Abstract portrait in Photoshop. Abstractions in painting

Abstract paintings are rapidly gaining popularity, and these days the attitude towards them is not as critical as before. If you move away from their meaning and consider them only as a decorative element, then they do their job perfectly. Abstract art can compete on equal terms with all the usual genres of painting, in many ways ahead of them. Abstract art can become an excellent subject in the decor of any room; you should not be biased towards it.

“Abstract painting in calm colors”, artist Anna Orion.

1. What is abstraction;
2. Famous representatives;
3. Characteristics of the genre;
4. Where to hang an abstract painting;
5. My paintings are in this genre;
6. Order a painting from abstract style.

What is abstraction

Abstract paintings are non-figurative art and never depict correct shapes and colors. The Russian painter and theorist of fine arts, Wassily Kandinsky, came to this direction. Abstract paintings are mistakenly considered to be a random collection of colors on the canvas; if the artist actually poured random colors, the result would be a meaningless swamp-colored mess. In this genre, the color and shape of the paint spots are important, the rest does not matter.

Abstract painting with a lot of paint

This genre has become familiar among contemporary art, and is very popular in design modern interiors. Nowadays, a painting in an abstract style should evoke certain associations. If the painting evokes approximately the same associations and mood in different people, then the painting is considered successful.

Famous representatives of abstract art

• Wassily Kandinsky (1866 - 1944, Moscow)
• Kazimir Malevich (1878 - 1935, Kyiv)
• Francis Picabia (1879 - 1953, Paris)
• Pablo Picasso (1881 - 1973, Malaga)
• Barnett Newman (1905 - 1970, New York)

Although the first abstract painting was painted by Wassily Kandinsky back in 1909, this genre can still be considered young and not fully formed. This trend was picked up by Malevich, Larionov, Goncharova and many other artists who were looking for their own language of expression at that time. Abstractionism expanded, new movements appeared in it, such as: Suprematism, Rayonism, Dadaism, Cubism and many others.

“Black Square”, a symbol of the final break with academicism.

The most popular type of abstract art was Suprematism, the creator of which was Kazimir Malevich. You can read in detail about the most famous painting by this artist in my material published earlier: .

Characteristic

It is difficult to characterize such a controversial genre of painting, which is rapidly developing in our time. Abstract paintings can perform completely different tasks, this is their main advantage over other styles. When there are no stylistic boundaries, such painting can easily fit into absolutely any interior, on any wall.

“Yellow”, artist Anna Orion.

There is no need to deeply analyze modern paintings in this style; they are often simply created to please the viewer’s eye. There are exceptions, but they are rare. Mostly, contemporary artists They have moved away from the precepts of Kandinsky, and use abstractionism to perform interior tasks.

Where to hang it

Oil painting can generally find a place anywhere, and abstraction even more so. The colors in the painting should be in harmony with your interior, and this is enough for an abstract oil painting to look great in your home.

Canvas in the client's interior. Artist Anna Orion.

Bright spots of red tones are suitable for the kitchen, which would be associated with blocks or tomatoes, oranges. Or green lines that would symbolize various plants. The options are endless, and they all depend on your decor. Several small paintings of similar structure but different colors can be scattered in the hallway. Such a composition would look interesting and be associated specifically with your home, leaving a pleasant impression for new guests.

My experience with abstract paintings

I didn’t paint as much abstraction as I would like, but I really like all my oil paintings in this genre. All orders for abstraction are interesting and unusual, because such paintings are very specific, one might say “turnkey”. My most big picture By coincidence, it was made in the abstract genre. The color and size of the canvas was selected together with the customer to achieve maximum results.

“Other”, artist Anna Orion.

Buy oil painting

Tell us exactly what kind of painting you want, what colors should dominate, and the size of the canvas. After clarifying all the details, I will begin painting the picture. Do not forget that an abstract painting is considered the most respectable and sophisticated gift among all styles. modern painting. You can find out the approximate cost of an oil painting in abstract art on the page.

Abstraction is mistakenly considered the most expensive genre of painting, this is due to rich and influential people and their tastes. After all, only those who know the true essence can buy an entirely red canvas for millions of dollars, and other visitors at the auction will clap in admiration. And as for ordinary people who want to buy an abstraction, then it, of course, does not cost millions, but still more expensive than ordinary paintings. The reason is trivial, it consists of consumables, of which a lot is spent on abstraction. In addition to this, the paintings in this genre always large, and the paint is applied in very thick layers. Subsequently consumed large quantity paints than an ordinary landscape or still life.

