Impossible triangle. Penrose triangle: do it yourself from paper Do-it-yourself Impossible Penrose triangle

Also known as impossible triangle And tribar.

Story

This figure became widely known after the publication of an article on impossible figures in the British Journal of Psychology by the English mathematician Roger Penrose in 1958. In this article, the impossible triangle was depicted in its most general form- V the form of three beams connected to each other at right angles. Influenced by this article in Dutch artist Maurits Escher created one of his famous lithographs "Waterfall".

Sculptures

A 13-meter sculpture of an impossible triangle made of aluminum was erected in 1999 in Perth (Australia)

    Deutsches Technikmuseum Berlin February 2008 0004.JPG

    The same sculpture when changing the viewpoint

Other figures

Although it is quite possible to construct analogues of the Penrose triangle based on regular polygons, the visual effect from them is not so impressive. As the number of sides increases, the object simply appears bent or twisted.

see also

  • Three rabbits (English) Three hares )

Write a review about the article "Penrose Triangle"

An excerpt characterizing the Penrose Triangle

Having expressed everything that he was ordered, Balashev said that Emperor Alexander wants peace, but will not begin negotiations except on the condition that... Here Balashev hesitated: he remembered those words that Emperor Alexander did not write in the letter, but which he certainly ordered that Saltykov be inserted into the rescript and which Balashev ordered to hand over to Napoleon. Balashev remembered these words: “until not a single armed enemy remains on Russian land,” but some complex feeling held him back. He could not say these words, although he wanted to do so. He hesitated and said: on the condition that the French troops retreat beyond the Neman.
Napoleon noticed Balashev's embarrassment when speaking last words; his face trembled, his left calf began to tremble rhythmically. Without leaving his place, he began to speak in a voice higher and more hasty than before. During the subsequent speech, Balashev, more than once lowering his eyes, involuntarily observed the trembling of the calf in Napoleon’s left leg, which intensified the more he raised his voice.
“I wish peace no less than Emperor Alexander,” he began. “Isn’t it me who has been doing everything for eighteen months to get it?” I've been waiting eighteen months for an explanation. But in order to start negotiations, what is required of me? - he said, frowning and making an energetic questioning gesture with his small, white and plump hand.
“The retreat of the troops beyond the Neman, sir,” said Balashev.
- For Neman? - Napoleon repeated. - So now you want them to retreat beyond the Neman - only beyond the Neman? – Napoleon repeated, looking directly at Balashev.
Balashev bowed his head respectfully.
Instead of the demand four months ago to retreat from Numberania, now they demanded to retreat only beyond the Neman. Napoleon quickly turned and began to walk around the room.
– You say that they require me to retreat beyond the Neman to begin negotiations; but they demanded of me in exactly the same way two months ago to retreat beyond the Oder and Vistula, and, despite this, you agree to negotiate.
He silently walked from one corner of the room to the other and again stopped opposite Balashev. His face seemed to have petrified in its stern expression, and left leg trembled even faster than before. Napoleon knew this trembling of his left calf. “La vibration de mon mollet gauche est un grand signe chez moi,” he said later.

Greetings, dear readers of the blog site. Rustam Zakirov is in touch and I have another article for you, the topic of which is how to draw a Penrose triangle. Today I want to show you how easy and simple it is to draw an impossible triangle. We will draw two drawings of this triangle, one will be a regular one, and the second will be a real 3D drawing. And all this will be surprisingly simple. You can get a real 3D drawing of this triangle. I doubt that this will be shown to you anywhere else, so read the article to the end and very carefully.

For our drawings, as always, we will need: a piece of paper simple pencils(preferably one “medium”, “the other soft”) and several colored pencils or markers.

How to easily draw any 3D drawings.

I pulled out this impossible triangle from this ordinary picture, which I simply found on the Internet. Here she is.

And then in a couple of minutes I converted it to 3D with help . This way you can convert almost any image into 3D. If you want to learn the same way, click here.

And we move on to our drawing.

Draw a regular triangle pattern.

STEP #1. We translate from the monitor screen.

In order to draw a triangle, you will need to do the following. You take your piece of paper and lean it against the triangle on the monitor screen, and simply translate it.

And since our triangle is not at all complex, it is enough to put only the main points in all its corners.

And then we look at the original and connect these points using a ruler. I got it like this.

