What colors to mix to get grey. DIY beauty: how to get blue and what colors you need to mix for this

When taking their first steps in working with decor, most artists are faced with the problem of the lack of many shades in standard sets paints Yes and in Everyday life The need to obtain different tones arises quite often: from choosing the color to paint the walls in the house to choosing the perfect eye shadow. However, do not be upset if your existing arsenal of paints does not contain the necessary element. Remember, with only three basic colors: yellow, blue and red, you can get any shade existing in nature. So, to get orange, you just need to mix two basic colors: red and yellow, and also become familiar with some of the nuances that artists use when mixing paints.

First, let's prepare everything you need. You need to bring:

1. surface for mixing (for example, a palette);
2. yellow and red paint;
3. brushes;
4. canvas or other working surface, on which it is planned to apply the resulting material (watercolor paper, pastel paper, etc.).

To ensure the final color is perfect, before starting work, make sure that the surface is cleaned of foreign particles (lint, dust particles, brush hairs, etc.). You also need to immediately decide which method you plan to obtain the desired orange tone. If mixing is done on paper, the final shade is obtained by overlapping the tone after applying one layer of composition to another. If you mix colors on a palette or jars, the result is a separate new tone.

Receiving process

To get the orange color by combining shades on paper, you first need to decide what you want to get in the end. Because if you apply yellow on top of red, the resulting tone will be darker than if you apply red on top. It is also important to ensure that the mixing brush is clear of any extraneous shades, because... the presence of paint of a different color on the brush hairs can give a completely unexpected result.
The same rule must be followed if you are planning to get the necessary Orange color in dry painting. Just apply layers of red and yellow on top of each other and then rub together. The resulting shade will entirely depend on what color layer was applied on top: if the last layer was yellow, then the orange will be lighter, if red, a red-orange tone will be formed.

When mixing paints on a palette, the situation is somewhat simpler. You need to apply a little of one base paint and another to it, and then mix with a palette knife (a special small spatula). A regular brush will work, but again, make sure the brush is clean of other paints.

Completely different mixing rules must be followed if you work with oil paints. To make the final color orange, you need to apply the yellow and red strokes very close to each other, then when you move a little distance away, you will see that you have achieved the desired effect.

Correct proportions

The proportions of red and yellow paints depend solely on what shade you want to get as a result. So, when mixing paints in equal proportions, the result is a classic orange color. In order for the final orange to be more golden or yellow-orange, yellow paint must predominate. While to get a rich fiery orange, more red should be added. You can also soften the resulting shade of orange by adding a little white paint, then you will get a lighter, pastel tone. But to darken the tonality, it is better not to use black, since it does not so much darken as it drowns out the color spectrum. To achieve a darker shade of orange, it is recommended to use a little dark gray.

Conclusion

The principle of obtaining orange paints is quite simple; it is enough to know the RGB model and the principles of mixing to make the most durable composition. The type of work, be it painting or decorating a room, does not change the method of obtaining orange flowers.

Take paints. Any kind of paint will do - even those used on furniture or walls - but it is best (and cleanest) to practice with a few small tubes of oil or acrylic paint. First, let's see what happens if we mix just two colors - red and blue.

• Note: Black can be obtained by mixing existing colors. Black pigment, of course, exists, but its use is too conspicuous. It is better to obtain dark colors by mixing transparent primary colors: shadows also have shades, depending on the time of day and other factors.
• Read the "Other Tips" section below for guidance on choosing the best magenta and cyan.

1. Mix red and blue. Everyone knows that red and blue when mixed give purple, is not it? Indeed, but it's not that bright, vibrant purple. Instead they form something like this:

   • Not very pleasing to the eye? This is because red and blue absorb more and reflect less of the spectrum, producing a dark, dirty purple instead of a vibrant and bright one.

2. Now try this: mix magenta with a little cyan and you will see the difference. This time you will get something like this:

   

   • Magenta is a shade of purple, cyan is a blue-green shade, often called royal blue or turquoise. Along with yellow, they are the primary colors in the CMYK model, which is based on a subtractive color scheme (producing color by subtracting individual components from white). This scheme is used in printing, including color printers.
   • You can see that using true primary colors - magenta and cyan - results in a much brighter, more vibrant hue. If you want a deeper purple, add more blue. For a deep purple, add black.

