Interested USSR vinyl records? The online auction Soberu.ru is always at your service! At any convenient time, you can select worthy products from us to replenish your adored collection, as well as sell old vinyl records of the USSR. All problems are solved on Soberu.ru as simply and without problems as possible! Our catalog contains a lot of valuable things, for example, antique hand-held lanterns or antique equipment, etc. The prices for products vary greatly.

Considering vinyl records of the USSR, the prices of which vary widely today, it is worth noting some interesting facts and figures associated with them. Thus, the world's first gramophone discs made of plastic material containing a sound recording for playback were made of celluloid. In 1897, they were replaced by products made from shellac, soot and spar, and they were very expensive due to the use of shellac, an organic substance produced by the lac bug called Tachardia lacca. So for one disk it was necessary to use the labor of 4 thousand worms.

According to experts, the most expensive vinyl in the world is estimated at 100 thousand pounds. This is a single by the Quarrymen, which dates back to 1958. The owner of the only edition known to collectors was Sir Paul McCartney. Expensive vinyl records from the USSR are, of course, highly valued, but do not reach such fabulous heights.

The best vinyl is made in Japan. Experts have begun to add a special component, vinylite, to the plastic mass, which reduces the noise from the needle sliding, which is noticeably audible during pauses between compositions. In addition, thanks to this substance, the appearance of electrostatic charges was minimized, and the service life of the disk was generally increased.

Vinyl record collecting

One of the interesting types of collecting is collecting sound recordings of different content, which is called philophony. The most common direction in philophony is collecting recordings of music on all kinds of media (from laser CDs to gramophone products). Particularly noteworthy are the records released in the USSR. Of course, collecting is associated with certain difficulties - you have to tirelessly search for them, find out how much old USSR vinyl records cost, invest money, and then ensure careful and careful storage.

Often, the basis of many philophonic collections, as a rule, is a home music library, for example, children's records of the USSR. When philophony becomes a serious hobby, the circle of collecting is narrowed. The personal taste of the collector prevails here. The collection of certain records of a particular direction or a specific artist begins. Fans of documentary recordings are interested in collecting speeches by public and government figures. The cost of USSR vinyl records varies greatly.

What do vinyl collectors pay attention to?

For collectors who once decided to buy vinyl records of the USSR and began to pay due attention to the emerging collection, a number of factors related to the copies themselves are important. As a rule, they form the price of a particular product. So, the meaning is:

• year of manufacture (vintage discs are of great value)
• circulation (luck is to get a limited edition disc, for example, one in a thousand, these are rare records of the USSR)
• performer (there is a popular category)
• condition (is the disc sealed, has it been played and how many times, are there any chips, abrasions and scratches)
• manufacturer's label
• image on the disk (a unique illustration of a famous artist, master or a rare photograph).

For those who were born and raised in the Soviet Union, his vinyl is a special world. Unfortunately, the domestic assortment of gramophone records is very small and mainly consisted of the work of, of course, Soviet performers. Basically, foreign records were imported into the country - semi-legally from different countries of the world. Advertisements like Buy/sell old USSR vinyl records were relevant, but acquiring such discs was not easy. They were considered fashionable and had an aura of something forbidden. And today, collecting them has become a way of self-expression, a special subculture for several generations of Soviet citizens. Therefore, advertisements like Buy/Sell USSR records are relevant.

It is known that for the first time, vinyl records of the USSR, which are easy to sell today and have very different prices, were produced at a factory in Aprelevka near Moscow. Over time, this factory became the largest manufacturer of disks in the Land of the Soviets. The first products released featured the gypsy song “Tramp”, and they weighed 400 grams. Now these are rare vinyl records from the USSR, their price is very high.

During the war years, the production of discs decreased significantly. But after the war, the factory even mastered the production of long-playing vinyl. The first stereo discs appeared in 1961, but regular 78 rpm discs were also produced until 1971.

Despite the speed of technology development and qualitative changes in the modern world, many interesting things remain unchanged today. Despite the rapid passage of time, they retain their value and remain equally popular, fashionable and in demand. These include vinyl records of the USSR, especially rare ones. More than one catalog offers them, and the price increases every year.

And the popularity of such products is not even due to the sound quality. As you know, the sound is simply incomparable with the sound of various digital media. Music connoisseurs and experienced collectors know that the sound of CDs is characterized by coldness and neutrality of sound, but the same cannot be said about vinyl. Therefore, prices for USSR records are usually higher compared to other media.

Our catalog of USSR vinyl records is always at your service!

Buying or selling vinyl records is very easy!!!

Notice board for the sale of vinyl records, CDs, equipment and other collections.! With us you can submit an ad easily and absolutely free. Using our classifieds site you can buy or sell vinyl records, CDs, vinyl players, tape recorders, speakers, amplifiers, coins, stamps, models and more...

Vinyl records for sale!!!

Do you want to sell vinyl records?

For music lovers and those who have relatives who are music lovers, there is an excellent opportunity to earn money. It is enough to look through your personal music library or disassemble the dusty mezzanines, and at the same time the country attics. Subject of search - old vinyl records. The next question on the agenda is where to sell vinyl records USSR price on domestic recordings in the modern market.

If you belong to the older generation, who found themselves in line at the Melodiya store, knows how to change the needle in a record player, and with aching warmth in their hearts remembers recording holiday greetings for family and friends on vinyl, you will be especially pleased to know that after After a short exile, analogue media again restored their good name. If you once collected collection of vinyl records, sell It is not difficult to find it today; in addition, you can get very decent money for well-preserved copies. After all cost of an old record increases in proportion to her age. If you have carefully preserved your little music museum on vinyl, now is the time to make a profitable deal and, by contacting our notice board, sell vinyl records to the USSR and not only .

At the moment, there is a demand for domestic musical recordings of the war years, as well as clippings from radio broadcasts. Highly valued gramophone records with performances by Pyotr Leshchenko and Fyodor Chaliapin. And here sell expensive vinyl records melody It’s already more difficult. The Russian music market is oversaturated with the products of the Soviet monopolist, who single-handedly produced records on the territory of the USSR since 1964. "Melody" records were in every home, and the vast majority of them were produced in huge quantities. Although among this group vinyl there are some good examples, mostly classical music recordings in orchestral performance.

