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Text content of presentation slides: A trip to the “Museum House” Today we will look at a reproduction of a painting by the famous Russian artist Igor Emmanuilovich Grabar " March snow", which is currently on display at the State Tretyakov Gallery, like a harbinger of spring. The painting was painted in 1904. Grabar Igor Emmanuilovich. E. Grabar is an outstanding Russian artist and cultural figure, the author of many famous paintings. He was born in 1871 and died in 1960. Grabar lived long life and managed to do a lot for people, bring a lot of joy to people. Questions for students What time of year is shown in the picture? (Spring.) What month? (The first days of March.) What mood does the picture convey? (With joy from the onset of warmth, abundance sunlight.) Where is the snow still bright white and untouched? (Where people don’t go.) Where - with big amount traces, darkened by the thaw? (On the road.) Where is the one that has melted and turned red from the earth? (On the paths.) Is it possible, looking at the snow, to come to the conclusion that the sun is shining brightly outside? (Yes, shadows from trees are visible in the foreground; the objects depicted in the picture are lit differently.) Using what technique does the artist help us see this? (Using contrast.) What trees (coniferous or deciduous) does the villager walk past to get water? What age is the villager: is she a young girl or an elderly woman? (She is young, as she is about to fetch two buckets of water, she walks quickly, and she has the figure of a young girl.) What can you say about the village woman’s gait: does she walk slowly, sedately, or quickly, impetuously? (She walks quickly and swiftly.) Do you think the buckets are empty or full? (They are still empty, since the young lady is walking quickly.) Do the pictured buckets help you see that the day is dazzlingly bright and sunny? (Yes, there are bright reflections of the sun on them.) Description of the painting In the painting by I.E. Grabar depicts a March day. This is a rural landscape. In the foreground, a young girl is hurrying to fetch water, carrying a rocker with two buckets on one shoulder. Despite the fact that it is March, winter is in no hurry to give up its position - the girl is dressed quite warmly: a padded jacket, a floor-length skirt, and a scarf on her head. It’s not for nothing that people say that when March comes, you need to put on two trousers. After all, even though it’s getting warmer, especially in the sun, it’s still damp outside. And this is especially felt in the evening. You can tell it’s getting evening by the blue shadows of the trees on the melting snow. Such a shadow can only be obtained in the red rays of the sunset. The snow has already melted on the paths. The path goes somewhere into the distance, and the girl needs to do more to get fresh water. big way to the well. Several wooden huts are visible. On the right are the trees, they have already thrown off their warm snow caps and are waiting for warmth. Only the earth is in no hurry to throw off the duvet of snow. We see in the picture this entire thickness of snow, which will not soon surrender to the rays of the ever-growing March sun. But the snow has already become spongy, with icy lumps melted by the sun on top. But even this aged snow seems to the artist to be something marvelous. Grabar caught that elusive blue of the snow, which can only be seen at a certain time of the day, more precisely, when the day is about to give way to twilight. There is peace on the street, so quiet and calm, and you can only hear the girl stepping, breaking the thin ice crust that has formed on the path. Only this crunch is heard in the silence. The air already smells of spring, and to show this, the picture is painted softly and lightly. The viewer is attracted by the simplicity of the plot, harmony and beauty. rural life. The artist depicted the ordinary everyday life of the village residents. But he saw inimitable beauty in them. Grabar admires the awakening nature, admires the coming spring, trying to show the still hidden power of melt water, which is about to burst into streams into the village landscape.

March snow

“March Snow” - painting by I.E. Grabar, which depicts a young girl with a rocker against the backdrop of a village landscape. The author created his creation according to all the rules of impressionism.

In the painting, Grabar depicted a spring village landscape. The girl goes for water and carries a rocker with two buckets on her shoulder. “Martok has arrived, put on seven trousers” - this folk proverb very relevant, because in Russia the month of March is quite cool and damp. So the girl in the picture is dressed like a March woman: she’s wearing a quilted jacket, long skirt, and on the head there is a scarf made of warm material.

It's getting dark. The shadows of trees are visible in the snow. The snow is slowly melting. There is a well nearby, to which a path leads. The girl heads to the well to fill the buckets with fresh water.

