The Mona Lisa painting has always been an amazing creation of Leonardo da Vinci. Very much interesting stories related to this work. In this article we will tell you several educational facts about the painting Mona Lisa
Mona Lisa painting. Facts that will impress you:
Mona Lisa's eyebrows and eyelashes
In the painting, the Mona Lisa has neither eyelashes nor eyebrows. However, in 2007, a French engineer, using a camera with high resolution found thin brush strokes in the area of the eyebrows and eyelashes that had disappeared over time, probably as a result of careless restoration or simply faded.
There is another "Mona Lisa"
The Prado Museum in Spain houses a second Mona Lisa, which was probably painted by one of da Vinci's students. If you superimpose two Mona Lisa paintings, a 3-D effect appears, which, in fact, makes this painting the first stereoscopic image in history.
Pablo Picasso was suspected...
When the Mona Lisa was stolen in 1911, Pablo Picasso was questioned as a suspect.
Fine work..
When painting the image of La Gioconda, Leonardo da Vinci created about 30 layers, many of which are thinner than a human hair.
Relaxed atmosphere
While painting the Mona Lisa, the artist made sure that the sitter was in a great mood and that she was not bored. For this purpose, six musicians were invited to play especially for the Mona Lisa, and a musical fountain, invented by da Vinci himself, was installed.
Various magnificent works and a Persian cat and a greyhound were present, in case the sitter wanted to play with them.
The painting was not painted on canvas
"Mona Lisa" was painted not on canvas, but on three types wood, about an inch and a half thick.
12 long years...
Leonardo da Vinci invented scissors, played the viola, and spent 12 years painting the Mona Lisa's lips.
Mona Lisa and Napoleon
The Mona Lisa painting hung in Napoleon's bedroom.
An attempt at cubism...
A Swedish designer has created a replica of the Mona Lisa from fifty translucent polygons.
Scam of the century...
As you know, in 1911 the painting “Mona Lisa” was stolen from the Louvre. The theft was led by Argentine fraudster Eduardo de Valfierno, all in order to sell six counterfeits to six different collectors around the world. No charges were brought against him, since he was not formally involved in the kidnapping.
I just took it out of the museum...
In 1911, Vincenzo Perugia (an employee of the Louvre and a mirror maker) wished to return the Mona Lisa back to Italy after the painting "was captured by Napoleon." Perugia entered the Louvre, took the painting off the wall, and took it to the nearest career ladder, took the canvas out of the frame, put it under his work coat and left the museum as if nothing had happened.
Insolent...
In 1956, a Bolivian tourist threw a rock at the Mona Lisa and damaged the painting.
What is the price of the Mona Lisa?
The cost of the Mona Lisa painting is estimated at approximately $782 million.
Mona Lisa from toast..
In 1983, Tadahiko Ogawa created a copy of the Mona Lisa consisting entirely of t O stov.
Save from the Nazis
During World War II, the Mona Lisa was moved from the Louvre twice. And all in order to prevent it from falling into the hands of the Nazis.
Mona Lisa with mustache
“Mona Lisa with a Mustache” is a work owned by surrealist artist Marcel Duchamp. He called the painting “L.H.O.O.Q.” , which means “I have a hot ass” in French.
Painting of Mona Lisa with mustache
You can love forever...
In 1963, the Mona Lisa was exhibited for a month at the National Gallery of Art. The painting was under round-the-clock guard by American Marines and, despite the fact that the gallery's visiting hours were extended, people often stood in line for about two hours just to get a glimpse of the painting.
The tiniest copy of the Mona Lisa
The most microscopic copy of the Mona Lisa is only 30 microns in size.
Self-portrait
There is a version that the portrait of the Mona Lisa is actually a self-portrait of da Vinci in women's clothing.
The Mona Lisa by the great Leonardo da Vinci, also known as La Gioconda, is one of the most mysterious works in the history of art. For several centuries now, disputes have not subsided about who is actually depicted in the portrait. According to various versions, this is the wife of a Florentine merchant, a transvestite in women's clothing, the artist's mother, and finally, the artist himself, dressed as a woman... But this is only part of the secrets associated with the painting.
"Mona Lisa" is not "La Gioconda"?
