Artistic analysis of the poem by M. I. Tsvetaeva

The poem “You’re coming, you look like me” was written by a young poetess in a very unusual shape- this is a monologue dead woman. Brief Analysis“You Walk, You Look Like Me,” according to the plan, will help you understand why she chose this form and other subtleties of the work. The material can be used in a literature lesson in 5th grade for a deep understanding of the topic.

Brief Analysis

History of creation- the poem was written in 1913 in Koktebel, where the poetess was visiting Maximilian Voloshin with her husband and little daughter.

Theme of the poem- the meaning of human life and the essence of death.

Composition– a one-part, monologue-reasoning consists of seven stanzas and is built sequentially from the first to the last.

Genre- philosophical lyrics.

Poetic size– iambic with pyrrhic.

Epithets – “cemetery strawberries”, “gold dust“.

Metaphor – “covered in gold dust“.

History of creation

This poem, like a number of others, was written by Marina Tsvetaeva in Koktebel, where she came to stay with her husband and one-year-old daughter in 1913. The guests were received by Maximilian Voloshin, who settled them in a separate house. Voloshin’s always noisy house was strangely empty that year, and the weather was more conducive to thinking than to walking, so this trip became very significant for the poetess.

Twenty-year-old Tsvetaeva was concerned beyond her years with important philosophical questions, to one of which she dedicated the poem “You Come, You Look Like Me.”

Subject

The work is dedicated to meaning human life and the essence of death - this is its main theme. It must be said that Tsvetaeva was superstitious and believed in afterlife. She considered death only a transition to new uniform existence. And although a person knows nothing about this form, this is not a reason for sadness.

Composition

The seven-strophe verse develops an idea that worried the poetess throughout her youth - about what happens to a person after his death. Having given her reflections the original form of a monologue on her own behalf, Tsvetaeva reasons as, in her opinion, she could speak after her death from under the gravestone.

She calls on an unknown passerby who wanders into the cemetery to stop and read what is written on her grave. And be sure to pick flowers and eat strawberries, because death is not a reason for sadness. She expresses the last thought especially clearly in the sixth stanza, turning to the stranger with a request not to be sad under any circumstances, but to think about her with ease and just as easily to forget about this episode of my life.

The last stanza is a hymn to life: a person who stands illuminated by the bright sun should not worry about the voice coming from underground, because before him is his whole life.

Genre

In her youth, Marina Tsvetaeva often turned to the genre philosophical lyrics, to which this poem also refers. The poetess was worried about many difficult questions, including about death. This work makes it clear that she treated it with ease and grace, as if it were something inevitable.

The poem is written in iambic with pyrrhic accents, which creates a feeling of relaxed, lively speech.

Means of expression

It cannot be said that this work is rich in tropes: the poetess uses epithets– “graveyard strawberries”, “gold dust” – and metaphor- “all covered in gold dust.” The main role in creating moods is played by punctuation marks - dashes. They give strength to all Tsvetaeva’s words, allow her to highlight the main thoughts and emphasize the essence of the idea that she conveys to the reader. Appeal is also important artistic technique, attracting the reader's attention and creating a special form of the poem.

Marina Tsvetaeva is rightfully considered one of the brightest and most original Russian poets of the first half of the 20th century. Her name is inextricably linked with such a concept as the female worldview in literature, imaginative, subtle, romantic and unpredictable.

One of the most famous works Marina Tsvetaeva’s poem “You’re coming, you look like me...”, written in 1913. It is original both in form and content, since it is a monologue of a deceased poetess. Mentally moving forward several decades, Marina Tsvetaeva tried to imagine what her final resting place would be. In her mind, this is an old cemetery where the most delicious and juicy strawberries in the world grow, as well as the wildflowers that the poetess loved so much. Her work is addressed to descendants, more precisely, to unknown person, who wanders among the graves, peering with curiosity at the half-erased inscriptions on the monuments. Marina Tsvetaeva, who believed in the afterlife, assumes that she will be able to watch this uninvited guest and sadly envy the fact that he, like herself once, walks along the old cemetery alleys, enjoying the peace and quiet of this amazing place, surrounded by myths and legends.

“Don’t think that there is a grave here, that I will appear threatening,” the poetess addresses the unknown interlocutor, as if urging him to feel free and at ease in the graveyard. After all, her guest is alive, so he must enjoy every minute of his stay on earth, receiving joy and pleasure from it. “I loved it too much, laughing when you shouldn’t,” Tsvetaeva notes, emphasizing that she never recognized conventions and preferred to live as her heart told her. At the same time, the poetess speaks about herself exclusively in the past tense, claiming that she, too, “was” and experienced a wide variety of feelings, ranging from love to hatred. She was alive!

Philosophical questions of life and death have never been alien to Marina Tsvetaeva. She believed that life should be lived in such a way that it was bright and rich. And death is not a reason for sadness, because a person does not disappear, but only passes into another world, which remains a mystery to those who are alive. Therefore, the poetess asks her guest: “But just don’t stand gloomily with your head hanging on your chest.” In her concept, death is as natural and inevitable as life itself. And if a person leaves, then this is quite natural. Therefore, one should not indulge in sadness. After all, those who died will live as long as someone remembers them. And this, according to Tsvetaeva, is much more important than any other aspects of human existence.

Ironizing herself, the poetess turns to the stranger with the words “And don’t let my voice from underground confuse you.” In this short phrase there is also a slight regret that life is not endless, admiration for the future generation, and humility before the inevitability of death. However, in the poem “You go, you look like me..” there is not a single hint of fear that life will end sooner or later. On the contrary, this work is filled with light and joy, lightness and inexplicable charm.