3. Mix pigments to create primary and secondary colors. There are 3 main color pigments: cyan, magenta and yellow. There are also 3 secondary colors obtained by mixing two primary colors:

   • Cyan + yellow = green
   • Cyan + magenta = blue
   • Magenta + yellow = red
   • Cyan + magenta + yellow = black
   • In subtractive color mixing, the combination of all colors produces black.

4. "Read the information below. The Mixing Paints section provides more detailed guidance on how to achieve a wide range of shades, including light, dark and greyish. The Tips section provides an extensive list of colors and combinations that you can use to get those colors on your palette.

   Light mixing: additive colors

   1. Take a look at your monitor. Look at the white areas on this page and get as close as possible. Even better if you have a magnifying glass. When you bring your eyes closer to the screen, you will see not white, but red, green and blue dots. Unlike pigments, which work by absorbing color, light is additive, meaning it works by adding up light streams. Cinema screens and displays, whether it's a 60-inch plasma TV or the 3.5-inch Retina display in your iPhone, use an additive method of mixing colors.

      Mix light to create primary and secondary colors. As with subtractive colors, there are 3 primary and 3 secondary colors obtained by mixing the primary colors. The result may surprise you:

      • Mixing red + blue = magenta
      • Mixing blue + green = cyan
      • Mixing green + red = yellow
      • In additive color mixing, the combination of all colors produces white.
      • Please note that primary additive colors are secondary subtractive colors, and vice versa. How can it be? Know that the effect of subtractive color is a combined process: it absorbs some colors, and we perceive what remains, that is, reflected light. Reflected color is the color of the luminous flux that remains when all other colors have been absorbed.

   Modern color theory

   1. Understand the subjective nature of color perception. Human perception and identification of color depend on both objective and subjective factors. While scientists can detect and measure light down to the nanometer, our eyes perceive a complex combination of not only hue, but also color saturation and brightness. This circumstance is further complicated by the way we see the same color on different backgrounds.

      Hue, saturation and lightness are the three dimensions of color. We can say that any color has three dimensions: hue, saturation and lightness.

      • Tone characterizes the position of color on color wheel- red, orange, yellow and so on, including all intermediate colors such as red-orange or orange-yellow. Here are some examples: Pink refers to a magenta or red tone (or anything in between). Brown refers to the orange tone because brown is dark orange.
      • Saturation- This is what produces rich, vibrant color, like on a rainbow or color wheel. Pale, dark and muted colors (shades) are less saturated.
      • Lightness shows how close a color is to white or black, regardless of color. If you do black and white photograph colors, it will be possible to tell which of them are lighter and which are darker.
        • For example, bright yellow is a relatively light color. You can lighten it up even more by adding white and making it a pale yellow.
        • Bright blue is naturally dark and low on the light scale, while dark blue is even lower.

   Mixing paints

   1. Follow these instructions to get any color you want. Magenta, yellow and cyan are primary subtractive colors, which means that they can be mixed to create any other color, but they themselves cannot be obtained from other colors. Primary subtractive colors are used when mixing pigments such as inks, dyes and paints.

      

      Low saturation colors (soft colors) come in three main types: light, dark and muted.

      Add white to get lighter colors. Any color can be lightened by adding white to it. To achieve a very light color, it is better to add the base color to the white a little at a time so as not to waste excess paint.

      Add black to get dark colors. Any color can be darkened by adding black to it. Some artists prefer to add a complementary color that is opposite a given color on the exact CMY/RGB color wheel. For example, green can be used to darken magenta and magenta can be used to darken green because they are opposite each other on the color wheel. Add black or complementary color a little at a time so as not to overdo it.

      Add white and black (or white and a complementary color to the original) to create muted, grayish colors. By varying the relative amounts of black and white flowers, you can get any desired level of lightness and saturation. For example: add white and black to yellow to get light olive. Black will darken yellow, turning it into olive green, and white will lighten that olive green. Different shades of olive green can be achieved by adjusting the amount of color added.

