Characteristics of all heroes - fathers and children. "Fathers and Sons": characters

Evgeny Vasilievich Bazarov - main character Romana, son of a regimental doctor, medical student, friend of Arkady Kirsanov. Bazarov is the brightest representative of youth and the various democratic intelligentsia mid-19th century. Calling himself a “nihilist,” he denies the established social order and rejects any principles.

A beautiful aristocrat, 29 years old, whom Bazarov fell in love with. She considers herself to be a new generation of nobles: simple, calm, devoid of snobbery, preaches freedom of judgment and democracy. By nature, Anna Sergeevna is proud and smart. Left without a father at an early age, she raised her younger sister.

One of the main characters of the novel, the father of Arkady Kirsanov and the brother of Pavel Petrovich. In the past he was happily married, but remained a widower. Now he lives with a young girl, Fenechka, who gave birth to his son. Despite the fact that Nikolai Petrovich is no longer young, he tries to keep up with the times and is interested in music, poetry and art in general.

Brother of Nikolai Petrovich Kirsanov, uncle of Arkady and Bazarov's main opponent. He acts as the main opponent in ideological disputes with Bazarov and, due to the strength of his character, is a worthy rival to him. Pavel Petrovich is distinguished by integrity, insight, aristocracy, high intelligence, sharp mind, nobility, willpower, liberal views and passion for everything English.

Is one of the main female characters in the novel. She is an ordinary peasant girl, left an orphan at an early age. Fenechka’s mother Arina Savishna worked as a housekeeper on the estate of Nikolai Petrovich Kirsanov. When she died, he took upon himself the care of young Fenechka, with whom he later fell in love.

A minor character in the novel, an emancipated landowner, Sitnikov’s friend, a psedonihilist. She imitates the most extreme manifestations of radicalism, is constantly interested in the “women's question” and the situation of women throughout the world, is interested in the natural sciences, and despises George Sand.

A minor character in the novel, Bazarov's friend and student, a pseudo-nihilist. He is characterized by anxious tension, as well as dog-like devotion to his “teacher.” He tries in vain to imitate Bazarov, making him his idol. In his attempts to behave freely and boldly, to show harshness in his judgments and actions, he looks comical.

Kate

Odintsova's younger sister. A young and shy girl of 18 years old. Their love with Arkady developed slowly, but gradually the young people fell in love with each other and got married. In the future, they had a son, Kolya.

Vasily Ivanovich

Bazarov's father, a retired staff physician. Lives on a remote estate, has a few serf souls. He treats local peasants. He is interested in gardening and vegetable gardening. Evgeniy was his only son, after whose death his life also faded.

Arina Vlasevna

Bazarov's mother, kind woman, passionately loving her son. She was very pious and believed in everything possible: in devils, dreams, omens, fortune telling, damage and even in the end of the world. In her youth she was beautiful, played the clavichord and knew French. Now I’ve gained weight and forgotten music and language. The death of her son practically killed her herself.

Prokofich

A servant in the Kirsanovs' house, a thin old man of about sixty years old. Nikolai Petrovich called him a grump. The only servant who did not love Bazarov.

Dunyasha

A servant in the Kirsanovs' house, a young girl who helps Fenechka take care of her little son Mitya. She really liked Bazarov.

Peter

Valet in the Kirsanovs' house. Stupid and proud person. He knew how to read syllables. At the end of the book, he married the daughter of a city gardener and received a good dowry. She chose him only because he had a watch.

Mitya

The little son of Nikolai Petrovich and Fenechka. He is not even a year old yet.

Matvey Ilyich

A noble relative of the Kirsanovs, to whom Arkady and Bazarov went from the estate. He advised them to go to the governor and get an invitation to the ball.

Governor

A fussy and forgetful person. He invited Bazarov and Kirsanov to his place. big ball, where they met Odintsova.

Princess X

Anna Sergeevna Odintsova's aunt, a thin and small old woman, a princess. After the death of her husband, Odintsova invited her to live on her estate and manage it. Now no one paid attention to her, although they treated her with respect and looked after her well. She died shortly after Bazarov's death.

Porfiry Platonich

Odintsova's neighbor, who often came to her to play cards. He was short, cheerful and already gray-haired. He loved to tell jokes.

Timofeich

Bazarov's father's clerk, Evgeniy's former uncle. He came to pick him up from Odintsova and said that his parents were really looking forward to him. He also came to her to bring her to the dying Bazarov.