It is believed that the painting was painted around 1503-1505. Model for her official version, served as a contemporary of the great painter, nee Lisa di Antonio Maria di Noldo Gherardini, whose portrait was allegedly ordered by her husband, the Florentine silk merchant Francesco del Giocondo. The full title of the painting is “Ritratto di Monna Lisa del Giocondo” - “Portrait of Mrs. Lisa Giocondo.” Gioconda (la Gioconda) also means “cheerful, playing.” So maybe it's a nickname and not a surname.
However, there are rumors among art historians that the famous “Mona Lisa” by Leonardo da Vinci and his “La Gioconda” are two completely different paintings.
The fact is that none of the great painter’s contemporaries saw the portrait completed. Giorgio Vasari, in his book The Lives of Artists, claims that Leonardo worked on the painting for four years, but never managed to finish it. However, the portrait now on display in the Louvre is completely completed.
Another artist, Raphael, testifies that he saw La Gioconda in da Vinci's studio. He sketched the portrait. In it, the model poses between two Greek columns. In the well-known portrait there are no columns. Judging by the sources, La Gioconda was also larger than the original Mona Lisa known to us. In addition, there is evidence that the unfinished canvas was transferred to the customer - the model’s husband, Florentine businessman Francesco del Giocondo. Then it was passed down from generation to generation.
The portrait, called the “Mona Lisa,” supposedly depicts the favorite of Duke Giuliano de’ Medici, Constance d’Avalos. In 1516, the artist brought this canvas with him to France. Until da Vinci’s death, the painting was on his estate near Amboise. In 1517, it ended up in the collection of the French king Francis I. It is now on view in the Louvre.
In 1914, a British antique dealer bought an image of the Mona Lisa for just a few guineas at the clothing market in the city of Bass, which he considered a successful copy of Leonardo’s creation. Subsequently, this portrait became known as the “Aiuor Mona Lisa”. It looks unfinished, with two Greek columns in the background, just like in Raphael's memories.
Then the canvas came to London, where it was bought by a syndicate of Swiss bankers in 1962.
Is it really between the two? different women Are there such similarities that they were confused? Or is there only one painting, and the second one is just a copy made by an unknown artist?
Hidden Image
By the way, recently the French expert Pascal Cotte announced that under the layer of paint in the painting there is another image, the real Lisa Gherardini. He came to this conclusion after spending ten years studying the portrait using a technology he himself developed, based on the reflection of light rays.
According to the scientist, it was possible to “recognize” the second portrait under the Mona Lisa. It also depicts a woman who sits in exactly the same position as Mona Lisa, however, unlike the latter, she looks slightly to the side and does not smile.
Fatal smile
And the famous smile of Mona Lisa? What hypotheses have not been put forward about it! It seems to some that Gioconda does not smile at all, to others that she has no teeth, and to others there seems to be something sinister in her smile...
Also in XIX century French writer Stendhal noted that after admiring the painting for a long time, he experienced an inexplicable loss of strength... Workers at the Louvre, where the painting now hangs, say that viewers often faint in front of the Mona Lisa. In addition, museum employees noticed that when the public is not allowed into the hall, the painting seems to fade, but as soon as visitors appear, the colors seem to become brighter, and the mysterious smile appears more clearly... Parapsychologists explain the phenomenon by the fact that “La Gioconda” is a painting - a vampire, she drinks the life force of a person... However, this is just an assumption.
Another attempt to solve the mystery was made by Nitz Zebe from the University of Amsterdam and his American colleagues from the University of Illinois. They took advantage of a special computer program, checking the image human face with a database of human emotions. The computer issued sensational results: it turns out that extremely mixed feelings are read on Mona Lisa’s face, and among them only 83% are happiness, 9% belong to disgust, 6% to fear and 2% to anger...
Meanwhile, Italian historians discovered that if you look at Mona Lisa's eyes under a microscope, some letters and numbers become visible. So, in the right eye you can see the letters LV, which may, however, represent just the initials of the name Leonardo da Vinci. It has not yet been possible to recognize the symbols in the left eye: either the letters CE or B...
In the arch of the bridge located in the background of the picture, the number 72 “flaunts”, although there are other versions, for example, that it is 2 or the letter L... The number 149 is also visible on the canvas (the four has been erased). This may indicate the year the painting was created - 1490 or later...
But be that as it may, the mysterious smile of Gioconda will forever remain a model the highest art. After all, the divine Leonardo was able to create something that will excite descendants for many, many centuries...