      • To achieve a desaturated color such as brown (deep orange), you can adjust the hue in the same way as to achieve bright orange - by adding small amounts of nearby colors on the color wheel: magenta, yellow, red or orange. They will make the brown brighter while changing its shade. But since brown is not a bright color, you can also use colors on the other sides of the triangle, such as green or blue, which will darken the brown while changing its hue.

   2. Get black. This can be done by mixing any two colors that are mutually complementary, as well as three or more colors that are equidistant from each other on the color wheel. Just don't add white or any color containing white unless you want a shade of gray. If the resulting black leans too much toward a particular color, neutralize it by adding a little complementary color to that color.

      Don't try to get white. White cannot be obtained by mixing other colors. Like the three primary colors - magenta, yellow and cyan - you will have to buy them, unless, of course, you are working with materials like watercolor, for which paper itself is used instead of white if necessary.

      Develop an action plan. Think about the hue, lightness, and saturation of the color you have and the color you want, and make adjustments accordingly.

      • For example, the shade of green can be brought closer to cyan or yellow - its neighbors on the color wheel. It can be lightened by adding white. Or darken it by adding black or a complementary color, namely purple, magenta or red, depending on the shade of green. You can tone it down by adding black and white, or make the desaturated green a little brighter by adding (bright) green.
      • One more example. You mixed red and white to make pink, but the pink came out too bright and warm (yellowish). To correct the warm shade, you will have to add a little magenta. To tone down hot pink, add white, a complementary color (or black), or both. Decide if you want a darker pink (add only the complementary color), a grayish pink (add white and the complementary color), or just a lighter pink (add only the white). If you plan to adjust the hue with magenta and tone down the pink with green or cyan (complementary to magenta and red), you can try combining the two by using a color between magenta and cyan, such as blue.

   3. Mix paints and start creating a masterpiece! If all of this seems overwhelming, you just need a little practice. Creating a color guide for your own needs - good way Practice using the principles of color theory. Even by printing it from your computer, you will provide yourself useful information for a time when you do not yet have practice and cannot work on an intuitive level.

