The main features of a romantic hero. Characteristics of a Romantic Hero

The word ROMANTICISM.

NOVEL - love relationship between man and woman.

ROMANTIC - one who has a sublime, emotional attitude towards something.

ROMANCE - a short musical composition for voice accompanied by an instrument,

written on poems of lyrical content.

During the conversation, the teacher asks the question: “How are the meanings of these three words similar?” The term ROMANTICISM, the meaning of which you will learn in today's lesson, is also directly related to the concept of feeling.

Different eras mean different criteria for assessing a person.

Society has always been important to the criterion by which a person could be assessed. Each era put forward different evaluation criteria. So, for example, the ancient era considered a person from the point of view of his appearance, physical beauty: just remember that the sculptures of that time depict naked, physically developed people. External beauty has been replaced by spiritual beauty

The society of the 18th century was convinced that a person's strength lies in his mind. The world was created by God, and man's task is to intelligently improve this world. Thus, humanity entered the Age of Enlightenment. However, fanatical admiration for the power of reason, of course, could not exist for long: convictions are convictions, and in better side practically nothing changes. Quite the contrary: such ideas led to revolutionary upheavals and bloodshed (for example, under the slogan “In the name of reason!” there was a revolution in France), and by the end of the 18th century. There was a wave of disappointment in the power of the mind. The need for an alternative to it became obvious. This alternative has been found. What is opposed to reason in a person? Feelings.

As we have already said, it is with the concept of feeling that the term ROMANTICISM is associated. ROMANTICISM is a trend in culture that affirms the intrinsic value of the spiritual and creative personality, the cult of nature, feelings and the natural in man.

Now the artist, turning to the connoisseur of beauty, appealed, first of all, to his feelings, and not to the mind, guided not by sober mental reflections, but by the dictates of the heart.

Duality (antithesis)

First, let's remember the concept of ANTITHESIS. Find the antithesis in the following passages:

1. I am a king, I am a slave, I am a worm, I am a god.

2. They got together. Water and stone, Poetry and prose, ice and fire are not so different from each other...

3. Bright thoughts rise in my torn heart, And bright thoughts fall, burned by dark fire.

4. Today I triumph soberly, tomorrow I cry and sing.

5. You are a prose writer - I am a poet

you are rich - I am very poor.

Antithesis (from the Greek antithesis - opposition) - a comparison of sharply contrasting or opposing concepts and images to enhance the impression.

Suggested Answers:

1. king - slave worm - god

2. water - stone poetry - prose ice - fire

3. light - dark

4. today - tomorrow I triumph - I cry and sing

5. prose writer - poet rich - poor

What antithesis determined the transition from the previous era to the era of romanticism? MIND - FEELINGS. For understanding of ROMANTICism, the key concept is FEELING, which is opposed to REASON. An antithesis arises, which is reflected in the artist’s attitude towards the world around him. Reasonable reality does not find a response in the soul of a romantic: real world unfair, cruel, terrible. Looking for best artist dreams of going beyond reality: it is there, outside existing life, he is presented with the opportunity to achieve perfection, a dream, an ideal.

This is how the DUAL WORLD characteristic of romanticism arises: “here” and “there”. The despised “here” is a modern romantic reality, where evil and injustice triumph. “There” is a certain poetic reality, which the romantic contrasts with real reality.

The question arises: where to find this “there”, this ideal world? Romantics find it in their own soul, and in the other world, and in the life of uncivilized peoples, and in history. The reader is given this “there” through the prism of the artist’s view. But can romance filtered through the soul be everyday, prosaic? In no case! It, emphasizing the break with the prose of life, will certainly be very unusual, sometimes even unexpected for the reader.

Main features romantic hero

Rejection and denial of reality determined the specifics of the romantic hero. It is fundamentally new hero, the like of him was never known before

literature. He is in a hostile relationship with the surrounding society and is opposed to it. This is an extraordinary person, restless, most often lonely and with tragic fate. The romantic hero is the embodiment of romantic rebellion against reality. The romantic hero in the flesh is the English poet George Noel Gordon Byron (1788-1824).

Answer the questions yourself:

1. How does a romantic relate to reality?

Suggested answer: A romantic does not accept reality, he runs away from it.

2. Where is the romantic heading?

Suggested answer: a romantic strives for a dream, for an ideal, for perfection.

3. How are events, landscape, people depicted?

Suggested answer: events, landscape, people are depicted in an unusual, unexpected way.

4. Where can a romantic find an ideal?

Suggested answer: the romantic finds his ideal in his own soul, in the other world, in the life of uncivilized peoples.

5. What becomes a cult for a romantic? Suggested answer: the romantic strives for freedom.

6. What is the meaning of life for a romantic?

Suggested answer: The meaning of life for a romantic is in rebellion against reality, in achievement, in gaining freedom.

7. How does fate test romance?

Suggested answer: Fate offers romance exceptional, tragic circumstances.

