To the question: What are the author’s literary techniques? given by the author Clubfoot the best answer is
ALLEGORY
3. ANALOGY
4. ANOMASIA
Replacing a person's name with an object.
5. ANTITHESIS
6. APPLICATION
7. HYPERBOLE
Exaggeration.
8. LITOTA
9. METAPHOR
10. METONYMY
11. OVERDUCTION
12. OXYMORON
Matching by contrast
13. DENIAL OF DENIAL
Proof of the opposite.
14. REFRAIN
15. SYNEGDOHA
16. CHIASM
17. ELIPSIS
18. EPHEMISM
Replacing the rough with the graceful.
ALL artistic techniques work equally in any genre and do not depend on the material. Their selection and appropriateness of use are determined by the author’s style, taste and the specific way of developing each specific item.
Source: See examples here http://biblioteka.teatr-obraz.ru/node/4596
Answer from moneylender[guru]
Literary devices are phenomena of very different scales: they relate to different volumes of literature - from a line in a poem to an entire literary movement.
Literary devices listed on Wikipedia:
Allegory Metaphors Rhetorical figures Quote Euphemisms Autoepigraph Alliteration Allusion Anagram Anachronism Antiphrase Graphics of verse Disposition
Sound recording Gaping Allegory Contamination Lyrical digression Literary mask Logogryph Macaronism Minus technique Paronymy Stream of consciousness Reminiscence
Figured poems Black humor Aesopian language Epigraph.
Answer from Andrey Pechenkin[newbie]
personification
Answer from Neurologist[newbie]
Olympic tasks school stage All-Russian Olympiad for schoolchildren in 2013-2014
Literature 8th grade
Tasks.
Says a word - the nightingale sings;
Her rosy cheeks are burning,
Like the dawn in God's sky.
Half smile, half cry,
Her eyes are like two deceptions,
Failures covered in darkness.
A combination of two mysteries
Half-delight, half-fear,
A fit of mad tenderness,
Anticipation of mortal pain.
7, 5 points (0.5 points for the correct name of the work, 0.5 for the correct name of the author of the work, 0.5 points for the correct name of the character)
3. What places is life and creative path poets and writers? Find matches.
1.V. A. Zhukovsky. 1. Tarkhany.
2.A. S. Pushkin. 2. Spasskoye – Lutovinovo.
3.N. A. Nekrasov. 3. Yasnaya Polyana.
4.A. A. Blok. 4. Taganrog.
5.N. V. Gogol. 5. Konstantinovo.
6.M. E. Saltykov-Shchedrin. 6. Belev.
7.M. Yu. Lermontov. 7. Mikhailovskoe.
8.I. S. Turgenev. 8. Greshnevo.
9.L. N. Tolstoy. 9. Shakhmatovo.
10.A. P. Chekhov. 10. Vasilyevka.
11.S. A. Yesenin. 11. Spas – Angle.
5.5 points (0.5 points for each correct answer)
4. Name the authors of the given fragments of works of art
4.1. Oh, memory of the heart! You are stronger
The mind's memory is sad
And often with its sweetness
You captivate me in a distant country.
4.2. And the crows?..
Come on, to God!
I’m in my own forest, not in someone else’s forest.
Let them shout, raise the alarm -
I won't die from croaking.
4.3.I hear the lark's songs,
I hear the trills of a nightingale...
This is the Russian side,
This is my homeland!
4.4. Hello, Russia is my homeland!
How joyful I am under your foliage!
And there is no foam
Answer from Ilgiz Fazlyev[newbie]
Literary device includes all the means and moves that the poet uses in the “arrangement” (composition) of his work.
To unfold the material and create an image, humanity has developed over the centuries certain generalized methods and techniques based on psychological laws. They were discovered by ancient Greek rhetoricians and have since been successfully used in all arts. These techniques are called TRAILS (from the Greek Tropos - turn, direction).
Paths are not recipes, but assistants, developed and tested over centuries. Here they are:
ALLEGORY
Allegory, expression of an abstract, abstract concept through specifics.
3. ANALOGY
Matching by similarity, establishing correspondences.
4. ANOMASIA
Replacing a person's name with an object.
5. ANTITHESIS
Contrasting comparison of opposites.
6. APPLICATION
Enumeration and piling up (of homogeneous details, definitions, etc.).
7. HYPERBOLE
Exaggeration.
8. LITOTA
Understatement (reverse of hyperbole)
9. METAPHOR
Revealing one phenomenon through another.
10. METONYMY
Establishing connections by contiguity, i.e. association based on similar characteristics.
11. OVERDUCTION
Direct and figurative meanings in one phenomenon.
12. OXYMORON
Matching by contrast
13. DENIAL OF DENIAL
Proof of the opposite.
14. REFRAIN
Repetition that enhances emphasis or impact.