Beautiful women attract the attention of not only men, but also other women. Who, if not they, is able to appreciate the grace, elegance, attractiveness and beauty of their, perhaps, friends, and perhaps even rivals? Abstract portraits of a French artist Pascale Pratt just dedicated beautiful women. That's what the exhibition is called - " Les Filles".

Abstract art (lat. abstractio– removal, distraction) or non-figurative art- a direction of art that abandoned the depiction of forms close to reality in painting and sculpture. One of the goals of abstract art is to achieve “harmonization” through the depiction of certain color combinations and geometric shapes, evoking in the beholder a feeling of completeness and completeness of the composition. Prominent figures: Wassily Kandinsky, Kazimir Malevich, Natalia Goncharova and Mikhail Larionov, Piet Mondrian.

Story

Abstractionism(art under the sign of “zero forms”, non-objective art) is an artistic direction that was formed in the art of the first half of the 20th century, completely abandoning the reproduction of forms of the real visible world. The founders of abstract art are considered to be V. Kandinsky , P. Mondrian And K. Malevich.

V. Kandinsky created his own type of abstract painting, freeing the impressionist and “wild” stains from any signs of objectivity. Piet Mondrian arrived at his non-objectivity through the geometric stylization of nature initiated by Cézanne and the Cubists. Modernist movements of the 20th century, focused on abstractionism, completely depart from traditional principles, denying realism, but at the same time remaining within the framework of art. The history of art experienced a revolution with the advent of abstract art. But this revolution did not arise by chance, but quite naturally, and was predicted by Plato! In his late work Philebus, he wrote about the beauty of lines, surfaces and spatial forms in themselves, independent of any imitation of visible objects, from any mimesis. This kind of geometric beauty, unlike the beauty of natural “irregular” forms, according to Plato, is not relative, but unconditional, absolute.

20th century and modern times

After World War I, 1914-18, abstract art tendencies often manifested themselves in individual works representatives of Dadaism and surrealism; At the same time, there was a desire to find application for non-figurative forms in architecture, decorative art, and design (experiments of the Style group and Bauhaus). Several abstract art groups (“Concrete Art”, 1930; “Circle and Square”, 1930; “Abstraction and Creativity”, 1931), uniting artists different nationalities and directions, arose in the early 30s, mainly in France. However, abstract art did not become widespread at that time, and by the mid-30s. the groups broke up. During the Second World War 1939–45, a school of so-called abstract expressionism arose in the USA (painters J. Pollock, M. Tobey etc.), which developed after the war in many countries (under the name of tachisme or “formless art”) and proclaimed as its method “pure mental automatism” and the subjective subconscious impulsiveness of creativity, the cult of unexpected color and texture combinations.

In the second half of the 50s, installation art and pop art arose in the United States, which somewhat later glorified Andy Warhol with his endless circulation of portraits of Marilyn Monroe and cans of dog food - collage abstractionism. In the fine arts of the 60s, the least aggressive, static form of abstraction, minimalism, became popular. At the same time Barnett Newman, founder of American geometric abstract art along with A. Liberman, A. Held And K. Noland were successfully engaged further development ideas of Dutch neoplasticism and Russian Suprematism.

Another movement of American painting is called “chromatic” or “post-painterly” abstractionism. Its representatives were to some extent inspired by Fauvism and Post-Impressionism. Rigid style, emphatically sharp outlines of the work E. Kelly, J. Jungerman, F. Stella gradually gave way to paintings of a contemplative melancholic nature. In the 70s and 80s, American painting returned to figurativeness. Moreover, such an extreme manifestation as photorealism has become widespread. Most art historians agree that the 70s are the moment of truth for American art, since during this period it was finally freed from European influence and became purely American. However, despite the return traditional forms and genres, from portrait to historical painting, abstractionism has not disappeared either.

Paintings and works of “non-representational” art were created as before, since the return to realism in the USA was overcome not by abstractionism as such, but by its canonization, the ban on figurative art, which was identified primarily with our socialist realism, and therefore could not help but be considered odious in a “free democratic” society, a ban on “low” genres, on social functions art. At the same time, the style of abstract painting acquired a certain softness that it lacked before - streamlined volumes, blurred contours, a richness of halftones, subtle color schemes ( E. Murray, G. Stefan, L. Rivers, M. Morley, L. Chese, A. Bialobrod).

