Julie Karagina is one of the secondary characters in Leo Tolstoy's book War and Peace.
The girl comes from a noble and wealthy family. About us early childhood he is friends with Marya Bolkonskaya, but over the years they have practically stopped communicating.
Julie is about twenty years old. She is still unmarried, that at the times described in literary work, it was very late, so the girl longed to go down the aisle as soon as possible, in order to get to know someone, Karagina constantly visits various exhibitions, theaters and other social events. Karagina really does not want to become " old maid"and is making every effort to turn into a married lady. She has a huge legacy that remains after the death of her parents and brothers: two chic mansions and land as well as cash savings.
Julie is in love with Nikolai Rostov and would gladly marry him, because she believes that this sympathy is absolutely mutual. But the young man behaves nobly towards her and does not want to tie the knot just for the sake of the money of his potential bride, because as a lover and future wife he does not perceive it. The girl continues to be jealous of Nikolai, but she could not achieve his location. Boris Drubetskoy, on the contrary, diligently looks after Julie in order to take possession of her fortune. He does not like her at all, but Boris makes her a marriage proposal, pursuing exclusively selfish goals, and Karagina agrees.
The girl is stupid and selfish. She pretends to be a different person, tries to seem better than she really is. Karagina even demonstrates her feigned patriotism to those around her in order to earn the approval of society and praise. Julie knows how to play the harp and often entertains the guests of her estate with various musical compositions. Karagina is constantly among the representatives of the Moscow elite and knows the rules of conduct in secular society, but she is not an interesting conversationalist, so many are friends with her purely out of courtesy.
The girl considered herself real beauty but others have a different opinion. She has a round face big eyes, short stature. She does not spare money for outfits and is always dressed in the latest fashion.
Julie does not have her own point of view on various topics and imitates the reasoning and opinions of others. This pushes people away from her, because, for example, Julie's husband secretly hates his wife, considers her a burden and feels only irritation towards her, even her longtime friend Marya Balkonskaya stopped seeing and communicating with her, because Karagina became uninteresting to her.
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In the section on the question Help please!!! urgently need something in the image of Julie Kuragina from the novel War and Peace! given by the author grow up the best answer is The image of Julie Karagina FROM Tolstoy's novel "War and Peace". This is typical socialite. old prince Bolkonsky, with whose daughter she is corresponding, does not want Princess Mary to look like Julie, empty and false young ladies. Julie does not have her own opinion, evaluates people only as they are evaluated in the world (her opinion about Pierre) Her goal is to get married, and she never hides this. Nearly Sonya is jealous of Nikolai when he starts talking to her animatedly. Subsequently, she has a chance to arrange her fate when her two brothers die and she becomes a rich heiress. It was then that Boris Drubetskoy began to look after her. Barely hiding his disgust for Julie, he proposes to her, and she, knowing full well that he cannot love her, nevertheless forces her to say the right things (Togstoy ironically remarks that Karagina's estates were worth these false words of love).
Once again we see Julie, already Princess Drubetskaya, as she tries to flaunt her "patriotism" during the War of 1812. For example, her letters to Princess Marya are already different: “I am writing to you in Russian, my good friend, - wrote Julie, - because I have hatred for all the French, as well as for their language, which I cannot hear speak ... We in Moscow are all enthusiastic through enthusiasm for our adored emperor. My poor husband endures labor and hunger in Jewish taverns; but the news I have makes me even more excited. "Also" in the society of Julie, as in many societies of Moscow, it was supposed to speak only Russian, and those who were mistaken in speaking French words, paid a fine in favor of the donation committee." Drubetskaya is one of the first to leave Moscow, even before the Battle of Borodino.
We don't see her anymore. But one more detail. Tolstoy does not describe her face in detail, saying only that it is red and sprinkled with powder. It immediately becomes clear how he relates to his heroine.