15. SYNEGDOHA
More instead of less and less instead of more.
16. CHIASM
Normal order in one and reverse order in the other (gag).
17. ELIPSIS
An artistically expressive omission (of some part or phase of an event, movement, etc.).
18. EPHEMISM
Replacing the rough with the graceful.
ALL artistic techniques work equally in any genre and do not depend on the material. Their selection and appropriateness of use are determined by the author’s style, taste and the specific way of developing each specific item. Olympiad tasks of the school stage of the All-Russian Olympiad for schoolchildren in 2013-2014.
Literature 8th grade
Tasks.
1. Many fables contain expressions that have become proverbs and sayings. Indicate the name of I. A. Krylov’s fables according to the lines given.
1.1.“On hind legs I go ".
1.2. “The Cuckoo praises the Rooster because he praises the Cuckoo.”
1.3. “When there is no agreement among the comrades, their business will not go well.”
1.4. “God, deliver us from such judges.”
1.5. “A great man is only loud in his deeds.”
5 points (1 point for each correct answer)
2. Identify the works and their authors based on the given portrait characteristics. Indicate whose portrait this is.
2.1.In holy Rus', our mother,
You can’t find, you can’t find such a beauty:
Walks smoothly - like a swan;
He looks sweet - like a darling;
Says a word - the nightingale sings;
Her rosy cheeks are burning,
Like the dawn in God's sky.
2.2. “... the official cannot be said to be very remarkable, short in stature, somewhat pockmarked, somewhat reddish, somewhat blind in appearance, with a small bald spot on his forehead, with wrinkles on both sides of the cheeks and a complexion that is called hemorrhoidal...”
2.3. (He) “was a man of the most cheerful, most meek disposition, constantly sang in a low voice, looked carefree in all directions, spoke slightly through his nose, smiling, squinting his light blue eyes and often took his thin, wedge-shaped beard with his hand.”
2.4. “He was all overgrown with hair, from head to toe, like the ancient Esau, and his nails became like iron. He stopped blowing his nose a long time ago,
he walked more and more on all fours and was even surprised how he had not noticed before that this way of walking was the most decent and most convenient.
2.5. Her eyes are like two fogs,
Half smile, half cry,
Her eyes are like two deceptions,
Failures covered in darkness.
A combination of two mysteries
Half-delight, half-fear,
A fit of mad tenderness,
Anticipation of mortal pain.
Answer from Daniil Babkin[newbie]
Not only in literature, but also in oral, colloquial speech we use different techniques artistic expression to give it emotionality, imagery and persuasiveness. This is especially facilitated by the use of metaphors - the use of words in a figurative meaning (the bow of a boat, the eye of a needle, a death grip, the fire of love).
An epithet is a technique similar to a metaphor, but the only difference is that the epithet does not name an object artistic display, and the sign of this item ( good fellow, the sun is clear or oh, bitter grief, boring boredom, mortal!).
Comparison - when one object is characterized by comparison with another, it is usually expressed using certain words: “exactly”, “as if”, “similar”, “as if”. (the sun is like a ball of fire, rain is like a bucket).
Personification is also an artistic device in literature. This is a type of metaphor that assigns the properties of living beings to inanimate objects. Personification is also the transference of human properties to animals (cunning, like a fox).
Hyperbole (exaggeration) is one of the expressive means of speech; it represents a meaning with an exaggeration of what is being discussed (lots of money, haven’t seen each other for centuries).
And vice versa, the opposite of hyperbole is litotes (simplicity) - an excessive understatement of what is being discussed (a boy the size of a finger, a man the size of a fingernail).
The list can be supplemented with sarcasm, irony and humor.
Sarcasm (translated from Greek as “tearing meat”) is malicious irony, a caustic remark or caustic mockery.
Irony is also mockery, but softer, when one thing is said in words, but something completely different, the opposite, is meant.
Humor is one of the means of expression, meaning “mood”, “disposition”. When the story is told in a comic, allegorical manner.
Figures of speech on Wikipedia
Check out the Wikipedia article about Figures of Speech
Artistic devices in literature and poetry are called tropes. They are present in any work of a poet or prose writer. Without them, the text could not be called artistic. In art, words are an essential element.
Artistic techniques in literature, why are tropes needed?
Fiction is a reflection of reality, filtered through inner world author. A poet or prose writer does not simply describe what he sees around him, in himself, in people. He conveys his individual perception. Each writer will describe the same phenomenon, for example, a thunderstorm or tree blossoms in spring, love or grief, in his own way. Artistic techniques help him in this.
Tropes are usually understood as words or phrases that are used figuratively. With their help, the author creates a special atmosphere, vivid images, and achieves expressiveness in his work. They emphasize important details text, helping the reader to pay attention to them. Without this it is impossible to convey ideological meaning works.