All these trends laid the foundation for the development modern abstract art. There can be nothing frozen or final in creativity, since that would be death for it. But no matter what path abstractionism takes, no matter what transformations it undergoes, its essence always remains unchanged. It is that abstractionism in fine art is the most accessible and noble way to capture personal existence, and in a form that is most adequate - like a facsimile print. At the same time, abstractionism is a direct realization of freedom.

Directions

In abstractionism, two clear directions can be distinguished: geometric abstraction, based primarily on clearly defined configurations (Malevich, Mondrian), and lyrical abstraction, in which the composition is organized from freely flowing forms (Kandinsky). There are also several other large independent movements in abstract art.

Cubism

An avant-garde movement in fine art that originated at the beginning of the 20th century and is characterized by the use of emphatically conventional geometric forms, the desire to “split” real objects into stereometric primitives.

Regionalism (Rayism)

A movement in abstract art of the 1910s, based on the shift of light spectra and light transmission. The idea of ​​the emergence of forms from the “intersection of reflected rays” is characteristic various items“, since what a person actually perceives is not the object itself, but “the sum of the rays coming from the light source and reflected from the object.”

Neoplasticism

Designation of the movement of abstract art that existed in 1917–1928. in Holland and united artists grouped around the magazine “De Stijl” (“Style”). Characterized by clear rectangular shapes in architecture and abstract painting in the arrangement of large rectangular planes, painted in the primary colors of the spectrum.

Orphism

Direction in French painting of the 1910s. Orphist artists sought to express the dynamics of movement and the musicality of rhythms with the help of “regularities” of the interpenetration of the primary colors of the spectrum and the mutual intersection of curved surfaces.

Suprematism

A movement in avant-garde art founded in the 1910s. Malevich. It was expressed in combinations of multi-colored planes of the simplest geometric shapes. Combination of multi-colored geometric shapes forms permeated internal movement balanced asymmetrical suprematist compositions.

Tachisme

A movement in Western European abstract art of the 1950s–60s, which became most widespread in the United States. It is painting with spots that do not recreate images of reality, but express the unconscious activity of the artist. Strokes, lines and spots in tachisme are applied to the canvas with quick movements of the hand without a pre-thought-out plan.

Abstract expressionism

The movement of artists painting quickly and on large canvases, using non-geometric strokes, large brushes, sometimes dripping paint onto the canvas to fully reveal emotions. The expressive painting method here is often as important as the painting itself.

Abstractionism in the interior

IN Lately abstractionism began to move from the paintings of artists into the cozy interior of the house, updating it advantageously. A minimalist style using clear forms, sometimes quite unusual, makes the room unusual and interesting. But it’s very easy to overdo it with color. Consider the combination orange color in this interior style.

White best dilutes the rich orange and, as it were, cools it down. The color of orange makes the room feel hotter, so a little; not prevent. The emphasis should be on the furniture or its design, for example, an orange bedspread. In this case, white walls will drown out the brightness of the color, but will leave the room colorful. In this case, paintings of the same scale will serve as an excellent addition - the main thing is not to overdo it, otherwise there will be problems with sleep.

The combination of orange and blue colors is detrimental to any room, unless it concerns a child's room. If you choose not bright shades, they will harmonize well with each other, add mood, and will not have a detrimental effect even on hyperactive children.

Orange goes well with green, creating the effect of a tangerine tree and a chocolate tint. Brown is a color that ranges from warm to cool, so it ideally normalizes the overall temperature of the room. Moreover, this combination colors will suit for the kitchen and living room, where you need to create an atmosphere, but not overload the interior. Having decorated the walls in white and chocolate colors, you can safely put an orange chair or hang a bright picture with rich tangerine color. While you are in such a room, you will be in a great mood and want to do as many things as possible.

Paintings by famous abstract artists

Kandinsky was one of the pioneers of abstract art. He began his search in impressionism, and only then came to the style of abstractionism. In his work, he exploited the relationship between color and form to create an aesthetic experience that embraced both the vision and the emotions of the viewer. He believed that complete abstraction provides scope for deep, transcendent expression, and copying reality only interferes with this process.