   Samples of colors and methods for obtaining them

   • Select the color you want and follow the instructions below. Each sample provides a range of possibilities; you can adjust the amount of paint you use to get exactly the color you want. For example, any light color can be lightened or darkened by adding more or less white. Complementary, or complementary, colors are colors that are opposite each other on the RGB/CMY color wheel.
   • Red: Add a little yellow or orange to your magenta.
     • Light red (salmon pink, coral): Add white to red. Use less white and more red to get coral.
     • Dark red: Add a little black (or cyan) to the red. Cyan is complementary to red.
     • Muted red: Add white and black (or cyan) to red.
   • Yellow: Yellow cannot be obtained by mixing other colors. You'll have to buy it.
     • Light yellow: Add white to yellow.
     • Dark yellow (olive green): Add a little black (or purple-blue) to the yellow. Violet-blue is complementary to yellow.
     • Muted yellow (light olive): Add white or black (or purple-blue) to yellow.
   • Green: Mix cyan and yellow.
     • Light green: Add white to green.
     • Dark green: Add a little black (or magenta) to the green. Magenta is complementary to green.
     • Grey-green: Add white and black (or magenta) to green.
   • Cyan (turquoise blue): Cyan cannot be obtained by mixing other colors. You'll have to buy it.
     • Light cyan: Add white to cyan.
     • Dark cyan: Add a little black (or red) to the cyan. Red is complementary to cyan.
     • Grey-blue: Add white and black (or red) to the cyan.
   • Purple Blue: Mix magenta with cyan or blue.
     • Light violet blue (lavender): Add white to the purple-blue.
     • Dark violet blue: Add a little black (or yellow) to the purple-blue. Yellow is complementary to violet.
     • Grayish-violet-blue: Add white and black (or yellow) to the purple-blue.
   • Violet: Mix magenta with a little cyan, blue or violet blue.
     • Light purple: Add white to purple.
     • Dark purple: Add some black (or lime green) to the purple. Lime green is complementary to purple.
     • Muted purple: Add white and black (or lime green) to the purple.
   • Black: Black can be created by mixing any two complementary colors or three equidistant colors on the precise CMY/RGB color wheel, such as red, green and blue. If you end up with a dark color instead of pure black, correct it by adding a complementary color.
   • White: White cannot be obtained by mixing other colors. You'll have to buy it. For a warm white (such as cream), add a little yellow. To get a cool white, add a little cyan.
   • Grey: Gray is a mixture of black and white.
   • When mixing paints, add a little at a time to adjust the color. You can always add more. This is especially true when working with black and blue, which tend to dominate other colors. Add a little at a time until you achieve the desired result.
   • To find out if a color is complementary, use your own eyes. It's an old trick: look closely at a color, then look away at a white surface. Due to “color fatigue” in the eyes, you will see the opposite color.
   • Choosing primary colors when purchasing can be difficult. Look for magenta that does not contain white or blue pigments (PW and PB). The best pigments are violet and red pigments such as PV19 and PR122. Good cyan PB15:3. PB15 and PG7 are also good. If you need art paints or glaze, you can try to match the colors using a printer. Print a sample from your computer to take with you to the store, or look for primary colors on the sides of a cereal or cookie package.
   • You need one color triangle of colors that provide visual balance to the painting, and another color triangle to identify pairs of colors that neutralize each other, since the complementary colors for these tasks are slightly different. So, ultramarine goes well with lemon yellow and other beautiful yellows, but to darken those yellows, use purple. More information on this subject can be found online.
   • How many tubes with different colors actually needed to paint a picture? In Jean-Louis Morell's book about watercolor painting shows how, using the cyan-yellow-magenta color triangle, you can get almost any desired color out of only four or five, but this can be done using the above three plus white (paper acts as white in watercolor painting)!
     • The best range of shades can be obtained by mixing colors close to the CMY primary colors, but to get a darker shade, one - or better yet, two - must be darker than these primary colors, for example, Persian blue or cobalt blue, alizarin crimson.
   • What are you writing? Required colors completely depend on what you write. For example, ultramarine, Neapolitan yellow, burnt sienna and whitewash are useful for distant landscapes if bright greens and yellows are not needed.

   What you will need

   • Palette - a disposable paper palette works well.
   • Palette knife (any size)
   • Watercolor paper or primed canvas (you can buy these from your local art store; ready-made primed canvas works well)
   • Containers with water or solvent for washing brushes
   • Synthetic brush of your choice (#8 round or #6 flat works well)
   • Spray bottle to keep water-based paints from drying out
   • Paper towels for removing dirt and cleaning brushes
   • Color circle
   • Paints
   • A robe or an old shirt that you don’t mind getting dirty
   • Gloves

There can be many reasons for looking for the color green. For example, you want to paint the kitchen, draw a landscape, or make leaves for a plant out of plasticine, and buy required material no possibility. Then you have to look for the answer to the question of how to get

Color Basics

The science called coloristics studies colors, their features and combinations. Any artist, even a beginner, has an idea of ​​how to get a particular shade by mixing paints, and, naturally, knows how to get green color.

You may not believe it, but all the objects around you are painted in only 3 colors. They are called basic. These are red, yellow and blue. By mixing these colors and using black and white, thousands of shades can be created: brown, purple, pink, orange and many more. By learning these basics, future artists will also learn how to produce the color green.

The color ring is used to visually study color. It is convenient to use it to determine which color needs to be mixed with which in order to obtain more complex shades. Moreover, changing the proportions of the initial colors also changes the final one. Paints from different companies may differ slightly in color - this also needs to be taken into account when mixing.

What should you mix?

We figured out that any color can be obtained by mixing red, blue and yellow. All that remains is to figure out what colors to mix to get green. For the answer, let's turn to the color ring. It clearly shows that the color we need is between yellow and blue. This means that they need to be mixed to get green. If you take paints in equal proportions, you will get a regular color, the kind you can find in a jar labeled “green.” But what happens if you change the amount of one of the colors?

