Being famous is ugly, analysis of a poem according to plan
1. History of creation. The work “It’s Ugly to Be Famous” (1956) belongs to the late period of B. Pasternak’s work. By this time, he had already experienced a lot in life, and had the opportunity to compare his fate with the rest of his fellow writers. The work can be considered the author’s programmatic statement about creativity in general.
2. Genre- lyric poem.
3. main topic works - creative activity. Already in the first line, the phrase that defines the entire poem appears - “being famous is ugly.” Most likely, the author means an infinite number of “creative figures” Soviet Union, which are really nothing special. They achieved all-Union success not through creativity, but through submission and countless praises to the country's political leadership. The ideological background of the work is not so important.
Pasternak reminds that main goal any author is "dedication". Unfortunately, things often happen differently. Having achieved a certain success, a poet or writer enjoys fame and honor. In the future, his work will be subordinated to maintaining this position (“to be a byword on everyone’s lips”), and not to higher creative goals.
Pasternak was sure that real recognition should come to the creator much later, from grateful descendants. In a burst of inspiration, a poet is able to break the boundaries of time and space. Only in this case will his work have real value. Calling on his colleagues to “plunge into the unknown,” the author denounces mediocre paper scribblers who are prone to publishing voluminous memoirs and autobiographies.
Task creative person is to create new worlds, and not to glorify one’s own wretchedness and not to anyone interesting fate. Pasternak considers the ability not to distinguish between “defeat and victory” to be especially important. Each author must completely renounce worldly goods through complete dedication, while remaining himself. Only by eliminating his dependence on surrounding temptations or dangers can the creator consider himself “alive.”
4. Composition poems are sequential.
5. Size of the product- iambic tetrameter with cross rhyme.
6. Expressive means . The entire poem is built on antithesis. The author contrasts “dedication” with “hype” and “success”, “imposture” with “love of space”. The imagery of the work is given by phraseological units (“parables on the lips”, “for inch inch") and metaphors ("call of the future", "gaps in fate"). The finale is strengthened by the threefold repetition of the epithet "alive".
7. the main idea works - true creativity cannot be dependent on transitory values.
Lyric poem by Boris Pasternak "It's not nice to be famous...", ironically, is as famous as its author himself. The first line, which has long become an aphorism, is an example proving how important it is that the beginning literary work instantly captivated the reader and forced him to greedily read the text further until the very end. In fact, already in the first line of his programmatic poem, the author formulates an artistic and personal position, which is very unusual for a poet. After all, it is known that creative people at all times have been in dire need of understanding and success. Often doubting everything, it is thanks to their enthusiastic attitude towards themselves that they understand that what they are doing is not in vain. However, Pasternak clearly distinguishes between the concepts "hype" And "love of space" ("the call of the future"). This is the main antithesis poem, and it is intonationally reinforced by cross rhyme.
The poet emphasizes: recognition, if it has come, should be a natural consequence "dedication" in art, not "imposture". He seems to foresee the future glory of the real creator:
Others on the trail
They will pass your path by an inch,
And then he insists that the man "shouldn't differentiate" "defeat from victory". He needs complete acceptance of everything that happens to him as a sign of fate.
Modesty and dignity - this is what Boris Pasternak teaches his reader. And it seems that at the same time he is turning to himself, his inner voice and possible impulses of ambition in his own soul. Is it so? ... Let's see at what time and under what circumstances in the poet's life this poem was created.
Dated 1956, the work was born in the late period of the life and work of Boris Pasternak. By this time, the “great leader” had already passed away Soviet people» I. Stalin, who was glorified by a romantically minded poet a few years ago. A short period has already passed public recognition Pasternak in the Soviet Union and membership in the Writers' Union. The poet moved away from the general literary bustle and increasingly devoted himself to translations of works by foreign authors and risky activities to protect and support disgraced friends, among whom were Akhmatova and her son. The writer’s life included a rethinking of the events of past years and his path, and in this sense, it would not be wrong to assume that "It's not nice to be famous..."- a reminder to both yourself and your fellow writers about true values and, of course, to the readers, who, in fact, create destructive hype around their idols.
Literary critics suggest that in this poem Boris Pasternak openly dissociates himself from creative path another famous contemporary and former like-minded person - Vladimir Mayakovsky. By that time it was customary to praise him beyond measure as “the best poet of our time.” The words belonged to Stalin, which for a long time determined the “inviolability” of Mayakovsky, who had already become a cult poet in the eyes of the people. In this “court path” Pasternak saw a terrible danger for a creative person. But still lyrical hero his poems do not at all drool with slander and do not hide in their words and intonations resentment towards the whole world for their own lack of recognition.
