Symbol of love between Olga Ilinskaya and Ilya Oblomov. The difficult relationship between Oblomov and Olga Ilinskaya

/ / / Relationship between Oblomov and Olga Ilyinskaya (based on Goncharov’s novel “Oblomov”)

The novel “” became the crowning achievement of the work of the great Russian writer I.A. Goncharova. The author worked on his brainchild for ten long years, honing every line, every scene, bringing it to perfection. The problems that Goncharov raises in his work have not lost their relevance in our time. That is why we read this great novel with pleasure.

The basis of the plot of the novel “Oblomov” lies in the dramatic relationship between the main character and Olga Ilyinskaya.

The main character of the work is a classic representative of the Russian nobility of the mid-19th century. Oblomov leads a rather inert lifestyle. He spends almost all his time lying on the sofa, lost in daydreams. Ilya Ilyich considers reading books and newspapers to be an empty activity that is not worth wasting time on. This is how Oblomov would have lived if one day his childhood friend Andrei Stolts had not come to him. Andrei was the complete opposite of Ilya Ilyich. Life was pouring out of him. Stolz was outraged by his friend's lifestyle, so he decides to drag him out of bed and force him to truly live.

Friends begin to attend various social events, dine in restaurants, and go to the theater. One day he introduces Oblomov to Olga Ilyinskaya. This acquaintance awakened feelings in Oblomov that were not there before. Ilya Ilyich confesses his love to the girl. In turn, Olga understands these feelings as a duty to save a person. After all, this relationship was provoked by Stolz and Ilyinskaya for the sake of saving Oblomov.

I must say that she coped with her role perfectly. Oblomov “wakes up.” He throws off his dressing gown, wakes up at seven in the morning, leads active image life. According to Goncharov, Ilya Ilyich at that moment showed his best human qualities.

Oblomov experienced a “poem of graceful love.” Under the strict guidance of Ilyinskaya, he made up for lost life. He showed interest in newspaper articles and foreign literature. True, Goncharov tells us that Oblomov only learned “what was in the circle of daily conversations in Olga’s house. Everything else was drowned in the sphere of pure love.”

Life problems and troubles (building a house and a road in native village) haunted Ilya Ilyich. Over time, Oblomov began to lose confidence in his abilities, and along with them his feelings for Olga faded. Now love for Ilya Ilyich is a certain duty. That is why the heroes of the novel are forced to part.

Oblomov finds his happiness in the house of Agafya Pshenitsyna, who was able to surround the main character with the necessary comfort and care. She was able to revive his native Oblomovka for him. And Olga married Stolz.

In my opinion, love feelings Oblomov and Olga were doomed from the very beginning. If Ilya Ilyich gave himself completely to them, then in Ilyinskaya’s actions we see cold calculation. The only thing Olga needed was to change Oblomov. It was the future Oblomov that she fell in love with. Which is what I told Ilya Ilyich at the time of their last conversation. Oblomov, in turn, needed care and peace of mind, which he found in Pshenitsyna’s house.

Ilya Ilyich and Olga were completely different people with your ideals and values. That is why their paths diverged.

Bibliographic description:

Nesterova I.A. Oblomov and Olga Ilyinskaya [ Electronic resource] // Educational encyclopedia website

Problems of relations between Oblomov and Olga Ilyinskaya.

The relationship between Oblomov and Olga Ilyinskaya is revealed by Goncharov against the backdrop of objective events with an abundance of evaluative phrases; Goncharov is generally characterized by a detailed description of objects; with every little detail he emphasizes the importance of every subject and object, every word and movement of his characters.

For example: “He was a man about 30 years old, two or three years old, of average height, pleasant appearance, with dark gray eyes, but with the absence of any definite movement, any concentration in his facial features. Thought walked like a bird wave across his face, fluttered in his eyes, she sat on her half-open lips, hid in the folds of her forehead, and then completely disappeared, and then an even light of carelessness glowed throughout her whole face.”

Goncharov, as it were, introduces the reader into the novel. From the very beginning of the first chapter, the narrative is leisurely and consistent. Volume offers with a large number homogeneous members.

In describing Oblomov, Goncharov does not use rude words and expressions. He describes Ilya Ilyich in a leisurely manner, leaving readers the opportunity to draw their own conclusions.