Probably the most common way to create a romantic hero is through typing - that is, traits that any romantic hero can have. This original character manages to stand out from all the others.

Also, the character of the romantic hero differs from others in its inner strength, integrity, focus on the life idea, passion for struggle. The main thing in such a character is the boundless love of freedom, in the name of which the hero is able to challenge even the whole world.

The romantic character is built in contrast to ordinary, philistine characters, and necessarily comes into conflict with them. The romantic hero is often very lonely. He alone enters into the struggle for freedom, love, the Motherland, and in most cases carries others along with him.

The romantic character corresponds to exceptional circumstances in which it is fully revealed. In this character, psychologism is used - a means of deepening inner world hero.

Many writers quite often use landscape as a means of characterizing the hero.

The sea is the favorite landscape of romantics. And the language of romantic works is unusually rich and varied; it most often uses bright tropes - words with a figurative meaning.

A very romantic hero strong personality, which in almost all cases is a winner, a rescuer, in a word, a hero.

Glossary:

- characteristics of a romantic hero

– romantic character

– what character traits should a romantic hero have?

– characteristics of a romantic hero

- traits of a romantic hero

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Which era in the history of art is closest to to modern man? The Middle Ages, the Renaissance - for a narrow circle of the elite, Baroque - is also a bit far away, classicism is perfect - but somehow too perfect, in life there is no such clear division into “three calms”... It’s better to keep quiet about modern times and modernity - this art only scares children (maybe it is true to the limit - but we are fed up with the “harsh truth of life” in reality). And if we choose an era, the art of which, on the one hand, is close and understandable, finds a living response in our soul, on the other hand, gives us refuge from everyday hardships, although it speaks of suffering - this is, perhaps, the 19th century, which has gone down in history like the era of romanticism. The art of this time gave rise to a special type of hero, called romantic.

The term "romantic hero" can immediately evoke the idea of ​​a lover, echoing such stable combinations, like "romantic relationship", " romantic story“- but this idea does not entirely correspond to reality. A romantic hero can be in love, but not necessarily (there are characters who correspond to this definition who were not in love - for example, Lermontov's Mtsyri has only a fleeting feeling for a graceful girl passing by, which does not become decisive in the fate of the hero) - and this is not the main thing in it... and what is the main thing?

To understand this, let us remember what romanticism was all about. It was born out of disappointment in the results of the Great french revolution: the new world, which arose on the ruins of the old, was far from the “kingdom of reason” predicted by the enlighteners - instead, the “power of the money bag” was established in the world, a world where everything is for sale. Creative personality, who has retained the ability for living human feeling, has no place in such a world, therefore a romantic hero is always a person who is not accepted by society, who has come into conflict with it. Such, for example, is Johannes Kreisler, the hero of several works by E.T.A. Hoffmann (it is no coincidence that at the very beginning of the presentation of the “biography” of the hero, the author mentions that Kreisler was dismissed from the post of bandmaster, refusing to write an opera based on the poems of the court poet). “Johannes rushed here and there, as if on an eternally stormy sea, carried away by his visions and dreams, and, apparently, searched in vain for that pier where he could finally find peace and clarity.”

However, the romantic hero is not destined to “find calm and clarity” - he is a stranger everywhere, he is extra person... remember who this is said about? That's right, Evgeny Onegin also belongs to the type of romantic hero, or more precisely, to one of its variants - “disappointed”. Such a hero is also called “Byronic”, since one of his first examples is Byron’s Childe Harold. Other examples of a disappointed hero are “Melmoth the Wanderer” by Charles Maturin, partly Edmond Dantes (“The Count of Monte Cristo”), as well as “The Vampire” by J. Polidori (dear fans of “Twilight”, “Dracula” and other similar creations, please know , that all this subject, dear to you, goes back precisely to the romantic story by J. Polidori!). Such a character is always dissatisfied with his environment, because he rises above him, being more educated and intelligent. For his loneliness, he takes revenge on the world of philistines (narrow-minded ordinary people) with contempt for social institutions and conventions - sometimes bringing this contempt to the point of demonstrativeness (for example, Lord Rothven in the mentioned story by J. Polidori never gives alms to people driven to poverty by misfortunes, but never refuses in a request for material assistance to those who need money to satisfy vicious desires).

Another type of romantic hero is the rebel. He also opposes himself to the world, but enters into open conflict with it, he - in the words of M. Lermontov - “asks for a storm.” A wonderful example of such a hero is Lermontov’s Demon.

The tragedy of the romantic hero is not so much in being rejected by society (in fact, he even strives for this), but in the fact that his efforts always turn out to be directed “to nowhere.” Existing world does not satisfy him - but there is no other world, and nothing fundamentally new can be created by simply overthrowing secular conventions. Therefore, the romantic hero is doomed either to die in a collision with a cruel world (Hoffmann’s Nathaniel), or to remain a “barren flower” who does not make anyone happy or even destroys the lives of those around him (Onegin, Pechorin).