Paths are, it would seem, ordinary words, consisting of letters used in a scientific article or just colloquial speech. However, in a work of art they become magical. For example, the word “wooden” becomes not an adjective characterizing the material, but an epithet revealing the image of the character. Otherwise - impenetrable, indifferent, indifferent.
Such a change becomes possible thanks to the author’s ability to select meaningful associations, to find the exact words to convey his thoughts, emotions, and sensations. It takes a special talent to cope with such a task and create a work of art. Just cramming the text with tropes is not enough. It is necessary to be able to use them so that each carries a special meaning and plays a unique and inimitable role in the test.
Artistic techniques in the poem
The use of artistic techniques in poems is especially relevant. After all, a poet, unlike a prose writer, does not have the opportunity to devote, say, entire pages to describing the image of a hero.
Its “spread” is often limited to a few stanzas. At the same time, it is necessary to convey the immensity. In the poem, literally every word is worth its weight in gold. It shouldn't be redundant. The most common poetic devices:
1. Epithets - they can be parts of speech such as adjectives, participles and sometimes phrases consisting of nouns used in a figurative sense. Examples of such artistic techniques are “ Golden autumn”, “extinguished feelings”, “king without retinue”, etc. Epithets do not express an objective, but rather an author’s characteristic of something: an object, a character, an action or a phenomenon. Some of them become persistent over time. They are most often found in folklore works. For example, “clear sun”, “red spring”, “good fellow”.
2. A metaphor is a word or phrase whose figurative meaning allows two objects to be compared to each other based on a common feature. Reception is considered a complex trope. Examples include the following constructions: “mock of hair” (hidden comparison of a hairstyle with a haystack), “lake of the soul” (comparison of a person’s soul with a lake according to common feature– depth).
3. Personification is an artistic technique that allows you to “revive” inanimate objects. In poetry it is used mainly in relation to nature. For example, “the wind speaks with a cloud,” “the sun gives its warmth,” “winter looked at me harshly with its white eyes.”
4. Comparison has much in common with metaphor, but is not stable and hidden. The phrase usually contains the words “as”, “as if”, “like”. For example - “And like the Lord God, I love everyone in the world,” “Her hair is like a cloud.”
5. Hyperbole is an artistic exaggeration. Allows you to draw attention to certain features that the author wants to highlight and considers them characteristic of something. And therefore he deliberately exaggerates. For example, “a man of giant stature”, “she cried an ocean of tears.”
6. Litotes is the antonym of hyperbole. Its purpose is to downplay, soften something. For example, “an elephant is the size of a dog,” “our life is just a moment.”
7. Metonymy is a trope that is used to create an image based on one of its characteristics or elements. For example, “hundreds of legs ran along the pavement, and hooves hurried nearby,” “the city smokes under the autumn sky.” Metonymy is considered one of the varieties of metaphor, and, in turn, has its own subtype - synecdoche.
TROPE
Trope is a word or expression used figuratively to create artistic image
and achieving greater expressiveness. Paths include techniques such as epithet, comparison, personification, metaphor, metonymy, sometimes they include hyperboles and litotes. No work of art is complete without tropes. Artistic word- ambiguous; the writer creates images, playing with meanings and combinations of words, using the environment of the word in the text and its sound - all this constitutes the artistic possibilities of the word, which is the only tool of the writer or poet.
Note!
When creating a trope, the word is always used in a figurative sense.
Let's consider different types tropes:
EPITHET(Greek Epitheton, attached) is one of the tropes, which is an artistic, figurative definition. An epithet can be:
adjectives: gentle face (S. Yesenin); these poor villages, this meager nature...(F. Tyutchev); transparent maiden (A. Blok);
participles: edge abandoned(S. Yesenin); frenzied dragon (A. Blok); takeoff illuminated(M. Tsvetaeva);
nouns, sometimes together with their surrounding context: Here he is, leader without squads(M. Tsvetaeva); My youth! My little dove is dark!(M. Tsvetaeva).
Every epithet reflects the uniqueness of the author’s perception of the world, therefore it necessarily expresses some kind of assessment and has a subjective meaning: a wooden shelf is not an epithet, so there is no artistic definition, wooden face - an epithet expressing the speaker’s impression of the interlocutor’s facial expression, that is, creating an image.
There are stable (permanent) folklore epithets: remote, portly, kind Well done, It's clear sun, as well as tautological, that is, repetition epithets, the same root with the defined word: Eh, bitter grief, boring boredom, mortal! (A. Blok).
In a work of art an epithet can perform various functions:
- describe the subject figuratively: shining eyes, eyes- diamonds;
- create an atmosphere, mood: gloomy morning;
- convey the attitude of the author (storyteller, lyrical hero) to the subject being characterized: “Where will our prankster?" (A. Pushkin);
- combine all previous functions in equal shares (in most cases of using the epithet).
