years |
pleurisy |
Chernyshevsky Nikolai Gavrilovich |
July 12 (24), 1828 - October 17 (29), 1889 |
61 years old |
cerebral hemorrhage |
The average life expectancy of Russian people in the 19th century was about 34 years. But these data do not provide an idea of how long the average adult lived to live, since the statistics are heavily influenced by high infant mortality.
Russian poets of the 19th century
Name | Years of life | Age at death | Cause of death |
Baratynsky Evgeniy Abramovich |
February 19 (March 2) or March 7 (March 19) 1800 - June 29 (July 11) 1844 |
44 years old |
fever |
Kuchelbecker Wilhelm Karlovich |
10 (21) June 1797 - 11 (23) August 1846 |
49 years old |
consumption |
Lermontov Mikhail Yurievich |
October 3 (October 15) 1814 - July 15 (July 27) 1841 |
26 years |
duel (shot in the chest) |
Pushkin, Alexander Sergeyevich |
May 26 (June 6) 1799 - January 29 (February 10) 1837 |
37 years |
duel (stomach wound) |
Tyutchev Fedor Ivanovich |
November 23 (December 5), 1803 - July 15 (27), 1873 |
69 years old |
stroke |
Tolstoy Alexey Konstantinovich |
August 24 (September 5) 1817 - September 28 (October 10) 1875 |
58 years old |
overdose (injected a mistakenly large dose of morphine) |
Fet Afanasy Afanasyevich |
November 23 (December 5) 1820 - November 21 (December 3) 1892 |
71 years old |
heart attack (there is a version of suicide) |
Shevchenko Taras Grigorievich |
February 25 (March 9) 1814 - February 26 (March 10) 1861 |
47 years old |
dropsy (accumulation of fluid in the peritoneal cavity) |
In 19th-century Russia, poets died differently than prose writers. The latter often died from pneumonia, but among the former, no one died from this disease. Yes, poets have left before. Of the prose writers, only Gogol died at 42, the rest much later. And of the lyricists, it is rare who lived to be 50 (the longest-liver is Fet).
Russian prose writers of the 20th century
Name | Years of life | Age at death | Cause of death |
Abramov Fedor Alexandrovich |
February 29, 1920 – May 14, 1983 |
63 years old |
heart failure (died in the recovery room) |
Averchenko Arkady Timofeevich |
March 18 (30), 1881 - March 12, 1925 |
43 years |
weakening of the heart muscle, enlargement of the aorta and renal sclerosis |
Aitmatov Chingiz Torekulovich |
December 12, 1928 - June 10, 2008 |
79 years old |
renal failure |
Andreev Leonid Nikolaevich |
9 (21) August 1871 - 12 September 1919 |
48 years old |
heart disease |
Babel Isaac Emmanuilovich |
June 30 (July 12) 1894 – January 27, 1940 |
45 years |
execution |
Bulgakov Mikhail Afanasyevich |
May 3 (May 15) 1891 – March 10, 1940 |
48 years old |
nephrosclerosis hypertensive |
Bunin Ivan |
October 10 (22), 1870 - November 8, 1953 |
83 years old |
died in his sleep |
Kir Bulychev |
October 18, 1934 - September 5, 2003 |
68 years old |
oncology |
Bykov Vasil Vladimirovich |
June 19, 1924 - June 22, 2003 |
79 years old |
oncology |
Vorobyov Konstantin Dmitrievich |
September 24, 1919 - March 2, 1975) |
55 years |
oncology (brain tumor) |
Gazdanov Gaito |
November 23 (December 6) 1903 - December 5, 1971 |
67 years old |
oncology (lung cancer) |
Gaidar Arkady Petrovich |
January 9 (22), 1904 - October 26, 1941 |
37 years |
shot (killed during the war by machine gun fire) |
Maksim Gorky |
March 16 (28), 1868 - June 18, 1936 |
68 years old |
cold (there is a version of murder - poisoning) |
Zhitkov Boris Stepanovich |
August 30 (September 11) 1882 – October 19, 1938 |
56 years old |
oncology (lung cancer) |
Kuprin Alexander Ivanovich |
August 26 (September 7) 1870 – August 25, 1938 |
67 years old |
oncology (tongue cancer) |
Nabokov Vladimir Vladimirovich |
April 10 (22), 1899 - July 2, 1977 |
78 years old |
bronchial infection |
Nekrasov Viktor Platonovich |
4 (17) June 1911 - 3 September 1987 |
76 years old |
oncology (lung cancer) |
Pilnyak Boris Andreevich |
September 29 (October 11) 1894 – April 21, 1938 |