Our triangle is all ready. You can leave it like this, but let's decorate it a little more. I did this using colored pencils. After we have completely decorated our triangle, we completely outline it again with a simple soft pencil.

At this point, our usual Penrose triangle is completely ready, and we move on to the same triangle.

Draw a 3D drawing of a triangle.

STEP #1. We translate.

We proceed according to the same scheme as with a regular pattern. I give you a ready-made triangle, already translated into 3D format. Here he is.

And you translate it. We do everything the same as with a regular pattern. You take your sheet of paper, lean it against the monitor screen, the sheet of paper shines through, and you simply transfer the finished 3D drawing onto your sheet of paper.

This is what happened to me.

The size of the triangle can be increased or decreased. To do this, you just need to change the scale of your monitor. Hold down the Ctrl key and roll the mouse wheel.

We can safely say that our 3D drawing is already ready. It took me about 3 minutes. In principle, we can safely finish here, but let’s decorate our triangle some more.

The impossible triangle is one of the amazing mathematical paradoxes. When you first look at it, you cannot doubt for a second its real existence. However, this is only an illusion, a deception. And the very possibility of such an illusion will be explained to us by mathematics!

Opening of the Penroses

In 1958, the British Journal of Psychology published an article by L. Penrose and R. Penrose, in which they introduced new type an optical illusion they called the “impossible triangle.”

A visually impossible triangle is perceived as a structure that actually exists in three-dimensional space, made up of rectangular bars. But this is just an optical illusion. It is impossible to build a real model of an impossible triangle.

The Penroses' article contained several options for depicting an impossible triangle. - his “classic” presentation.

What elements are used to construct an impossible triangle?

More precisely, from what elements does it seem to us to be built? The design is based on a rectangular corner, which is obtained by connecting two identical rectangular bars at right angles. Three such corners are required, and therefore six pieces of bars. These corners must be visually “connected” to one another in a certain way so that they form a closed chain. What happens is an impossible triangle.

Place the first corner in the horizontal plane. We will attach a second corner to it, directing one of its edges upward. Finally, we attach a third corner to this second corner so that its edge is parallel to the original horizontal plane. In this case, the two edges of the first and third corners will be parallel and directed in different directions.

If we consider a bar to be a segment of unit length, then the ends of the bars of the first corner have coordinates, and, the second corner - , and, the third - , and. We got a “twisted” structure that actually exists in three-dimensional space.

Now let’s try to mentally look at it from different points in space. Imagine what it looks like from one point, from another, from a third. As the viewing point changes, the two “end” edges of our corners will appear to move relative to each other. It is not difficult to find a position in which they will connect.

But if the distance between the ribs is much less distance from the corners to the point from which we view our structure, then both edges will have the same thickness for us, and the idea will arise that these two edges are actually a continuation of one another. This situation is depicted 4.

By the way, if we simultaneously look at the reflection of the structure in the mirror, we will not see a closed circuit there.

And from the chosen observation point we see with our own eyes the miracle that has happened: there is a closed chain of three corners. Just do not change your point of observation so that this illusion does not collapse. Now you can draw an object that you can see or place a camera lens at the found point and get a photograph of an impossible object.

The Penroses were the first to become interested in this phenomenon. They took advantage of the possibilities that arise when mapping three-dimensional space and three-dimensional objects onto a two-dimensional plane and drew attention to some of the design uncertainty - an open structure of three corners can be perceived as a closed circuit.

Proof of the impossibility of the Penrose triangle

By analyzing the features of a two-dimensional image of three-dimensional objects on a plane, we understood how the features of this display lead to an impossible triangle. Perhaps someone will be interested in a purely mathematical proof.

It is extremely easy to prove that an impossible triangle does not exist, because each of its angles is right, and their sum is equal to 270 degrees instead of the “positioned” 180 degrees.

Moreover, even if we consider an impossible triangle glued together from angles less than 90 degrees, then in this case we can prove that an impossible triangle does not exist.

We see three flat edges. They intersect in pairs along straight lines. The planes containing these faces are orthogonal in pairs, so they intersect at one point.

In addition, the lines of mutual intersection of the planes must pass through this point. Therefore, straight lines 1, 2, 3 must intersect at one point.

But that's not true. Therefore, the presented design is impossible.