Many shades

We have already talked about shades above, it remains to figure out what they are. This is what artists call colors that are very similar to the main one, but modified by adding other colors. Let's see what this looks like in practice.

We have already figured out how to get green by mixing blue and yellow in equal proportions. If the proportions change, the color will change. For example, adding blue to green will make the second “cooler”. This is the name of the shades that can be found on Adding yellow makes the color “warm”, for example light green. And if you add a lot of yellow paint, you get lemon.

How to change color correctly?

Artists are often faced with more difficult task- how to get a green color that is much more interesting than the standard one. To do this, you can experiment. For example, adding black - it will make the green darker, like a swamp or coniferous, but in some cases this is necessary. You need to work with black very carefully. Even the smallest drop can make the color look muddy, so add it a little at a time. And white will make the shade lighter. At the same time, the brightness will decrease - the green will appear as if in a fog. The same recommendations apply to other colors.

In pursuit of interesting shades, some begin to add all the colors in a row to green. This is not worth doing. Colors located on the other side can easily ruin everything. That is, if you mix yellow and blue, try not to add red and its shades to them. Only those who have sufficient painting skills can do this correctly.

Psychology of green

Knowing how to get green can be useful in many areas of life. But before actively using it in the interior, decide whether it suits you from a psychological point of view.

Experts have long noticed that furniture can greatly influence a person’s mood. For example, red evokes passion or aggression, soft pink is suitable for frivolous pastime, and orange adds energy and positivity.

As for green, a lot depends on its brightness and saturation. Lighter colors allow you to relax and have a pleasant rest after a hard day. working day, and juicy emerald shades or light green will add vigor. At the same time, dark colors make the interior more serious. But all psychologists are inclined to the same opinion - green is the most relaxing and calm color of all. If this is exactly what you need, actively use green in the interior.

How to get other colors?

Whatever your goals, it's unlikely that you can get by with just one color. Green can be successfully combined with many other shades, because in nature, leaves of this color serve as the background for irises, dandelions, forget-me-nots and poppies. Moreover, it all looks very harmonious. This means that green, if desired, can be successfully combined with any shades. But how to get them?

Red, yellow and blue are the main ones, as we found out above. They are complemented by black and white. A simple table will tell you what colors can be obtained by mixing.

The article gives a complete and detailed answer to the question of how to get green by mixing paints. This means that now you can easily cope with this task and create many amazing shades that are not in your paint palette.

Working with paints, getting different color schemes, thereby conducting experiments - interesting activity. A simple person can get carried away - an amateur, a professional artist. Experimenting, creating and enjoying the process is great! In this article we will also try to experiment. Let's find out what happens when you mix red and yellow.

It must be remembered that there are 3 main paint colors - blue, red and yellow; they cannot be obtained independently.

And the rest obtained by mixing are shades. What happens when you mix red and yellow? What color will it be? By mixing primary colors, secondary shade results are obtained. For example, if you mix:

• blue and red, you get an excellent purple tone;
• yellowish with red – orange;
• blue with yellow - green.

It is impossible to get black and white on your own - these are exceptional tones. If you add white to the paint, the shade will change and will look much lighter, but if you use black, the opposite effect will occur.

Mixing table

The required paint tones are not always available retail sales, That's why the best solution will receive them himself.

When deciding to get color scheme at home you need to be patient and at the same time have a good mood. This manifestation of independence has some advantages:

• You can get positive emotions from experiments.
• It is not forbidden to vary numerous times.
• You will still get the desired color.

On video: how to mix colors.

Any artist knows that a picture painted with his own hand must be alive and the appropriately selected tones must also be natural, which are obtained using trial methods.

The perceived painting should not contain more than three colors of paint, then it will be an artificial masterpiece.