43 years |
execution |
Andrey Platonov |
September 1, 1899 – January 5, 1951 |
51 years old |
tuberculosis |
Solzhenitsyn Alexander Isaevich |
December 11, 1918 - August 3, 2008 |
89 years old |
acute heart failure |
Strugatsky Boris Natanovich |
April 15, 1933 - November 19, 2012 |
79 years old |
oncology (lymphoma) |
Strugatsky Arkady Natanovich |
August 28, 1925 - October 12, 1991 |
66 years old |
oncology (liver cancer) |
Tendryakov Vladimir Fedorovich |
December 5, 1923 - August 3, 1984 |
60 years |
stroke |
Fadeev Alexander Alexandrovich |
December 11 (24), 1901 - May 13, 1956 |
54 years old |
suicide (shot) |
Kharms Daniil Ivanovich |
December 30, 1905 – February 2, 1942 |
36 years |
exhaustion (during the siege of Leningrad; escaped execution) |
Shalamov Varlam Tikhonovich |
June 5 (June 18) 1907 - January 17, 1982 |
74 years old |
pneumonia |
Shmelev Ivan Sergeevich |
September 21 (October 3) 1873 – June 24, 1950 |
76 years old |
heart attack |
Sholokhov Mikhail Alexandrovich |
May 11 (24), 1905 - February 21, 1984 |
78 years old |
oncology (larynx cancer) |
Shukshin Vasily Makarovich |
July 25, 1929 – October 2, 1974 |
45 years |
heart failure |
There are theories according to which diseases can be caused psychological reasons(some esotericists believe that any illness is caused by spiritual or mental problems). This topic has not yet been sufficiently developed by science, but there are many books in stores like “All diseases come from nerves.” For lack of anything better, let's resort to popular psychology.
Russian poets of the 20th century
Name | Years of life | Age at death | Cause of death |
Annensky Innokenty Fedorovich |
August 20 (September 1) 1855 - November 30 (December 13) 1909 |
54 years old |
heart attack |
Akhmatova Anna Andreevna |
June 11 (23), 1889 - March 5, 1966 |
76 years old |
[Anna Akhmatova was in the hospital for several months after a heart attack. After being discharged, she went to a sanatorium, where she died.] |
Andrey Bely |
October 14 (26), 1880 - January 8, 1934 |
53 years old |
stroke (after sunstroke) |
Bagritsky Eduard Georgievich |
October 22 (November 3) 1895 – February 16, 1934 |
38 years |
bronchial asthma |
Balmont Konstantin Dmitrievich |
June 3 (15), 1867 - December 23, 1942 |
75 years old |
pneumonia |
Brodsky Joseph Alexandrovich |
May 24, 1940 - January 28, 1996 |
55 years |
heart attack |
Bryusov Valery Yakovlevich |
December 1 (13), 1873 - October 9, 1924 |
50 years |
pneumonia |
Voznesensky Andrey Andreevich |
May 12, 1933 - June 1, 2010 |
77 years old |
stroke |
Yesenin Sergey Alexandrovich |
September 21 (October 3) 1895 – December 28, 1925 |
30 years |
suicide (hanging), there is a version of murder |
Ivanov Georgy Vladimirovich |
October 29 (November 10) 1894 – August 26, 1958 |
63 years old |
|
Gippius Zinaida Nikolaevna |
November 8 (20), 1869 - September 9, 1945 |
75 years old |
|
Blok Alexander Alexandrovich |
November 16 (28), 1880 - August 7, 1921 |
40 years |
inflammation of the heart valves |
Gumilev Nikolay Stepanovich |
April 3 (15), 1886 - August 26, 1921 |
35 years |
execution |
Mayakovsky Vladimir Vladimirovich |
July 7 (19), 1893 - April 14, 1930 |
36 years |
suicide (shot) |
Mandelstam Osip Emilievich |
January 3 (15), 1891 - December 27, 1938 |
47 years old |
typhus |
Merezhkovsky Dmitry Sergeevich |
August 2, 1865 (or August 14, 1866) - December 9, 1941 |
75 (76) years |
cerebral hemorrhage |
Pasternak Boris Leonidovich |
January 29 (February 10) 1890 – May 30, 1960 |
70 years old |
oncology (lung cancer) |
Slutsky Boris Abramovich |
May 7, 1919 – February 23, 1986 |
66 years old |
|
Tarkovsky Arseny Alexandrovich |
June 12 (25), 1907 - May 27, 1989 |
81 years old |
oncology |
Tsvetaeva Marina Ivanovna |
September 26 (October 8) 1892 - August 31, 1941 |
48 years old |
suicide (hanging) |
Khlebnikov Velimir |
October 28 (November 9) 1885 – June 28, 1922 |