Fedka

Servant in the Bazarovs' house. Upon the arrival of Bazarov and Arkady, he began to serve them. For the sake of their arrival, he was dressed in different clothes and given new boots, which he could not get used to.

Doctor Odintsova

He came with Odintsova to examine the sick Bazarov, immediately determined that he had no chance of survival, which he managed to whisper to her before she met him.

The novel became iconic for its time, and the image of the main character Evgeniy Bazarov was perceived by young people as an example to follow. Ideals such as uncompromisingness, lack of admiration for authorities and old truths, the priority of the useful over the beautiful were perceived by the people of that time and were reflected in Bazarov’s worldview.

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The action in the novel takes place in the summer of 1859, that is, on the eve of the peasant reform of 1861.

Evgeny Bazarov and Arkady Kirsanov come to Maryino and spend some time staying with the Kirsanovs (father Nikolai Petrovich and uncle Pavel Petrovich). Tensions with the elder Kirsanovs force Bazarov to leave Maryino and go to provincial town***. Arkady goes with him. Bazarov and Arkady spend time in the company of local “progressive” youth - Kukshina and Sitnikov. Then, at the governor’s ball, they meet Odintsova. Bazarov and Arkady go to Nikolskoye, Odintsova’s estate, and Mrs. Kukshina, wounded by them, remains in the city. Bazarov and Arkady, infatuated with Odintsova, spend some time in Nikolskoye. After an unsuccessful declaration of love, Bazarov, who frightened Odintsova, is forced to leave. He goes to his parents (Vasily and Arina Bazarov), and Arkady goes with him. Bazarov and Arkady are visiting his parents. Tired of the manifestations of parental love, Bazarov leaves his discouraged father and mother, and together with Arkady he goes back to Maryino. On the way, they accidentally stop at Nikolskoye, but, having met a cold reception, they return to Maryino. Bazarov lives for some time in Maryino. A surge of passion spills out into a kiss with Fenechka, her mother. illegitimate son Nikolai Petrovich Kirsanov, and because of her he shoots himself in a duel with Pavel Petrovich. Arkady, having returned to Maryino, leaves alone for Nikolskoye and stays with Odintsova, becoming more and more carried away by her sister Katya. Having completely ruined relations with the older Kirsanovs, Bazarov also goes to Nikolskoye. Bazarov apologizes to Odintsova for his feelings. Odintsova accepts the apology, and Bazarov spends several days in Nikolskoye. Arkady declares his love to Katya. Having said goodbye to Arkady forever, Bazarov returns to his parents. Living with his parents, Bazarov helps his father treat the sick and dies from blood poisoning, accidentally cutting himself during an autopsy of a man who died of typhus. Before death last time sees Odintsova, who comes to him at his request. Arkady Kirsanov marries Katya, and Nikolai Petrovich marries Fenechka. Pavel Petrovich is leaving abroad forever.

Main characters

Evgeny Vasilievich Bazarov- nihilist, student, studying to become a doctor. In nihilism, he is Arkady's mentor, protests against the liberal ideas of the Kirsanov brothers and the conservative views of his parents. Revolutionary-democrat, commoner. By the end of the novel, he falls in love with Odintsova, changing his nihilistic views on love. Love turned out to be a test for Bazarov, he understands that there is an obvious romantic in him - he even declares his love to Odintsova. At the end of the book he works as a village doctor. Opening up a man who died of typhus, he himself becomes infected through carelessness. After death, a religious ceremony is performed over him.
Nikolai Petrovich Kirsanov- landowner, liberal, father of Arkady, widower. Loves music and poetry. Interested in progressive ideas, including in agriculture. At the beginning of the novel, he is ashamed of his love for Fenechka, a woman from the common people, but then marries her.
Pavel Petrovich Kirsanov- Nikolai Petrovich’s older brother, a retired officer, an aristocrat, proud, self-confident, an ardent supporter of liberalism. He often argues with Bazarov about love, nature, aristocracy, art, and science. Lonely. In my youth I experienced tragic love. He sees in Fenechka Princess R., with whom he was in love. He hates Bazarov and challenges him to a duel, in which he is slightly wounded in the thigh.
Arkady Nikolaevich Kirsanov- son of Nikolai Petrovich’s first wife, Maria. Recent candidate of science at St. Petersburg University and friend of Bazarov. He becomes a nihilist under the influence of Bazarov, but then abandons these ideas.
Vasily Ivanovich Bazarov- Bazarov’s father, a retired army surgeon. Not rich. Manages his wife's estate. Moderately educated and enlightened, he feels that rural life left him isolated from modern ideas. He adheres to generally conservative views, is religious, and loves his son immensely.
Arina Vlasevna- Bazarov's mother. It is she who owns the village of the Bazarovs and 15 souls of serfs. Devout follower of Orthodoxy. Very superstitious. She is suspicious and sentimentally sensitive. She loves her son and is deeply concerned about his renunciation of faith.
Anna Sergeevna Odintsova- a rich widow who welcomes nihilistic friends to her estate. He sympathizes with Bazarov, but after his confession he does not reciprocate. Counts quiet life without worries, everything is more important, including love.
Katerina (Ekaterina Sergeevna Lokteva) - Anna Sergeevna Odintsova’s sister, a quiet girl, invisible in her sister’s shadow, plays the clavichord. Arkady spends a lot of time with her, languishing in love with Anna. But later he realizes his love for Katya. At the end of the novel, Catherine marries Arkady.