If you're so young that the word " vinyl"for you is associated only with the work of DJs in nightclubs, and vintage records you inherited a gramophone along with it, we will help you solve the problem that is tormenting you, where to sell vinyl records. What seemed useless to you, things that have lost all meaning, will acquire real value. You will be pleasantly surprised to learn How much can you sell old vinyl records for?. It is likely that you know nothing about the work of Klavdiya Shulzhenko, and cannot name Utesov. But when the banknotes rustle in your hands after you succeed sell used vinyl records, you will mentally warmly thank your relatives for the fact that they, without knowing it, made such an unexpected investment at one time.

For the lucky owners gramophone records with albums of Western performers, it will be useful to know that now, as before, jazz (for example, Freddie Hubbard, George Benson, Grover Washington), bootlegs or, in modern language, pirated records, that is, recordings made from concerts and performances, are in price. 10" LPs due to their rarity, as well as original (not reissued) recordings. Old Broadway compositions, early rhythm and blues recordings, orchestral performances - all this comes to life again thanks to vinyl, and attracts the attention of keen collectors.

Why sell old vinyl records best of all? Because we are ready to offer a well-promoted platform for your ad. Your ad will be seen by thousands of fans vinyl records all over the world and it's absolutely free. We know the music market well and establish the latest cost of vinyl records to sell which we offer on the most favorable terms. You only need to place an ad like " I want to sell vinyl records" and wait for an interested music lover to respond. Our experts are looking forward to you contacting us with the words: " Vinyl records are expensive for breeds" and showcase your selection of musical treasures on vinyl on our website. And we, in turn, will delight you with the highest and highest quality service.

Thinking How much can you sell vinyl records for?, first you should carefully study them in accordance with a small list that will help you determine the value of the recording:

• - degree of wear of the record and sleeve;
• - date of manufacture;
• - name of the company and country of origin;
• - musical style;
• - popularity of the performer;
• - rarity of the record.

Sell ​​vinyl records price for which it will easily amount to a significant amount if in the distant past they were purchased as a scarce commodity. Those records that filled the shelves in tons and were of no interest to true music lovers, today are also unable to awaken in collectors and fans the real passion that spurs this category of fans vinyl unzip your wallet. The value of such records is not great, they are just characteristic evidence of a bygone era, which in itself is not so small. But to sell those deprived of collectible appeal old vinyl records USSR price moderate is also possible, especially if records are in perfect condition.

True music lovers know that records should be stored in an upright position, dust should be wiped off regularly, and a high-quality stylus should be used on the turntable. If all of the above conditions are met, it is likely that gramophone record excellently preserved.

For rare recordings, the condition of the record also plays an important role in determining its price. Important, but not decisive. Unique vinyl records USSR price it is possible to sell high even if there are significant defects. Increased demand for these products from collectors reduces the requirements for their physical characteristics and entails an increase in their value. Fanatical Gatherers gramophone records are able to purchase a rare copy with scratches and chips for a lot of money, not for the sake of listening to the recording, but for the very fact of owning the treasured desiderate.

If you are a beginner, determine for yourself vinyl cost very problematic for you. You, of course, can assess the degree of wear of a record and find its circulation on the sleeve, but only an expert can determine the market price of each record. Until you have reliable data, how much does it cost to sell vinyl records Your selection is unlikely to be profitable. The specialists of our online store do not mislead customers. Anyone can sell used vinyl records price for which will correspond to their real value today. You can compare prices in our online vinyl record store!

Despite the rapidly growing interest in analogue recording media, and the gradual return of music connoisseurs to listening vinyl, the vast majority of modern music production continues to be released in digital format. Pretty hard sell or buy quality vinyl not because of its lack of demand, but because there is no regulated system of interaction between sellers and buyers. Private advertisements on non-specialized sites by type vinyl records buy sell unable to establish a stable interaction between supply and demand. If the situation is simpler with new records, and they can be found on the shelves of music stores, then used records go through a difficult path from their previous owners to collectors' record libraries. Without the participation of an intermediary online vinyl store or a specialized bulletin board is simply not enough. Where to sell used vinyl records, and also purchase records without the risk of being deceived? Where can sell vinyl records quickly and in any quantity? Where sell vinyl records price for which you will not be disappointed? There is one answer to all questions. In our online store of vinyl records.

Madonna, Kevin Spacey, Adriano Celentano and many other famous stars admit that they get inspiration by listening to music on vinyl. Every year, more and more people return to live recordings of analogue media. Magic vinyl records has its own explanation. Gramophone record- This is a kind of mechanical cast of the voice or sound of a musical instrument. The recording was made using a sound-collecting pipe; at its end there was a sensitive membrane, which cut out a musical track on a wax disk. The membrane caught vibrations coming directly from the performers. The wax disk served as a mold for further production gramophone records. This is how an amazingly deep acoustic sound was born, which is listened to with rapture by discerning connoisseurs of emotional music many, many years later.

If you don’t recognize old music or are still a supporter of the digital format, or perhaps you happen to have a non-format in your collection, don’t rush to send records to the scrap. It's much more profitable sell vinyl records than to throw away. What was just cluttering the shelves in your home will become a source of replenishment of your budget or a means for subsequent acquisitions in your personal collection. After all, now, having found out where sell vinyl records, which you do not need, you are also aware that in our online store you can buy records for every taste, both new and used. With us you can, for example, soviet vinyl records sell, and in return buy a rare Queen or Louis Armstrong record. And you never know how many more pearls can be found among the rich treasury vinyl, regularly updated by our managers and individuals who contact our resource with an offer " Selling old vinyl records price"negotiable".

So don’t put things off for a long time, start looking for extra ones vinyl records and head to our online store, where the most favorable terms of cooperation await you. On our website you can sell everything: instrumental, chamber music, albums of rock and pop performers, jazz, folk, blues, country, opera arias and romances. Please remember that sometimes recording on vinyl can cost an entire music library consisting of modern CDs.

In the inconspicuous courtyards of the old Arbat there is a real amber room for vinyl music lovers. The store is simply and clearly called VinylMarket and is located in the basement of a residential building. In this basement, the owners were able to create a bright and spacious room with 15 thousand records. No matter how valuable the record is, you can listen to everything on the spot. Mostly here you can find classic rock records from the 60s and 70s, the catalog of which is presented here in almost its entirety. There are also new records, but they are not the overwhelming majority. In addition to classic rock, the sophisticated music lover will be surprised to discover a whole corner of New Wave style records here. And then he turns 180 degrees and sees a corner with Russian rock records. And then he will understand that he cannot leave here empty-handed, since the prices are very reasonable.