Painting was deeply spiritual for Kandinsky. He sought to convey the depth of human emotion through a universal visual language of abstract shapes and colors that would transcend physical and cultural boundaries. He saw abstractionism as an ideal visual mode that can express the artist's "inner necessity" and convey human ideas and emotions. He considered himself a prophet whose mission was to share these ideals with the world for the benefit of society.

Hidden in bright colors and clear black lines depict several Cossacks with spears, as well as boats, figures and a castle on top of a hill. Like many paintings from this period, it imagines an apocalyptic battle that will lead to eternal peace.

To facilitate the development of a non-objective style of painting, as described in his work On the Spiritual in Art (1912), Kandinsky reduces objects to pictographic symbols. By removing most references to the outside world, Kandinsky expressed his vision in a more universal way, translating the spiritual essence of the subject through all these forms into a visual language. Many of these symbolic figures were repeated and refined in his later works, becoming even more abstract.

Kazimir Malevich

Malevich's ideas about form and meaning in art somehow lead to a concentration on the theory of abstract art style. Malevich worked with different styles in painting, but was most focused on the study of pure geometric shapes (squares, triangles, circles) and their relationship to each other in pictorial space. Thanks to his contacts in the West, Malevich was able to convey his ideas about painting to artist friends in Europe and the United States, and thus profoundly influence the evolution of modern art.

"Black Square" (1915)

The cult painting “Black Square” was first shown by Malevich at an exhibition in Petrograd in 1915. This work embodies the theoretical principles of Suprematism developed by Malevich in his essay “From Cubism and Futurism to Suprematism: New Realism in Painting.”

On the canvas in front of the viewer there is an abstract form in the form of a black square drawn on a white background - it is the only element of the composition. Although the painting appears simple, there are elements such as fingerprints and brush strokes visible through the black layers of paint.

For Malevich, the square signifies feelings, and the white signifies emptiness, nothingness. He saw the black square as a god-like presence, an icon, as if it could become a new sacred image for non-figurative art. Even at the exhibition, this painting was placed in the place where an icon is usually placed in a Russian house.

Piet Mondrian

Piet Mondrian, one of the founders of the Dutch De Stijl movement, is recognized for the purity of his abstractions and methodical practice. He simplified the elements of his paintings quite radically in order to represent what he saw not directly, but figuratively, and to create a clear and universal aesthetic language in his canvases. At its most famous paintings Since the 1920s, Mondrian has reduced forms to lines and rectangles, and the palette to the simplest. The use of asymmetrical balance became fundamental in the development of modern art, and his iconic abstract works remain influential in design and are familiar popular culture and in our days.

"The Gray Tree" is an example of Mondrian's early transition to style abstractionism. Three-dimensional wood is reduced to the simplest lines and planes, using just grays and blacks.

This painting is one of a series of works by Mondrian that were created with a more realistic approach, where, for example, trees are represented in a naturalistic manner. While later works became increasingly abstract, for example the lines of a tree are reduced until the shape of the tree is barely noticeable and secondary to general composition vertical and horizontal lines. Here you can still see Mondrian's interest in abandoning the structured organization of lines. This step was significant for Mondrian's development of pure abstraction.

Robert Delaunay

Delaunay was one of the most early artists abstractionism style. His work influenced the development of this direction, based on the compositional tension that was caused by the opposition of colors. He quickly fell under the neo-impressionist coloristic influence and very closely followed the color scheme of works in the abstract style. He considered color and light to be the main tools with which one can influence the reality of the world.

By 1910, Delaunay made his own contribution to Cubism in the form of two series of paintings depicting cathedrals and the Eiffel Tower, which combined cubic forms, dynamic movement and bright colors. This new way The use of color harmony helped to separate this style from orthodox Cubism, receiving the name Orphism, and immediately influenced European artists. Delaunay’s wife, artist Sonia Turk-Delone, continued to paint in the same style.

Delaunay's main work is dedicated to the Eiffel Tower, the famous symbol of France. This is one of the most impressive of a series of eleven paintings dedicated to the Eiffel Tower between 1909 and 1911. It is painted bright red, which immediately distinguishes it from the grayness of the surrounding city. The impressive size of the canvas further enhances the grandeur of this building. Like a ghost, the tower rises above the surrounding houses, metaphorically shaking the very foundations of the old order. Delaunay's painting conveys this feeling of boundless optimism, innocence and freshness of a time that has not yet witnessed two world wars.

