The material from which the monument is made. Heavy keyboard

The monument to the keyboard in Yekaterinburg is located on the Iset embankment from Gorky Street. Address- st. Gorky, 14a.

Unofficially, this is the largest keyboard in the world - its size is 4 by 16 meters, and the total weight of the keys is more than 100 tons. The monument appeared in October 2005 as part of the festival Long stories Ekaterinburg". The author of the project is artist Anatoly Vyatkin.

The huge keyboard is made of durable vandal-resistant concrete, this exact copy a regular computer keyboard in the QWERTY/YUTSUKEN layout on a scale of 30:1 - 104 keys, from Escape to “calculator”. On average, the keys weigh 100 kg, except for the space bar, which weighs half a ton. This does not prevent vandals from sometimes picking them out, or volunteers from restoring them. For the first time, the f1 and f2 keys disappeared almost immediately after opening the monument. By design, the keys are also benches. A regular keyboard brings people together and helps them communicate online, while a concrete keyboard brings them together in reality. Unfortunately, you can’t sit on cold, hard concrete for long. And you can’t have a get-together with beer and chips. After all, it’s the center of the city, they can take you to the police for this. But you are welcome to rest a little “on the keyboard” during a long walk around the city. Although it is much more pleasant to simply walk on the keys and jump from one to another.

An urban legend says that if you “jump” your deepest wish and at the end jump on Enter, your wish will definitely come true. It's not that easy - the keyboard is really very large.

Another way is to reach the Ctrl+Alt+Delete keys with your friends and “reboot”. Quarreling lovers thus “reboot” the relationship.

Parents say that thanks to it, children learn the alphabet much faster. In general, the city loves the keyboard very much; it is a truly “folk” art object.
Anatoly Vyatkin said that the idea of ​​​​installing a monument to the keyboard came to him unexpectedly. He worked on a project for international exhibition, spent a lot of time at the computer. At some point, the thought occurred to him that today the keyboard is the same “common place” as, for example, a frying pan. Both are found in almost every home.

“Klava” appeared thanks to sponsors and lives at the expense of volunteers who annually organize cleanup days; no money is allocated for it from the city budget. Subbotniks began to be held when there were rumors that the keyboard could be moved to Perm. Then it was missing several keys, and instead of the Windows logo, someone drew Apple logo. The keyboard was repaired by a group of enthusiasts, and it has been the same since then. The residents of Yekaterinburg proved that they would never part with her, much less give her to Perm.
The monument was not made as a permanent monument, but as a landscape one, without a foundation. Landscape sculptures were new to Yekaterinburg at that time, and to this day the keyboard is the only land art object in the city. Gradually, the concrete letters began to sink into the soil. Nevertheless, all these years the giant keyboard has not lost popularity, it is loved just like that, and was even included in the Red Line route, although it has not yet been given the status of an official city landmark.

The keyboard, on the one hand, is a symbol industrial age and European values. On the other hand, there is a kind of oriental rock garden in which each element exists on its own and can be replaced. For this reason, the author refused the proposal to install the keys on a solid foundation. Like the whole of Yekaterinburg, the keyboard unites Europe and Asia. Even the layout on it is both Russian and English.

Where is the monument to the keyboard? Let us remind you that the monument to the keyboard in Yekaterinburg is located on the Iset embankment from Gorky Street, in the Arboretum area, in the middle between the Circus and Plotinka.

Nearby is the Oblique House, also known as the System Block, also known as the Chuvildin House, an architectural monument of the early 20th century, address Gorky, 14a.

From the Geologicheskaya metro station, go towards the Circus, cross Kuibysheva Street to the Arboretum, turn right, go down to the embankment at the bridge, walk along the river for a few minutes. Next to the keyboard there is a pedestrian bridge over the Iset.

It takes about 15 minutes to walk from Plotinka to the keyboard: along the river in the opposite direction from the pond.

Monument to the keyboard on the map of Yekaterinburg.

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Monument to the keyboard- the first land art sculpture in Yekaterinburg dedicated to a computer keyboard. Opened on October 5, 2005. Author - Anatoly Vyatkin.

History of creation

The keyboard was created in 2005 as a special project of the festival “Long Stories of Yekaterinburg” according to the design of Anatoly Vyatkin. The producers and curators of the project were Nailya Allahverdieva and Arseniy Sergeev, who at that time represented the cultural agency ArtPolitika. The production of the project was carried out with the technical support of the Atomstroykompleks company. Despite the high popularity among citizens and guests of the city, the project never acquired the official status of a monument or landmark. In fact, not recognized by local authorities as a culturally significant object, the keyboard was nevertheless included in many unofficial guides to Yekaterinburg. With her, in the spring of 2011, painting began on the asphalt of the “Red Line”, passing through 32 main attractions of the city center.