What I found there:

To be honest, I have never seen the original Joy Division – Unknown Pleasures – on sale in Moscow before. I also haven’t seen that almost the entire discography of the first editions of The Beatles and The Doors was located on the wall. First press of The Velvet Underground – seen it, but not at such a ridiculous price. Lately everyone wants Kino records, of which there are as many as 16 in VinylMarket. A whole box of records from Vertigo, where the first Black Sabbath presses sit quietly and inconspicuously. These seem to be very valuable records (don’t breathe on them, don’t touch them!), but no, here they are – take them and listen!

After 5 copies of Sex Pistols – Nevermind The Bollocks, I lost count of what I carried to the checkout.

DIG is a small store located between the Kitay-Gorod and Taganskaya metro stations. It was opened 6 years ago and has changed its location more than once. Today it is located on Staraya Basmannaya.

A DIY (Do It Yourself) style store, that’s probably why it’s called that. The selection at first glance may seem modest, but this should not confuse you for the reason that there is not much space in this store, and therefore the entire assortment is not laid out. The sellers are the coolest and most famous people in narrow circles: Petya Shinawatra and Vanya Smekalin. If you wander there, you can safely ask them about everything that interests you. You may not find the first edition of some Led Zeppelin, but you can easily find underground ones that are not sold anywhere else. In addition, all our releases of the so-called “new Russian wave” will definitely end up there, if not on vinyl, then on cassette. Rock classics are also present. There is a lot of Soviet and Russian vinyl on display, there is a section of discounted records, and you can also bring your records here to wash them from dirt and dust for only 50 rubles.

What I found there:

One day I went there for a seven-inch The Exploited. At this time Vanya was washing a Dead Kennedys Halloween record (great thing!). The irony is that on the day we met, Halloween was celebrated. I also bought a rare thing from Vanya - the Pink Floyd record “It’s a pity that you’re not here.” That's right: this is a pirate released by the great Soviet vinyl maker Andrei Tropillo. And The Clash's debut album turned out to be a very pleasant find.

3.Vinyl-Time

Address: Tulskaya metro station, Kholodilny lane, 2
Monday-Friday 12:00-20:00
Saturday 12:00-17:00
Sunday 12:00-17:00

This is a small store near the Tulskaya metro station. Despite its size, the most interesting specimens of all musical genres are collected here. Vinyl from the 70s and 80s, I haven’t seen any modern reissues there. The seller is a charismatic middle-aged music lover who will not refuse to talk to you about specific copies and will allow you to listen to whatever you want. And in this store you will find many first editions of your favorite albums and other interesting things. Next to the turntable, where you can listen to rare records, there is a shelf with CDs - there are also a lot of rare things there.

My mind was struck by the original album of The Doors Strange Days. This means that this record was released in 1967, during Jim Morisson's lifetime. Incredible energy emanates from it, as does the Black Sabbath Paranoid record, also a first edition, which sits next to it. But the coolest discovery was an incredibly ancient Ella Fitzgerald record, which I asked him to let me listen to: it was something with something.

Go ahead. If underground and old records don’t interest you, then let’s go to Maroseyka Street. An almost inconspicuous store, but sometimes incredible things happen there. The store mainly sells modern vinyl and reissues, but does have a few older records. The latest releases will be waiting for you here, so if you want to buy the album that came out yesterday on vinyl, this is your place. Large selection of CDs, even more than vinyl. They also sell badges, books, comics and many other interesting goodies. After you've looked at the pristine sealed records, you can drink coffee and snack on a bun: there is a cafe in the store.

In general, this is an ordinary store with records that were released no earlier than five to ten years ago. I wouldn’t tell you about it if it weren’t for this incident: one day I was looking for a record that was quite rare for Moscow and was already desperate to find it. Seeing Iggy Pop looking at me from the cover of the Raw Power record from the window, I thought I might as well come in. Absolutely without any hope, I decided to ask the seller if they had what I had been looking for for weeks:

– Tell me, do you have Tool vinyl?
- There are a couple.
– What kind of album? – I asked with undisguised excitement.
“Lateralus,” they answered me.

This is the treasured album that I'm tired of looking for.

The only thing I was now interested in was whether this store accepted bank cards. Our dialogue with the seller has ended, but I no longer ignore this store and do not recommend it to you. Its small size does not indicate the paucity of assortment.

5. New Art

Address: metro Trubnaya, Butyrskaya st., 5
Monday-Friday 10:00-21:00
Saturday-Sunday 11:00-21:00

It's like World of Cinema, but bigger. In general, both of these stores belong to the same Stuffology site. This store has the same selection as its smaller brother, but instead of just one Swans record, you'll find four. Sometimes you come across old editions for reasonable prices. In addition, in the premises of this store sits a nice tattooed guy who sells his records separately from the store, and his selection is much more interesting than that of his landlords, forgive my arrogance. And this store is now home to the rock store “Uncle Bory’s.” A kind of tower-teremok, not low, not high - everyone stays together.

I don’t know why, but in this store, in addition to all sorts of experimental groups and Robert Plant’s solo albums, there was an amazing selection of metal. My friend bought an old Slayer Seasons In The Abyss record, which I, for one, really love. I also came across David Bowie's Earthling record there. At one time, critics tore this album to smithereens, and therefore it was not released in large quantities. And he was in this store. I have no idea what it did there, but it didn’t sit there for a long time, and someone managed to buy it before me. However, I’m all about store goods, and the tattooed guy was selling no less cool things. For example, the first edition of Rock'n Roll High School Ramones in cellophane. This means that no one had ever listened to this record, and it was waiting for me. Eh, it’s a pity that I didn’t have any money.

But this is another DIY-style store - a union of Moscow DJ Ilya Kot and Dmitry Spirin from the group Cockroaches!. But in fact, this store has more agents, and they travel to foreign festivals, communicate with vinyl sellers there and bargain with them. The more you take from the record seller, the greater the discount, and you don’t have to pay for delivery, because the guys literally carry records from abroad on their own backs. It may be difficult, but the prices in the store will pleasantly surprise you. And don’t be scared by the fact that everyone in this store looks like punks. You will buy from them Ozzy, and David Bowie, and The Cure, and The Doors, and Ghost, and everything else. The choice is huge! The guys often go to festivals and concerts, so look for them in clubs and other concert venues!