Note! All color terms in a literary text they are epithets.
COMPARISON is an artistic technique (trope) in which an image is created by comparing one object with another. Comparison differs from other artistic comparisons, for example, likenings, in that it always has a strict formal sign: a comparative construction or a turnover with comparative conjunctions as if, as if, exactly, as if and the like. Expressions like he looked like... cannot be considered a comparison as a trope.
Examples of comparisons:
Comparison also plays certain roles in the text: sometimes authors use the so-called detailed comparison, revealing various signs phenomena or conveying your attitude to several phenomena. Often a work is entirely based on comparison, such as, for example, V. Bryusov’s poem “Sonnet to Form”:
PERSONALIZATION- an artistic technique (trope) in which an inanimate object, phenomenon or concept is given human properties (do not be confused, exactly human!). Personification can be used narrowly, in one line, in a small fragment, but it can be a technique on which the entire work is built (“You are my abandoned land” by S. Yesenin, “Mother and the evening killed by the Germans”, “The violin and a little nervously” by V. Mayakovsky, etc.). Personification is considered one of the types of metaphor (see below).
Impersonation task- to correlate the depicted object with a person, to make it closer to the reader, to figuratively comprehend the inner essence of the object, hidden from everyday life. Personification is one of the oldest figurative means of art.
HYPERBOLA(Greek Hyperbole, exaggeration) is a technique in which an image is created through artistic exaggeration. Hyperbole is not always included in the set of tropes, but by the nature of the use of the word in a figurative meaning to create an image, hyperbole is very close to tropes. A technique opposite in content to hyperbole is LITOTES(Greek Litotes, simplicity) is an artistic understatement.
Hyperbole allows the author to show the reader in an exaggerated form the most character traits depicted object. Often hyperbole and litotes are used by the author in an ironic way, revealing not just characteristic, but negative, from the author’s point of view, aspects of the subject.
METAPHOR(Greek Metaphora, transfer) - a type of so-called complex trope, a speech turn in which the properties of one phenomenon (object, concept) are transferred to another. A metaphor contains a hidden comparison, a figurative likening of phenomena using the figurative meaning of words; what the object is compared to is only implied by the author. No wonder Aristotle said that “to compose good metaphors means to notice similarities.”
Examples of metaphor:
METONYMY(Greek Metonomadzo, rename) - type of trope: figurative designation of an object according to one of its characteristics.
Examples of metonymy:
When studying the topic “Means of Artistic Expression” and completing assignments, pay special attention to the definitions of the concepts given. You must not only understand their meaning, but also know the terminology by heart. This will protect you from practical mistakes: knowing firmly that the technique of comparison has strict formal characteristics (see theory on topic 1), you will not confuse this technique with a number of other artistic techniques, which are also based on the comparison of several objects, but are not a comparison .
Please note that you must begin your answer either with the suggested words (by rewriting them) or with your own version of the beginning of the complete answer. This applies to all such tasks.
Recommended reading:
- Literary studies: Reference materials. - M., 1988.
- Polyakov M. Rhetoric and literature. Theoretical aspects. - In the book: Questions of poetics and artistic semantics. - M.: Sov. writer, 1978.
- Dictionary literary terms. - M., 1974.
What can you wish for a person who wants to engage in literary work? Firstly, inspiration and dreams. Without this, any creativity is unthinkable. This is the only way craft becomes art! However, in order for a person to start writing, he should a priori read a lot. Initial techniques literary reading are still being studied in high school. It is important to understand the actual content of the work, its main ideas, motives and feelings that drive the characters. Based on this, it is made holistic analysis. In addition, your own life experience plays a significant role.
The role of literary devices
To the Adept literary activity You should carefully and moderately use standard techniques (epithets, comparisons, metaphors, irony, allusions, puns, etc.). The secret that is somehow rarely shared is that they are secondary. Indeed, mastering the ability to write works of fiction is often interpreted by criticism as the ability to use certain literary techniques.
What will give awareness and understanding of their essence to the writer and to the person writing? Let us answer figuratively: approximately the same as what fins will give to someone who is trying to swim. If a person does not know how to swim, fins are useless to him. That is, stylistic linguistic tricks cannot serve as an end in themselves for the author. It is not enough to know what literary devices are called. You must be able to captivate people with your thoughts and imagination.
Metaphors
Let's define the main literary devices. Metaphors represent appropriate creative replacement of the properties of one subject or object with the properties of another. This trope achieves an unusual and fresh look at the details and episodes of the work. An example is the well-known metaphors of Pushkin (“fountain of love”, “along the mirror of rivers”) and Lermontov (“the sea of life”, “splashing tears”).
Indeed, poetry is the most creative path for lyrical natures. Perhaps this is why the literary devices in the poem are most noticeable. It is no coincidence that some literary works of prose are called prose in verse. This is what Turgenev and Gogol wrote.