(1479-06-15 )Several centuries after her death, her portrait, the Mona Lisa, was acquired world recognition and is currently considered one of the greatest works art in history. The painting is of interest to researchers and amateurs and has become the subject of a wide variety of speculation. The final match between Lisa del Giocondo and the Mona Lisa was established in 2005.
Biography
Childhood
Mona Lisa
Like many other Florentines, Francesco was a connoisseur of art and patronized artists. His son, Bartolomeo, commissioned Antonio di Donnino Mazzieri to decorate the family crypt in the Basilica of Santissima Annunziata with fresco. Andrea del Sarto, commissioned by another family member, painted Madonna. Francesco ordered ital from Domenico Puligo. Domenico Puligo painting depicting Saint Francis of Assisi.
The generally accepted version is that the portrait of Lisa del Giocondo was painted by Leonardo, and in this case, it could have been commissioned from the artist by her husband, probably to celebrate the birth of his son and the purchase of the house.
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Sources
Literature
In English
- Pallanti, Giuseppe. Mona Lisa Revealed: The True Identity of Leonardo's Model. - Florence, Italy: Skira, 2006. - ISBN 88-7624-659-2.
- Sassoon, Donald (2001). "". History Workshop Journal(Oxford University Press) 2001 (51): Abstract. DOI:10.1093/hwj/2001.51.1. ISSN.
Excerpt characterizing Lisa del Giocondo
And add secret sweetnessTo these tears that I feel flowing.]
Julie played Boris the saddest nocturnes on the harp. Boris read aloud to her Poor Lisa and more than once interrupted his reading from the excitement that took his breath away. Meeting in large society, Julie and Boris looked at each other as the only people in a world of indifferent people who understood each other.
Anna Mikhailovna, who often went to the Karagins, making up her mother’s party, meanwhile made correct inquiries about what was given for Julie (both Penza estates and Nizhny Novgorod forests were given). Anna Mikhailovna, with devotion to the will of Providence and tenderness, looked at the refined sadness that connected her son with the rich Julie.
“Toujours charmante et melancolique, cette chere Julieie,” she said to her daughter. - Boris says that he rests his soul in your house. “He has suffered so many disappointments and is so sensitive,” she told her mother.
- Oh, my friend, how attached I am to Julie Lately“,” she told her son, “I can’t describe it to you!” And who can not love her? This is such an unearthly creature! Ah, Boris, Boris! “She fell silent for a minute. “And how I feel sorry for her maman,” she continued, “today she showed me reports and letters from Penza (they have a huge estate) and she is poor, all alone: she is so deceived!
Boris smiled slightly as he listened to his mother. He meekly laughed at her simple-minded cunning, but listened and sometimes asked her carefully about the Penza and Nizhny Novgorod estates.
Julie had long been expecting a proposal from her melancholic admirer and was ready to accept it; but some secret feeling of disgust for her, for her passionate desire to get married, for her unnaturalness, and a feeling of horror at the renunciation of the possibility true love still stopped Boris. His vacation was already over. He spent whole days and every single day with the Karagins, and every day, reasoning with himself, Boris told himself that he would propose tomorrow. But in the presence of Julie, looking at her red face and chin, almost always covered with powder, at her moist eyes and at the expression of her face, which always expressed a readiness to immediately move from melancholy to the unnatural delight of marital happiness, Boris could not utter a decisive word: despite the fact that for a long time in his imagination he considered himself the owner of Penza and Nizhny Novgorod estates and distributed the use of income from them. Julie saw Boris's indecisiveness and sometimes the thought occurred to her that she was disgusting to him; but immediately the woman’s self-delusion came to her as a consolation, and she told herself that he was shy only out of love. Her melancholy, however, began to turn into irritability, and not long before Boris left, she undertook a decisive plan. At the same time that Boris's vacation was ending, Anatol Kuragin appeared in Moscow and, of course, in the Karagins' living room, and Julie, unexpectedly leaving her melancholy, became very cheerful and attentive to Kuragin.
“Mon cher,” Anna Mikhailovna said to her son, “je sais de bonne source que le Prince Basile envoie son fils a Moscou pour lui faire epouser Julieie.” [My dear, I know from reliable sources that Prince Vasily sends his son to Moscow in order to marry him to Julie.] I love Julie so much that I would feel sorry for her. What do you think, my friend? - said Anna Mikhailovna.