Prince Vasily Kuragin is one of the most significant characters in the epic novel War and Peace. His family, soulless and rude, impudent and acting ahead when there is an opportunity to get rich, is opposed to the delicate and kind-hearted Rostov family and the intellectual Bolkonsky family. Vasily Kuragin does not live by thoughts, but rather by instincts.
When he meets an influential person, he tries to get closer to him, and this happens automatically for him.
Appearance of Prince Vasily Sergeevich
We first meet him in the salon of Anna Pavlovna, where all the intellectual and what a wretched color of St. Petersburg gathers. While no one has arrived yet, he has useful and confidential conversations with an aging forty-year-old "enthusiast". Important and official, carrying his head high, he arrived in a court uniform with stars (he managed to receive awards without doing anything useful for the country). Vasily Kuragin is bald, fragrant, sedate and, despite his sixty years, graceful.
His movements are always free and familiar. Nothing can bring him out of balance. Vasily Kuragin has grown old, having spent his whole life in the world, and brilliantly controls himself. His flat face is covered with wrinkles. All this becomes known from the first chapter of the first part of the novel.
Prince cares
He has three children whom he loves little. In the same chapter, he himself says that he does not have parental love for children, but he considers it his great task to build them well in life.
In a conversation with Anna Pavlovna, he, as if inadvertently, asks who is destined for the post of first secretary in Vienna. This is his main purpose of visiting Scherer. He needs to attach his silly son Hippolyte to a warm place. But, by the way, he agrees that Anna Pavlovna will try to marry off his dissolute son Anatole to the rich and noble Maria Bolkonskaya, who lives with her father on the estate. Vasily Kuragin received at least one benefit from this evening, because he was not used to a useless pastime for himself. In general, he knows how to use people. He is always attracted to those who are above him, and the prince has a rare gift - to catch a moment when you can and should use people.
Prince's wicked deeds
In the first part, starting from chapter XVIII, Vasily Kuragin, having arrived in Moscow, tries to take possession of Pierre's inheritance, destroying his father's will. Julie Karagina wrote about this ugly story of Maria Bolkonskaya in more or less detail in a letter. Having received nothing and having played a “nasty role,” as Julie put it, Prince Vasily Kuragin left for Petersburg embarrassed. But he didn't stay in that state for long.
He seemed to absentmindedly made an effort to bring Pierre closer to his daughter, and successfully completed this business with a wedding. Pierre's money should serve the prince's family. So it should be, according to Prince Vasily. An attempt to marry the rake of Anatole to the meek, ugly Princess Marya also cannot be called a worthy deed: he only cares about the rich dowry that his son can receive at the same time. But his such immoral family degenerates. Hippolyte is just a fool who no one takes seriously. Ellen is dying. Anatole, having undergone a leg amputation, is not known whether he will survive or not.
The character of Kuragin
He is self-confident, empty, and in the tone of his voice, behind decency and participation, mockery always shines through. He always tries to get close to people of high position. For example, everyone knows that he is in good relations with Kutuzov, and they turn to him for help in order to attach his sons to adjutants. But he was used to refusing everyone, so that at the right moment, and we have already talked about this, he could use favors only for himself. Such small dashes, scattered in the text of the novel, describe a secular person - Vasily Kuragin. L. Tolstoy's characterization of him is very unflattering, and with its help the author describes the high society as a whole.
Vasily Kuragin appears before us as a great intriguer, accustomed to living with thoughts about a career, money and profit. "War and peace" (moreover, the world in the time of Tolstoy was written through the unusual letter i and meant not only peace as the absence of war, but also, in more, the universe, and there was no direct antithesis in this title) - a work in which the prince is shown against the backdrop of high society receptions and in his house, where there is no warmth and cordial relations. The epic novel contains monumental pictures of life and hundreds of characters, one of which is Prince Kuragin.
Julie Karagina plays minor role in the epic novel by L.N. Tolstoy "War and Peace".