“Oblomov always walked around the house without a tie and without a vest, because he loved space and freedom. His shoes were long, soft and wide, and when he lowered his feet from the bed to the floor without looking, he certainly fell into them right away.”

Goncharov creates full image hero. To supplement the information about Oblomov’s character, the author introduces the reader to the decoration of the room. Each detail emphasizes a certain character trait of Oblomov.

“But the experienced eye of a man with pure taste, with one quick glance at everything that was here, would read a desire to somehow maintain decency, just to get rid of them. Oblomov, of course, only bothered about this when he was cleaning his office. Refined taste did not I would be content with these heavy, ungraceful mahogany chairs and rickety bookcases.”

Goncharov focuses the reader’s attention on Oblomov’s character not only through interior illustrations, but also through his relationship with Olga Ilyinskaya.

Like Mephistopheles to Faust, Stolz, in the form of temptation, “suggests” Olga Ilyinskaya to Oblomov.

Olga is given the task of lifting the couch potato Oblomov from his bed and dragging him into the big world.

There is a sense of consistent calculation in Olga’s emotions. Even in moments of passion, she does not forget about her “high mission”: she likes this role of a guiding star, a ray of light that she will pour over a stagnant lake and be reflected in it. Stolz advises Oblomov: “Choose a small circle of activity for yourself, establish a village, tinker with the peasants, get involved in their affairs, build, plant - you should be able to do all this.”

Olga fell in love not with Oblomov, but with her dream. The timid and gentle Oblomov, who treats her so obediently, so bashfully, loved her so simply, was only a successful object for her girlish game of love. Oblomov was the first to understand the chimerical nature of their romance, but she was the first to break it off. Under the cozy roof of Agafya Matveevna Pshenichnaya’s house, Oblomov finds the desired peace.

Before us is the worst version of Oblomovism, because Stolz’s is stupid and self-righteous.

Comparing the love of Oblomov and Olga, we can note the following:

1. Oblomov’s love is distinguished by sincerity and selflessness. Oblomov loves Olga and has good, pure feelings for her.

2. Olga, in fact, does not love, but acts like a calculating person pursuing a specific goal.

At the same time, love takes place against the backdrop of Oblomov’s lack of activity.

The love story of Oblomov and Olga begins in the spring, during the period of lilac flowering, the revival of nature and the emergence of new wonderful feelings. Ilya Ilyich met the girl at a party, where Stolz introduced them. At first glance, Oblomov saw in Olga the embodiment of his ideal, harmony and femininity, which he dreamed of seeing in his future wife. Perhaps, the germs of a future feeling arose in the soul of Ilya Ilyich already at the moment of meeting the girl: “From that moment, Olga’s persistent gaze did not leave Oblomov’s head. It was in vain that he lay down on his back at full height, in vain he took the laziest and most restful poses - he couldn’t sleep, and that’s all. And the robe seemed disgusting to him, and Zakhar was stupid and unbearable, and the dust and cobwebs were unbearable.”

Their next meeting took place at the Ilyinskys’ dacha, when Ilya Ilyich’s accidental “Ah!”, revealing the hero’s admiration for the girl, and his random movement, which confused the heroine, made Olga herself think about Oblomov’s attitude towards her. And after a few days, a conversation took place between them, which became the beginning of the love between Oblomov and Ilyinskaya. Their dialogue ended with the hero’s timid confession: “No, I feel... not music... but... love! - Oblomov said quietly. “She instantly left his hand and changed her face. Her gaze met his gaze, fixed on her: this gaze was motionless, almost insane, it was not Oblomov who looked at him, but passion.” These words disturbed the peace in Olga’s soul, but the young, inexperienced girl could not immediately understand that a strong, wonderful feeling began to arise in her heart.

Development of relations between Olga and Oblomov

The relationship between Oblomov and Olga developed as something independent of the heroes, but dictated by the will of higher powers. The first confirmation of this was their chance meeting in the park, when both were glad to see each other, but still could not believe their happiness. The symbol of their love was a fragile, fragrant branch of lilac - a delicate, tremulous flower of spring and birth. Further development The relationship between the characters was rapid and ambiguous - from bright flashes of vision in a partner of his ideal (Olga for Oblomov) and a person who can become such an ideal (Oblomov for Olga) to moments of disappointment.