What I found there:

What's not there! For example, the concert of The Exploited, where I met Ilya, ended for me with the fact that I left the club with the Motorhead Ace Of Spades record. What made me most happy was the discovery of the debut solo album of my beloved Glenn Danzig. In general, this find alone is enough for me to recommend this store, but there is another story that connects me with it. One day I had to buy Tom Waits' album Rain Dogs. To my surprise, I discovered that not a single store “for serious people” sells this record. Actually none of the ones I'm telling you about today. There are plenty of other albums everywhere, but there are none about “rain dogs.” Again, without enthusiasm, I went to the Maximum Vinyl website and unexpectedly saw that they were selling this album in as many as two copies. Not anywhere, but the punks had it, wow! Since then I have been very friends with Ilya.

Well, we got to the oldest store. I first came here as a schoolboy, when I wasn’t particularly interested in vinyl, but not so long ago I found myself here again and already asked to show me the records. I was taken to a room where all the records were on shelves. There were so many of them that it was pointless to look for anything, although now all this vinyl seems to be in the hall. In any case, look at the catalog online. There are also a lot of CDs and DVDs, many departments, old rock music in one room, classics in another. All vinyl is in one place and arranged alphabetically. There are modern records, there are past editions. A cult place - come see it.

What I found there:

Back in my school years, I definitely remember seeing discs there by Les Paul and Django Reinhardt, two guitar virtuosos. And there was a huge amount of punk rock: all the punk bands that I know today, I first saw on discs in Transylvania. But I bought vinyl there recently, and it was the last record of the same David Bowie. A gorgeous thing: there’s a pentagram on the cover, the album is designed in black, all the songs are about the Fall and other rabble, and the performer himself died shortly after the album’s release. And the name is BLACKSTAR! Natural black metal! I can say with confidence that I bought this record at the best price at which I could buy it in Moscow.

Actually, it's not really a vinyl store, it's more of a bookshop. However, there is also a music department with vinyl records, and there are some very interesting items in it, so we won’t ignore it. This is not even one store, it’s a network of stores, so it’s easier to look for the items you’re interested in in the catalog on the website. Mostly here you can find modern reissues of old albums or recently released releases. There are few records printed before the fall of the Berlin Wall, but some can be found.

There is a decent collection of Russian performers here, Aquarium, for example. Vinyls of such bands as Picnic, Chaif, Agatha Christie are also present in the Republic. There are very interesting things, including the Georgian group Mgzavrebi. But still, this store is aimed more at young people than at the older generation, so there are few Jethro Tull records here, but Arctic Monkeys and Kasabian are a cart and a small cart. However, such masters that everyone likes are presented without exception. I'm talking about Jimi Hendrix, Bob Dylan, Johnny Cash, Nick Cave and David Bowie, where would we be without him. Without Bowie records, any store is doomed to failed sales; Bowie guards vinyl stores like a pantheistic god. Ha ha!

What I found there:

I was extremely pleased to discover the Dresden Dolls album No, Virginia, featuring a charming woman named Amanda Palmer. The thing is rare for our region, so it can be said to be a valuable find. From “Republic” I once took away a record of the same Dead Kennedys In God We Trust Inc. in a joyful and cheerful mood. I still listen to this album with pleasure, and it was sold for some ridiculous money.

If you've looked through all the above stores and haven't found anything interesting, rest assured, Sound Barrier will amaze you. This small, inconspicuous store is located in the courtyard of Stalinist houses in the Leninsky Prospekt area, and has the largest selection of vinyl in Moscow. What about Moscow! In Russia, for sure, and perhaps the range of records in this store is one of the widest in Europe. It's no joke - 150 thousand records in one place! Visiting guests often gasped at just one glance at the assortment.

There is so much vinyl that it can't stay on the shelves; it's tied with rubber bands so it doesn't fall on your head. You'll have a hard time moving around this store because vinyl is everywhere. He's everywhere. Absolutely everything is collected here. Gramophone records, originals by Louis Armstrong, first editions of The Beatles, autographed records. All the cult groups that fill the T-shirts of the current so-called generation Y are here in such huge numbers that there is no point in listing individual performers. You can come here at any time and in 99% of cases you will find what you have been looking for.

And if you don’t find it, they will order you the record of your dreams, but this is a rare case. It happens that in the middle of this warehouse of records there are no seemingly ordinary things (Rain Dogs, Lateralus, Earthling for example). But you will see at least one record from your favorite band here, no matter what the group is. A huge number of bootlegs and first presses, our publications, foreign ones, and so on. In short, if you are asked to take someone to a vinyl record store in order to be sure to find something valuable for their ear, take them to the Sound Barrier - you can’t go wrong!

What I found there:

Everything that I couldn’t find in previous stores. But to make you understand how cool this store is, I will tell you a story. A couple of guests from abroad came to this store in search of a record by the group Sepsis. They, of course, found it there, and not satisfied with this, began to study the assortment further. The study went on for several hours and ended with the discovery of an album that they never expected to find in snowy Russia. It was the rare Achim Reichel & Machines Echo double album, which they had been searching all over the world for several years and could not find anywhere. Not on websites on the Internet, not in Japan, not in Europe, not in America, NOWHERE! And they found it in Russia! Can you imagine how this discovery broke their pattern?

No I am not joking. Feel free to search for records on Avito, because this is a private sale and you can get a good deal here. Go to the website, select your city, then select the “Hobbies and Recreation” category and the “collectibles” subcategory. Now all you have to do is click on the word “records”, and you can search for what you want.

Keep in mind that you may not always be able to find a record in these categories because the seller may not assign a category to their item. Often, sellers simply advertise that they have a large number of records for sale, and it is better to call them to check availability, because it is simply unrealistic to advertise for every record. The easiest way, of course, is to buy a Soviet record on Avito, because in our country there is an abundance of this stuff. There are also collectors who sell their valuable records, which are not even available in the Sound Barrier. Andrey Tropilo’s records (popularly “AnTrops”) are easy to find on Avito. They are valuable because Tropillo had to use his ingenuity in order to release the record and not receive a lawsuit from the copyright holder. His resourcefulness knew no bounds: all titles and proper nouns were translated into Russian, and the design included such changes that it could no longer be called a copy. That’s who came up with the Lead Airship and the group Weird (that’s how The Cure was translated) with the album “Three Unreal Boys”.

Just look at what AnTrop created - you will laugh for a long time, especially when you find out where the production and recording took place - namely in the premises of the Lutheran Church of St. Petersburg. Abroad, these records cost 50 euros, but here they cost 300 rubles.