The thought of being a fool and wasting this whole month of difficult melancholy service under Julie and seeing all the income from the Penza estates already allocated and properly used in his imagination in the hands of another - especially in the hands of the stupid Anatole, offended Boris. He went to the Karagins with the firm intention of proposing. Julie greeted him with a cheerful and carefree look, casually talked about how much fun she had at yesterday's ball, and asked when he was leaving. Despite the fact that Boris came with the intention of talking about his love and therefore intended to be gentle, he irritably began to talk about women's inconstancy: how women can easily move from sadness to joy and that their mood depends only on who looks after them. Julie was offended and said that it was true that a woman needs variety, that everyone will get tired of the same thing.
“For this, I would advise you...” Boris began, wanting to tell her a caustic word; but at that very moment the offensive thought came to him that he could leave Moscow without achieving his goal and losing his work for nothing (which had never happened to him). He stopped in the middle of his speech, lowered his eyes so as not to see her unpleasantly irritated and indecisive face and said: “I didn’t come here at all to quarrel with you.” On the contrary...” He glanced at her to make sure he could continue. All her irritation suddenly disappeared, and her restless, pleading eyes were fixed on him with greedy expectation. “I can always arrange it so that I rarely see her,” thought Boris. “And the work has begun and must be done!” He blushed, looked up at her and told her: “You know my feelings for you!” There was no need to say any more: Julie’s face shone with triumph and self-satisfaction; but she forced Boris to tell her everything that is said in such cases, to say that he loves her, and has never loved any woman more than her. She knew that she could demand this for the Penza estates and Nizhny Novgorod forests and she received what she demanded.
For decades, historians, art critics, journalists and simply interested people have been arguing about the mysteries of the Mona Lisa. What is the secret of her smile? Who is really depicted in Leonardo's portrait? Over 8 million visitors come to the Louvre every year to admire its creations.
So how did this modestly dressed woman with a light, subtle smile take pride of place on the podium among the legendary creations of other great artists?
Well-deserved glory
Let's first forget that Leonardo da Vinci's Mona Lisa - brilliant creation artist. What do we see in front of us? An already middle-aged, modestly dressed woman looks at us with a barely noticeable smile on her face. She's not a beauty, but there's something about her that catches your eye. Fame is an amazing phenomenon. No amount of advertising will help promote a mediocre picture, but La Gioconda business card famous Florentine, known throughout the world.
The quality of the picture is impressive, it the highest level all the achievements of the Renaissance are brought together. Here the landscape is subtly combined with the portrait, the gaze is directed at the viewer, the famous “counterposto” pose, the pyramidal composition... The technique itself is worthy of admiration: each of the thinnest layers was applied to the other only after the previous one had dried. Using the “sfumato” technique, Leonardo achieved a melting image of objects; with his brush he conveyed the outlines of air, resurrecting the play of light and shadow. This is it main value Da Vinci's creation "Mona Lisa".
Universal recognition
It was the artists who were the first fans of Leonardo da Vinci's La Gioconda. 16th century painting is literally filled with traces of the influence of the Mona Lisa. Take, for example, the great Raphael: he seemed to be sick of Leonardo’s painting, the features of Gioconda can be caught in the portrait of a Florentine, in “The Lady with the Unicorn”, and what is most surprising, even in portrait of a man Baldasara Castiglione. Leonardo, without knowing it, created a visual aid for his followers, who discovered a lot of new things in painting, taking the portrait of the Mona Lisa as a basis.
The artist and art critic was the first to translate the glory of “La Gioconda” into words. In his “Biographies of Famous Painters...” he called the portrait more divine than human, moreover, he gave such an assessment without ever seeing the painting in person. The author only expressed everyone’s opinion, thus giving “La Gioconda” a high reputation in professional circles.
Who posed for the portrait?
The only confirmation of how the creation of the portrait went is the words of Giorgio Vasavi, who claims that the painting depicts the wife of Francesco Giocondo, a Florentine tycoon, the 25-year-old Mona Lisa. He says that while da Vinci was painting the portrait, the girls around them constantly played the lyre and sang, and the court jesters supported good mood, it is precisely because of this that Mona Lisa’s smile is so gentle and pleasant.