36 years |
gangrene |
Cancer associated with a feeling of resentment, a deep mental wound, a feeling of the futility of one’s actions, one’s own uselessness. Lungs symbolize freedom, willingness and ability to accept and give. The twentieth century in Russia, many writers were “suffocating”, were forced to remain silent or not say everything they considered necessary. The cause of cancer is also called disappointment in life.
Heart diseases caused by overwork, prolonged stress, and the belief in the need for tension.
A cold People who have too many events going on in their lives at the same time get sick. Pneumonia (pneumonia) - desperate.
Throat diseases - creative impotence, crisis. Also, the inability to stand up for oneself.
The periodization of Russian poetry does not coincide exactly with the boundaries of centuries. Therefore, the list of Russian poets of the 18th century also includes authors who worked at the very beginning of the 19th century, who, to a first approximation, can be characterized as authors... ... Wikipedia
A service list of articles created to coordinate work on the development of the topic. This warning is not set... Wikipedia
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silver Age the heyday of Russian poetry at the beginning of the 20th century, characterized by the appearance of a large number of poets, poetic movements that preached a new aesthetic, different from the old ideals. The name “Silver Age” is given by analogy... Wikipedia
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RUSSIAN LITERATURE. Literature of the late XIX early XX centuries.- The collapse of populism and the struggle between its epigones and Marxism appeared the most important events Russian social life at the end of the century and significantly influenced the course literary process. The formation of literature reflecting the characteristics of the third... ... Literary encyclopedic dictionary
RUSSIAN LITERATURE OF THE 19TH CENTURY and Lermontov. 1. Lermontov and Russian poetry of the 19th century. L. is the heir of the Pushkin era, who began directly from that milestone, which was designated in Russian. poetry by A. S. Pushkin. He expressed the new position of the letter, characteristic... ... Lermontov Encyclopedia
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Books
- Russian poets of the 19th century. Reader, The proposed anthology aims to give students of historical and philological faculties and literature teachers the most complete understanding of the development of Russian poetry XIX century by... Publisher: State Educational and Pedagogical Publishing House of the Ministry of Education of the RSFSR,
- Russian poets of the 19th century, The proposed anthology aims to give students of historical and philological faculties and literature teachers the most complete understanding of the development of Russian poetry of the 19th century according to... Publisher:
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Presentation on the topic: Writers and poets of the 19th century
Slide no. 1
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Writers and poets of the 19th century 1. Aksakov S.T. 2. Ershov P.P. 3. Zhukovsky V.A. 4. Koltsov A.V. 5. Krylov I.A. 6. Lermontov M.Yu. 7. Marshak S.Ya. 8. Nekrasov N.A. 9. Nikitin I.S. 10. Prishvin M.M. 11. Pushkin A.S. 12. Tolstoy L.N. 13. Tolstoy A.K. 14. Tyutchev F.I. 15. Ushinsky K.D. 16. Fet A.A. 17. Chekhov A.P. Svetlana Aleksandrovna Lyalina, teacher primary classes, Kulebaki, Nizhny Novgorod region
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Sergei Trofimovich Aksakov Famous Russian writer. Was born in noble family the famous family of Shimon. The future writer inherited his love of nature from his father. Peasant labor aroused in him not only compassion, but also respect. His book "Family Chronicle" was continued in "The Childhood Years of Bagrov's Grandson."