Frantisek Kupka

Frantisek Kupka is a Czechoslovakian artist who paints in the style abstractionism, graduated from the Prague Academy of Arts. As a student, he primarily drew on patriotic themes and wrote historical compositions. His early works were more academic, however, his style evolved over the years and eventually moved into abstract art. Written in a very realistic manner, even his early works contained mystical surreal themes and symbols, which was preserved when writing abstractions. Kupka believed that the artist and his work take part in a continuous creative activity, the nature of which is unlimited, like an absolute.

“Amorpha. Fugue in two colors" (1907-1908)

Beginning in 1907-1908, Kupka began to paint a series of portraits of a girl holding a ball in her hand, as if she were about to play or dance with it. He then developed more and more schematic images of it, and eventually received a series of completely abstract drawings. They were made in a limited palette of red, blue, black and white flowers. In 1912, at the Salon d'Automne, one of these abstract works was publicly exhibited in Paris for the first time.

Modern abstract artists

Since the beginning of the twentieth century, artists, including Pablo Picasso, Salvador Dali, Kazemir Malevich, Wassily Kandinsky, have been experimenting with the shapes of objects and their perception, and also questioning existing canons in art. We have prepared a selection of the most famous contemporary abstract artists who decided to push their boundaries of knowledge and create their own reality.

German artist David Schnell(David Schnell) loves to wander through places that used to be filled with nature, but are now cluttered with human buildings - from playgrounds to factories. Memories of these walks give birth to his bright abstract landscapes. Giving free rein to his imagination and memory, rather than to photographs and videos, David Schnell creates paintings that resemble computer virtual reality or illustrations for science fiction books.

By creating your own large-scale abstract paintings, American artist Christine Baker(Kristin Baker) draws inspiration from the history of art and the racing of Nascar and Formula 1. She first gives her work dimension by applying several layers of acrylic paint and covering the silhouettes with tape. Christine then carefully peels it off, revealing the underlying layers of paint and making the surface of her paintings look like a multi-layered multi-colored collage. At the very last stage of the work, she scrapes off all the irregularities, making her paintings feel like an x-ray.

In her works the artist Greek origin from Brooklyn, New York Eleanna Anagnos(Eleanna Anagnos) explores aspects Everyday life that often escape people's attention. During her “dialogue with the canvas,” ordinary concepts acquire new meanings and facets: negative space becomes positive and small forms increase in size. Trying to breathe “life into her paintings” in this way, Eleanna tries to awaken the human mind, which has stopped asking questions and being open to something new.

Giving birth to bright splashes and smudges of paint on the canvas, the American artist Sarah Spitler(Sarah Spitler) strives to reflect chaos, disaster, imbalance and disorder in her work. She is attracted to these concepts because they are beyond human control. Therefore, their destructive power makes Sarah Spitler's abstract works powerful, energetic and exciting. Besides. the resulting ink image on canvas, acrylic paints, graphite pencils and enamel emphasizes the ephemerality and relativity of what is happening around.

Inspired by architecture, the artist from Vancouver, Canada, Jeff Dapner(Jeff Depner) creates multi-layered abstract paintings consisting of geometric shapes. In the artistic “chaos” he creates, Jeff seeks harmony in color, form and composition. Each of the elements in his paintings is connected to each other and leads to the next: “My works explore compositional structure[paintings] through the relationships of colors in the chosen palette...". According to the artist, his paintings are “abstract signs” that should take viewers to a new, unconscious level.

At the beginning of the twentieth century, a new movement in art appeared - modernism. The new postulates implied the abandonment of some traditions. The formulation that “the past is cramped” became fashionable and in a fairly short time gained many fans. The leading role in the ongoing changes belonged to abstractionism, which united a number of movements that arose on the basis of modernism, such as futurism, cubism, expressionism, surrealism and others. Abstractions in painting were not immediately accepted by society, but soon the new style proved its belonging to art.

Development

By the thirties of the twentieth century, the movement of abstractionism gained strength. The founder of a new direction in the art of painting was Wassily Kandinsky, one of the most progressive artists of that time. A whole galaxy of followers formed around the master, for whom the basis of creativity was the process of studying the state of the soul and internal intuitive sensations. Artists ignored the reality of the world around them and expressed their feelings in abstract art. Some paintings by the early followers of the new genre were impossible to understand. Abstractionist paintings usually did not convey any information, and unprepared visitors to exhibitions and vernissages were often at a loss. At that time, it was not customary to attach annotations to paintings, and every connoisseur of painting could rely only on his own vision.