"Impossible" art

The fate of this or that idea - scientific, technical, political - depends on many circumstances. And not least of all, it depends on the exact form in which this idea will be presented, in what form it will appear to the general public. Will the embodiment be dry and difficult to perceive, or, conversely, the manifestation of the idea will be bright, capturing our attention even against our will.

The impossible triangle has a happy fate. In 1961, the Dutch artist Moritz Escher completed a lithograph he called Waterfall. The artist has come a long but fast way from the very idea of ​​an impossible triangle to its stunning artistic embodiment. Let us remember that the Penroses' article appeared in 1958.

"Waterfall" is based on the two impossible triangles shown. One triangle is large, with another triangle located inside it. It may seem that three identical impossible triangles are depicted. But this is not the point; the presented design is quite complex.

At a quick glance, its absurdity will not be immediately visible to everyone, since every connection presented is possible. as they say, locally, that is, in a small area of ​​the drawing, such a design is feasible... But in general it is impossible! Its individual pieces do not fit together, do not agree with each other.

And to understand this, we must expend certain intellectual and visual efforts.

Let's take a journey through the facets of the structure. This path is remarkable in that along it, as it seems to us, the level relative to the horizontal plane remains unchanged. Moving along this path, we neither go up nor go down.

And everything would be fine, familiar, if at the end of the path - namely at the point - we would not discover that, relative to the initial one, starting point in some mysterious, unthinkable way we rose vertically!

To arrive at this paradoxical result, we must choose exactly this path, and also monitor the level relative to the horizontal plane... Not an easy task. In her decision, Escher came to the aid of...water. Let us recall the song about movement from Franz Schubert’s wonderful vocal cycle “The Beautiful Miller’s Wife”:

And first in the imagination, and then under the hand of a wonderful master, bare and dry structures turn into aqueducts through which clean and fast streams of water run. Their movement captures our gaze, and now, against our will, we rush downstream, following all the turns and bends of the path, fall down with the flow, fall onto the blades of a water mill, then rush downstream again...

We go around this path once, twice, three times... and only then do we realize: moving down, we are somehow fantastically rising to the top! The initial surprise develops into a kind of intellectual discomfort. It seems that we have become the victim of some kind of practical joke, the object of some joke that we have not yet understood.

And again we repeat this path along a strange conduit, now slowly, with caution, as if fearing a trick from the paradoxical picture, critically perceiving everything that happens on this mysterious path.

We are trying to unravel the mystery that amazed us, and we cannot escape from its captivity until we find the hidden spring that lies at its basis and brings the unthinkable whirlwind into non-stop motion.

The artist specifically emphasizes and imposes on us the perception of his painting as an image of real three-dimensional objects. The volumetricity is emphasized by the image of very real polyhedrons on the towers, brickwork with the most accurate representation of each brick in the walls of the aqueduct, and rising terraces with gardens in the background. Everything is designed to convince the viewer of the reality of what is happening. And thanks to art and excellent technology, this goal has been achieved.

When we break out of the captivity in which our consciousness falls, we begin to compare, contrast, analyze, we find that the basis, the source of this picture is hidden in the design features.

And we received one more - “physical” proof of the impossibility of the “impossible triangle”: if such a triangle existed, then Escher’s “Waterfall”, which is essentially a perpetual motion machine, would also exist. But a perpetual motion machine is impossible, therefore, the “impossible triangle” is also impossible. And perhaps this “evidence” is the most convincing.

What made Moritz Escher a phenomenon, a unique one who had no obvious predecessors in art and who cannot be imitated? This is a combination of planes and volumes, close attention to the bizarre forms of the microworld - living and inanimate, to unusual points of view on ordinary things. The main effect of his compositions is the effect of the appearance of impossible relationships between familiar objects. At first glance, these situations can both frighten and make you smile. You can joyfully look at the fun that the artist offers, or you can seriously plunge into the depths of dialectics.

Moritz Escher showed that the world may be completely different from how we see it and are used to perceiving it - we just need to look at it from a different, new angle!