In order to carry out work on mixing tones efficiently and the result exceeds all expectations, you need to know some rules:

• Do not mix paints made using on different basis. For example, on oil and water, everything should be uniform. Otherwise nothing will work out.
• It is not recommended to use expired coloring agents, as the pigment in them has settled to the bottom and is unlikely to mix with the base again.
• It is very difficult and almost impossible to choose the same shade that was previously there. In rare cases, this can be done by professionals, but for amateurs it is best to prepare a new color scheme.
• Before directly mixing the paints, it is necessary to thoroughly stir each color separately, so the quality will be clearer.

Based on the resulting shade, if necessary, you can conduct research again any number of times, adding different shades. But you should follow these tips:

• To avoid getting stained with paint, it is recommended to have a solvent.
• Work must be carried out in a specially designated place.
• Sufficient lighting in the room will also contribute to excellent results.

Color combination (2 videos)

Thanks to modern technologies, interior designers become real wizards. In the blink of an eye, they will make any room stylish and original. IN Lately More and more attention is being paid to color design. The most popular are non-standard shades that can be obtained by mixing colors.

Process Basics

Manufacturers of paints and varnishes presented a fairly wide range on the market. But it’s not always possible to choose what suits the interior perfectly. Combining several shades will help save time and money.

In many specialized stores you can use the services of a specialist who will help you make the desired color. But if you know the basic rules of how to mix dyes, you can do it yourself at home.

One thing to remember when mixing important rule: Do not combine liquid products with the dry mixture. They have different indices, so the coloring composition may eventually curdle.

The most interesting part of the process is creating the desired shade. There are four primary colors:

• white;
• blue;
• red;
• green.

By mixing them you can get any others. Here are some illustrative examples:

1. You get brown if you combine red and green. To make a lighter shade, you can add a little white.
2. Orange is the result of mixing yellow and red.
3. If you need green, you need to combine yellow and blue paints.
4. To get purple, you need to mix blue and red.
5. Red and white will result in pink.

This way you can mix endlessly.

Mixing acrylic-based materials

Designers love acrylic paints the most. They are very easy to work with, and the finished coating has excellent water-repellent properties. Their use has several nuances:

1. The working surface must be perfectly flat and smooth. To do this, it needs to be sanded.
2. It is important that the paint does not dry out.
3. To obtain an opaque color, use undiluted paint. Conversely, you can add a little water for transparency.
4. To be able to slowly select the desired color, it is recommended to use. Thanks to it, the product will not dry out so quickly.
5. Use the edge of the brush to distribute the paint.
6. Mixing is best done with a clean instrument. In this case, the colors should be directed towards each other.
7. To make a light tone, you need to add white dye to the solution, and to get a dark one, add black. It is worth remembering that the palette dark colors much wider than light ones.

Here are some examples of mixing acrylic-based paints:

1. Apricot color is obtained by mixing red, yellow, brown and white.
2. The recipe for making beige paint involves combining brown and white. If you want a bright beige, you can add a little yellow. For a light beige shade you will need more white.
3. Gold is the result of mixing yellow and red colors.
4. Ocher is yellow and brown. By the way, it is considered popular this season.
5. Khaki can be made by mixing green dye with brown.
6. To get purple you need three different colors: red, yellow and blue.

Mixing oil paints

Oil-based paints are more fluid, which necessitates more thorough mixing of the compositions if tones are mixed. The specificity and properties of oil colors provide the following advantages:

• the tone will be the most uniform, so the paint is perfect for decorating any surface;
• If desired, you can leave veins in the paint, which will allow you to create unusual effects on the canvas or wall.

Stirring the oil

Before work, it is important to evaluate whether it is possible to combine individual tones with each other, what will happen in the end. If you introduce a little glossy paint into matte paint, the result will be inexpressive. Adding matte paint to the shiny one helps make the latter a little more subdued.

You can use these methods:

1. Mechanical. In one container, on a palette, different colors are combined by mechanically mixing them. The saturation of the finished mass is adjusted by adding brighter or lighter shades.
2. Optic. This method is practiced only by professionals. Paints are combined to produce a new color when applied to a canvas or wall.
3. Color overlay. By layering strokes, a new tone is created.

