An essay based on a painting by K.F. Yuona “Spring Sunny Day”

Konstantin Yuon’s painting “Spring Sunny Day” lifts your spirits at first sight. There are so many bright ones there multi-colored paints, so much light and sun, so many joyful emotions. This is a complex composition - a city landscape and conversation piece With in large groups of people. The author, from some small elevation, perhaps from a steep hillock, looks at a provincial town, bathed in sunlight.

The main cluster of houses is located in the lowlands. But already in the foreground on the right we see part of a good-quality wooden house on a stone foundation. The house is very bright, red-brown, but even it does not overshadow what immediately catches the eye - two dressed up girls who have just left the house and seem to look back at the artist with coquetry. One pink skirt, the other had a red scarf, these young ladies clearly wanted to attract attention and show off.

There is snow everywhere, the kids are recklessly sledding right along the street, which lies along a rather steep slope. Snow is what the artist loved to paint. This one is the one White color, which can be depicted with any colors, which allows you to play with highlights, give transitions of light and shadow. There is a lot of snow in this picture, whole snowdrifts, and to recreate them in the picture the artist used paint that is far from pure white.

Everyone is dressed as they should be in winter, people have scarves and hats on their heads. The trees are bare. Maybe the author made a mistake when he called the painting “spring day”? Maybe it's a winter day? After all, in winter, sometimes the sun also shines brightly. But pay attention to what exactly gives this canvas its special brightness and variegation, which turns the picture into a piece of an old patchwork quilt, sewn from multi-colored pieces of material. These roofs are multi-colored, eye-catching, they are especially impressive against the backdrop of snow. This is really spring, because if it were winter, the roofs would be white and there would be snow on them. But he has already melted.

Of course, this is early spring, just beginning, its first days. But spring is obvious, noticeable, obvious. Please note that not all the children depicted in the picture are playing in the snow; some climbed onto fences, onto the roof, and bask in the spring sun. Animals also sense the approach of spring: bright red chickens swarm cheerfully in the dark snow. A little lower, on the other side of the road, a dog is playing with a child.

Look at the sky - it is a delightful azure blue and light white clouds only emphasize these azure and turquoise. Against this background, the red church with a bell tower looks especially elegant, which, although located in the depths of the picture, occupies a central place in the composition. As you know, the church in Russian cities and villages was built so that it could be seen from everywhere. In this work it symbolizes goodness, joy, happiness. The golden domes shine in the sun for everyone around.

Several birch trees in the picture beautifully complement the composition and help reveal the idea of ​​the coming spring. Their bare branches do not hang sadly. Birds sit densely on the trees. Perhaps these are arriving rooks. And their arrival is another additional sign of spring. The whole picture is permeated with optimism, joyful lyrics, good-natured mood, freshness; it is clear that the artist shares the feelings of the characters in his picture.

Konstantin Fedorovich Yuon – famous landscape artist and a theater decorator who glorifies the unique, original architecture of Russian cities. One of these works is the painting “Spring Sunny Day”.

Before us is a small, quiet provincial town, lost in the vastness of central Russia. You can't even see the streets here; the houses are built in picturesque disorder. Nevertheless, they are not entirely similar to each other; each of these buildings has its own personality and probably somehow resembles its owner, who decorated and perhaps built his home to his own taste.

Everyone at home looks elegant, Konstantin Fedorovich uses bright colors, conveying to them your mood. This becomes especially noticeable when the rays of the spring sun, which slowly begins to lean towards the west, fall on the roofs of nearby houses, giving them a golden hue.

There are many people in the picture. Of course, most of the people here are children who run through the puddles with joyful screams or float paper boats through the melt water. There is still snow between the houses along the steep slope, and the guys can go sledding for a few more days. But you won’t be able to play snowballs anymore, because the snow has melted a little and instantly turns into water as soon as you pick it up.

Konstantin Yuon loved to paint snow, he depicted it in the most different colors, which helped him play with highlights, or express the transition from light to shadow.