Moritz Escher

Moritz Escher was luckier as a scientist than as an artist. His engravings and lithographs were seen as keys to the proof of theorems or original counterexamples that challenged common sense. At worst, they were perceived as excellent illustrations for scientific treatises on crystallography, group theory, cognitive psychology or computer graphics. Moritz Escher worked in the field of relationships between space, time and their identity, using basic mosaic patterns and applying transformations to them. This Great master optical illusions. Escher's engravings depict not the world of formulas, but the beauty of the world. Their intellectual makeup is radically opposed to the illogical creations of the surrealists.

Dutch artist Moritz Cornelius Escher was born on June 17, 1898 in the province of Holland. The house where Escher was born is now a museum.

Since 1907, Moritz has been studying carpentry and playing the piano, studying at high school. Moritz's grades in all subjects were poor, with the exception of drawing. The art teacher noticed the boy's talent and taught him to make wood engravings.

In 1916, Escher performed his first graphic work, an engraving on purple linoleum - a portrait of his father G. A. Escher. He visits the studio of the artist Gert Stiegemann, who had a printing press. Escher's first engravings were printed on this press.

In 1918-1919, Escher attended the Technical College in the Dutch town of Delft. He receives a deferment from military service to continue his studies, but due to poor health, Moritz was unable to complete his studies. curriculum, and was expelled. As a result, he never received higher education. He studies at the School of Architecture and Ornament in the city of Haarlem. There he takes drawing lessons from Samuel Geserin de Mesquite, who had a formative influence on Escher's life and work.

In 1921, the Escher family visited the Riviera and Italy. Fascinated by the vegetation and flowers of the Mediterranean climate, Moritz made detailed drawings of cacti and olive trees. He drew many sketches mountain landscapes, which later formed the basis of his work. Later he would constantly return to Italy, which would serve as a source of inspiration for him.

Escher begins to experiment in a new direction for himself; even then, mirror images, crystalline figures and spheres are found in his works.

The end of the twenties turned out to be a very fruitful period for Moritz. His work was shown at many exhibitions in Holland, and by 1929 his popularity had reached such a level that in one year five solo exhibitions were held in Holland and Switzerland. It was during this period that Escher's paintings were first called mechanical and "logical".

Asher travels a lot. Lives in Italy and Switzerland, Belgium. He studies Moorish mosaics, makes lithographs and engravings. Based on travel sketches, he creates his first picture of the impossible reality, Still Life with Street.

At the end of the thirties, Escher continued experiments with mosaics and transformations. He creates a mosaic in the form of two birds flying towards each other, which formed the basis of the painting “Day and Night”.

In May 1940, the Nazis occupied Holland and Belgium, and on May 17, Brussels entered the occupation zone, where Escher and his family lived at that time. They find a house in Varna and move there in February 1941. Asher will live in this city until the end of his days.

In 1946, Escher began to become interested in intaglio printing technology. And although this technology was much more complex than what Escher had used before and required more time to create a picture, the results were impressive - fine lines and accurate rendering of shadows. One of the most famous works using the intaglio printing technique "Dew Drop" was completed in 1948.

In 1950, Moritz Escher gained popularity as a lecturer. Then, in 1950, his first personal exhibition took place in the United States and his works began to be bought. On April 27, 1955, Moritz Escher was knighted and became a nobleman.

In the mid-50s, Escher combined mosaics with figures extending into infinity.

In the early 60s, the first book with Escher's works, Grafiek en Tekeningen, was published, in which 76 works were commented on by the author himself. The book helped gain understanding among mathematicians and crystallographers, including some in Russia and Canada.

In August 1960 Escher gave a lecture on crystallography at Cambridge. The mathematical and crystallographic aspects of Escher's work are becoming very popular.

In 1970 after new series Escher's operations moved to new house in Laren, which had a studio, but poor health made it impossible to work much.

In 1971, Moritz Escher died at the age of 73. Escher lived long enough to see The World of M. C. Escher translated into English language and was very pleased with it.

Various impossible pictures can be found on the websites of mathematicians and programmers. Most full version of the ones we looked at, in our opinion, is the site of Vlad Alekseev

This site presents not only a wide range of famous paintings, including M. Escher, but also animated images, funny drawings of impossible animals, coins, stamps, etc. This site is alive, it is periodically updated and replenished with amazing drawings.

Penrose triangle- one of the main impossible figures, also known as impossible triangle And tribar.