But there is plenty of evidence that Giorgio was wrong. Firstly, the girl’s head is covered with a mourning widow’s veil, and Francesco Giocondo lived long life. Secondly, why didn’t Leonardo give the portrait to the customer?
It is known that the artist did not part with the portrait until his death, although he was offered a lot of money for those times. In 1925, art historians suggested that the portrait belongs to Giuliano Medici’s mistress, the widow Constancia d’Avalos. Later, Carlo Pedretti put forward another possibility: it could be Pacifica Bandano, another of Pedretti's mistresses. She was the widow of a Spanish nobleman, was well educated, had a cheerful disposition and graced any company with her presence.
Who is the real Mona Lisa by Leonardo da Vinci? Opinions vary. Perhaps Lisa Gherardini, or perhaps Isabella Gualando, Philibert of Savoy or Pacifica Brandano... Who knows?
From king to king, from kingdom to kingdom
The most serious collectors of the 16th century were the kings; it was their attention that the work needed to win in order to break out of the close circle of respect among artists. The first place where the portrait of Mona Lisa was seen was the king's bath. The monarch did not place the painting there out of disrespect or ignorance of what a brilliant creation he received, on the contrary, the most important place The French kingdom had a bathhouse in Fontainebleau. There the king rested, had fun with his mistresses, and received ambassadors.
After Fontainebleau, the painting “Mona Lisa” by Leonardo da Vinci visited the walls of the Louvre, Versailles, and the Tuileries; for two centuries it traveled from palace to palace. Gioconda has darkened greatly; due to multiple not entirely successful restorations, her eyebrows and two columns behind her have disappeared. If it were possible to describe in words everything that Mona Lisa saw behind the walls of French palaces, then the works of Alexandre Dumas would seem like dry and boring textbooks.
Have you forgotten about La Gioconda?
In the 18th century, luck ran out legendary painting. “Mona Lisa” by Leonardo da Vinci simply did not fit the parameters of the beauties of classicism and frivolous shepherdesses of rococo. She was first transferred to the ministers' rooms, gradually falling lower and lower in the court hierarchy until she found herself in one of the darkest corners of Versailles, where only the cleaners and minor officials could see her. The painting was not included in the collection best paintings French king, presented to the public in 1750.
The situation changed French revolution. The painting, along with others, was confiscated from the king's collection for the first museum in the Louvre. It turned out that, unlike the kings, the artists were not for a minute disappointed in Leonardo’s creation. Fragonard, a member of the Convention commission, was able to adequately evaluate the painting and included it in the list of the most valuable works of the museum. After this, not only kings and everyone could admire the picture. the best museum peace.
Such different interpretations of Mona Lisa's smile
As you know, you can smile in different ways: seductively, sarcastic, sad, embarrassed or happy. But none of these definitions fit. One of the “experts” claims that the person depicted in the painting is pregnant, and is smiling in an attempt to catch the movement of the fetus. Another says that she is smiling at Leonardo, her lover.
One of the famous versions says that La Gioconda (Mona Lisa) is a self-portrait of Leonardo. Recently, using a computer, they compared the anatomical features of the faces of Gioconda and da Vinci based on the artist’s self-portrait drawn. It turned out that they match perfectly. It turns out that Mona Lisa is the female form of a genius, and her smile is the smile of Leonardo himself.
Why does Mona Lisa's smile fade and then appear again?
When we look at the portrait of Gioconda, it seems to us that her smile is fickle: it fades away, then appears again. Why is this happening? The fact is that there is central vision, which focuses on details, and peripheral vision, which is not so clear. Thus, if you focus your gaze on Mona Lisa’s lips, the smile disappears, but if you look into the eyes or try to take in the whole face, she smiles.
Today Leonardo da Vinci's Mona Lisa is in the Louvre. For practically ideal system the security had to pay about $7 million. It includes bulletproof glass, latest system alarms and a specially developed program that maintains the necessary microclimate inside. On this moment The cost of insuring the painting is $3 billion.
Portrait of a lady Lisa del Giocondo(Ritratto di Monna Lisa del Giocondo) was written by Leonardo da Vinci around 1503-1519. It is believed that this is a portrait of Lisa Gherardini, the wife of Francesco del Giocondo, a silk merchant from Florence. del Giocondo translated from Italian sounds like cheerful or playful. According to the writings of biographer Giorgio Vasari, Leonardo da Vinci painted this portrait for 4 years, but left it unfinished (however, modern researchers claim that the work is completely finished and even carefully completed). The portrait is made on a poplar board measuring 76.8x53 cm. Currently hanging in the Louvre Museum in Paris.