What I found there:

Again, a Dead Kennedys record for mere pennies, sealed in cellophane. Or, for example, one day I urgently needed to buy a Black Sabbath record - thanks to Avito, I brought Master Of Reality home that same day. I bought and vinyl Studzhiz “House of Kaif” from a nice employee of the Tretyakov Gallery who was chewing on a toothpick. Then I came across Lou Reed and John Cale's album Songs for Drella. A brand new Tom Waits record, Swordfishtrombones, was also found there.

And all these are AnTropes (except for Dead Kennedys), which in themselves are a historical rarity. They cost me no more than 500 rubles each, I’m saying this just in case. On Avito I also came across a color edition of the Mastodon Leviathan album at a very nice price, which was signed by guitarist Bill Keliher. Moreover, this album is as difficult to obtain even without an autograph as Lateralus and Earthling.

By the way, here I found another Tool album – Undertow on two vinyls. A nice young woman sold it to me, gave me the same album on disk and also gave me a discount because the side of one of the records was scratched in some way unknown to her. But all this cannot be compared with the time when I arranged a meeting with the person from whom I wanted to buy the debut album of The Velvet Underground. I haven’t had the record for a long time, but I’m still friends with the seller.

This is another site, but this time an online auction. Here, sometimes you will need to place your bet on time. And if you are cunning and placed a bid 1 second before the end of the auction, then the auction will last another 15 minutes, and so on after each subsequent bid, so be patient. Some lots can be bought without bidding, some no one bids on, so go for it. Thousands and thousands of records, disks, cassettes, coins, stamps, photographs and other valuables are collected here. This is simply a paradise for collectors of all stripes, where you can find the most incredible things.

What I found there:

With great pleasure I bought the debut album of Dire Straits here for an amount that could easily be spent on lunch at McDonald's. With even greater pleasure, I found here the first English edition of Disentegration The Cure, also for a mere penny for a record that was new in condition.

But all these beautiful things cannot compare with my main trophy. As I usually do (without enthusiasm), I once typed the following combination of words into a search engine: Diamanda Galas & John Paul Jones – Sporting Life. This album was pressed on vinyl in England in 1994 in a single edition, because the whole world at that time switched to CD. And none of the stores I mentioned above had this record, and there shouldn’t have been. I already thought that I was looking for a black cat in a dark room where there was none, since this record was firmly entrenched in the collections of audiophiles of all stripes, and in Russia there was absolutely no point in looking for it.

However, the site stubbornly proved to me that one copy of this demonic album is located in Tver. This record was not cheap, but I could not allow this album to fall into the hands of a fat speculator who was beaten for his troubles in the Soviet Union, and passed by the one who should have it in his collection. It’s good that I have friends living in Tver, since I would not have survived the transportation of this record by Russian Post.

And this is the last and most reliable option. This is a site for music collectors and features every edition of every record ever released. Detailed descriptions for each record, photographs of the sleeve, inner sleeve, apple, matrix, nuances of the editions - it’s all here. People who create an account on Discogs put their records up for sale, some even with autographs and other pleasant surprises. There are, scary to say, more than twenty million records on sale.

There is really one thing: you will have to fork out for shipping, and it sometimes costs more than the record itself, so don’t be surprised. However, there is a way out of this situation: you just need to open the search filter and highlight Russia as the location of the record you are looking for: this way you will either find a seller in your city or save significantly on delivery. And if Russia doesn’t have the required copy, well, what can you do! You'll have to order from overseas, and a filter will also help you here, because delivery from the USA is much more expensive than delivery from Europe. But I also want to say this: not all collectors want to part with their records. For example, foreigners from the “Sound Barrier” searched Discogs for 4 years and did not find what they found with us. Although I'm sure this was an isolated incident.

What I found there:

The number of records cannot be described. The prices are sometimes very reasonable, so it can be a shame not to take it. I can't boast of finding any rare items here, although at least I was able to purchase Morphine and BADBADNOTGOOD records. Many people like these groups, but their records are completely absent in Moscow. I had to order from abroad, there was no other choice. Well, I was also able to buy Patti Smith’s wonderful Easter record here. It was inexpensive and found quickly, and I saved a lot of time and nerves.

“20 million records – well, much more!” - you think. But you understand that all our desires are limited by our imagination. But not all of your favorite albums were released on vinyl, no matter how much you might like it. What do you do when you want to have a record that doesn't exist in nature? Record it yourself!

Many have already asked this question and discovered that you can only record vinyl in batches of a hundred pieces, and it will also cost about a hundred pieces, and no one will write one record for you. But the magicians from St. Petersburg were able to get modern equipment for cutting records and make any records in any edition. You send them the songs you want to have on your record, send them the sleeve and apple design, discuss the details and boom! You have an exclusive! Only you will need to prove that you are making vinyl for personal use, and if you order 20+ records, you will have to provide permission from the author of the music. It won't be very expensive to make one record, but it won't be very cheap either.

What I found there:

I will not say. It's a secret.

As you can see, you have many options. From my stories, you probably realized that luck can smile on you quite unexpectedly. Don't stop searching and you will certainly find what you were looking for!

Vinyl records were once a great, high-quality way to listen to your favorite tunes. The rush to find this or that record reached all imaginable limits; people were willing to stand in lines overnight or wash floors just to get the vinyl.

True, cassettes soon replaced vinyl, and then they filled the whole world and the popularity of “layers” subsided. However, the passion for vinyl records
remained and grew into something more, turning into collecting unique works. The most interesting personalities on the Internet for collecting vinyl records are presented below:

largest collection of vinyl records in the world

№ 1
It took Paul Moonheney more than 50 years to accumulate the largest collection of vinyl records in the world. The collection contains about 3 million vinyl records (EP, LP, 45-rev and 78-rpm) and the value of this collection is approximately estimated at $50 million. The extensive vinyl that Paul Mountheini has collected contains over 5 generations of music. 17% of his collection can be found in electronic format, and the other 83 can only be purchased from him. However, the dominance of the digital format forced the collector to sell his “life’s work” on the online auction site eBay.

writer Haruki Murakami and his famous jazz listening room

№ 2
The famous Japanese writer Haruki Murakami often describes jazz compositions in his novels, and all for good reason, because he also
is the owner of a delightful collection of 40 thousand
records .