That is why, over time, disappointment in the romantic hero became inevitable - in fact, we see it in “Eugene Onegin” by A.S. Pushkin, where the poet openly ironizes about romanticism. Actually, not only Onegin can be considered a romantic hero here, but also Lensky, who also seeks an ideal and dies in a collision with the cruelty of a world that is very far from romantic ideals... but Lensky already resembles a parody of a romantic hero: his “ideal” is narrow-minded and frivolous a district young lady, outwardly reminiscent of a stereotypical image from novels, and the reader, in essence, is inclined to agree with the author, who prophesies a completely “philistine” future for the hero, if he remains alive... M. Lermontov is no less merciless towards his Zoraim, the hero of the poem “Angel of Death” :

“He looked for perfection in people,

And he himself was no better than them.”

Perhaps we find the finally degraded type of romantic hero in the opera “Peter Grimes” by the English composer B. Britten (1913-1976): main character here, too, he is opposed to the world of ordinary people in which he lives, he is also in eternal conflict with the inhabitants of his hometown and ultimately dies - but he is no different from his nearby neighbors, his ultimate dream is to earn more money to open a shop... such is the harsh sentence , handed down to the romantic hero of the 20th century! No matter how you rebel against society, you will still remain a part of it, you will still carry its “cast” within you, but you will not run away from yourself. This is probably fair, but...

I once conducted a survey on a website for women and girls: “Which opera character would you marry?” Lensky took the lead by a huge margin - this is perhaps the romantic hero closest to us, so close that we are ready not to notice the author’s irony towards him. Apparently, to this day, the image of the romantic hero - eternally lonely and rejected, misunderstood by the “world of well-fed faces” and always striving for an unattainable ideal - retains its attractiveness.

Definitions of the term "romantic hero"

Romantic hero- one of artistic images literature of romanticism.

● Existence « two worlds»: the world of the ideal, dreams and the world of reality. This leads romantic artists into a mood of despair and hopelessness, " world sorrow».

● Appeal to folk stories, folklore, interest in the historical past, search for historical consciousness.

To learn more about the theory of romanticism, use the presentation on this topic.

Typology of the romantic hero

Word cloud illustrating the key characteristics of a romantic hero

Typically, the types of romantic heroes can be represented as national, or else universal.

For example:

● Oddball Hero- ridiculous and ridiculous in the eyes of ordinary people and passers-by

● Lone Hero– rejected by society, aware of his alienness to the world

● "Byronic Hero"- an extra person, a “son of the century,” suffers from the contradictions of his own nature

● Hero-demonic personality– challenges the world, sometimes even God, a person doomed to be at odds with society

● A hero is a man of the people- rejected by society

The cloud is based on articles "The Romantic Hero in Western European Literature" from the Online Library of the Lyceum Publishing House. The main aspects are visually presented romantic in nature. Thus, the romantic hero appears as a person striving to search for the world of the romantic ideal. This is an exceptional personality, challenging the world around him, thirsting for a moral revolution. Such a person contradicts everyday life and dreams of spiritual perfection.

Analysis of the characters of different German authors

The romantic hero and society are opposing forces, since they represent two different concepts: spirituality and mediocrity. For Novalis, as an innovator, the romantic hero is an eternal wanderer in search of his great ideal and striving for self-improvement, in Hölderlin - lonely recluse And child of nature, deifying Love, and Hoffmann, with his intertwining with realism and romantic irony, has several secularized comical eccentric, capable, however, of childish delight and simple-minded belief in miracles. One way or another, all the characters are connected by the desire to indulge in feelings, while putting aside a cold mind. Exactly Love awakens the best in heroes, it opens their eyes to beautiful, truly important things, love transforms a romantic hero, encourages creativity, in it he finds the very embodiment of a dream. " Love is the main thing"- wrote Schilling.

The main romantic character traits that unite heroes literary works at different stages are displayed in a mental map.

The English poet Percy Bysshe Shelley said this about romanticism, fatally comparing it with clouds: “I know no permanence, I am always changing my appearance, but I will never die..”

Romantic hero

Romantic hero- one of the artistic images of romanticism literature. A romantic is an exceptional and often mysterious person who usually lives in exceptional circumstances. The collision of external events is transferred to the inner world of the hero, in whose soul there is a struggle of contradictions. As a result of this reproduction of character, romanticism extremely highly raised the value of the individual, inexhaustible in its spiritual depths, revealing its unique inner world. Man in romantic works also embodied through contrast, antithesis: on the one hand, he is understood as the crown of creation, and on the other, as a weak-willed toy in the hands of fate, forces unknown and beyond his control, playing with his feelings. Therefore, he often turns into a victim of his own passions.

Signs of a Romantic Hero

1. An exceptional hero in exceptional circumstances
2. Reality is actively being recreated in accordance with the ideal
3. Independence
4. The insolubility of the conflict between the hero and society
5. Abstract perception of time
6. Two or three distinct character traits

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See what “Romantic hero” is in other dictionaries:

romantic hero- see hero of the work + romanticism...

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