Masters and founders

Among the most prominent followers of the new movement were the famous abstractionists Wassily Kandinsky, Natalya Goncharova, Peter Mondrian, Kazimir Malevich, Mikhail Larionov. Each of them followed their own direction. Abstractionist paintings performed by famous artists gradually became recognizable, and this contributed to the promotion of a new type of art.

Kazimir Malevich worked in line with Suprematism, giving preference to geometric basis for self-expression. The dynamics of his compositions on canvas came from a seemingly chaotic combination of rectangles, squares, and circles. The arrangement of the figures on the canvas defied any logic, and at the same time the picture gave the impression of a strictly verified order. In the art of abstraction there are enough examples that fundamentally contradict each other. The first impression when meeting a painting may leave a person indifferent, but after a while the painting will already seem interesting.

And Mikhail Larionov followed the direction of rayism, the technique of which consisted in the unexpected intersection of straight ray-like lines of different colors and shades. The colorful play in the painting was mesmerizing, fantastic combinations of intersecting rays alternated in endless combinations, and the canvas at the same time radiated a flow of energy.

Tachisme

Abstract artists Delaunay and Kupka presented their own art. They tried to achieve maximum effect by rhythmically intersecting colorful planes. Representatives of Tashism, pictorial drawing, obtained as a result of the chaotic application of large strokes in the absolute absence of a plot component, this is how they expressed their artistic credo. Oil abstraction in the Tachisme style is the most complex; painting in this genre can be perceived in an infinite number of interpretations, and each will be considered correct. However the last word still remains with critics and art historians. At the same time, the style of abstract art itself is in no way limited by any framework or conventions.

Neoplasticism

And if the paintings were an example of meaninglessness, then the Dutch abstract painter Peter Mondrian introduced a strict system of interaction of large figures with right angles, which contrasted with each other on the canvas and at the same time in some incomprehensible way united into one whole. Mondrian's work is called "neoplasticism". It became most widespread in the twenties of the last century.

Czech Frantisek Kupka created paintings dominated by round and rounded figures, truncated circles and circles cut off on one side, which suddenly continued with black broken lines, causing anxiety and concern. One could look at Kupka’s canvases for hours and find new nuances in them.

When creating his paintings, the abstract artist tries to move away from familiar images. At first, the unrecognized surrealist works of Kandinsky, Malevich, Mondian and others subsequently caused heated debate among opponents and admirers of the new art.

Expression

Another example of abstraction in painting is expressionism, a manner of quickly drawing on a large canvas using emphatically neo-geometric strokes applied with wide flute brushes, while large drops of paint can fall onto the spread canvas at random. The expression of this method is the main and only sign of belonging to art.

Orphism is one of the trends in French painting, which developed in the twenties of the last century. Artists adhering to this movement tried to express their aspirations through rhythmic movement and conventional musicality, while they widely used the technique of mutual penetration of colors and intersection of contours.

Pablo Picasso

Cubism as a reflection of abstraction in painting is characterized by the use of geometric shapes, not designated explicitly, but with a certain degree of convention. Irregular circles, broken lines, corners and kinks - all this could be located according to a certain logical pattern and at the same time with blatant chaos. The brightest representative of Cubism was and remains spanish artist Pablo Picasso (1881 - 1973), who is rightfully considered the founder of this trend in painting.

Experiments with color (blue period, pink period) smoothly turned into changes in forms, deliberate deformation and destruction of nature. An example of such paintings can be considered a canvas painted in 1907, when abstractions in painting were just beginning to gain strength. Thus, the work of Picasso led some artists of that time to a completely new genre, which completely rejected the traditions of naturalism and the educational value of fine art.

Distant past

Paintings by abstract artists of the early twentieth century revolutionized the painting of that period, in the wake of numerous trends and trends artistic creativity masters of the brush appeared who were able to prove that abstraction is a completely independent type of fine art, part of culture.

Modern abstract art

Currently, abstractionism has taken on slightly different forms, different from those that existed during the heyday of this rather controversial type of fine art. Modern language abstractions today are Famous artists, such as Andrey Pelikh, Valery Orlov, Marina Kastalskaya, Andrey Krasulin, put into it ideas about the spiritual at the level of metaphysics, and also use optical laws in a palette of white shades.