Grigory Kachurin

Grigory Kachurin in his three-room apartment collected a huge collection of records, gramophones and gramophones. It all started with his father, who after 1945 began collecting specimens that interested him. Basically, the collection consists of very valuable items from the post-war period, but Grigory continued his father’s work and regularly adds to his collection. Particularly noteworthy are records with Stalin’s voice, as well as Khrushchev’s personal collection of Ukrainian songs, which Grigory inherited from Nikita Sergeevich’s relatives. Collector Kachurin has more than 25 thousand records, 80 gramophones and gramophones.
№ 4
The next contender for a large vinyl record collection is
owner of the recording studio Evgeny Nemtsov. Personal
It is replenished mainly with classical works, but you can also find pop and jazz music. Evgeniy Nemtsov is the owner near
20 thousand copies of vinyl records.

№5
Famous Moscow collector of sound recordings Valery Dmitrievich Safoshkin,
During his short life, he collected a unique collection of gramophone records, which belongs to various musical genres of the world, Soviet and Russian pop music. The collection of gramophone records alone contains more than 17 thousand pieces, among them there are rare, the only copies in. Valery Dmitrievich's collection is registered with the International Association of Musical Collections. Safoshkin keeps valuable antique sound-reproducing mechanisms, for example, the disk of the inventor Edison, gramophones, phonograph rollers, gramophones (there is a gramophone that belonged to F.I. Chaliapin).

№ 6
Yuri Borisovich Perepelkin from the city of St. Petersburg collected a collection of gramophone records with the voices of famous opera singers of the world. In the Perepelkin collection 16 thousand recordings of opera singers, as well as unique photographic materials from the lives of artists, their personal diaries and memoirs, which were specially written at the request of the collector. Yuri Borisovich has many unique works, for example, a rare recording of the soprano voice of the artist Vrubel’s wife, who was believed to have never recorded her voice.

№ 7
Alessandro Benedetti began collecting his collection of colored and unusual discs in 1981. Currently, the complete collection of vinyl records includes about 8 thousand discs, among which only about 1.2 thousand are color ones. In 2003, Alessandro's collection was listed in the Guinness Book of Records, and in 2009, he, together with Italian producer Giorgio Morodera and collector Peter Bastain, with the help of the Tashen publishing house and Colors magazine, released the book Extraordinary Records, which is dedicated to the strangest and most unusual vinyl records in the world.

I hope the article was interesting and helped someone. Please leave comments below so I can get back to you.

Don't be afraid of me and add me to

A musical number is partly a number about what is not there. In the world of mp3s, blogs and collections measured in hundreds of gigabytes, few people care about the actual music. New albums do not evoke trepidation; you want to get rid of the newly downloaded album as soon as possible. The only object that still evokes tenderness, envy and simple human interest in people is a long-forgotten vinyl record. Alexey Munipov found out how the Moscow vinyl world works and met with the main collectors.

“I tried never to change with anyone. And he didn’t let me listen to his records. If you have money, buy it, if you don’t, go to hell...” It’s hot in the basement of Transylvania, and overhead is a sales area with tons of CDs: there are no vinyl records there, but this is the main music lovers’ point in Moscow, and where to start asking questions about collectors if not here?

The owner of Transylvania, Boris Nikolaevich Simonov, was once the president of the Moscow Society of Philophonists and, in theory, should know everyone. His own collection is legendary. They say that everything there is only on vinyl. That it is not inferior in size, or even surpasses the Transylvania collection. That a separate apartment has been allocated for her. And that, of course, no one has access to it.

All this turns out to be true.

“I started collecting records in the mid-60s,” says Simonov. “I knew for sure that no one would give me the records, and I didn’t want to beg to listen to them either.” I didn’t run through the forests or through the crowds - I only bought and sold, and only from trusted people. There were several serious black marketeers in Moscow. They made money on other things - on mohair, bologna raincoats, scarves, watches, jeans. They unloaded sailors, artists, journalists, athletes, and various diplomats. They also brought vinyl, but no one really knew what to do with it. On the one hand, it seemed like a fashionable thing, on the other hand, no one understood music. Well, they knew Tom Jones, the Paul Mauriat orchestra, The Beatles... Our people, out of greed, bought vinyl at sales, and there, oddly enough, they came across interesting things. So I selected them. He kept the best and sold the rest for the same money. It wasn't a business - I could just listen a lot and keep a lot for myself. Well, some things have accumulated.”

Other collectors speak with a mixture of envy and admiration about what exactly has accumulated there. “I wouldn’t mention any forty-five, Boris is right there - but I have seven of them! — said DJ Misha Kovalev. “Well, seven times, sell one,” I say. And he - no, how can I sell it? She's good! Boris has this logic: if he lets a good record slip out of his hands, then all sorts of fools will ruin it! It’s better to let it lie down.”

Simonov does not say out loud that compacts are for suckers, but in general the approach is clear. There is basically no vinyl in Transylvania. “How to trade the most expensive? These little people will come, start looking, touching, wanting to listen, God forbid, scratching them... Well, shouldn’t we kill them for this? Dangerous!"

In the Soviet Union, the life of a record was bizarre and often fleeting. “A fresh long-play cost 50-55 rubles. But in the early days it could cost 100. Some Creedence “Cosmo’s Factory” comes along - they are immediately grabbed by the “writers” who record music for money, transfer it to film from morning to night and justify their money many times over. After that the record turns into mush.” There was no idea about rarities, curiosities, collector's editions - in short, about what is now called collectables and described in thick catalogs - there was no idea. “Even then I didn’t understand that the first printing is more valuable because it sounds better. What people now pay a lot of money for - some original King Crimson, The Beatles on a yellow Parlophone - used to be something you could just kick.”

It was a world of complex schemes, endless chains, dotted lines “from the Bolshoi soloist to the composer Artemyev,” calls and resales, honest store managers, quiet swindlers and serious collectors - Dosi Shenderovich, Rudik the red and Rudik the black, Vasily Lvovich and Vasily Dmitrich. According to Simonov, there were at least several collections in Moscow that were an order of magnitude larger than his own. But this world seems to have ended long ago and irrevocably. It’s hard to imagine a young man who now goes to other people’s apartments to buy vinyl. Why and who might need this?

***

Vova Tereh, guitarist of the group “Roaring Strings”, is quite a young man, and has hardly heard of the two Rudiks. Tereh is standing in shorts in the middle of his two-room apartment, cigarette smoke hangs in the air, and there are records, records, and records all around. The only furniture is a bed, a table and a barbell. Terekh pours tea, puts a 1969 Edgar Broughton Band record on the player and, after waiting for the first chords, says what every collector says first: “Well, listen for yourself - it sounds completely different!”