Since in this novel there are two families - the Karagins and the Kuragins, then you can very easily get confused in them. The Karagin family is Julie Karagina herself and her mother. The reader learns that they are very rich and live in Moscow. Julie is a friend of Princess Mary. She used to have brothers, but in 1811 they died on the battlefield.
Kuragins are presented in the novel as the head of the family - Prince Vasily - and his children: Helen, Ippolit and Anatole.
At the beginning of the book - 1805 - Julie is aged 20-21. She is not particularly attractive, she has a round red face, moist eyes and a chin that digs into her eyes. She carefully follows fashion, dressing herself only in new items. However, for a very long time in the novel, she cannot get married, so in society, behind her back, she is called the "old bride". The princess wants to get married as soon as possible, so she often goes to various theaters and balls to find at least one of the males. She longs to show herself as a patriotic girl by saying something about the French.
After the death of her brothers, the girl becomes one of the richest brides in Moscow. She is very unnatural, naive and stupid. Due to the riches of the princess, Rostov's mother was ready to persuade her son to marry her, since the family was in a bad situation. Julie herself likes Rostov, but she is well aware that due to the age difference, there will be nothing but friendship. Nikolai does not love her and he is disgusted with the very idea of "marriage for money."
And soon, his ex best friend- Boris Drubetskoy begins to court her. This is due to money, since the girl herself is disgusting to him, he does not love her. Julie understands this perfectly, but does not show it. As a result, Boris marries her, a magnificent wedding is played. The girl is now Princess Drubetskaya. But her husband does not intend to see her often.
Julie was also on friendly terms with Princess Marya Bolkonskaya. They were closest friends from a very young age. However, throughout life, their friendship began to crumble little by little. As people, they had changed since childhood, and now they had practically nothing in common in conversation. Julie seemed like a stranger to Marie. And she, in turn, did not enjoy their meetings, as it was before.
This character was shown to the reader as a girl who is ready to marry anyone, and they want to take her only because of the money. But in the end, she never receives love from her husband.
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Women's theme takes important place in the epic novel by L. N. Tolstoy “War and Peace”. This work is the writer's polemical response to supporters of women's emancipation. At one of the poles artistic research there are numerous types of high society beauties, mistresses of magnificent salons in St. Petersburg and Moscow - Helen Kuragina, Julie Karagina, Anna Pavlovna Sherer; cold and apathetic Vera Berg dreams of her own salon...
Secular society is immersed in eternal vanity. In the portrait of the beautiful Helen Tolstoy sees the whiteness of the shoulders, the gloss of her hair and diamonds, a very open chest and back, and a frozen smile. Such details allow the artist to emphasize the inner emptiness, the insignificance of the high society lioness. The place of genuine human feelings in luxurious living rooms is occupied by monetary calculation. The marriage of Helen, who chose the wealthy Pierre as her husband, is a clear confirmation of this. Tolstoy shows that the behavior of the daughter of Prince Vasily is not a deviation from the norm, but the norm of life of the society to which she belongs. Indeed, does Julie Karagina behave differently, having, thanks to her wealth, a sufficient selection of suitors; or Anna Mikhailovna Drubetskaya, placing her son in the guard? Even in front of the bed of the dying Count Bezukhov, Pierre's father, Anna Mikhailovna does not feel compassion, but fear that Boris will be left without an inheritance.
Tolstoy shows high society beauties and in family life. Family, children do not play a significant role in their lives. Helen finds Pierre's words funny that spouses can and should be bound by feelings of heartfelt affection and love. Countess Bezukhova thinks with disgust about the possibility of having children. With surprising ease, she leaves her husband. Helen is a concentrated manifestation of complete lack of spirituality, emptiness, vanity.
Excessive emancipation leads a woman, according to Tolstoy, to a misunderstanding of her own role. In the salon of Helen and Anna Pavlovna Scherer, there are political disputes, judgments about Napoleon, about the situation of the Russian army ... Feeling false patriotism forces them to broadcast only in Russian during the time of the French invasion. High-society beauties have largely lost the main features that are inherent in real woman. On the contrary, in the images of Sonya, Princess Marya, Natasha Rostova, those features are grouped that make up the type of woman in the true sense.