Village huts are visible. The trees have thrown snow from their branches and are looking forward to the arrival of warm weather. spring days. The earth is still covered with a snow-white blanket and has not yet thought of parting with it. Despite the fact that it is calendar spring, winter is still not going to give up its powers of power. However, the breath of spring can already be felt and the snow layer is gradually giving way under the onslaught of the March sun, the rays of which are warming more and more.

Looking at the picture, one feels the beauty of nature, as well as peace and tranquility. It is very quiet around, and only the girl’s steps can be heard: she is walking on a melted crust of snow, which crunches under her feet. The painting conveys the beauty and harmony of the rural landscape. The author depicts the life of ordinary village residents of the Russian outback.

The picture evokes only positive emotions in the viewer, since it is painted easily, uncomplicatedly, and sincerely. It is clear that the author loves nature very much and, through his talent, conveys to the viewer all the charm and beauty of the countryside.

The painting “March Snow” was painted in 1904. Today it is stored in Tretyakov Gallery. The March day depicted by the author against the backdrop of a rural landscape leaves an extremely pleasant impression on the viewer. Looking at Grabar’s work, the viewer seems to feel nature being reborn from hibernation and enjoying the harmony of nature.

Description of the painting March Snow

The author of the painting “March Snow” I. E. Grabar chose for his canvas a simple plot from village life. Familiar rural landscape, complemented wooden houses and a girl with a rocker. Unusual in this canvas artistic style, which creates an expressive, snowy texture. Confident, generous steps of the brush, painting multi-colored shadows and bright highlights, immediately make it clear to the viewer who the main character is here.

March snow surrounded the entire space with its luxurious, bright mood. The cold, winter whiteness has already receded. The timid spring sun colors the fragile carpet in many expressive shades. A beautiful village woman in bright clothes walks along a dark, melted path. The daily bustle has consumed her, she cannot stop and admire the beautiful March snow.

All landscape elements that make up the plot of the painting are directed beyond the perimeter of the canvas. A small part of a tree is visible in the foreground, the shadows of which create an interesting pattern on the relief snow area. Dark paths lurk behind the scenes. And it seems that the girl is about to leave the picture to leave the viewer alone with this beautiful “March Snow”.

3rd grade. 5th grade.

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24.01.2015

Description of the painting by Igor Grabar “March Snow”

“March Snow” was painted by Igor Grabar in 1904, when he was visiting the artist N.V. Meshcherin, his friend, in the village of Churilkovo. Painting snow is a whole art, so Grabar’s words that in “March Snow” he simply “threw paints onto the canvas”, as nature sometimes does, sending them from the sky, ring in a special way here. The picture was almost finished when, on the thawed path, Grabar saw a girl hurrying to fetch water with a rocker and two buckets. Ten minutes later her figure pink skirt and a blue jacket already decorated the picture. Speaking about the style of execution, we can say that this work of the artist was made in the style of divisionism - the decomposition of color, characteristic of impressionism. The snow and even the dirt on the melted path are made with strokes of pure color, merging into one in the viewer’s eyes and becoming white.

A March day in the village is approaching evening, which is why the shadows from the trees are so long, stretching almost across the entire picture. The tree itself is not visible; it seems to be behind the viewer’s back. Porous loose snow under the rays spring sun becomes increasingly darker, saturated with water, and heavy. This is exactly how Grabar conveyed it, who found a real symphony of colors in the snowy tones under the rays of the sun. But he has snow not only in blue and blue tones. Here you can find a lot of pink and yellowish colors. There was no longer any snow left on the roofs of the village huts visible in the distance and on the trees. Everything indicates that spring is on the threshold, waiting in the wings. Russian nature, continuing to delight Igor Grabar, helped him create another portrait of its simplicity and perfection. It’s not for nothing that the painting “March Snow” is called a “symphony of colors” - the music of our unique and beloved Fatherland can really be heard in it.