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Pyotr Pavlovich Ershov Born on March 6, 1815 in the Tobolsk province into the family of an official. Russian poet, writer, playwright. He was the initiator of the creation of an amateur gymnasium theater. He worked as a director in the theatre. He wrote several plays for the theater: “Rural Holiday”, “Suvorov and stationmaster" Ershov became famous thanks to his fairy tale “ The Little Humpbacked Horse»
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Vasily Andreevich Zhukovsky Born on January 29 in the village of Mishenskoye, Tula province. Father, Afanasy Ivanovich Bunin, landowner, owner of the village. Mishensky; his mother, Turkish Salha, was taken to Russia as a prisoner. At the age of 14, she was taken to Moscow and sent to the Noble boarding school. I lived and studied there for 3 years. Studied Russian and foreign literature. In 1812 he was in Borodino and wrote about the heroes of the battle. His books: Little Thumb, There is no dearer sky, The Lark.
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Alexey Vasilievich Koltsov A.V. Koltsov is a Russian poet. Born on October 15, 1809 in Voronezh, into a merchant family. The father was a merchant. Alexey Koltsov delved into the various economic concerns of a rural resident from the inside: gardening and arable farming, cattle breeding and forestry. In the boy’s gifted, empathetic nature, such a life fostered a breadth of soul and versatility of interests, direct knowledge of village life, peasant labor and folk culture. From the age of nine, Koltsov studied reading and writing at home and showed such extraordinary abilities that in 1820 he was able to enter the district school, bypassing the parish school. Started writing at the age of 16. He wrote a lot about work, about the land, about nature: Mower, Harvest, etc.
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Ivan Andreevich Krylov I.A. Krylov is a great fabulist. Born on February 2, 1769 in Moscow in the family of a poor army captain, who received the rank of officer only after thirteen years of military service. Krylov was 10 years old when his father died and he had to work. Russian writer, fabulist, academician of the St. Petersburg Academy of Sciences. In St. Petersburg in Summer Garden located bronze monument, where the fabulist is surrounded by animals. His works: Swan, Pike and Cancer. Siskin and Dove. A Crow and a fox.
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Mikhail Yuryevich Lermontov was born in Moscow in the family of captain Yuri Petrovich Lermontov and Maria Mikhailovna Lermontova, the only daughter and heiress of the Penza landowner E.A. Arsenyeva. Lermontov spent his childhood on Arsenyeva’s estate “Tarkhany” in the Penza province. The boy received the capital home education, was fluent in French from childhood and German languages. In the summer of 1825, my grandmother took Lermontov to the Caucasus; childhood impressions of the Caucasian nature and life of the mountain peoples remained in his early work. Then the family moves to Moscow and Lermontov is enrolled in the 4th grade of the Moscow University Noble Boarding School, where he receives a liberal arts education.
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Samuil Yakovlevich Marshak S.Ya. Marshak is a Russian poet. Born on October 22, 1887 in Voronezh in the family of a factory technician and a talented inventor. At the age of 4 he wrote poetry himself. Good translator With in English, Russian poet. Marshak knew M. Gorky. Studied in England at the University of London. During the holidays, I traveled a lot on foot around England, listened to English folk songs. Even then he began working on translations of English works.
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Nikolai Alekseevich Nekrasov Nikolai Alekseevich Nekrasov is a famous Russian poet. He came from a noble, once rich family. Born on November 22, 1821 in Podolsk province. Nekrasov had 13 brothers and sisters. The poet’s entire childhood and youth passed in family estate Nekrasov, the village of Greshneva, Yaroslavl province, on the banks of the Volga. He saw hard labour of people. They pulled barges across the water. He dedicated many poems to the lives of people in Tsarist Russia: Green noise, Nightingales, Peasant children, Grandfather Mazai and the hares, Motherland, etc.