Design features

The monument is a replica of a concrete keyboard on a scale of 30:1. Consists of 104 keys made of concrete weighing from 100 to 500 kg, arranged in a QWERTY layout. The keys are located in recesses at intervals of 15 cm. The total area of ​​the project is 16 × 4 m. The surface of the keys is flat with raised alphabet and functional symbols, placed in the same order as on a regular computer keyboard.

Cultural features and assessments

The concrete “Keyboard” can be considered simultaneously both as a fetish of the computer era and as an industrial “rock garden”, a large-scale environmental experiment that forms a new communication environment on the territory of the city embankment of Yekaterinburg. Each button on the concrete keyboard is also a makeshift bench. The monument has become a cultural landmark of the city’s modern image and a new “brand”.

A positive response to the project is observed among all segments of the city's population. Monitoring the reaction of passers-by on the embankment showed that in 80% of cases the reaction of passers-by is enthusiastic, in other cases it is interested. Residents of the city are proud of the implementation of such a project on the territory of the city, in which they are primarily attracted by the non-standard implementation and modernity of the image.

Object security issues

Before June 2011, several keys from the monument were stolen (keys F1, F2, F3, Y), and the Apple logo was applied to the Windows key.

In this regard, in June 2011, the head of the public art program of the Perm Museum contemporary art PERMM Nailya Allahverdieva proposed moving the keyboard monument to neighboring Perm. According to her, no one cared about it in Yekaterinburg, but the Perm museum was very interested in this art object.

But through the efforts of the Yekaterinburg initiative group, which included Evgeny Zorin, Lidiya Karelina, and director of Litek LLC Nadezhda Zaostrovnykh, on August 17, 2011, the lost keys were restored. The renovation of the monument was made possible thanks to Anton Borisenko, director of the Union Trucks company, which sells and services trucks. The author of the monument, Anatoly Vyatkin, was present during the restoration work.

According to the project coordinator, Nadezhda Zaostrovnykh, thanks to the renovation, the famous Ekaterinburg landmark will now definitely not leave for Perm. “But the problem remains, I would like the largest keyboard in the world to be included in the register of monuments, protected by the state and no one could ever take it away from us. To do this, we have compiled a collective appeal to add the keyboard monument to the register cultural values, On July 30, 2011, on System Administrator Day, we collected more than 100 signatures and on August 4, 2011, transferred everything to the city administration. We are still waiting for an answer,” noted Nadezhda Zaostrovnykh.

At the instigation of Evgeny Zorin and like-minded people, regular cultural events began to be held at the monument, the main one of which is the so-called annual “Subbotnik on the Keyboard”. During the cleanup work, keys are cleaned and painted, and championships are also held in throwing non-working computer mice at range, lifting a bunch of hard drives, etc.

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Excerpt characterizing the Keyboard Monument