Other heroes

Victor Sitnikov- an acquaintance of Bazarov and Arkady, an adherent of nihilism. He belongs to that category of “progressives” who reject any authority, chasing the fashion for “free thinking.” He doesn’t really know anything and doesn’t know how to do anything, but in his “nihilism” he leaves both Arkady and Bazarov far behind him. Bazarov openly despises Sitnikov.
Evdoksiya Kukshina- an acquaintance of Sitnikov, who, like him, is a pseudo-adherent of nihilism.
Fenechka(Fedosya Nikolaevna) - daughter of Nikolai Petrovich’s housekeeper, Arina Savishna. After the death of her mother, she became the master's mistress and the mother of his child. It becomes the reason for a duel between Bazarov and Pavel Petrovich Kirsanov, since Bazarov, finding Fenechka alone, kisses her deeply, and Pavel Petrovich becomes an accidental witness to the kiss, who is deeply outraged by the act of “this hairy guy”, he is especially indignant also because and he himself is not completely indifferent to his brother’s beloved. In the end, Fenechka became the wife of Nikolai Petrovich Kirsanov.
Dunyasha- maid under Fenechka.
Peter- servant of the Kirsanovs.
Princess R. (Nelly)- beloved of Pavel Petrovich Kirsanov.
Matvey Ilyich Kolyazin- an official in the City ***.
Sergei Nikolaevich Loktev- father of Anna Sergeevna Odintsova and Katerina. The famous swindler and gambler, after 15 years of living in Moscow and St. Petersburg, “lost to dust” and was forced to settle in the village.
Princess Avdotya Stepanovna- Anna Sergeevna Odintsova’s aunt, an angry and arrogant old woman. After the death of her father, Anna Sergeevna settled her with her. At the end of the novel she dies, “forgotten on the very day of death.”
Timofeich- clerk of Vasily Ivanovich Bazarov, former uncle of Evgeny Bazarov. A shabby and agile old man with faded yellow hair.

// Heroes of Turgenev’s novel “Fathers and Sons”

Ivan Sergeevich Turgenev is a great Russian writer, author of one of the most famous literary works XIX century "Fathers and Sons".

This novel is full of characters: main and secondary, brief characteristics which are set out below.

The main characters of Turgenev's novel "Fathers and Sons"

- the central character of the novel by I.S. Turgenev "Fathers and Sons". When the reader first meets Bazarov on the pages of the work, the first thing that catches the eye and at the same time gives the most true description character - his appearance. Bazarov is dressed in old and time-worn clothes, but even in this form he presents himself proudly and with dignity.

Appearance young man also reflects the main traits of his character. Through thin lips, a manly voice, a large forehead and a firm gait, I.S. Turgenev conveys the secrecy, coldness and harshness of his hero.

Bazarov was raised as a doctor in a peasant family, and he, like his father, studied at the Faculty of Medicine. His skeptical attitude towards the people around him, nature, art, self-confidence and a certain selfishness are explained by the hero’s belonging to the nihilist movement. The character remains true to his principles until the end of his life, and dies from blood poisoning.

- the kindest, brightest and most “positive” among all the characters in the novel. Outwardly, Nikolai Petrovich looks like a typical nobleman of that time: a slightly hunched man with pleasant facial features, wearing a “country” coat.

Nikolai Petrovich is the father of Arkady, a liberal in his views. The hero tries to keep up with the times, as far as possible at that time, he is interested in the life of his son, the innovative ideas that Arkady joins.

