Kinusaiga: master class with a diagram for beginners. Patchwork without a needle or the Japanese technique of kinusaiga - spectacular patchwork panels Pictures made from foam plastic and patchwork fabric

My hobby began with an acquaintance with the Kinusaiga technique, an invention of the Japanese who felt sorry for throwing away old kimonos and they made pictures from them =)) Well, as we know, it’s not Japan and kimonos are difficult to find, so we have to make do with domestic fabrics (chintz, calico , less often synthetics), and instead of wooden planks use foam plastic =)) It turns out, of course, not at all like that, so they even gave a different name =))

Here is a small tutorial on making paintings using the “patchwork without a needle” technique. We will make sunflowers:

Feel free to go to the hardware store and buy:
-a pack of ceiling tiles 5mm thick, preferably with a flat pattern
and PVA glue (it’s not diluted and cheap).
We will also need:
-A4 photo frame (or whatever you want)
-scissors
-cutter (ideally a breadboard knife)
-glue pencil (you can do without it if you draw directly on the foam)
-picture
-fabrics of suitable colors (I use regular cotton)

1). We take out the cardboard from the frame (we safely hide the glass away from children, we don’t need it)
2). We spread PVA on the cardboard and glue the foam to it.
3). We cut off the excess and put it under a press for 2 hours =)).

4). We coat the foam well with a glue stick and glue the design, press it well and wait another 30-40 minutes. (points 3-4 can be combined)
5). Take a knife and start cutting through each line x_X
6). Now give it to the children and let them “draw” with the fabric =))
7). It's better to start with large parts, take a suitable piece and press it along the contour.
8). We cut off all excess, leaving 2 mm at the edges.

9). Carefully hide the edges between the foam.
10). Thus, we begin to fill the picture from the middle. Because if you fill it right around the edges, pieces may fall off =))
eleven). Now we fill in along the edges, hiding the ends between the foam and cardboard.
12). Filled out? Place it in a frame and admire it! =)))
I hope it will be useful to someone =)
paintings using the technique "Patchwork without a needle" Sellin







And this butterfly settled on the lid of the box that my husband made for me =))



Comments on the topic:
I also have a question: do the pieces of material not stick? And do they hold up well?

Answer - I glued the sunflowers on top with diluted PVA glue with water 1:1, because there is a lot small parts and was very fringed, the rest were not, they hold up perfectly even if you shake them.
There is a MK on the Internet where they glue the fabric before work, I tried to do this, it turns out very dirty, small fluff sticks everywhere, you have to wipe your hands all the time or run to wash them, it was much more pleasant to work with a dry, clean cloth =)
Sellin, would you share the pictures, especially the cat, please!
I’ll share, the cat is the easiest to make =)) I pulled the pictures myself from all over the Internet, but I don’t know the authors (I would have given links) =)) in general, using this technique you can make any drawing, just choose where there are fewer wavy lines and more or less large ones details =))

Is it possible to work with fabric without a needle and create delightful panels from pieces? Yes, such art was invented many centuries ago.

It’s easy to guess from the name that the kinusaiga technique came to us from the East. Like all Japanese forms of creativity, kinusaiga amazes with its originality, brightness and many ideas that can be realized using simple techniques. Paintings made from rags have already conquered European needlewomen. But not many people know how to practically make a panel from pieces of fabric without using threads or needles.

History of art kinusaiga

Like the classic one, Japanese technology Kunusaiga is the result of saving. Initially, the main material for patchwork “painting” on wood was the remains of silk from a worn kimono.

Traditional Japanese clothing has long been made from the most expensive fabric a family could afford. So just throw it away old thing no one raised their hand. After the kimono wore out, it was recut into smaller items for everyday use, and the remaining small scraps were used to make paintings to decorate the home.

The basis for wall panels made using the kinusaiga method were wooden planks. The craftsmen drew a sketch on paper and copied it onto the board. After this, along the contour future painting slits were made into which silk scraps were tucked. Thus, from small pieces of different colors, three-dimensional objects were obtained that grew into paintings of extraordinary beauty.

Most often, the Japanese depicted landscapes or intricate geometric patterns on their canvases. The amount of small details, skillful combination of colors, smooth transitions from one shade to another. Skilled craftsmen created canvases that looked more like paintings and even photographs than like paintings made from “waste material.”

Modern patchwork without a needle

European patchwork without a needle, or the kinusaiga technique, has its own distinctive features:

• applied nature of products. Modern needlewomen create not only wall panels, but also decorate boxes, key holders, boxes, Christmas decorations etc.;
• various types of fabrics. In addition to traditional silk, cotton and linen fabrics, thin fleece, and velvet are used. This allows you to make things more textured and interesting;
• additional decorative elements. If on the ancients Japanese paintings there was nothing but scraps of fabric, modern masters handmade decided that various ribbons, lace, and beads would add charm to the finished products.