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Ivan Savvich Nikitin Russian poet, born in Voronezh to the sons of a wealthy merchant, owner of a candle factory. Nikitin studied at religious school, in the seminary. I dreamed of graduating from university, but my family went broke. Ivan Savvich continued his education himself. He composed poems: Rus', Morning, Meeting Winter, Swallow's Nest, Grandfather.
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Mikhail Mikhailovich Prishvin Mikhail Mikhailovich Prishvin was born on January 23, 1873 in the Oryol province near Yelets. Prishvin's father is from a native merchant family of the city of Yelets. Mikhail Mikhailovich is educated as an agronomist, writes scientific book about potatoes. Later he leaves for the North to collect folklore from folk life. He loved nature very much. He knew the life of the forest and its inhabitants well. He knew how to convey his feelings to readers. He wrote: Protecting nature means protecting the Motherland! His books: Guys and Ducklings, Pantry of the Sun, Nature Calendar, etc.
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Lev Nikolaevich Tolstoy Lev Nikolaevich is a great Russian writer. He wrote the first ABC and four Russian books for reading for children. IN Yasnaya Polyana opened a school and taught the children himself. He worked hard and loved work. He plowed the land himself, cut the grass, sewed boots, and built huts. His works: Stories about children, Kids, Filipok, Shark, Kitten, Lion and dog, Swans, old grandfather and granddaughters.
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Alexey Konstantinovich Tolstoy A.K. Tolstoy was born in St. Petersburg, and the future poet spent his childhood in Ukraine, on the estate of his uncle. While still a teenager, Tolstoy traveled abroad, to Germany and Italy. In 1834, Tolstoy was assigned as a “student” to the Moscow archives of the Ministry of Foreign Affairs. Since 1837 he served in the Russian mission in Germany in 1840. received service in St. Petersburg at the royal court. In 1843 - the court rank of chamber cadet. During Tolstoy's lifetime, the only collection of his poems was published (1867). Poems: The last snow is melting, Cranes, Forest Lake, autumn, etc.
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Konstantin Dmitrievich Ushinsky Konstantin Dmitrievich Ushinsky was born on February 19, 1824 in Tula in the family of Dmitry Grigorievich Ushinsky, a retired officer, a small nobleman. Konstantin Dmitrievich's mother, Lyubov Stepanovna, died when he was 12 years old. Konstantin Dmitrievich was a teacher, he created books himself. He called them " Child's world" and "Native Word". He taught me to love my native people and nature. His works: The Scientist Bear, Four Wishes, Geese and Cranes, Eagle, How a Shirt Grew in a Field.
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Afanasy Afanasyevich Fet Afanasy Afanasyevich - Russian poet-lyricist, translator. Born in the Novoselki estate in the Oryol province. Since childhood I loved the poems of A.S. Pushkin. At the age of 14 he was taken to St. Petersburg to study. He showed his poems to Gogol. The first book was published in 1840. His poems: Wonderful picture, Swallows are gone, Spring rain. For the last 19 years of his life he officially bore the surname Shenshin.
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Anton Pavlovich Chekhov Anton Pavlovich Chekhov is an outstanding Russian writer, playwright, and doctor by profession. Born on January 17, 1860 in Taganrog, Ekaterinoslav province. Early childhood Anton proceeded in endless church holidays, name day. On weekdays after school, he guarded his father’s shop, and at 5 am every day he got up to sing in the church choir. At first, Chekhov studied at a Greek school in Taganrog. At the age of 8, after two years of study, Chekhov entered the Taganrog gymnasium. In 1879 he graduated from high school in Taganrog. In the same year he moved to Moscow and entered the medical faculty of Moscow University, where he studied with famous professors: Nikolai Sklifosovsky, Grigory Zakharyin and others. His works: White-fronted, Kashtanka, In the Spring, Spring waters, and etc.