Penrose triangle (in color)

Story

This figure became widely known after the publication of an article on impossible figures in the British Journal of Psychology by the English mathematician Roger Penrose in 1958. Also in this article, the impossible triangle was depicted in its most general form - in the form of three beams connected to each other at right angles. Influenced by this article, the Dutch artist Maurits Escher created one of his famous lithographs, “Waterfall”.

3D print of a Penrose triangle

Sculptures

A 13-meter sculpture of an impossible triangle made of aluminum was erected in 1999 in Perth (Australia)

The same sculpture when changing the viewpoint

Other figures

Although it is quite possible to construct analogues of the Penrose triangle based on regular polygons, the visual effect from them is not so impressive. As the number of sides increases, the object simply appears bent or twisted.

see also

  • Three rabbits (English) Three hares)
Illusionism (philosophy)

Illusionism - in a broad sense, is the name for a philosophical position regarding certain phenomena; for the way of considering such phenomena; in a narrow sense, it is the name for several specific philosophical theories.

Cafe wall illusion

The Cafe Wall Illusion is an optical illusion created by synergy. different levels neural mechanisms: retinal neurons and visual cortex neurons.

Impossible figure

An impossible figure is one of the types of optical illusions, a figure that at first glance seems to be a projection of an ordinary three-dimensional object, upon careful examination of which contradictory connections of the elements of the figure become visible. An illusion is created of the impossibility of the existence of such a figure in three-dimensional space.

Impossible cube

The Impossible Cube is an impossible figure invented by Escher for his lithograph Belvedere. This is a two-dimensional figure that superficially resembles the perspective of a three-dimensional cube, which is incompatible with a real cube. In the Belvedere lithograph, a boy sitting at the base of the building holds an impossible cube. A drawing of a similar Necker cube lies at his feet, while the building itself contains the same properties of an impossible cube.

The impossible cube borrows the ambiguity of the Necker cube, in which the edges are drawn as line segments and which can be interpreted in one of two different three-dimensional orientations.

The impossible cube is usually drawn as a Necker cube, in which the edges (segments) are replaced by seemingly solid bars.

In the Escher lithograph, the top four joints of the bars and the top intersection of the bars correspond to one of two interpretations of the Necker cube, while the bottom four connections and the bottom intersection correspond to the other interpretation. Other variations of the impossible cube combine these properties in other ways. For example, one of the cubes in the figure contains all eight connections according to one interpretation of the Necker cube, and both intersections correspond to another interpretation.

The apparent solidity of the bars gives the impossible cube greater visual ambiguity than the Necker cube, which is less likely to be perceived as an impossible object. Illusion plays on interpretation by the human eye two-dimensional drawing as a three-dimensional object. Three-dimensional objects can appear impossible when viewed from a certain angle and either by cutting the object in the right place or by using altered perspective, but human experience with rectangular objects makes impossible perceptions more likely than illusions in reality.

Other artists, including Jos De Mey, also painted works with the impossible cube.

A fabricated photograph of the supposedly impossible cube was published in the June 1966 issue of Scientific American, where it was called the "Frimish Cage." The impossible cube was placed on the Austrian postage stamp.

Impossible trident

Blivet, also known as poyut or devil's pitchfork, is an inexplicable figure, an optical illusion, and an impossible figure. It seems that three cylindrical rods turn into two bars.

Ruthersward, Oscar

Oscar Rutersvärd (usual spelling of the surname in Russian-language literature; more correctly Reutersvärd), Swede. Oscar Reutersvärd (November 29, 1915, Stockholm, Sweden - February 2, 2002, Lund) - "father of the impossible figure", a Swedish artist who specialized in the depiction of impossible figures, that is, those that can be depicted (given the inevitable violations of perspective when representing 3-dimensional space on paper), but cannot be created. One of his figures received further development as the "Penrose triangle" (1934). Ruthersvard's work can be compared with Escher's work, however, if the latter used impossible figures as “bones” for the image fantasy worlds, then Rutersvärd was only interested in the figures as such. During his life, Ruthersvard depicted about 2,500 figures in isometric projection. Ruthersvard's books have been published in many languages, including Russian.

Escher, Maurits Cornelis

Maurits Cornelis Escher [ˈmʌu̯rɪts kɔrˈneːlɪs ˈɛʃər̥]; June 17, 1898, Leeuwarden, the Netherlands - March 27, 1972, Hilversum, the Netherlands) - a Dutch graphic artist. Known primarily for his conceptual lithographs, wood and metal engravings, in which he masterfully explored the plastic aspects of the concepts of infinity and symmetry, as well as the peculiarities of the psychological perception of complex three-dimensional objects, he is the most prominent representative of imp art.