Sound is what people are supposed to buy vinyl for. Vinyl has an analog sound, a compact has a digital sound: collectors call it flat, squeezed, unnatural - whatever, the main thing is that there is no life in it. “I wasn’t a maniac,” says Tereh. — I listened to compacts and collected a decent amount. And one day, for nostalgic reasons, I decided to listen to the Deep Purple album “In Rock” - I loved it as a child. I bought a branded compact - everything seems to be in place, but the music is somehow not the same. I got another edition, then a remastered one, then an expensive Japanese one - it’s not the same. Well, one day while visiting I came across an old record, put it on the player - and realized that we were being deceived.”

“Back then there were no CDs, no DVDs, no cassettes - vinyl was the only medium,” says Tereh, rummaging through the boxes. “All the best engineering minds in the world were focused on achieving perfect sound. Some records sound like that - you can’t believe they were recorded in ’68.” Collectors hate the word “remastering” especially fiercely: “Some guy sits and decides how to improve the old album. How does he know?! Well, yes, you can hear details there that were not heard before - so maybe you don’t need to hear them!”

Terekh collects garage, psychedelic, punk and krautrock; It’s clear that even holding the original edition of the legendary “Nuggets” record in his hands is already an adventure. Or find it on a junk compilation of Lou Reed - under a pseudonym, even before The Velvet Underground. All this is addictive: the same albums have different circulations, different versions, English, American and other editions. The most unpleasant thing is that their sound is also different. “American oak has such a mass, a deep path, and the sound really crushes. I like this one. The English ones sound completely different - no better, no worse, just different.” That’s why Terekh has seven of The Velvet Underground’s first albums, and all of them are different.

***

And, of course, design. To amaze the neophyte, he is always shown miracles and beauty. All this goes under the slogan “This doesn’t happen on CD.” The Faces' record makes the eyes roll. Sergeant Pepper includes a sergeant's mustache and epaulettes. The Jesus Loves the Stooges EP comes with special glasses that reveal a 3D dead donkey on one side of the sleeve and a 3D big-lipped Iggy on the other. The Jethro Tull "Stand Up" sleeve has paper cutouts of the members inside. Leather envelopes, gold embossing, colored vinyl, plastic windows, posters and inserts - quite a lot of things.

Dmitry Kazantsev, a designer and part-time blues musician, has about 5 thousand records - mostly old, American. Contrary to expectations, they do not take up much space - two large shelves, that is, half a room. The owner takes out a CD without looking: “What is there to compare? It is almost 9 times smaller than the plate. If you reduce the picture by 9 times, all the details will be lost. The compact cannot be a collector's item at all. His price is ugh, nothing. It costs pennies to produce. And the record—that’s how much paper it took.”

There are unsorted stacks on the floor, on the chair, on the closet. Dmitry picks up the top plate and shows: “Well, here it is. The Beach Boys album "Love You". You first take it, look at it - what a brilliant design, how everything is thought out and drawn down to the smallest detail. Then you turn it over, and there in the middle of this brilliant design is some idiotic amateur photograph. And so you think, what kind of idiocy, you look at the name of the photographer, you think: how is this possible, is the photographer an asshole or what? That is... Do you understand? You haven’t even started listening to the record yet, and you’re already having so much fun!”

Kazantsev demonstrates rare common sense: he doesn’t chase different versions of one album, he’s seen collectables in his grave, he pays attention only to the music and the quality of the recording. “On the first albums of The Velvet Underground, it’s terrible what’s going on! And they play somehow, and the recording is monstrous. Or the first editions of The Beatles: they now cost crazy amounts of money, they are very difficult to get, and they are almost always killed, and most are generally monophonic. I’m also happy with later reissues.” But in the end he suddenly admits: “Here, of course, you need to understand... There are fewer and fewer records, and there are more and more of us. Almost all the vinyl in the world has already been collected, described, and prices are rising. And so you sit and think: maybe I should buy it for future use? Then it won’t happen.”

***

From this “for future use”, from thinking about the difference in sound, from the phrases “I’ll take two, one just in case,” a crazy collecting streak begins to beat in people’s heads. There are vinyl stores in Moscow, but real collectors don't go to them. At least not the ones that are visible. There are two or three points on Gorbushka, there is a strange store at Melodiya - with unopened Pugacheva from the warehouse, and of course, there is the Sound Barrier on Leninsky and its owner Pasha. Everyone has a lot of complaints about Pasha, but no one can compete with the “Sound Barrier”: there are more than a hundred thousand records here - and there is no such collection of Soviet vinyl anywhere else.

The quiet collector loves secret places - like the point in 1st Smolensky Lane, which is run by Andrei Mikhailov, also known as Andrei Daltonik. This is a room filled from floor to ceiling with records - not a sign, not a bell, not a hint. Here, as if by themselves, heartbreaking stories are born - about drunken collectors, perished collectors, about people who ate only canned food and corn without butter. One artist walked around and got drunk. There was one chemist who drank himself and drowned. There was a couple, mother and son, nicknamed the Doodle Sharks - tenacious as hell. They collected only classics, and only old 78 rpm records. Once they showed a record of Bella Vrubel - this is the wife of the artist Vrubel, she sang a little, recorded 3 or 4 records. The price is 1500 dollars, at least. And they bought it from an old woman for 50 rubles.

“The jazz or rock that they collect is nothing,” says a local consultant, thin, toothless, wearing a sweater that remembers Andropov. — But if you start collecting classics, that’s all. With ends. Take Mozart’s clarinet concerto: it’s in minor, then major, and then suddenly it throws you into the abyss. Hellish. The beginning is in the middle, the middle is at the end, the end is at the beginning - nothing is clear. Like Blavatsky. If you start collecting this stuff, it’s a lost cause. Classics—they stifle people.”

And then there are stamp makers or catalog makers - they collect entire catalogues: say, all the records released on the Vertigo label. It was said about Andrey Daltonik, who really loves Italo-disco, that he has 5,000 records from the German label ZYX Music in his collection. Andrey rejected the figure: “Yes, it turned out to be only three thousand. And yet I still don’t have enough positions. Five thousand is if you count all my Eurodisco.” In total, his collection contains 12 and a half thousand records. “They are in a separate room, no problem. The family doesn't mind. But no one goes there without me.”