For some time, the character experiences awkwardness and shame because of his feelings for the simple woman Fenichka, but by the end of the novel one can note the personal growth of this hero, because he is not only no longer ashamed, but even openly expresses his love by marrying Fenichka.

- Nikolai Petrovich’s older brother, who is the antipode of Yevgeny Bazarov. Despite the fact that for some period of time, the hero lives in the village, he does not choose a “country coat” like his brother. Pavel Petrovich always looks luxurious, his shirt is always starched, and he always has light gloves on his hands. The character believes that keeping an eye on his appearance necessary, even when he is among ordinary village people, and not in the usual St. Petersburg society.

In his life, Pavel Petrovich experienced unhappy love for Princess R., it was after the breakup that he moved to the village, where he met Fenechka, who resembled in appearance ex-love. One day, Bazarov sees the hero kissing Fenechka and challenges him to a duel, which becomes a kind of culmination of their conflict.

The hero emerges from battles wounded, so after his nephew’s wedding he goes abroad for treatment.

- son of Nikolai Petrovich and friend of Evgeniy. The hero is young and naive, which undoubtedly explains his blind imitation of Bazarov’s views at the beginning of the novel. He falls under the influence of a bright and very unusual current, to which Evgeniy is completely devoted, although Arkady himself, from the first pages of the novel, doubts the ideas that his friend advocates.

Arkady admires how Bazarov follows the ideas of the current until his death, but at a certain moment he realizes that he has completely different views and plans for this life.

Having abandoned the ideas of nihilism, Arkady finds love and happiness, which becomes the meaning of his life.

Minor characters in Turgenev’s novel “Fathers and Sons”

is the only woman for whom Bazarov acquires some semblance of feelings. In fact, Odintsova seems to be a very cruel woman who calculates her every step; she nevertheless loves luxury very much, but does not want to share it with anyone. Therefore, the quite expected outcome for her was an arranged marriage.

Katerina is a young girl raised by her sister in strictness. For this reason, one can note such traits as incredible modesty, love of nature, music, and kindness. Of course, the image of this girl is the ideal completion of the image of Arkady Kirsanov, who finds the meaning of his life in her.

Fenechka is a woman who comes from a peasant family, who becomes an example of natural beauty and purity. It is not surprising that Nikolai Petrovich chose her as his beloved, because Fenechka is the ideal woman for him, keeping the hearth and caring for the comfort and well-being of her family.

In 1862, Turgenev wrote the novel Fathers and Sons. During this period, a final break was outlined between two social camps: liberal and revolutionary-democratic. In his work, Turgenev showed a man new era. This is the democrat commoner Bazarov. Throughout almost the entire novel, Bazarov is accompanied by his friend Arkady. By origin, and by social status, they belong to different social classes. According to his convictions, Bazarov is “a democrat to the core.” The friends study together at university and have been friends for several years.

At first, Arkady falls under the influence of Bazarov, he wants to be like Evgeny, and at the same time he sincerely shares the views of his older and more authoritative comrade. Arkady is forced to join the nihilists by “young courage and youthful enthusiasm.” But he is not guided by Bazarov’s ideas in life. They do not become an organic part of him, which is why he will so easily abandon them later. Later, Bazarov says to Arkady: “Our dust will eat your eyes, our dirt will stain you.” That is, Arkady is not ready for the “tart, bitter, bourgeois life” of a revolutionary.

Bazarov, assessing the life of a revolutionary, is both right and wrong. The destruction of established foundations, traditions, and views always causes fierce resistance from the old world, and it is hard for the progressive fighters. The revolutionary democratic ideal of happiness - revolutionary activity for the benefit of the people, despite personal adversity.

Arkady, of course, is not ready for this, since he is, in Evgeniy’s words, “a soft liberal barich.” In their “youthful enthusiasm,” liberals do not go beyond noble ebullience, but for Bazarov this is “nonsense.” Liberals do not “fight,” but “imagine themselves to be great; revolutionaries want to fight.” Giving an assessment of Arkady, Bazarov identifies him with the entire liberal camp. Spoiled by life in a noble estate, Arkady “involuntarily admires himself,” he enjoys “scolding himself.” This is boring for Bazarov, he “needs to break others.” Arkady just wanted to seem like a revolutionary; there was a lot of youthful posturing in him, but in his soul he always remained a “liberal gentleman.”