This is exactly how Marina Tsvetaeva treated death with ease and grace. Apparently, this is why she was able to decide to die on her own after she considered that no one needed her work. And the suicide of the poetess in Yelabuga, which is an act of good will, can be regarded as liberation from an unbearable burden, which is life, and finding eternal peace in the other world, where there is no cruelty, betrayal and indifference.

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Analysis of Tsvetaeva’s poem “You’re coming, you look like me”

M. Tsvetaeva is one of the most extraordinary and original poetesses of the 20th century. Her works are directly related to such concepts as women's perception of the world, romance, unpredictability, subtlety; they are filled with images familiar to every woman.
The poem was written by the poetess back in 1913.

The main theme of the poem

As an author, she was never far from critical issues, which troubled the minds of all great philosophers at all times, about the meaning of human life and the essence of death itself. Tsvetaeva was sure that life should be imbued with sensual, vivid emotions. For her, death was not considered a reason to be sad, because it was only a transition to mysterious world, and about which no one knows anything until now. The poetess asks for her uninvited guest not to be sad, to perceive death in the same way as she treats it - as a natural and inevitable process. Those who have already died will always live in the hearts of those who remember them. Therefore, memory for Tsvetaeva is more important than all other aspects of her life.

Structural analysis of the poem

It has an original form and content, since it is a monologue-address of a poetess who has already died. In such an unusual way, Tsvetaeva tried to imagine her final refuge. The ancient cemetery, which is mentioned in the work we are considering, wild flowers and wild berries - that’s how she saw it.

In her work, she addresses descendants, or more precisely, a completely unknown person wandering around this old cemetery and looking at the tombstones.

It is worth noting that M. Tsvetaeva herself believed in an afterlife. She supposed that she could also observe this young man who had become a guest in her refuge. She is trying to convey to him and to the readers that you need to cherish every moment of your life, to be able to enjoy it, no matter what.

She ironically addresses herself to a stranger, admires the new generation, having come to terms with death, and asks him not to be afraid of her. There is not a single hint of fear of death in the poem at all. The work is bright, despite the sad theme, it is easy to read, filled with happiness, joyful mood and charming images.

Conclusion

Effortlessly and gracefully, Tsvetaeva expressed her individual attitude to death. Most likely, it was precisely such thoughts that gave her the opportunity to decide one day to leave this life of her own free will, when she considered that no one needed her poems. The poetess's suicide is regarded by critics as an escape from a burden that was unbearable for her, a desire to find peace and escape into a world where there is no betrayal, betrayal, indifference and inhuman cruelty.

This poem by Tsvetaeva is one of the most famous. She wrote it in 1913. The poem is addressed to a distant descendant - a passerby who is young, just like she was in her 20s. There are quite a lot of works about death in Tsvetaeva’s poetry. So it is in this. The poetess wants to contact the future.

In this poem she represents the time when she had already died. She pictures a cemetery in her imagination. But he is not gloomy, as we are used to seeing him. So there are flowers and the most delicious strawberries. At the cemetery we see a passerby. Marina wants passers-by to feel at ease while walking through the cemetery. She also wants him to notice her, to think about her. After all, she was the same as he “was.”

I enjoyed life and laughed. But Tsvetaeva doesn’t want a passerby to be sad when looking at her grave. Maybe she wanted him not to waste time now.

Perhaps she even wants to watch how she is remembered, because Tsvetaeva believed in life after death. In general, she always had a simple attitude towards death. With humility. She took it for granted and was not afraid of it. This is probably why we see in her poems so often how life and death intersect.

Marina Tsvetaeva is considered one of the most prominent poets in Russian literature. She instilled in readers a certain femininity, imagery, romance, and unpredictability. Her creative works were filled with love and light.

One of the most famous creative works Tsvetaeva’s poem “You’re coming, you look like me...”. It was written in 1913.

When you first read the poem “You’re coming, you look like me...” it may seem very strange, because it is a monologue by Marina Tsvetaeva, who has already died. The poetess addresses the reader from the other world.

In this poetic work, Tsvetaeva tried to look at the future and imagine her grave. The poetess wanted to finish her earthly path in an old cemetery where the most delicious strawberries grow. She also imagined her favorite wildflowers around.

In her monologue, she addresses a random passerby who, like her once, wanders through the old cemetery, enjoying the silence and peering at the worn signs.

Tsvetaeva turns to a passerby and asks him to feel free and not constrained, because he is still alive and should appreciate every second of life.

Then the poetess says that “she herself loved to laugh when she shouldn’t.” By this she emphasizes the fact that you need to follow the call of your heart and not recognize conventions, that she lived for real, having experienced all the feelings from love to hatred.

The poem “You’re coming, you look like me...” is deeply philosophical, because it reflects Tsvetaeva’s attitude to life and death. The poetess believed that one should live one’s life brightly and richly. Death cannot be a reason for sadness and sadness. A person does not die, he passes into another world. Death, like life, is inevitable. Therefore, there is no need to stand “sullenly, with your head hanging on your chest.” Everything in this world is natural and obeys the laws of nature.

No matter what, the poem “You come, you look like me...” is filled with light and joy. The poetess is a little jealous of the future generation, but at the same time she realizes that life is not endless.

Marina Tsvetaeva committed suicide, having found peace in a world where there is no meanness and betrayal, envy and lies.