Illusions

supervisor

mathematic teacher

1.Introduction………………………………………………….……3

2. Historical background……………………………………..…4

3. Main part…………………………………………………………….7

4. Proof of the impossibility of the Penrose triangle......9

5. Conclusions……………………………………………………………..…………11

6. Literature……………………………………………….…… 12

Relevance: Mathematics is a subject studied from first to high school. Many students find it difficult, uninteresting and unnecessary. But if you look beyond the pages of the textbook, read additional literature, mathematical sophisms and paradoxes, your idea of ​​mathematics will change, and you will have a desire to study more than is studied in the school mathematics course.

Goal of the work:

show that the existence of impossible figures expands horizons, develops spatial imagination, and is used not only by mathematicians, but also by artists.

Tasks :

1. Study the literature on this topic.

2. Consider impossible figures, make a model of an impossible triangle, prove that an impossible triangle does not exist on the plane.

3. Make a development of an impossible triangle.

4. Consider examples of the use of the impossible triangle in the visual arts.

Introduction

Historically, mathematics has played an important role in the visual arts, particularly in perspective painting, which involves depicting a three-dimensional scene realistically on a flat canvas or piece of paper. According to modern views, mathematics and art disciplines very distant from each other, the first is analytical, the second is emotional. Mathematics does not play an obvious role in most jobs contemporary art, and, in fact, many artists rarely or never even use perspective. However, there are many artists whose focus is on mathematics. Several significant figures in the visual arts paved the way for these individuals.

In general, there are no rules or restrictions on the use of various themes in mathematical art, such as impossible figures, Möbius strips, distortion or unusual perspective systems, and fractals.

History of impossible figures

Impossible figures are a certain type of mathematical paradox, consisting of regular parts connected in an irregular complex. If we tried to formulate a definition of the term “impossible objects,” it would probably sound something like this - physically possible figures assembled in an impossible form. But it’s much more pleasant to look at them, drawing up definitions.

Errors in spatial construction were encountered by artists even a thousand years ago. But the Swedish artist Oscar Reutersvärd, who painted in 1934, is rightfully considered to be the first to construct and analyze impossible objects. the first impossible triangle, consisting of nine cubes.

Reutersvaerd's triangle

Independent of Reuters, English mathematician and physicist Roger Penrose rediscovers the impossible triangle and publishes its image in a British psychology journal in 1958. The illusion uses “false perspective.” Sometimes this perspective is called Chinese, since a similar method of drawing, when the depth of the drawing is “ambiguous,” was often found in the works of Chinese artists.

Escher Falls

In 1961 Dutchman M. Escher, inspired by the impossible Penrose triangle, creates the famous lithograph “Waterfall”. The water in the picture flows endlessly, after the water wheel it passes further and ends up back at the starting point. In essence, this is an image of a perpetual motion machine, but any attempt to actually build this structure is doomed to failure.

Another example of impossible figures is presented in the drawing “Moscow”, which depicts an unusual diagram of the Moscow metro. At first we perceive the image as a whole, but when we trace the individual lines with our gaze, we become convinced of the impossibility of their existence.

« Moscow", graphics (ink, pencil), 50x70 cm, 2003.

The “Three Snails” drawing continues the tradition of the second famous impossible figure - the impossible cube (box).

"Three Snails" Impossible Cube

Combination various objects can also be found in the not entirely serious picture “IQ” (intelligence quotient). Interestingly, some people do not perceive impossible objects because their minds are unable to identify flat pictures with three-dimensional objects.

Donald Simanek has suggested that understanding visual paradoxes is one of the hallmarks of that kind of creative potential which they have best mathematicians, scientists and artists. Many works with paradoxical objects can be classified as “intellectual” math games». Modern science speaks of a 7-dimensional or 26-dimensional model of the world. Such a world can only be modeled using mathematical formulas; humans simply cannot imagine it. This is where impossible figures come in handy.