Features of mixing paints

The mechanical method is the simplest, so it is recommended for beginners. When using color overlay, the result may differ from what was intended, which must be taken into account in advance. You can use the glaze method - first apply a darker color, then lighten it with strokes light paint. Better practice connecting oil paints in small portions, learn how to create original effects, and then start creating paintings or interior decoration.

The working process

By mixing several different colors, you can get a large number of different shades. Which ones?

Shades of Gray

Quite often used in interior decoration. They help create shadow or unobtrusive color, as well as:

1. You can create a regular gray by mixing black and white.
2. To create cold shades, you need to add a little green to gray, and ocher for warm shades.
3. Grey-green is gray with white and green.
4. Gray-blue - gray, white and a little blue.
5. Dark gray is the result of mixing gray and black.

Brown tones

To make the dye, you need to mix:

• green with red;
• red with blue and yellow;
• red with white, black and yellow.

How to create other original tones:

1. It will turn out mustard if in yellow paint add red, green and black dyes.
2. Tobacco shade is red, green, yellow and white.
3. Golden brown is the result of a combination of yellow, red, green, white and blue. In this case, there should be more yellow pigment.

Red tones

1. The basis for the pink shade is considered to be white. Red is added to it. The brighter the desired shade, the more red you should add.
2. To get a rich chestnut color, you need to mix red and black.
3. Bright red-orange color - red and a little yellow. The more of the latter, the paler the result will be.
4. You can give the dye a purple tint by mixing a few drops of bright blue and yellow flowers and red pigment.
5. To create raspberry, according to the recipe, you need to mix bright red + white + brown + blue. The more white, the pinker the hue.

Deep green color is formed by combining yellow and blue tones. The saturation of the finished dye depends on the amount of each of them. To create shades, you need to add other colors to green:

1. For mint you will need white.
2. To obtain an olive color you need green and a few drops of yellow.
3. The shade of grass can be obtained by mixing green with blue. Yellow paint will help to even out the color.
4. The color of the needles is the result of mixing green with black and yellow.
5. Gradually mixing green with white and yellow, you can create an emerald tone.

Violet tones

Purple is made by mixing blue and red. You can also use blue and pink paints - the final color will be light, pastel. To darken the finished tone, artists use black paint, which is added in very small portions. Here are the nuances for creating shades of purple:

• for light purple, you can dilute the finished color with white in the required ratio;
• for magenta you need to enter large quantity red paint rather than blue.

Orange color

When creating classic orange, combine one part of yellow and red paint. But for many types of paint you have to use more yellow, otherwise the color will turn out too dark. Here are the main shades of orange and how to get them:

• for light orange use pink and yellow, you can also add a little white paint;
• for coral, dark orange, pink, and white are required in equal proportions;
• for peach you need colors such as orange, yellow, pink, white;
• for red, you need to take dark orange and a little brown.

Important rule

Many people ask the question: is it possible to mix paints and varnishes from different manufacturers? It is advisable that the dyes being mixed are manufactured by the same company. It's even better if they come from the same batch. It is not recommended to mix dyes from different companies. They often have different properties, such as density, brightness, etc. Because of this, the finished coating may curl.

If you want to take a risk, you can combine a little bit of one and the other paint and apply the resulting solution to the surface. If it thickens or clumps, the experiment is a failure.

Computer help

You can mix several colors correctly using special computer programs. They help you see the final result and determine in percentage terms how much of a particular tone needs to be added. Such programs will help you figure out what shade you can get from the products that are available. They consist of several elements:

1. A button that removes tones from the set.
2. Color names.
3. Lines of input or output to or from a calculation.
4. Samples.
5. A button that introduces colors into a set.
6. Result windows.
7. New selection window and list.
8. Composition of the finished dye in percentage terms.

Mixing several different colors is a fairly common technique among designers. Unusual shades will help to decorate the interior favorably, make it original or even unique. You can even mix dyes at home. There are many recipes for creating one shade or another. For example, to get beige you need to combine white and brown, and to get pink you need to combine white and red.

It is recommended to always have a thinner on hand that will prevent the paint from drying out quickly. You should not mix products from different manufacturers, because the result will be a poor-quality coating. To find out the final result of mixing, you can use a special computer program.