In every phrase one hears a conscious and hard-won truth. This is a stern sermon addressed to those who have the divine gift of inspiring and "to lift up" and who has forgotten or may forget their purpose on earth. “No need to start an archive, - writes the author, - Shake over manuscripts". And openly passes judgment
Shameful, meaningless
Be the talk of everyone.
Some exaggeration of the denial of the gift in this case should work like a tub cold water. This began the awakening from sleep, and it is expressed compositionally in the first two stanzas. Next, the author nevertheless moves on to discussions about what a poet should be like (both in the narrow and broad sense of the word).
A poem written in complex, ever-changing verse size(spondee - pyrrhic - pyrrhic - iambic), has no external plot- only internal. This is the movement of the poet-philosopher’s thought from the denial of glory to the affirmation of the great power of the gift
...leave spaces
In fate, not among papers.
Metaphor "spaces" here the meaning of understatement takes on, motive for knowledge and searching for oneself, and lexical repetition of the word "alive" convinces the reader of the need to strive for spiritual life - "but only"!
Morozova Irina
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Analysis of the poem by Pasternak B.L. "It's not nice to be famous"
Poem by B.L. Pasternak’s “It’s Ugly to Be Famous” (1956) is one of the programmatic works in the poet’s work. Its plot consists of laconic formulas that accumulate the author’s views on the life of a creative person. The author simultaneously applies the principles expressed in the poem to both himself and other writers. B.L. Pasternak talks about the inner depth of the creative act, its self-purpose. Neither fame nor success in anyone's eyes is directly related to the quality of the works created. An artist of words can only decide in the depths of his soul whether the height to which he aspired has been achieved: “The goal of creativity is dedication, not hype, not success.” In the third stanza of the poem B.L. Pasternak emphasizes the special position of the creative person in time and space. At the same time, he formulates another principle, important and necessary for a human creator: “Hear the call of the future.” Only then will the poet be able to become interesting not only to his contemporary, but also to his descendants. However, in this stanza there is also a certain mystical motive of the sacrament; the artist needs to “attract the love of space to himself.” In fact, the motive will remain unclear until the end. The metaphor “love of space”, quite deep in its philosophical content, can symbolize good luck, a muse that brought creative insight, and favorable life circumstances ( interesting meetings with people, nature). But still, the point here is not that he must realize his place in the world. In the fourth stanza, the author talks about the combination of life and creative paths, in which the second turns out to be more important, more voluminous than the first, because it includes, absorbs it, “crossing it out in the margins.” Being a poet-philosopher, B.L. Pasternak encourages learning from nature. His lyrical hero is able, without fear of the future, to “plunge into the unknown,” just as the area hides in fog. B.L. Pasternak writes about the need for talented person do not revel in victories, but maintain personal modesty in relation to your successes. After all, the main thing is to lead other people, who will decide who in history will receive glory and who will be forgotten. B.L. Pasternak, by personal example, teaches not to prevaricate, not to become isolated in one’s experiences, to maintain a keen interest in the world around us, to love life until the very last hour. The theme of the purpose of the poet and poetry is deeply embedded in the Russian classical poetic tradition. In this regard, the poem by B.L. Pasternak’s “Being Famous is Ugly” creatively continues it. The poem is written in iambic tetrameter. All seven stanzas are connected by cross rhyme. At the same time, female and male rhymes alternate. The poem makes extensive use of figurative and expressive means of language: phraseological units (“a parable on everyone’s lips”, “a span of five”), antithesis (“defeats” - “victories”), as well as the technique of emphasizing vertical coordinates artistic space(“lifts up”, “plunge into the unknown”), this compositional technique goes back to Tyutchev’s poetic tradition and is characteristic of meditative lyrics in general. The main epithet is the epithet “alive”, reinforced in the final stanza by a threefold repetition. So it's obvious. B.L. Pasternak sees the meaning of life in life itself, in living it honestly and openly. It is no coincidence that the words “should”, “must”, “must not” appear so often in the poem.Throughout its entire creative life Boris Pasternak tried to be extraordinary and unusual. The most bright works by this author were written during the period early development THE USSR. The totalitarian regime that reigned around demanded from writers and poets special dexterity, a kind of hypocrisy and the ability to please the ruling party. However, Pasternak could not lead a double life and directly expressed thoughts and feelings in his poetic works.
Of course, for such frankness, the poet was repeatedly condemned by the top government and his creative works were subject to strict censorship. Although abroad, Pasternak's novels and poems were published, published and received their own circle of fans.
Boris Leonidovich did not have many friends among the poets and writers of that time. He simply did not want to communicate with hypocrites and suck-ups who tried to please the totalitarian rulers.