A third popular impossible figure is the incredible staircase created by Penrose. You will continuously either ascend (counterclockwise) or descend (clockwise) along it. The Penrose model formed the basis famous painting M. Escher "Up and Down" The Incredible Penrose Staircase

Impossible trident

"Devil's Fork"

There is another group of objects that cannot be implemented. The classic figure is the impossible trident, or "devil's fork". If you carefully study the picture, you will notice that three teeth gradually turn into two on a single base, which leads to a conflict. We compare the number of teeth above and below and come to the conclusion that the object is impossible. If we close the upper part of the trident with our hand, we will see completely real picture- three round teeth. If we close the lower part of the trident, we will also see the real picture - two rectangular teeth. But, if we consider the entire figure as a whole, it turns out that three round teeth gradually turn into two rectangular ones.

Thus, it can be seen that the front and background of this picture conflict. That is, what was originally in the foreground goes back, and the background (middle tooth) comes forward. In addition to the change of foreground and background, there is another effect in this drawing - the flat edges of the upper part of the trident become round at the bottom.

Main part.

Triangle- a figure consisting of 3 adjacent parts, which, through unacceptable connections of these parts, creates the illusion of a mathematically impossible structure. This three-beam structure is also called differently square Penrose

The graphic principle behind this illusion owes its formulation to a psychologist and his son Roger, a physicist. The Penruzov square consists of 3 square bars located in 3 mutually perpendicular directions; each connects to the next at right angles, all of this is placed in three-dimensional space. Here's a simple recipe on how to draw this isometric projection of the Penrose square:

· Trim the corners of an equilateral triangle along lines parallel to the sides;

· Draw parallels to the sides inside the trimmed triangle;

· Trim the corners again;

· Draw parallels inside again;

· Imagine in one of the corners any of the two possible cubes;

· Continue it with an L-shaped “thing”;

· Run this design in a circle.

· If we had chosen a different cube, the square would have been “twisted” in the other direction .

Development of an impossible triangle.


Inflection line

Cut line

What elements are used to construct an impossible triangle? More precisely, from what elements does it seem to us (precisely it seems!) built? The design is based on a rectangular corner, which is obtained by connecting two identical rectangular bars at right angles. Three such corners are required, and therefore six pieces of bars. These corners must be visually “connected” to one another in a certain way so that they form a closed chain. What happens is an impossible triangle.

Place the first corner in the horizontal plane. We will attach a second corner to it, directing one of its edges upward. Finally, we attach a third corner to this second corner so that its edge is parallel to the original horizontal plane. In this case, the two edges of the first and third corners will be parallel and directed in different directions.

Now let’s try to look at the figure from different points in space (or make a real wire model). Imagine what it looks like from one point, from another, from a third... When the observation point changes (or - which is the same thing - when the structure is rotated in space), it will seem that the two “end” edges of our corners are moving relative to each other. It is not difficult to choose a position in which they will connect (of course, the near corner will seem thicker to us than the longer one).

But if the distance between the ribs is much less than the distance from the corners to the point from which we view our structure, then both ribs will have the same thickness for us, and the idea will arise that these two ribs are actually a continuation of one another.

By the way, if we simultaneously look at the display of the structure in the mirror, we will not see a closed circuit there.

And from the chosen observation point we see with our own eyes the miracle that has happened: there is a closed chain of three corners. Just do not change the point of observation so that this illusion (in fact, it is an illusion!) does not collapse. Now you can draw an object that you can see or place a camera lens at the found point and get a photograph of an impossible object.

The Penroses were the first to become interested in this phenomenon. They took advantage of the possibilities that arise when mapping three-dimensional space and three-dimensional objects onto a two-dimensional plane (that is, design) and drew attention to some of the uncertainty of design - an open structure of three corners can be perceived as a closed circuit.

As already mentioned, a simple model can be easily made from wire, which in principle explains the observed effect. Take a straight piece of wire and divide it into three equal parts. Then bend the outer parts so that they form a right angle with the middle part and rotate 900 relative to each other. Now turn this figure and watch it with one eye. At some position it will seem that it is formed from a closed piece of wire. By turning on the table lamp, you can observe the shadow falling on the table, which also turns into a triangle at a certain location of the figure in space.

However, this design feature can be observed in another situation. If you make a ring of wire and then spread it in different directions, you will get one turn of a cylindrical spiral. This loop, of course, is open. But when projecting it onto a plane, you can get a closed line.