In moments of crisis, Ilya Ilyich despairs, afraid of becoming a burden for a young girl, fearing the publicity of their relationship, their manifestation not according to the scenario that the hero dreamed of long years. The reflective, sensitive Oblomov, still far from the final separation, understands that Olgino “I don’t love the real thing.” real love, and the future...", feeling that the girl sees in him not real person, but that distant lover he could become under her sensitive guidance. Gradually, the understanding of this becomes unbearable for the hero; he again becomes apathetic, not believing in the future and not wanting to fight for his happiness. The gap between Oblomov and Olga occurs not because the heroes stopped loving each other, but because, having freed themselves from the flair of their first love, they saw in each other not the people they dreamed of.

The love of Oblomov and Olga is a combination of two opposites that were not destined to be together. Ilya Ilyich's feelings were more admiration than true love to the girl. He continued to see in her an ephemeral image of his dream, a distant and beautiful muse that would inspire him without forcing him to completely change. Whereas Olga’s love in Goncharov’s novel “Oblomov” was aimed precisely at this transformation, a change in her lover. The girl did not try to love Oblomov as he is - she loved another person in him, the one she could make of him. Olga herself considered herself practically an angel who would illuminate the life of Ilya Ilyich, only now an adult man wanted simple, “Oblomov” family happiness and was not ready for drastic changes.

Using the example of Olga and Ilya Ilyich, Goncharov showed how important it is to love his individuality in another person, and not try to change him in accordance with a distorted, illusory image of the ideal that is close to us.

The love and relationship of Ilya Oblomov and Olga Ilyinskaya with quotes will prove that positive changes are possible only when a person confidently walks through life, without fear of difficulties.

First meeting

Ilyinskaya also constantly looked at her new acquaintance.

“As soon as Oblomov turned fearfully in her direction, hoping that she was not looking, he met her gaze, filled with curiosity, but so kind. The songs she performed touched a nerve.”

He wanted to stay at the estate longer, but due to excessive confusion, he decided to leave early. From that moment on, all his thoughts are occupied by Olya.

Falling in love changes people

“Olga’s persistent gaze did not leave Oblomov’s head.”

He wanted to visit her more often. Positive changes began to happen to the man. He began to follow more appearance, keeping order in the house. Oblomov continues to visit the Ilinsky estate. Soon he confesses his love to Olga. Confused by the words she heard, she runs away from him. Out of embarrassment, Ilya does not appear at her house for a long time.

Oblomov constantly thinks about his beloved. The young lady dreams of knocking all the laziness out of him, weaning him from the habit of sleeping until lunch.

“She won’t fall asleep, she will show the goal, she will make you fall in love with what you fell out of love.”

Gradually she began to achieve her goals. Ilya was unrecognizable.

Development of the novel

“Their sympathy grew and developed. Olga blossomed along with her feelings. There was more light in the eyes, and grace in the movements.”

The lovers spend a lot of time together. “He is with her from morning to evening, reading, sending flowers, walking along the lake, in the mountains.” It happened that he could not sleep at night, his imagination drawing a portrait of Ilyinskaya.

Sometimes it seems to Oblomov that people are judging them, especially the girl. Ilya’s lack of confidence in his own appearance leads to him writing a letter to Olga with a proposal to stop meeting. This turn of events will upset her so much that Oblomov will understand how strong her feelings are. “I love differently. I’m bored without you, leaving for a long time is painful. I learned, saw and believe that you love me.” The sincerity of his beloved makes him think about marriage.

"Oblomovism" conquers love

Oblomov periodically told Olga that he did not trust her love. And when he said that the wedding date needed to be postponed due to financial instability in the estate, she decided to end the affair. She is once again convinced that this man will not become her reliable support. “I loved what I wanted to have in you, I loved the future Oblomov!

According to the tradition that has developed in Russian literature, love becomes a test for heroes and reveals new facets of characters. This tradition was followed by Pushkin (Onegin and Tatyana), Lermontov (Pechorin and Vera), Turgenev (Bazarov and Odintsova), Tolstoy (Bolkonsky and Natasha Rostova). This topic is also touched upon in Goncharov’s novel “Oblomov”. Using the example of the love of Ilya Ilyich Oblomov and Olga Ilyinskaya, the author showed how a person’s personality is revealed through this feeling.