Basic principles of work in Japanese technology

Kinusaiga's performance technique has not changed over many centuries. Pre-cut pieces of fabric are placed on a flat backing or three-dimensional object. And their edges are tucked into special slots (grooves). As a result of the combination of pieces of different colors and shapes, an original plot or pattern emerges.

What you need for needlework

Necessary materials:

1. Foam blanks. For paintings, panels, and box lids, use sheet foam. This could be packaging from household appliances, cut into layers 1-1.5 cm thick. if you are planning to make New Year's ball, Valentine's card, Easter decor using the Kinusaiga technique, purchase special foam plastic figures at a handicraft store.
2. Fabrics. The more fabrics of different textures and colors you manage to collect, the more varied your future works will be. You don’t have to immediately run to the store and buy dozens of cuts. If you are just at the beginning of the “patchwork journey”, just open the closet and do an audit. This way you will kill two birds with one stone - make room for new things and get a huge stack of material for creativity.
3. Ribbons and braid of any width, decorative cords, lace, buttons. If you are already into other handicrafts, then all these elements are probably present in your box. If this is your first work, then look around again and see a lot of little things that will be useful when decorating your future masterpiece.
4. Scissors. They must be sharp so that the cut pieces crumble as little as possible.
5. PVA glue for gluing fabric to the base for kinusaiga.
6. A pencil or thin marker for drawing a design on the foam.
7. Fabric marker or sewing chalk to create the outline of future scraps.
8. A utility knife to make slits in the foam;
9. Copy paper.
10. A stack (or something similar) that you will use to tuck the edges of the fabric.

How to make the first panel

When all the tools are prepared, you can begin to create paintings using the Kinusaiga technique.

1. The first step is to decide on the idea of ​​the future product. Easier to navigate by photos finished works, schematic drawings. You can make a sketch yourself. To do this, you need to choose any picture you like (to begin with, it’s better if it’s not too saturated), transfer it to paper and draw it with lines, which will be the boundaries of the multi-colored patches.
2. After the sketch is transferred to paper, schematically indicate on it all the shades used. Identical colors can be marked with numbers or icons. Don't try to save time by skipping this step. If the shades are mixed up during the work, the rework will take much more minutes.
3. Using carbon paper, transfer the outline of the design onto the foam base.
4. Carefully make slits 3-4 mm deep using a stationery knife. Try to follow the contour clearly, otherwise the future drawing will also look uneven. The basis for the kinusaiga is ready.
5. At the next stage, return to the sketch again. Cut it into pieces.
6. Place each piece of paper on the fabric according to the numbers marked, trace it with a marker and cut it out, leaving an allowance of 2-3 mm along the entire contour.
7. Proceed to the main and most exciting operation. Take one piece of paper, apply it to the desired area on the foam and tuck the edges into the cut out outline. Do this operation with all the pieces.
8. If you want the design to be slightly voluminous, you can use filler. Ordinary cotton pads or thin padding polyester are best suited for this purpose. Place them in one layer under the elements that you want to highlight (for example, the petals of a flower or the outline of an animal or other object).
9. After all the scraps have found their place, proceed to decorating the finished picture of the kinusaiga. Most often, decorative elements are laid along the same joints of pieces of fabric.
10. To make the product pleasing to the eye longer, and to keep the shreds more firmly on the backing, each piece can be coated with a little glue before applying.

Like this interesting way creating paintings and decorating interior items can be mastered in one day. The Japanese technique Kinusaiga is suitable for both independent studies handicrafts, and for creativity lessons with children. This is a wonderful alternative to the usual knitted patchwork.

The technique is great for those who are comfortable with a sewing machine or just want to learn a new craft. Pick up necessary materials and feel free to start creating!

Paintings made from scraps of fabric are a relatively new type of needlework called kinusaiga. The word is of Japanese origin, as it was there that it originated this creativity. Kinusaiga is divided into several directions: patchwork, patchwork (quilting, quilting). What unites them is the material - flaps, but what distinguishes them is the technique of execution.

In this topic, the reader will learn how to make paintings from scraps of fabric with their own hands, the diagrams of which can be downloaded and printed from the Internet.

Meet patchwork

The uniqueness lies in the fact that paintings from scraps of fabric are created without the use of a needle and thread. And the advantage of patchwork is its relative simplicity of execution, so even a novice master can create real masterpieces. Paintings from scraps of fabric:

• are a worthy decoration.
• will be appropriate for any kitchen.
• will become a good gift to relatives or friends on the occasion of housewarming and other celebrations.
• do not require the purchase of expensive materials (everything you need can be found in any home).
• performed quickly (3-4 hours).
• have a 3D effect.

Before starting work, you need to prepare materials and tools so that they are at hand at all times.