At the same time, Tolstoy does not try to create ideals, but takes life as it is. In fact, there are no consciously heroic female natures in the work, like Turgenev's Marianne from the novel "Nov" or Elena Stakhova from "On the Eve". Is it necessary to broadcast that Tolstoy's favorite heroines are deprived of romantic elation? Women's spirituality is not contained in intellectual life, not in the passion of Anna Pavlovna Scherer, Helen Kuragina, Julie Karagina with political and other male issues, but only in the ability to love, in devotion to the family hearth. Daughter, sister, wife, mother - these are the main life situations in which the character of Tolstoy's favorite heroines is revealed. This conclusion may start to be questioned upon a superficial reading of the novel. Indeed, the actions of Princess Marya and Natasha Rostova at the time of the French invasion are patriotic, and Marya Bolkonskaya's unwillingness to use the patronage of the French general and the impossibility for Natasha to stay in Moscow under the French are also patriotic. However, the connection female images with the image of the war in the novel is more complex, it is not limited to the patriotism of the best Russian women. Tolstoy shows what it took historical movement millions of people so that the characters of the novel (Maria Bolkonskaya and Nikolai Rostov, Natasha Rostova and Pierre Bezukhov) can find a way to a friend.
Tolstoy's favorite heroines live with their hearts, not their minds. All Sonya's best, cherished memories are associated with Nikolai Rostov: common childhood games and pranks, Christmas time with fortune-telling and mummers, Nikolai's love impulse, the first kiss ... Sonya remains faithful to her beloved, rejecting Dolokhov's offer. She loves resignedly, but she cannot refuse her love. And after the marriage of Nikolai Sonya, of course, continues to love him.
Marya Bolkonskaya, with her evangelical humility, is especially close to Tolstoy. And yet exactly her image personifies the triumph of natural human needs over asceticism. The princess secretly dreams of marriage, of her own family, of children. Her love for Nikolai Rostov is a high, spiritual feeling. In the epilogue of the novel, Tolstoy paints pictures of family
the happiness of the Rostovs, emphasizing by this that it was precisely in the family that Princess Marya found the true meaning of life.
Love is the essence of Natasha Rostova's life. Young Natasha loves everyone: the resigned Sonya, and the mother countess, and her father, and Nikolai, and Petya, and Boris Drubetskoy. Rapprochement, and then separation from Prince Andrei, who made her an offer, makes Natasha suffer internally. An excess of life and inexperience is the source of mistakes, rash acts of the heroine (the story of Anatole Kuragin).
Love for Prince Andrei awakens with renewed vigor in Natasha. She leaves Moscow with a convoy, in which the wounded Bolkonsky ends up. Natasha is still possessed by an exorbitant feeling of love and compassion. She is selfless to the end. The death of Prince Andrei deprives Natasha of meaning. The news of the death of Petya makes the heroine overcome her misfortune in order to keep her old mother from insane despair. Natasha “thought her life was over. But suddenly love for her mother showed her that the essence of her life - love - was still alive in her. Love woke up, and life woke up.
After marriage, Natasha refuses secular life, from "all its charms" and wholly given family life. Mutual understanding of the spouses is based on the ability "with unusual clarity and speed to understand and broadcast the thoughts of a friend of a friend in a way that is contrary to all the rules of logic." This is the ideal of family happiness. Such is Tolstoy's ideal of "peace."
Tolstoy's thoughts about the true destiny of a woman, I think, have not become outdated even today. Of course, a significant role in today's life played by women who have devoted themselves to politics or social activities. But still, many of our contemporaries choose what Tolstoy's favorite heroines have chosen for themselves. And is it really not enough - to love and be loved?