Epithets and comparisons
What are literary devices such as epithets? The writer V. Soloukhin called them “clothing of words.” If we talk about the essence of the epithet very briefly, it is the very word that characterizes the essence of an object or phenomenon. Let us give examples: “stately birch”, “golden hands”, “quick thoughts”.
Comparison as an artistic technique allows us to compare social actions with natural phenomena to increase expressiveness. It can be easily noticed in the text by the characteristic words “as”, “as if”, “as if”. Often comparison acts as a deep creative reflection. Let's remember the quote famous poet and the 19th century publicist Pyotr Vyazemsky: “Our life in old age is a worn-out robe: it’s both ashamed to wear it and a pity to leave it.”
Pun
What is the name of the literary device that uses wordplay? It's about about use in works of art homonyms and polysemantic words. This is how jokes that are well known to everyone and loved by all people are created. Such words are often used by classics: A.P. Chekhov, Omar Khayyam, V. Mayakovsky. As an example, here is a quote from Andrei Knyshev: “Everything in the house was stolen, and even the air was somehow stale.” Isn't that a witty saying?
However, those who are interested in the name of the literary device with a play on words should not think that a pun is always comical. Let us illustrate this with the well-known thought of N. Glazkov: “Criminals are also attracted to good, but, unfortunately, to someone else’s.”
However, we admit that there are still more anecdotal situations. Another pun immediately comes to mind - the comparison of a criminal with a flower (the first is first grown and then planted, and the second - vice versa).
Be that as it may, the literary device of word play came from common speech. It is no coincidence that the Odessa humor of Mikhail Zhvanetsky is rich in puns. Isn’t it a wonderful phrase from the maestro of humor: “The car was collected... in a bag.”
Able to make puns. Go for it!
If you really have a bright sense of humor, then the literary device of wordplay is your know-how. Work on quality and originality! A master of creating unique puns is always in demand.
In this article we limited ourselves to the interpretation of only some of the tools of writers. In fact, there are many more of them. For example, a technique such as metaphor contains personification, metonymy (“he ate three plates”).
Literary device parabola
Writers and poets often use tools that sometimes have simply paradoxical names. For example, one of the literary devices is called “parabola”. But literature is not Euclidean geometry. The ancient Greek mathematician, the creator of two-dimensional geometry, would probably have been surprised to learn that the name of one of the curves also found literary application! Why does this phenomenon occur? The reason is probably the properties of the parabolic function. The array of its meanings, coming from infinity to the starting point and going to infinity, is similar to the figure of speech of the same name. That's why one of the literary devices is called "parabola".
Such genre form used to specifically organize the entire narrative. Let's remember Hemingway's famous story. It is written according to laws similar to the one of the same name geometric figure. The course of the narrative begins as if from afar - with a description of the difficult life of fishermen, then the author tells us the very essence - the greatness and invincibility of the spirit of a particular person - the Cuban fisherman Santiago, and then the story again goes into infinity, acquiring the pathos of a legend. I wrote in the same way Kobo Abe the parable novel “The Woman in the Sands”, and Gabriel García Márquez - “One Hundred Years of Solitude”.
It is obvious that the literary device of the parabola is more global than those previously described by us. To notice its use by a writer, it is not enough to read a certain paragraph or chapter. To do this, you should not only read the entire work, but also evaluate it from the point of view of the development of the plot, the images revealed by the author, general issues. It is these methods of analysis literary work will allow, in particular, to determine the fact that the writer used a parabola.
Creativity and artistic techniques
When it is useless for a person to undertake literary work? The answer is extremely specific: when he does not know how to express a thought in an interesting way. You shouldn’t start writing armed with knowledge if others don’t listen to your stories, if you don’t have inspiration. Even if you use effective literary devices, they will not help you.
Let's say it's found interesting topic, there are characters, there is an exciting (in the subjective opinion of the author) plot... Even in such a situation, we recommend taking a simple test. You must arrange it for yourself. See if you can interest the idea of your work in a well-known person whose interests you perfectly represent. After all, types of people repeat themselves. Once you get one person interested, you can get tens of thousands interested...
About creativity and composition
The author, of course, should stop and not continue writing if he subconsciously associates himself in relation to the readers with either a shepherd, or a manipulator, or a political strategist. You cannot humiliate your audience with subconscious superiority. Readers will notice this, and the author will not be forgiven for such “creativity”.
Talk to the audience simply and evenly, as equals to equals. You must interest the reader with every sentence, every paragraph. It is important that the text is exciting, carrying ideas that interest people.
But this is not enough for a person who wants to study literature. It's one thing to tell, another to write. Literary devices require the author’s ability to build a composition. To do this, he should seriously practice composing a literary text and combining its three main elements: description, dialogue and action. The dynamics of the plot depend on their relationship. And this is very important.