Pasternak, addressing his comrades, publishes the poem “Being Famous is Ugly.” In it, the author repeatedly convinces his colleagues not to store archives of written work and not to fiddle with manuscripts. After all, if the published works are truly great, the reader will remember them even after a hundred years.
Boris Leonidovich writes that any poet should create his creations only for dedication, and not for success and hype.
Of course, such lines sharply hit the self-esteem of Pasternak’s peers. Many poets and writers stopped greeting the author of the poetic lines, taking the work “Being Famous is Ugly” personally. Although Boris Leonidovich did not set himself the goal of humiliating any of his comrades. He was just trying to say that under any circumstances one should not turn into scoundrels.
It is necessary to create a worthy image of a creative person, which the heirs will remember with pride. The poet is sure that the course of history and direct participation The person in it will change repeatedly. And those feats that are performed at one time can be considered base deeds after a couple of decades. For these reasons, Pasternak tried to remain “alive” - sincere and humane in any circumstances.
“Being famous is ugly...” analysis of the work - theme, idea, genre, plot, composition, characters, issues and other issues are discussed in this article.
Lyric poem by Boris Pasternak “Being famous is not nice...”, ironically, is as famous as its author himself. The first line, which has long become an aphorism, is an example that proves how important it is for the beginning of a literary work to instantly capture the reader and force him to eagerly read the text further until the very end. In fact, already in the first line of his programmatic poem, the author formulates an artistic and personal position, which is very unusual for a poet. After all, it is known that creative people at all times have been in dire need of understanding and success. Often doubting everything, it is thanks to their enthusiastic attitude towards themselves that they understand that what they are doing is not in vain. However, Pasternak clearly distinguishes between the concepts "hype" And "love of space" ("the call of the future"). This is the main antithesis poem, and it is intonationally reinforced by cross rhyme.
The poet emphasizes: recognition, if it has come, should be a natural consequence "dedication" in art, not "imposture". He seems to foresee the future glory of the real creator:
Others on the trail
They will pass your path by an inch,
- and immediately insists that the person "shouldn't differentiate" "defeat from victory". He needs complete acceptance of everything that happens to him as a sign of fate.
Modesty and dignity - this is what Boris Pasternak teaches his readers. And it seems that at the same time he is turning to himself, his inner voice and possible impulses of ambition in his own soul. Is it so? ... Let's see at what time and under what circumstances in the poet's life this poem was created.
Dated 1956, the work was born in the late period of the life and work of Boris Pasternak. By this time, the “great leader of the Soviet people” I. Stalin, who was glorified by a romantically minded poet a few years ago, had already passed away. Pasternak's short period of public recognition in the Soviet Union and membership in the Writers' Union has already been left behind. The poet moved away from the general literary bustle and increasingly devoted himself to translations of works by foreign authors and risky activities to protect and support disgraced friends, among whom were Akhmatova and her son. The writer’s life included a rethinking of the events of past years and his path, and in this sense, it would not be wrong to assume that "It's not nice to be famous..."- a reminder to himself, and to his fellow writers about true values and, of course, to readers, who, in fact, create destructive hype around their idols.
Literary critics suggest that in this poem Boris Pasternak openly dissociates himself from the creative path of his other famous contemporary and former like-minded person - Vladimir Mayakovsky. By that time it was customary to praise him beyond measure as “the best poet of our time.” The words belonged to Stalin, which for a long time determined the “inviolability” of Mayakovsky, who had already become a cult poet in the eyes of the people. In this “court path” Pasternak saw a terrible danger for a creative person. And yet the lyrical hero of his poem does not at all drool with slander and does not hide in his words and intonations an insult to the whole world for his own lack of recognition.
In every phrase one hears a conscious and hard-won truth. This is a stern sermon addressed to those who have the divine gift of inspiring and "to lift up" and who has forgotten or may forget their purpose on earth. “No need to start an archive, writes the author, Shake over manuscripts". And openly passes judgment
Shameful, meaningless
Be the talk of everyone.
Some exaggeration of the denial of the gift in this case should work like a tub of cold water. This began the awakening from sleep, and it is expressed compositionally in the first two stanzas. Next, the author nevertheless moves on to discussions about what a poet should be like (both in the narrow and broad sense of the word).
A poem written in complex, ever-changing verse size(spondee - pyrrhic - pyrrhic - iambic), has no external plot- only internal. This is the movement of the poet-philosopher’s thought from the denial of glory to the affirmation of the great power of the gift
...leave spaces
In fate, not among papers.
Metaphor "spaces" here the meaning of understatement takes on, motive for knowledge and searching for oneself, and lexical repetition of the word "alive" convinces the reader of the need to strive for spiritual life - "but only"!