• A sheet of polystyrene foam with a density of 25, 2-2.5 cm thick. You can use pieces that are used to package equipment at manufacturing plants.
• All kinds of colorful patches different sizes. It is desirable that the fabric is thin. Rough and dense material is not suitable for small parts.
• PVA glue (superglue is not suitable, it melts the foam).
• Scalpel and stationery knife (you can use one or the other).
• Manicure scissors.
• A seam ripper, which can be purchased at any craft store. Some craftswomen use a nail file; This is also possible, but the first option is more convenient.
• Printed on a piece of paper

Master class “Fabric panels on foam plastic”

Wall panel "Puss in Boots"

The ancestor of the technique of appliqué on foam plastic is Japanese art.
The culture, art, and traditions of Japan never cease to amaze and delight us to this day.
What haven’t the inventive and incredibly sensitive Japanese come up with! And here is another amazing phenomenon: patchwork paintings - the so-called kinusaiga.
Kinusaiga- This is a kind of synthesis of several techniques. This is, firstly, the appliqué technique, secondly (it was this technique that gave rise to calling kinusaiga patchwork paintings), thirdly, mosaic, fourthly... wood carving.
In other words, kinusaiga is a technique of mosaic patchwork appliqué on wood.
Kinusayga – artistic genre, which arose, so to speak, on the basis of economy. Or rather, Japanese frugality. This was originally a way to “recycle” old, worn-out kimonos. Silk kimono is an expensive and beautiful fabric, I wanted to give it a “second life”. And they came up with it!

Kinusaiga patchwork paintings are created like this. Firstly, the design of the future patchwork picture is drawn on paper. All lines are transferred to the tree. And along these lines, grooves 2 mm deep are cut into the wood.

Then the paper picture is painted - each fragment a certain color. These fragments are numbered (both on paper and on wood), and according to the shape of each piece, exactly the same piece of the same color is cut out of fabric, only a little larger. The technique of appliqué on wood requires that a 1 mm allowance be left along the edges of each piece. This edge will be tucked into a groove cut in the wood when the fragment itself is glued to the appropriate place.

Kinusaiga is a rather rare genre: not all Europeans who visited Japan were lucky enough to look at patchwork paintings. But on those who manage to see them, they make an indelible impression.

Instead of wood, foam plastic can be used as a base for the panel. This greatly simplifies the process of doing the work. And allows even students to engage in this type of creativity junior classes. Virtually no need to complete the panel material costs. For the base, you can use leftover construction foam. Well, to “color” our panel, unnecessary children’s clothing or things that are out of fashion are suitable. It is better to use fabrics that stretch well.
Materials and tools:
Styrofoam
Scraps of fabric
Marker
Stationery knife
Nailfile

Panel manufacturing process

Prepare a piece of foam plastic of the required size. In this case - 80x50. The thickness of the foam is 3 cm. To cut the foam we use a stationery knife. Apply the design you like onto the foam with a marker.

Using a utility knife, make slits along all the drawn lines. We extend the blade of the knife by 1-1.5 cm.

Well, now the fun begins! Take a piece of fabric larger than the area to be filled

Using a nail file, carefully tuck the fabric into the prepared slots.

We tuck the remaining fabric into the slits so that the edges are even. Some craftsmen recommend coating the slots with glue for strength. This is completely optional. If you do all the work correctly, the fabric will hold tightly even without glue. In addition, it is much easier to work without glue, especially if children are involved in the work.

Patchwork on foam plastic is a type of patchwork technique, which is also called “patchwork without a needle.” The foam patchwork technique is based on the Japanese Kinusaiga technique, founded in 1987. The enterprising Japanese were sorry to throw away old kimonos made of expensive fabrics, so they decided to find a non-standard use for them - to make paintings from scraps. But the Kinusaiga style involves making paintings on wood, and our method is on foam plastic, which is much simpler and faster.

The patchwork technique is quite interesting and unusual and will certainly interest many creative personalities. The materials for making paintings on foam plastic are quite simple and affordable:

Thin sharp knife

A sheet of polystyrene foam (a new generation of polystyrene foam - penoplex, as well as a couple of sheets of foam plastic ceiling tiles glued on top of each other are also suitable),

scraps of fabric,

A blunt object like a nail file (for pushing fabric into the foam)

Felt pen,

Scissors,

Template for a future painting.

1. Give the foam the desired shape and size. We transfer the drawing according to the template.

2. Cut out the contours of the picture sharp knife, the depth of the cut is at least 0.5 mm.

3. We try on scraps of fabric, apply them to individual parts of the design and lightly tuck the edges of the fabric into the slots of the foam using a nail file or other thin, blunt object. When trying on the flap, do not try to push it deep into the slot. It is better to cut off the excess fabric with scissors and only then insert the flap completely.

Do the above with each detail of the painting. If some parts turn out to be too small and the edges of the fabric are too fringed, then coat finished painting PVA glue diluted with water in a ratio of 1:1.

Finish the edges of the painting. You can make a frame either from scraps of fabric or from wood (ready-made).