Mona Lisa or Mona Lisa - the painting of the great artist is the most mysterious work of painting today. There are so many mysteries and secrets associated with it that even the most experienced art critics sometimes do not know what is actually drawn in this picture. Who is Gioconda, what goals did da Vinci pursue when he created this painting? If you believe the same biographers, Leonardo, at the time he painted this picture kept around him various musicians and jesters who entertained the model and created a special atmosphere, which is why the canvas turned out to be so exquisite and unlike all other creations of this author.
One of the mysteries is that under ultraviolet and infrared radiation this picture looks completely different. The original Mona Lisa, which was dug up under a layer of paint using a special camera, was different from the one that visitors now see in the museum. She had a wider face, a more emphatic smile and different eyes.
Another secret is that Mona Lisa has no eyebrows and eyelashes. There is an assumption that during the Renaissance, most women looked like this and this was a tribute to the fashion of that time. Women of the 15th and 16th centuries got rid of any facial hair. Others claim that the eyebrows and eyelashes were actually there, but faded over time. A certain researcher Cott, who is studying and thoroughly researching this work of the great master, has debunked many myths about Mona Lisa. For example, the question once arose about the hand of Mona Lisa. From the outside, even an inexperienced person can see that the hand is bent in a very bizarre way. However, Cott discovered the smoothed features of a cape on his hand, the colors of which faded over time and it began to seem that the hand itself had a strange unnatural shape. Thus, we can safely say that Gioconda at the time of her writing was very different from what we see now. Time has mercilessly distorted the picture to such an extent that many are still looking for secrets of the Mona Lisa that simply do not exist.
It is also interesting that after painting the portrait of Mona Lisa, da Vinci kept it with him, and then it went into the collection of the French king Francis I. Why, after completing the work, the artist did not give it to the customer remains unknown. Besides, in different time Various assumptions have been put forward as to whether Lisa del Giocondo is correctly considered the Mona Lisa. The following women are still vying for her role: Caterina Sforza, the daughter of the Duke of Milan; Isabella of Aragon, Duchess of Milan; Cecilia Gallerani aka Lady with an Ermine; Constanza d'Avalos, also called the Merry or La Gioconda; Pacifica Brandano is the mistress of Giuliano de' Medici; Isabela Galanda; A young man in women's clothing; Self-portrait of Leonardo da Vinci himself. In the end, many are inclined to believe that the artist simply depicted the image ideal woman what she is in his opinion. As you can see, there are a lot of assumptions and they all have the right to life. And yet, researchers are almost one hundred percent sure that the Mona Lisa is Lisa del Giocondo, as they found a recording of one Florentine official who wrote: “Now da Vinci is working on three paintings, one of which is a portrait of Lisa Gherardini.”
The greatness of the painting, which is conveyed to the viewer, is also the result of the fact that the artist first painted the landscape and then the model itself on top of it. As a result (whether it was planned or happened by chance, it is unknown) the figure of Gioconda was very close to the viewer, which emphasizes its significance. The perception is also influenced by the existing contrast between the gentle curves and colors of the woman and the bizarre landscape behind, as if fabulous, spiritual, with the sfumato inherent to the master. Thus, he combined reality and fairy tale, reality and dream into one whole, which creates an incredible feeling for everyone who looks at the canvas. By the time of painting this painting, Leonardo da Vinci had achieved such skill that he created a masterpiece. The painting acts as hypnosis, the secrets of painting elusive to the eye, mysterious transitions from light to shadow, attracting demonic smile, act on a person like a boa constrictor looking at a rabbit.
The secret of Gioconda is connected in the most precise mathematical calculation Leonardo, who by that time had developed the secret of the painting formula. With the help of this formula and precise mathematical calculations, a work of terrifying power came out of the master’s brush. The power of her charm is comparable to something alive and animate, and not drawn on a board. There is a feeling that the artist painted Gioconda in an instant, as if clicking a camera, and did not draw her for 4 years. In an instant, he caught her sly glance, a fleeting smile, one single movement that was embodied in the picture. How the great master of painting managed to figure it out is not destined to be revealed to anyone and will remain a secret forever.
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