Swollen buds are already visible on the trees, from which tiny bright green sticky leaves are about to hatch. But for now the branches are still bare, only covered in some places with a turquoise haze. Birds sit on them, probably rooks or starlings who have recently returned from warmer climes. More will pass In just a few days, work will begin to boil on building new nests or putting in order the old ones that the birds left behind when flying to foreign lands for the winter.

light, which instantly creates a good mood.

The artist chose a rather complex composition - landscape and genre scenes with groups of people. In the foreground is a strong brownish-red wooden house with a beautiful porch. Not far from the porch there are two dressed up girls. These are probably good friends. One of them shares her sad experiences with the other, and the other, hugging her a little, tries to console her.

A woman in a red scarf is watching with great interest behind a woodpile of neatly stacked firewood. She listens to the girls' trusting conversation and seems very surprised by what she has just heard from their conversation. This small genre scene from everyday provincial life seems so natural in this picture.

But the roofs of houses, which have already been freed from the snow cover and now clean, as if washed, shine in the rays of the sun, pleasing the eye, give a special diversity to the picture of a spring sunny day, like a village patchwork quilt.

Yuon depicted the very first days of spring, which may still be followed by frost. This is Candlemas, when winter still does not want to give up its positions, but spring is approaching towards it with the hubbub of birds, snowdrops and ringing streams full of melted, icy water. In winter, sometimes the sun shines just as brightly, even dazzlingly, but spring is already noticeable in everything. The children who climbed onto fences and roofs are happy about such a fine day. In the yard, chickens and a handsome rooster are trying to get something from under the snow.

On the other side of the road, a boy is playing with a dog. The church with a bell tower and a gilded dome, depicted in the background, symbolizes goodness and joy. The whole picture is filled with good nature and freshness.

Currently, K. Yuon’s painting “Spring Sunny Day” is on display at the State Russian Museum in St. Petersburg.


Essay: description of the painting
K. Yuon "Spring Sunny Day"


The main cluster of houses is located in the lowlands. But already in the foreground on the right we see part of a good-quality wooden house on a stone foundation. The house is very bright, red-brown, but even it does not overshadow what immediately catches the eye - two dressed up girls who have just left the house and seem to look back at the artist with coquetry. One has a pink skirt, the other a red scarf, these young ladies clearly wanted to attract attention and show off.

There is snow everywhere, the kids are recklessly sledding right along the street, which lies along a rather steep slope. Snow is what the artist loved to paint. This is the same white color that can be depicted with any colors, which allows you to play with highlights, give transitions of light and shadow. There is a lot of snow in this picture, whole snowdrifts, and to recreate them in the picture the artist used paint that is far from pure white.


Everyone is dressed as they should be in winter, people have scarves and hats on their heads. The trees are bare. Maybe the author made a mistake when he called the painting “spring day”? Maybe it's a winter day? After all, in winter, sometimes the sun also shines brightly. But pay attention to what exactly gives this canvas its special brightness and variegation, which turns the picture into a piece of an old patchwork quilt, sewn from multi-colored pieces of material. These roofs are multi-colored, eye-catching, they are especially impressive against the backdrop of snow. This is really spring, because if it were winter, the roofs would be white and there would be snow on them. But he has already melted.

Of course, this is early spring, just beginning, its first days. But spring is obvious, noticeable, obvious. Please note that not all the children depicted in the picture are playing in the snow; some climbed onto fences, onto the roof, and bask in the spring sun. Animals also sense the approach of spring: bright red chickens swarm cheerfully in the dark snow. A little lower, on the other side of the road, a dog is playing with a child.

Look at the sky - it is a delightful azure blue and light white clouds only emphasize these azure and turquoise. Against this background, the red church with a bell tower looks especially elegant, which, although located in the depths of the picture, occupies a central place in the composition. As you know, the church in Russian cities and villages was built so that it could be seen from everywhere. In this work it symbolizes goodness, joy, happiness. The golden domes shine in the sun for everyone around.

Several birch trees in the picture beautifully complement the composition and help reveal the idea of ​​the coming spring. Their bare branches do not hang sadly. Birds sit densely on the trees. Perhaps these are arriving rooks. And their arrival is another additional sign of spring. The whole picture is permeated with optimism, joyful lyrics, good-natured mood, freshness; it is clear that the artist shares the feelings of the characters in his picture.

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