Princess Marya postponed her departure. Sonya and the Count tried to replace Natasha, but they could not. They saw that she alone could keep her mother from insane despair. For three weeks Natasha lived hopelessly with her mother, slept on an armchair in her room, gave her water, fed her and talked to her incessantly - she talked because her gentle, caressing voice alone calmed the countess.
The mother's mental wound could not be healed. Petya's death took away half of her life. A month after the news of Petya’s death, which found her a fresh and cheerful fifty-year-old woman, she left her room half-dead and not taking part in life - an old woman. But the same wound that half killed the countess, this new wound brought Natasha to life.
A mental wound that comes from a rupture of the spiritual body is exactly the same as a physical wound, strange as it may seem, after deep wound has healed and seems to have come together at its edges, the mental wound, like the physical one, heals only from the inside with the bulging force of life.
Natasha’s wound healed in the same way. She thought her life was over. But suddenly love for her mother showed her that the essence of her life - love - was still alive in her. Love woke up and life woke up.
The last days of Prince Andrei connected Natasha with Princess Marya. The new misfortune brought them even closer together. Princess Marya postponed her departure and for the last three weeks, like a sick child, she looked after Natasha. Last weeks Natasha spent in her mother’s room strained her physical strength.
One day, Princess Marya, in the middle of the day, noticing that Natasha was trembling with a feverish chill, took her to her place and laid her on her bed. Natasha lay down, but when Princess Marya, lowering the curtains, wanted to go out, Natasha called her over.
– I don’t want to sleep. Marie, sit with me.
– You’re tired, try to sleep.
- No no. Why did you take me away? She will ask.
- She's much better. “She spoke so well today,” said Princess Marya.
Natasha lay in bed and in the semi-darkness of the room looked at the face of Princess Marya.
“Does she look like him? – thought Natasha. – Yes, similar and not similar. But she is special, alien, completely new, unknown. And she loves me. What's on her mind? All is good. But how? What does she think? How does she look at me? Yes, she is beautiful."
“Masha,” she said, timidly pulling her hand towards her. - Masha, don’t think that I’m bad. No? Masha, my dear. I love you so much. We will be completely, completely friends.
And Natasha, hugging and kissing the hands and face of Princess Marya. Princess Marya was ashamed and rejoiced at this expression of Natasha’s feelings.
From that day on, that passionate and tender friendship that only happens between women was established between Princess Marya and Natasha. They kissed constantly, spoke tender words to each other and spent most of their time together. If one went out, then the other was restless and hurried to join her. The two of them felt greater agreement among themselves than apart, each with itself. A feeling stronger than friendship was established between them: it was an exceptional feeling of the possibility of life only in the presence of each other.
Sometimes they were silent for hours; sometimes, already lying in bed, they began to talk and talked until the morning. They talked mostly about the distant past. Princess Marya talked about her childhood, about her mother, about her father, about her dreams; and Natasha, who previously with calm incomprehension turned away from this life, devotion, humility, from the poetry of Christian self-sacrifice, now, feeling bound by love with Princess Marya, fell in love with Princess Marya’s past and understood a side of life that was previously incomprehensible to her. She did not think of applying humility and self-sacrifice to her life, because she was accustomed to looking for other joys, but she understood and fell in love with this previously incomprehensible virtue in another. For Princess Marya, listening to stories about Natasha’s childhood and early youth, a previously incomprehensible side of life, faith in life, in the pleasures of life, also opened up.
They still never spoke about him in the same way, so as not to violate with words, as it seemed to them, the height of feeling that was in them, and this silence about him made them forget him little by little, not believing it.
Natasha lost weight, turned pale and became so physically weak that everyone constantly talked about her health, and she was pleased with it. But sometimes she was suddenly overcome not only by the fear of death, but by the fear of illness, weakness, loss of beauty, and involuntarily she sometimes carefully examined her bare arm, surprised at its thinness, or looked in the mirror in the morning at her elongated, pitiful, as it seemed to her , face. It seemed to her that this was how it should be, and at the same time she became scared and sad.
Once she quickly went upstairs and was out of breath. Immediately, involuntarily, she came up with something to do downstairs and from there she ran upstairs again, testing her strength and observing herself.
Another time she called Dunyasha, and her voice trembled. She called her again, despite the fact that she heard her steps, called her in the chest voice with which she sang, and listened to him.
She didn’t know this, she wouldn’t have believed it, but under the seemingly impenetrable layer of silt that covered her soul, thin, tender young needles of grass were already breaking through, which were supposed to take root and so cover with their life shoots the grief that had crushed her that it would soon not be visible and not noticeable. The wound was healing from the inside. At the end of January, Princess Marya left for Moscow, and the Count insisted that Natasha go with her in order to consult with doctors.

After the clash at Vyazma, where Kutuzov could not restrain his troops from the desire to overturn, cut off, etc., the further movement of the fleeing French and the Russians who fled after them, to Krasnoye, took place without battles. The flight was so fast that the Russian army running after the French could not keep up with them, that the horses in the cavalry and artillery became weak and that information about the movement of the French was always incorrect.

The Keyboard Monument is the first land art sculpture in Yekaterinburg dedicated to a computer keyboard, located on the second tier of the Iset River embankment, from Gogol Street. Opened on October 5, 2005. Author - Anatoly Vyatkin.

History of creation

The keyboard was created in 2005 as a special project of the festival “Long Stories of Yekaterinburg” according to the design of Anatoly Vyatkin. The producers and curators of the project were Nailya Allahverdieva and Arseniy Sergeev, who at that time represented the cultural agency ArtPolitika. The production of the project was carried out with the technical support of the Atomstroykompleks company. Despite the high popularity among citizens and guests of the city, the project never acquired the official status of a monument or landmark. In fact, not recognized by local authorities as a culturally significant object, the keyboard was nevertheless included in many unofficial guides to Yekaterinburg. In the spring of 2011, painting began on the asphalt of the “Red Line”, passing through 32 main attractions of the city center.