We were once again convinced that from a projection onto a plane, from a drawing, a three-dimensional figure is reconstructed ambiguously. That is, the projection contains some ambiguity, understatement, which gives rise to the “impossible triangle.”

And we can say that the “impossible triangle” of the Penroses, like many other optical illusions, is on a par with logical paradoxes and puns.

Proof of the impossibility of the Penrose triangle

By analyzing the features of a two-dimensional image of three-dimensional objects on a plane, we understood how the features of this display lead to an impossible triangle.

It is extremely easy to prove that an impossible triangle does not exist, because each of its angles is right, and their sum is 2700 instead of the “positioned” 1800.

Moreover, even if we consider an impossible triangle glued together from angles less than 900, then in this case we can prove that an impossible triangle does not exist.

Let's consider another triangle, which consists of several parts. If the parts of which it consists are arranged differently, you will get exactly the same triangle, but with one small flaw. One square will be missing. How is this possible? Or is it still an illusion?

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Using the phenomenon of perception

Is there any way to enhance the effect of impossibility? Are some objects more "impossible" than others? And this is where features come to the rescue. human perception. Psychologists have found that the eye begins to examine an object (picture) from the lower left corner, then the gaze slides to the right to the center and drops to the lower right corner of the picture. This trajectory may be due to the fact that our ancestors, when meeting an enemy, first looked at the most dangerous right hand, and then the gaze moved to the left, to the face and figure. Thus, artistic perception will significantly depend on how the composition of the picture is constructed. This feature was clearly manifested in the Middle Ages in the manufacture of tapestries: their design was a mirror image of the original, and the impression produced by the tapestries and the originals differs.

This property can be successfully used when creating creations with impossible objects, increasing or decreasing the “degree of impossibility”. The prospect of receiving interesting compositions using computer technology or from several pictures rotated (maybe using various types symmetries) one relative to the other, creating in viewers a different impression of the object and a deeper understanding of the essence of the design, or from one that rotates (constantly or jerkily) using a simple mechanism at certain angles.

This direction can be called polygonal (polygonal). The illustrations show images rotated relative to each other. The composition was created as follows: a drawing on paper, made in ink and pencil, was scanned, converted into digital form and processed in graphic editor. A regularity can be noted - the rotated picture has a greater “degree of impossibility” than the original one. This is easily explained: the artist, in the process of work, subconsciously strives to create the “correct” image.

Conclusion

The use of various mathematical figures and laws is not limited to the above examples. By carefully studying all the given figures, you can find others not mentioned in this article. geometric bodies or visual interpretation of mathematical laws.

Mathematical fine arts are flourishing today, and many artists create paintings in Escher's style and in their own own style. These artists work in various directions, including sculpture, painting on flat and three-dimensional surfaces, lithography and computer graphics. And the most popular themes in mathematical art remain polyhedra, impossible figures, Möbius strips, distorted perspective systems and fractals.

Conclusions:

1. So, consideration of impossible figures develops our spatial imagination, helps us “get out” of the plane into three-dimensional space, which will help in the study of stereometry.

2. Models of impossible figures help to consider projections on a plane.

3. Consideration of mathematical sophisms and paradoxes instills interest in mathematics.

When performing this work

1. I learned how, when, where and by whom impossible figures were first considered, that there are many such figures, artists are constantly trying to depict these figures.

2. Together with my dad, I made a model of an impossible triangle, examined its projection onto a plane, and saw the paradox of this figure.

3. Examined reproductions of artists depicting these figures

4. My classmates were interested in my research.

In the future, I will use the acquired knowledge in mathematics lessons and I was interested in whether there are other paradoxes?

LITERATURE

1. Candidate of Technical Sciences D. RAKOV History of impossible figures

2. Rutesward O. Impossible figures.- M.: Stroyizdat, 1990.

3. Website of V. Alekseev Illusions · 7 Comments

4. J. Timothy Unrach. – Amazing figures.
(AST Publishing House LLC, Astrel Publishing House LLC, 2002, 168 p.)

5. . - Graphic arts.
(Art-Rodnik, 2001)

6. Douglas Hofstadter. – Gödel, Escher, Bach: this endless garland. (Publishing house "Bakhrakh-M", 2001)

7. A. Konenko – Secrets of impossible figures
(Omsk: Levsha, 199)


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