An essay based on the painting “March Snow” by I. E. Grabar Igor Emmanuilovich Grabar is known not only as an artist, but also as an art historian and critic. Creative path Grabar was very difficult and contradictory. His work was characterized by two painting genres - landscape and portrait. And one of the main themes of Grabar’s landscape painting was the theme of Russian winter and snow. This topic particularly attracted him, which was reflected in many of his works. Igor Emmanuilovich himself wrote that he always strived for “objective truth in painting”; set himself the goal of “conveying nature to the point of complete illusion, to the point of impossibility of distinguishing between nature and canvas with painting.” In 1903-1908 the main early landscapes artist. The year 1904 was especially important and significant in his work. It was in this year that the most famous paintings, including “Rook’s Nests”, “ February blue" and "March Snow". At the exhibition of the Union of Russian Artists in 1904, these works attracted the attention of the public. Grabar’s paintings were called “almost the best at the exhibition.” Spectators noted that it is very rare that there is such a “transmission of nature like his.” The landscape “March Snow” was created in the village of Churilkovo, which is located next to the Dugino estate. This picture reveals not only the theme of nature. The figure of a girl with buckets is a lyrical motif, which, according to the artist himself, is one of the most typical of the Russian village. The name of the painting appeared thanks to the March snow, the texture of which occupies almost half of the painting surface. To depict March snow, the artist uses dense, voluminous brushstrokes. In the foreground of the picture is snow. The artist depicts snow throughout the entire space of the canvas. The figure of a girl with a rocker seems to “break” the snow field. When depicting the girl's figure, the artist used all the colors used in the painting. The girl’s figure seems alive, there is movement in her. The girl’s figure indicates strength, flexibility, and plasticity. We don't see her face. But one can imagine that this is a real Russian beauty. She is tall and slender, her gait is leisurely and stately. The girl is the only character in the picture. But the main thing in the work is still not she, but the snow. It is no coincidence that the painting is called “March Snow”. In this case, snow becomes a symbol of the passing winter and the approaching spring. The snow in the picture is amazing. It is impossible to determine what color the snow is. The color of the snow varies in different areas. In the foreground of the picture there is snow of a bluish tint. Where the shadow of trees falls on the snow, it is bright blue. The snow sparkles and shimmers. It seems amazing, multi-colored. In the background of the picture, the snow seems monotonous; it does not strike the eye with abundance. various shades. The author depicted a bright, sunny day. However, the picture does not depict the sky, so we do not see the sun. But presence sunny color it is felt precisely thanks to the snow. The rays of the March sun fall on the snow, which is why it takes on such interesting colors and shades. Shadows from tree branches fall on the snow. They seem to shake and move. This creates a completely special feeling of movement and life. The special rhythm of the picture creates an amazing feeling. The audience feels as if they are inside it. And now you can touch this amazing snow, loose and dense. His time has passed. The March sun is shining brighter and brighter. Soon the snow will all melt, giving way to a new season. I. E. Grabar entered the history of Russian painting as the poet of Russian winter. Even in the painting “March Snow” we can pay attention to the emotions with which the artist depicts last days winter. Everything around sparkles and shines. And you can feel the joyful mood of spring in this. The last snow is melting, winter is already ending. All nature

March is quite a fickle month. It gives a little warmth, gives rise to hope that soon there will be no trace of winter left. But the first month of spring cannot ensure the complete expulsion of cold weather. In his work, Grabar depicted snow, whose days are already numbered. The author skillfully noted all the details to create the proper atmosphere.

Color of the picture

A woman catches your eye. She carries water on a yoke, making her way along a narrow path. It feels like the buckets are full. They do not sway in different directions, but pull an arc downward. The woman's figure itself is tense. She wants to quickly throw this burden off her shoulders.

The picture skillfully emphasizes the color of the Russian village. You can notice practical and warm clothes on a woman. The young lady is wearing a padded jacket and a long skirt. In the distance you can see small village houses and wide, vast spaces. The path along which the villager moves is narrow, but well trodden. It can be assumed that the woman’s house is very close. It is not easy to live if the water source is located far away. A small number of families agreed to put up with this. Requires large amounts of fluid to maintain household. The nature depicted indicates that the water lies at a shallow depth.

Artist's skill

The grayness of winter days contrasts well with the first warmth of spring. The author has a good command of the play of light. His skill can be seen in the foreground. A large bare tree casts a shadow on the light, causing conflicting feelings. On the one hand, it becomes clear that it is a sunny day outside, but at the same time frost and cold are practically physically felt.

You need to look at the picture holistically. The canvas contains winter coolness and spring atmosphere at the same time. The snow has not yet melted, even though it is March. The first days of spring awaken special feelings in us. At this time, you want to enjoy life. The air is permeated with special freshness, and the sun gently envelops everything around.

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