Design features

The monument is a replica of a concrete keyboard on a scale of 30:1. Consists of 104 keys made of concrete weighing from 100 to 500 kg, arranged in a QWERTY layout. The keys are located in recesses at intervals of 15 cm. The total area of ​​the project is 16 4 m. The surface of the keys is flat with raised symbols of the alphabet and functional symbols, placed in the same order as on a regular computer keyboard.

Cultural features and assessments

The concrete “Keyboard” can be considered simultaneously both as a fetish of the computer era and as an industrial “rock garden”, a large-scale environmental experiment that forms a new communication environment on the territory of the city embankment of Yekaterinburg. Each button on the concrete keyboard is also a makeshift bench. The monument has become a cultural landmark of the city’s modern image and a new “brand”.

A positive response to the project is observed among all segments of the city's population. Monitoring the reaction of passers-by on the embankment showed that in 80% of cases the reaction of passers-by is enthusiastic, in other cases it is interested. Residents of the city are proud of the implementation of such a project on the territory of the city, in which they are primarily attracted by the non-standard implementation and modernity of the image.

Object security issues

Anatoly Vyatkin and Anton Borisenko restore lost keys

Until June 2011, several keys from the monument were stolen (keys F1, F2, F3, Y), and the Apple logo was applied to the Windows key.

In this regard, in June 2011, the head of the public art program of the Perm Museum of Contemporary Art PERMM, Nailya Allahverdieva, proposed moving the monument to the keyboard to neighboring Perm. According to her, no one cared about it in Yekaterinburg, but the Perm museum was very interested in this art object.

But through the efforts of the Yekaterinburg initiative group, which included Evgeny Zorin, Lidia Karelina, and director of Litek LLC Nadezhda Zaostrovnykh, on August 17, 2011, the lost keys were restored. The renovation of the monument was made possible thanks to Anton Borisenko, director of the Union Trucks company, which sells and services trucks. The author of the monument, Anatoly Vyatkin, was present during the restoration work.

According to the project coordinator, Nadezhda Zaostrovnykh, thanks to the renovation, the famous Ekaterinburg landmark will now definitely not leave for Perm. “But the problem remains, I would like the largest keyboard in the world to be included in the register of monuments, protected by the state and no one could ever take it away from us. To do this, we compiled a collective appeal to include the keyboard monument in the register of cultural property; on July 30, 2011, on System Administrator Day, we collected more than 100 signatures and on August 4, 2011, we transferred everything to the city administration. We are still waiting for an answer,” noted Nadezhda Zaostrovnykh.

The Keyboard Monument in Yekaterinburg is the most original and unusual landmark of the city. The composition is dedicated to one of man's great inventions - a device for entering information known as a keyboard. The monument to the keyboard is the first sculpture realized in Yekaterinburg, made in the style of land art. It is located on the left bank of the Iset River, on the site between two streets Kuibyshev and Malysheva.

The monument to the keyboard appeared in October 2005. The idea of ​​​​creating such an original composition belongs to the artist Anatoly Vyatkin. The curators of the project were N. Allahverdieva and A. Sergeev. The Atomstroykompleks company was chosen as the contractor.

The Ekaterinburg keyboard monument is an exact concrete copy computer keyboard, made on a scale of 1:30, consists of 104 concrete keys arranged in a QWERTY layout. The placement of the concrete keys matches a standard keyboard. The keys are mounted in recesses, the interval between which is about 15 cm. The weight of some of these keys reaches 500 kg. The total area of ​​the project is 64 sq.m.

I immediately fell in love with the monument local residents. Quite often, city residents use the “keys” as benches or a background for photo shoots, and the house that is located nearby is nicknamed the “system unit.” The concrete “buttons” were repeatedly stolen, which is why the sculpture had to be repaired.

Soon after the opening of the monument to the keyboard, its own beliefs and signs arose around it. They say that if you type your wish on this keyboard, jumping from letter to letter, and then put both feet on the “Enter” key, your wish will definitely come true. However, this will not be as easy as it seems at first glance, since the scale of the keyboard is quite impressive. Culturologists see in this monument a symbolic combination of Asian and European values.

Currently, the keyboard monument in Yekaterinburg does not have the official status of a monument, but Yekaterinburg residents really hope that it will soon be included in the list of cultural values ​​of the city.