But Arkady doesn’t understand this yet. For the time being, he considers himself a “fighter” and appreciates Bazarov for his willpower, energy, and ability to work. At the Kirsanov estate, Bazarov is initially received cordially. Arkady asks his family to take care of Bazarov. But Bazarov’s revolutionary democracy does not at all fit in with the liberal aristocracy of the Kirsanov house. He does not fit into their life, full of idleness. And here, as a guest, Bazarov continues to work. The way of life of friends on the estate is expressed in the author’s phrase: “Arkady was a sybaritist, Bazarov worked.” Bazarov conducts experiments, reads special books, collects collections, treats village peasants. According to Bazarov’s beliefs, work is necessary condition life. Arkady is never shown at work. Here, on the estate, Bazarov’s attitude to both nature and the people is also revealed.

Bazarov considers nature not a temple, but a workshop, and a person in it as a worker. For Arkady, as for the rest of the Kirsanovs, nature is an object of admiration and contemplation. For Bazarov, such an attitude means lordship. He objects to prayerful contemplation of nature, meaningless from his point of view, enjoying its beauty. It requires an active attitude towards nature and the surrounding world. Himself. treats nature as a caring owner. Nature pleases him when he sees the fruits of active intervention in it. And here, too, the points of view of Arkady and Bazarov diverge, although Arkady is not talking about this yet.

Bazarov and Arkady have different attitudes towards both love and women. Bazarov is skeptical about love. He says that only a fool can feel free with a woman. But meeting Odintsova changes his views on love. She impresses Bazarov with her beauty, charm, and ability to carry herself with dignity and tact. He develops feelings for her when spiritual communication begins between them.

Odintsova is smart, able to understand Bazarov’s originality. Evgeny, despite his outward cynicism, discovers in love an aesthetic feeling, high spiritual needs, and respect for the woman he loves. But Odintsova is essentially an epicurean lady. Peace is above all for her. Therefore, she extinguishes the emerging feeling for Bazarov. And in this situation, Bazarov behaves with dignity, does not become limp and continues to work. The mention of love for Odintsova causes Bazarov to admit that he is “broken,” and he does not want to talk about it,

Arkady meets Katya, younger sister Odintsova, reveals that his ideal is “closer,” that is, he is in the family, on the estate. Arkady realized that he was “no longer that arrogant boy”, that he was still “asking himself tasks that were beyond his strength,” that is, Arkady admits that the life of a revolutionary is not for him. And Katya herself says that Bazarov is “predatory”, and Arkady is “tame”.

Bazarov is close to serfs. For them he is “a brother, not a master.” This is confirmed by Bazarov’s speech, in which there is a lot folk proverbs and sayings, and his simplicity in communicating with common people. Although on his father’s estate the peasants treat Bazarov as a master, in all other episodes of the novel he is more “at home” with the people than any of the Kirsanovs. Arkady in to a greater extent remains a gentleman, a master for people. True, it also happens that some unknown man mistook Bazarov for an eccentric when he wanted to “talk to the people.” But this didn't happen often.

In addition, Bazarov is demanding, one might even say too demanding, of himself. He tells Arkady that “every person must educate himself.” His commitment to nihilism leads him to become ashamed of natural human feelings. He seeks to suppress their manifestations in himself. Hence some of Bazarov’s dryness, even in relation to the people closest to him. But to Arkady’s question whether Bazarov loves his parents, he answers simply and sincerely: “I love you, Arkady!”

However, it should be noted that Bazarov’s parents are hopelessly “behind” their son. They cannot not only keep up with him, but also follow him. True, this “backwardness” of the old Bazarovs does not deserve Enyushka’s less than respectful, and sometimes simply disregarding, attitude towards them. Is it possible to demand from old people that they think and act like young people? Is it not thanks to the efforts of his parents that Bazarov receives an education? In this case, Bazarov’s maximalism looks very unsightly; Arkady loves his loved ones, but seems to be embarrassed by this love. Bazarov gives an apt, comprehensive, but at the same time rather evil characterization of Arkady’s father and uncle, to which Arkady objects, but somehow sluggishly. By this, he seems to support the point of view of Bazarov, who believes that a nihilist should not express his feelings. Arkady flared up only when Bazarov called his uncle an “idiot” behind his back. Perhaps it was at this moment that the first serious crack appeared in the relationship between friends.

It should be noted that Bazarov's nihilism, unfortunately, leads to the denial of old and new art. For him, “Raphael is not worth a penny, and they (that is, the new artists) are no better than him.” He declares that “at forty-four years old it’s stupid to play the cello,” and reading Pushkin in general “is no good.” Bazarov considers art a form of profit. For him, “a decent chemist is more useful than any poet,” and art is not capable of changing anything in life. This is the extreme of Bazarov's nihilism. Bazarov emphasizes the importance of scientists for Russia, since Russia at that time lagged behind the West in science. But Arkady actually loves poetry, and he would read Pushkin if Bazarov were not around.