By all indications, vinyl is on the rise right now. The market is growing, sales are increasing, people are willing to pay big money. Sellers should be happy about this - but it seems to only irritate them. “I don’t like working with the same oligarchs. — The store owner frowns. “They are all in vain, they don’t know what they want.” Tiring people."

Those who don't know what they want buy their Deep Purple "In Rock" and walk away. There are some of our own left, and you can deal with them. This is a thin but strong network - a kind of collector's Web 2.0, a system of people who know each other, which no eBay auction can compare with. In addition, Mikhailov says that prices on eBay are often higher than his. “Since it became possible to buy from Russia, everything has skyrocketed incredibly. The hungry came. I just see it." It’s more difficult, but also more reliable, to use personal connections: somewhere in Sussex a box of unopened vinyl was found, and in Krasnoyarsk there is a buyer for it. And it will not end up on any eBay. An auction means anonymity, but collecting always means communication. On eBay, God forbid, they cheat, but even if a person cheats, then here he is, next to him. It is better to find your seller somewhere in America or people who travel to England, Japan, Finland and Holland for records. The main thing is to establish contact."

***

The dating network is also the network of contempt. Here everyone knows everyone and everyone can’t stand each other. Collectors of orchestras and music of the 50s - collectors of punk and psychedelia. Jazzmen - collectors of "Melody". Fans of prog rock from 1968-1971 - those who also love 1972-1973. Music lovers are hucksters. Hucksters - students. The students are Nazareth fans. Krautrock connoisseurs are Italo disco connoisseurs. Buyers of old vinyl are buyers of modern vinyl. Narrow specialists - broad ones. Connoisseurs of the classics - everyone else.

The lowest on the ladder of hatred are those who collect exotic music - Japanese pop, Dutch rock, African twists. In a small apartment, where there is no space, but only paths to the bed, record player and electric organ, Misha Kovalev plays me a seven-inch record from some idiotic Dutch: bought at a flea market for one euro. Kovalev is a GITIS teacher and DJ. Collects all sorts of fun. I am very pleased that no one here is chasing this kind of thing: once in the “Sound Barrier” they managed to snatch part of the collection of Tsvetov, the main Soviet international Japanese specialist, - no one else needed the Japanese stage. Another time, a cabinet with Cuban music appeared there: the main Latin specialist in Moscow died, the widow brought everything “to Pasha.” Each record had a hand-painted bookplate, and in some places even homemade covers. The cabinet stood for a couple of days, we managed to dig up a few things, then the collection went to England - in the West, Cuban vinyls are terribly expensive. Collections of the dead are generally a rich topic. Relatives used to throw them away, sometimes taking them by truck to Gorbushka and selling them by weight. “We got a lot of good things like that,” said Simonov. - But I recently had a flood - only the records were flooded from the dead. I won’t take from the dead anymore, to hell with them.”

Kovalev says all the right words about sound, about the sense of time, about the fact that this music is simply not on CD - no one remembers groups that released three singles and fell apart, and there is nothing about them on the Internet. The main thing says in the end: in these records the music itself was somehow preserved. Life, warmth, breath - God knows what. And he listens to his seven-inch records, but he cannot listen to them, rewritten on CD. No cover, no envelope - he can’t even remember what it is. “I once walked into a DJ store in Amsterdam: thousands of records, all in white envelopes and with the names blurred out. I almost died there.”

And then, you can’t buy too much on vinyl: it’s expensive, it’s tedious, and you get tired of carrying it. Vinyl is selection, and selection is exactly what is needed now. Without search, without effort, without these seemingly absurd barriers, music withers, shrinks, disappears. It seems like there are gigabytes of everything - but there’s nothing to listen to. Do not want.

“Go,” Kovalev advised at parting, “to Gorbushka. There people have been reselling the same records to each other for years. That's what they are - collectors."

***

The red tent in the courtyard of the Rubin plant is a strong place. People who collect only The Beatles or only “Canterburys” from the list and from the catalog, change Sweet to Slade and Slade to Boney M - they are all here. This is the Moscow Society of Philophonists in the form in which it is still alive. Saturday and Sunday - collection in the morning. Simonov, having heard about him, only said: “Well, they’re finished.”

Here is a man who has 4,000 records, and everything is only Deep Purple: all the editions, and all the solo albums, and the solo albums of everyone who played on the solo albums. There’s a Beatles specialist walking around: there are collections of eight thousand, young man, and only the Beatles. In the middle there is a specimen with glasses: he can’t say much, he can barely stand, and the neighbors are chasing him away because he seems to have shit himself - but he’s holding the string bag with the records tightly. “The oldest client,” says the current president of the society, half apologetically.

It smells of decay, greed and pepper. And also lack of will: it is not people who gather under this red awning, but the collections that have taken possession of them. Any collecting is, in essence, an absurd desire for order; to the opportunity to arrange, collect, preserve and describe at least a tiny piece of life. In the end, Deep Purple is not infinite, and nothing is infinite - sooner or later all the rarest positions will be closed, and the collection will become complete, perfect, perfect.

But there are no complete collections. You can collect “Melody” all your life, find rare Soviet jazz, recordings of drunken pianists - and completely accidentally find out that at the Tbilisi branch of “Melody” at night, on the third shift, for money they wrote and published fashionable music like cover versions of Nino Ferrera . These records are not in the official Melodiya catalogue, which means they do not exist - but they do exist. Or hear about the record library of a modest KGB officer from the 5th department, where they sent 20 copies of each (every!) Melodiev record - including prohibited ones. Where she is and what is there is unknown.

“Nobody really knows anything,” says Kazantsev. — There may be an envelope from one country, but the record was made in another. Released in Holland, written “Made in Sweden”, and made in England. Or they started printing on one label and finished printing on another. They sound different, but they differ only in that there is some tiny R there. Or it's not even worth it. No Internet will help you, this is not described in any catalogues. I have a Donovan record – no one can even figure out where it was made.”

Somewhere in the depths of Gorbushka, a fat man, surrounded by records, almost shouts: “You don’t know what collections are! You don't know what rarities are! These are not collectors, but wow! Real rarities are not sold, exchanged, shown, or talked about. Real collections do not fit in apartments! They are stored - in hangars! They are transported by trucks!” Obviously, I will never see them - amid conversations about labels, reprints, rarities and Evstigneev’s jazz record library, imaginary trucks slowly go into the distance. Like dreams of peace, like the ghost of a world where there is nothing but music. Like Moby Dick, who is completely impossible to catch up with.