Description
The description carries the function of linking the plot to specific place, time, season, set of characters. It is functionally similar theatrical scenery. Of course, the author initially, even at the conception stage, presents the circumstances of the story in sufficient detail, but they should be presented to the reader gradually, artistically, optimizing the literary techniques used. For example, artistic characterization The author usually gives the character of the work in separate strokes, strokes, presented in various episodes. In this case, epithets, metaphors, and comparisons are used in doses.
After all, in life, too, at first attention is paid to striking features (height, physique), and only then are eye color, nose shape, etc. considered.
Dialogue
Dialogue is good remedy to display the psychotype of the heroes of the work. The reader often sees in them a secondary description of personality, character, social status, an assessment of the actions of one character, reflected by the consciousness of another hero of the same work. Thus, the reader gets the opportunity to both in-depth perception of the character (in the narrow sense) and understanding the peculiarities of society in the work created by the writer (in the broad sense). The author's literary techniques in dialogues are top notch. It is in them (an example of this is the work of Viktor Pelevin) that the most vivid artistic discoveries and generalizations.
However, dialogue should be used with double caution. After all, if you overdo it, the work becomes unnatural and the plot becomes rough. Do not forget that the main function of dialogues is communication between the characters in the work.
Action
Action is an essential element for literary narratives. It acts as a powerful authorial element of the plot. In this case, the action is not only physical movement objects and characters, but also any dynamics of conflict, for example, when describing a trial.
A warning for beginners: without a clear idea of how to present the action to the reader, you should not start creating a work.
What literary devices are used to describe action? It's best when there are none at all. The action scene in a work, even a fantastic one, is the most consistent, logical, and tangible. It is thanks to this that the reader gets the impression of the documentary nature of the artistically described events. Only real masters of the pen can allow the use of literary techniques when describing an action (remember from Sholokhov’s “ Quiet Don"scene of the appearance of a dazzling black sun before the eyes of Grigory Melekhov, shocked by the death of his beloved).
Literary reception of the classics
As the author’s skill increases, his own image, literary artistic techniques are becoming more and more refined. Even if the author does not write about himself directly, the reader feels him and unmistakably says: “This is Pasternak!” or “This is Dostoevsky!” What's the secret here?
When starting to create, the writer places his image into the work gradually, carefully, in the background. Over time, his pen becomes more skillful. And the author inevitably goes through a creative path in his works from his imagined self to his real self. They are beginning to recognize him by his style. It is this metamorphosis that is the main literary device in the work of every writer and poet.
Literary and poetic devices
Allegory
Allegory is the expression of abstract concepts through concrete artistic images.
Examples of allegory:
The stupid and stubborn are often called the Donkey, the coward - the Hare, the cunning - the Fox.
Alliteration (sound writing)
Alliteration (sound writing) is the repetition of identical or homogeneous consonants in a verse, giving it a special sound expressiveness (in versification). Wherein great importance has a high frequency of these sounds in a relatively small speech area.
However, if entire words or word forms are repeated, as a rule, we are not talking about alliteration. Alliteration is characterized by irregular repetition of sounds, and this is precisely the main feature of this literary device.
Alliteration differs from rhyme primarily in that the repeating sounds are not concentrated at the beginning and end of the line, but are absolutely derivative, albeit with high frequency. The second difference is the fact that, as a rule, consonant sounds are alliterated. The main functions of the literary device of alliteration include onomatopoeia and the subordination of the semantics of words to associations that evoke sounds in humans.
Examples of alliteration:
"Where the grove neighs, guns neigh."
"About a hundred years
grow
we don't need old age.
Year to year
grow
our vigor.
Praise,
hammer and verse,
land of youth."
(V.V. Mayakovsky)
Repeating words, phrases, or combinations of sounds at the beginning of a sentence, line, or paragraph.
For example:
“The winds did not blow in vain,
It wasn’t in vain that the storm came.”
(S. Yesenin).
The black-eyed girl
Black-maned horse!
(M. Lermontov)
Quite often, anaphora, as a literary device, forms a symbiosis with such a literary device as gradation, that is, increasing the emotional character of words in the text.
For example:
“Cattle die, a friend dies, a man himself dies.”
Antithesis (opposition)
Antithesis (or opposition) is a comparison of words or phrases that are sharply different or opposite in meaning.
Antithesis allows us to produce special strong impression on the reader, to convey to him the author’s strong excitement due to the rapid change of concepts of opposite meaning used in the text of the poem. Also, opposing emotions, feelings and experiences of the author or his hero can be used as an object of opposition.
Examples of antithesis:
I swear by the first day of creation, I swear by its last day (M. Lermontov).
He who was nothing will become everything.
Antonomasia
Antonomasia - means of expression, when used, the author uses a proper name instead of a common noun to figuratively reveal the character’s character.