Olga Ilyinskaya is a positive image of the novel. This is an intelligent girl with sincere, devoid of affectation, manners. She did not enjoy much success in the world; only Stolz was able to appreciate her. Andrei singled out Olga from other women because “she, although unconsciously, followed a simple, natural path of life... and did not shy away from the natural manifestation of thought, feeling, will...”

Oblomov, having met Olga, first of all drew attention to her beauty: “Whoever met her, even absent-minded, stopped for a moment before this so strictly and deliberately, artistically created creature.” When Oblomov heard her singing, love awakened in his heart: “From the words, from the sounds, from this pure, strong girlish voice, the heart beat, the nerves trembled, the eyes sparkled and swam with tears...” The thirst for life and love that sounded in Olga’s voice, echoed in Ilya Ilyich’s soul. Behind the harmonious appearance, he felt a beautiful soul, capable of deep feelings.

Thinking about his future life, Oblomov dreamed of a tall, slender woman with a quiet, proud look. Seeing Olga, he realized that his ideal and she were one person. For Oblomov, the highest harmony is peace, and Olga would be a statue of harmony, “if she were turned into a statue.” But she could not become a statue, and, imagining her in his “earthly paradise,” Oblomov began to understand that he would not succeed in an idyll.

The heroes' love was doomed from the very beginning. Ilya Ilyich Oblomov and Olga Ilyinskaya understood the meaning of life, love, family happiness differently. If for Oblomov love is a disease, a passion, then for Olga it is a duty. Ilya Ilyich fell in love with Olga deeply and sincerely, idolized her, gave her his whole self: “He gets up at seven o’clock, reads, carries books somewhere. There is no sleep, no fatigue, no boredom on his face. Even colors appeared on him, there was a sparkle in his eyes, something like courage or, at least, self-confidence. You can’t see the robe on him.”

A consistent calculation was visible in Olga’s feelings. Having agreed with Stolz, she took the life of Ilya Ilyich into her own hands. Despite his youth, she was able to discern an open heart in him, kind soul, “dove tenderness.” At the same time, she liked the very idea that it was she, a young and inexperienced girl, who would bring back to life a person like Oblomov. “She will show him a goal, make him love again everything that he has stopped loving, and Stolz will not recognize him when he returns. And she will do all this miracle, so timid, silent, whom no one has listened to until now, who has not yet begun to live! She is the culprit of this transformation!”

Olga tried to change Ilya Ilyich, but he needed feelings that would bring him closer to his native Oblomovka, the blessed corner of the earth where he grew up, where the meaning of life fits into thoughts about food, sleep, and idle conversations: care and warmth, requiring nothing in return. He found all this in Agafya Matveevna Pshenitsyna, and therefore became attached to her as to a fulfilled dream of returning.

Realizing how different their views on life are, Oblomov decides to write Olga a letter, which becomes real poetic work. This letter conveys a deep feeling and desire for happiness to the beloved girl. Knowing himself and Olga’s inexperience, in a letter he opens her eyes to the mistake and asks her not to make it: “Your present love is not true love, but future love. This is only an unconscious need to love...” But Olga understood Oblomov’s action differently - as fear of misfortune. She understands that anyone can fall out of love or fall in love with another person, but says that she cannot follow a person if there is a risk in doing so. And it is Olga who decides to break off their relationship. In the last conversation, she tells Ilya Ilyich that she loved the future Oblomov. Assessing the relationship between Oblomov and Olga, Dobrolyubov wrote: “Olga left Oblomov when she stopped believing in him; she will leave Stolz too if she stops believing in him.”

Having written the letter, Oblomov renounced happiness in the name of his beloved. Olga and Ilya separated, but their relationship had a deep impact on their future life. Oblomov found happiness in the house of Agafya Matveevna, which became a second Oblomovka for him. He is ashamed of such a life, he understands that he lived it in vain, but it is too late to change anything.

The love of Olga and Oblomov enriched the spiritual world of both. But the greatest merit is that Ilya Ilyich contributed to the formation of Olga’s spiritual world. A few years after breaking up with Ilya, she confesses to Stolz: “I don’t love him as before, but there is something that I love in him, to which I seem to have remained faithful and will not change like others...” And in this reveals the full depth of her nature. Unlike Stolz, whose life goals have boundaries, people like Oblomov and Olga do not stop thinking about a person’s purpose all their lives and asking themselves the question: “What’s next?”

Materials about the writer’s work and the novel “Oblomov”.