Arkady and Bazarov seem to be opposing each other; At first this confrontation is completely imperceptible, but gradually, as the action develops, it intensifies and reaches open conflict and the rupture of friendly relations. This reveals one of the aspects of the novel’s conflict, expressed through the use of contrast. Let us note that in this case it is no longer “fathers” and “children” who are in conflict, but, so to speak, “children” with “children”. Thus, the breakup between Bazarov and Arkady is inevitable.

Arkady is not ready for the “tart, bitter, bourgeois life” of a revolutionary. Bazarov and Arkady say goodbye forever. Evgeny breaks up with Arkady without saying a single friendly word to him, and for Bazarov to express them is “romanticism,”

Arkady finds the ideal of life in a family. Bazarov dies, remaining true to his views. It is before death that the strength of his convictions is tested. Arkady did not instill nihilistic beliefs. He understands that the life of a revolutionary democrat is not for him. Bazarov dies a nihilist, and Arkady remains a “liberal gentleman.” And at the end of the novel, Arkady refuses to remember his ex-friend at a common table.

Evgeny Bazarov	Anna Odintsova	Pavel Kirsanov	Nikolay Kirsanov
Appearance	An oblong face, a wide forehead, huge greenish eyes, a nose, flat on top and pointed below. Blonde long hair, sand-colored sideburns, a self-confident smile on thin lips. Naked red hands	Noble posture, slender figure, high growth, beautiful sloping shoulders. Light eyes, shiny hair, a barely noticeable smile. 28 years	Average height, thoroughbred, about 45 years old. Fashionable, youthfully slender and graceful. Gray hair with a dark sheen, cut short. The face is bilious, regular in shape, without wrinkles. Remarkably handsome, black eyes.	Plump, slightly hunched, just over 40 years old. Soft liquid White hair, small sad black eyes
Origin	The son of a military doctor with peasant roots. Raznochinets	Aristocrat. The father is a swindler and gambler. Mother - from a princely family	Nobleman, aristocrat, officer's son
Upbringing	Homemade, free	Brilliant upbringing received in St. Petersburg	Home, and then in the page corps
Education	Student at St. Petersburg University, Faculty of Medicine	–	Military service	St. Petersburg University
Character traits	Kind and sensitive, wanting to seem like an indifferent cynic. Harsh and unyielding in judgment. Hard worker, self-confident, energetic, courageous. Loves people, but in his own way, independent, not polite, sometimes behaves defiantly	Smart, proud, free in judgment, reasonable. Incapable of hobbies, indifferent, selfish, cold	Proud, self-confident, impeccably honest. Intellectual, insightful, noble, principled. The British inspire him with admiration. Strong-willed character	Thin man. Aesthete, romantic, dreamy and sentimental, naive. An idealist, too modest and complacent. Weak-willed, impractical, but kind, hospitable, loving his family
Socio-political views	Nihilist Democrat (denies everything except science)	Democratic	Liberal-Conservative	Liberal
Life goals	Nihilists did not accept “doing nothing,” they strived for activity. The main goals of youth are to expose and destroy; someone else had to build a new world in a cleared place.	He wants to love Bazarov, but he cannot. She values the state of comfort very much, she is afraid of losing her inner harmony, so the heroine is not ready to surrender to her feelings. The human essence is such that it simply cannot exist without love. In the absence of love, the life goal disappears, a person gets tired early and grows old from grief	Aristocrats are main strength, influencing the development of society. "English Liberty" or a constitutional monarchy- This is the ideal of the aristocracy. Progress, openness and reforms - ways to achieve the ideal	The hero tries to establish new relationships with serfs, seeks spiritual support in art, and happiness in love
Relationships with others	He talks to the peasants as if they were his equals. Constantly argues with aristocrats	The heroine is free from all prejudices, has her own opinion, and does not seek to prove anything to anyone. Lives according to the rules that she likes, while both rejecting and indifferently accepting the vulgarity of life	A typical proud aristocrat who looks down on others. Newest technologies, he does not accept the achievements of science and medicine. Although the hero shows admiration for Russian men, he does not know how to talk to them, he only frowns and sniffs cologne. He is cruel to Bazarov because he cannot boast of noble origin	Friendly and considerate with all people, regardless of their background