Examples of antonomasia:
He is Othello (instead of "He is very jealous")
A stingy person is often called Plyushkin, an empty dreamer - Manilov, a person with excessive ambitions - Napoleon, etc.
Apostrophe, address
Assonance
Assonance is a special literary device that consists of repeating vowel sounds in a particular statement. This is the main difference between assonance and alliteration, where consonant sounds are repeated. There are two slightly different uses of assonance.
1) Assonance is used as an original tool that gives literary text, especially poetic, has a special flavor. For example:
Our ears are on top of our heads,
A little morning the guns lit up
And the forests are blue tops -
The French are right there.
(M.Yu. Lermontov)
2) Assonance is widely used to create imprecise rhyme. For example, “hammer city”, “incomparable princess”.
One of the textbook examples of the use of both rhyme and assonance in one quatrain is an excerpt from poetic work V. Mayakovsky:
I won’t turn into Tolstoy, but into a fat man -
I eat, I write, I’m a fool from the heat.
Who hasn't philosophized over the sea?
Water.
Exclamation
An exclamation can appear anywhere in a work of poetry, but, as a rule, authors use it to intonationally highlight particularly emotional moments in the verse. At the same time, the author focuses the reader’s attention on the moment that particularly excited him, telling him his experiences and feelings.
Hyperbola
Hyperbole is a figurative expression containing an exorbitant exaggeration of the size, strength, or significance of an object or phenomenon.
Example of a hyperbole:
Some houses are as long as the stars, others as long as the moon; baobabs to the skies (Mayakovsky).
Inversion
From lat. inversio - permutation.
Changing the traditional order of words in a sentence to give the phrase a more expressive shade, intonation highlighting of a word.
Inversion examples:
The lonely sail is white
In the blue sea fog... (M.Yu. Lermontov)
The traditional order requires a different structure: A lonely sail is white in the blue fog of the sea. But this will no longer be Lermontov or his great creation.
Another great Russian poet, Pushkin, considered inversion one of the main figures of poetic speech, and often the poet used not only contact, but also remote inversion, when, when rearranging words, other words are wedged between them: “The old man obedient to Perun alone...”.
Inversion in poetic texts performs an accent or semantic function, a rhythm-forming function for building poetic text, as well as the function of creating a verbal-figurative picture. IN prose works inversion is used to place logical stresses, to express author's attitude to the characters and to convey their emotional state.
Irony is a powerful means of expression that has a hint of mockery, sometimes light mockery. When using irony, the author uses words with opposite meanings so that the reader himself guesses about the true properties of the described object, object or action.
Pun
A play on words. witty expression, a joke based on the use of words that sound similar but have different meanings or different meanings one word.
Examples of puns in literature:
In a year, for three clicks on your forehead,
Give me some boiled spelt.
(A.S. Pushkin)
And the verse that served me before,
A broken string, a verse.
(D.D. Minaev)
Spring will drive anyone crazy. The ice – and it started to move.
(E. Meek)
The opposite of hyperbole, a figurative expression containing an exorbitant understatement of the size, strength, or significance of any object or phenomenon.
Example of litotes:
The horse is led by the bridle by a man in big boots, in a short sheepskin coat, in big mittens... and he himself is as tall as a fingernail! (Nekrasov)
Metaphor
Metaphor is the use of words and expressions in a figurative sense based on some kind of analogy, similarity, comparison. Metaphor is based on similarity or resemblance.
Transferring the properties of one object or phenomenon to another based on their similarity.
Examples of metaphors:
A sea of problems.
The eyes are burning.
Desire is boiling.
The afternoon was blazing.
Metonymy
Examples of metonymy:
All flags will be visiting us.
(here flags replace countries).
I ate three plates.
(here the plate replaces the food).
Address, apostrophe
Oxymoron
A deliberate combination of contradictory concepts.
Look, she has fun being sad
So elegantly naked
(A. Akhmatova)
Personification
Personification is the transference of human feelings, thoughts and speech to inanimate objects and phenomena, as well as to animals.
These signs are selected according to the same principle as when using metaphor. Ultimately, the reader has a special perception of the described object, in which the inanimate object has the image of a certain living being or is endowed with qualities inherent in living beings.
Impersonation examples:
What, a dense forest,
Got thoughtful
Dark sadness
Foggy?
(A.V. Koltsov)
Be careful of the wind
Came out of the gate
Knocked on the window
Ran across the roof...
(M.V.Isakovsky)
Parcellation
Parcellation is a syntactic technique in which a sentence is intonationally divided into independent segments and highlighted in writing as independent sentences.
Parcelation example:
“He went too. To the store. Buy cigarettes” (Shukshin).
Periphrase
A paraphrase is an expression that conveys the meaning of another expression or word in a descriptive form.
Examples of paraphrase:
King of beasts (instead of lion)
Mother of Russian rivers (instead of Volga)
Pleonasm
Verbosity, the use of logically unnecessary words.
Examples of pleonasm in everyday life:
In the month of May (suffice it to say: in May).
Local aborigine (suffice it to say: aborigine).
White albino (suffice it to say: albino).
I was there personally (suffice it to say: I was there).
In the literature, pleonasm is often used as stylistic device, a means of expression.
For example:
Sadness and melancholy.
Sea ocean.
Psychologism
An in-depth depiction of the hero’s mental and emotional experiences.
A repeated verse or group of verses at the end of a song verse. When a refrain extends to an entire stanza, it is usually called a chorus.
A rhetorical question
A sentence in the form of a question to which no answer is expected.
Or is it new for us to argue with Europe?
Or is the Russian unaccustomed to victories?
(A.S. Pushkin)
Rhetorical appeal
An appeal addressed to an abstract concept, an inanimate object, an absent person. A way to enhance the expressiveness of speech, to express an attitude towards a particular person or object.
Rus! where are you going?
(N.V. Gogol)
Comparisons
Comparison is one of the expressive techniques, when used, certain properties that are most characteristic of an object or process are revealed through similar qualities of another object or process. In this case, such an analogy is drawn so that the object whose properties are used in comparison is better known than the object described by the author. Also, inanimate objects, as a rule, are compared with animate ones, and the abstract or spiritual with the material.
Comparison example:
Then my life sang - howled -
It hummed like an autumn surf -
And she cried to herself.
(M. Tsvetaeva)
A symbol is an object or word that conventionally expresses the essence of a phenomenon.
The symbol contains a figurative meaning, and in this way it is close to a metaphor. However, this closeness is relative. The symbol contains a certain secret, a hint that allows one to only guess what is meant, what the poet wanted to say. The interpretation of a symbol is possible not so much by reason as by intuition and feeling. The images created by symbolist writers have their own characteristics; they have a two-dimensional structure. In the foreground there is a certain phenomenon and real details, in the second (hidden) plane there is the inner world of the lyrical hero, his visions, memories, pictures born of his imagination.
Examples of symbols:
Dawn, morning - symbols of youth, the beginning of life;
Night is a symbol of death, the end of life;
Snow is a symbol of cold, cold feeling, alienation.
Synecdoche
Replacing the name of an object or phenomenon with the name of a part of this object or phenomenon. In short, replacing the name of a whole with the name of a part of that whole.
Examples of synecdoche:
Native hearth (instead of “home”).
A sail floats (instead of “a sailboat floats”).
“...and it was heard until dawn,
how the Frenchman rejoiced..." (Lermontov)
(here “French” instead of “French soldiers”).
Tautology
Repetition in other words of what has already been said, which means it does not contain new information.
Examples:
Car tires are tires for a car.
We have united as one.
A trope is an expression or word used by the author in a figurative, allegorical sense. Thanks to the use of tropes, the author gives the described object or process a vivid characteristic that evokes certain associations in the reader and, as a result, a more acute emotional reaction.
Types of trails:
Metaphor, allegory, personification, metonymy, synecdoche, hyperbole, irony.
Default
Silence is a stylistic device in which the expression of a thought remains unfinished, is limited to a hint, and the speech that has begun is interrupted in anticipation of the reader’s guess; the speaker seems to announce that he will not talk about things that do not require detailed or additional explanation. Often the stylistic effect of silence is that unexpectedly interrupted speech is complemented by an expressive gesture.
Default examples:
This fable could be explained more -
Yes, so as not to irritate the geese...
Gain (gradation)
Gradation (or amplification) is a series of homogeneous words or expressions (images, comparisons, metaphors, etc.) that consistently intensify, increase or, conversely, reduce the semantic or emotional significance of the conveyed feelings, expressed thoughts or described events.
Example of ascending gradation:
I do not regret, do not call, do not cry…
(S. Yesenin)
In sweetly misty care
It will not take an hour, not a day, not a year.
(E. Baratynsky)
Example of descending gradation:
He promises him half the world, and France only for himself.
Euphemism
A neutral word or expression that is used in conversation to replace other expressions that are considered indecent or inappropriate in a given case.
Examples:
I'm going to powder my nose (instead of going to the toilet).
He was asked to leave the restaurant (instead, He was kicked out).
A figurative definition of an object, action, process, event. An epithet is a comparison. Grammatically, an epithet is most often an adjective. However, other parts of speech can also be used, for example, numerals, nouns or verbs.
Examples of epithets:
Velvet skin, crystal ringing.
Repeating the same word at the end of adjacent segments of speech. The opposite of anaphora, in which words are repeated at the beginning of a sentence, line, or paragraph.
“Scallops, all scallops: a cape made of scallops, scallops on the sleeves, epaulettes made of scallops...” (N.V. Gogol).