The highest tension of color is possible only in the white hypostasis; this color is the basis of all foundations. In addition to the color aspect, in modern abstraction there is also a semantic factor. Signs and symbols arising from the depths of consciousness bear signs of the archaic. Contemporary abstract artist Valentin Gerasimenko uses in his paintings images of ancient manuscripts, which allow him to broadly interpret the theme of the distant past.

Step 1

Create a new document in Photoshop:

Step 2

Open a photo of a mountainous area in Photoshop and transfer it to the created document with the Move Tool (V).

Step 3

Apply a Gaussian Blur filter (Filter ? Blur ? Gaussian Blur) with a value of 4 pixels.

Step 4

In the center of the sky you can see a cloud that we don't need. It attracts unnecessary attention.

Create a new layer and use the Clone Stamp Tool (S) to paint over the cloud.

Step 5

Paste the grunge texture into our document and rotate it 90 degrees clockwise (Edit ? Transform ? Rotate 90 CW). Flip the texture (Edit ? Transform ? Flip Vertical) and stretch it across the entire canvas.

Step 6

Reduce the quantity yellow color on the scene using a Hue/Saturation adjustment layer.

Step 7

Darken the background using a Curves adjustment layer.

2. Model

Step 1

Open the photo of the girl and separate her from the background. Move the girl into the main document and place it in the middle of the canvas.

Step 2

Add a mask to the girl's layer and use the Lasso Tool (L) to select part of the head.

On the mask, fill the selected area with black.

Step 3

Create a new layer below the model layer. Use the Lasso Tool (L) to create another selection with sharp edges.

Fill the selection with #281e1e .

Step 4

Select part of the girl's body again.

Create a Curves adjustment layer with a clipping mask and lighten part of the body.

Step 5

Reduce the amount of red on the girl using a Hue/Saturation adjustment layer.

Step 6

Create a Color Balance adjustment layer for the girl and adjust only the midtones. After this, the girl will blend better with the background.

Step 7

Lighten the girl using a Curves adjustment layer. Use a soft brush to return the previous brightness to the front part.

3. Mountains

Step 1

Open the photo of the mountains and select only the mountains with the Magic Wand Tool (W). Place the mountains on the girl's head.

Step 2

Add a mask and use a hard brush to hide the part that overlaps the eye. Also erase the part of the mountains that extended beyond the head.

Step 3

Create a Hue/Saturation adjustment layer to completely desaturate the mountains.

Step 4

Change the tone of the mountains using a Color Balance adjustment layer.

Step 5

Increase the contrast using the Curves layer.

4. Background circles

Step 1

Return to the original photograph of the mountainous area. Use the Elliptical Marquee Tool (M) to select one area:

Copy the selected part into our document and place it between the texture and Hue/Saturation layers.

Set the blending mode to Soft Light.

Step 2

Select the round part (hold Ctrl and click on the layer thumbnail) and shrink the selection by 30 pixels (Select ? Modify ? Contract).

Add a mask and invert it (Ctrl + I).

Step 3

Create a copy of the layer (Ctrl + J) and rotate it clockwise, then make it smaller.

On the layer mask with white color, return part of the image using the splatter brush.

Step 4

Create a new layer above the background Hue/Saturation and Curves adjustment layers. Draw a circle with the Ellipse Tool using the color #e3e3d0 .

Set the blending mode to Soft Light.

Step 5

Add a mask and loosen the circle until the edges are barely visible.

5. Create an abstract circle

Step 1

Open Illustrator and create a new document.

Using the Ellipse Tool (U), draw a circle with the color #716E72, turn off the fill and set the stroke to 8pt thick.

Step 2

Hold Alt and move the layer to create a copy. Using Free Transform (E) mode, make the circle smaller and place it inside the previous one. Change the stroke color to #3E3D3F .

Step 3

Create a copy of the first circle, make it smaller and place it inside the second one.

Step 4

Draw a circle in the middle using #231F20 .

Step 5

Select all the circles and go to the Object menu? Blend? Blend Options and set it like this:

Press Ctrl + Alt + B to align all the circles.

Step 6

Open the brushes panel (F5) and click on the menu. Go to Open Brush Library? Artistic? Artistic Ink and select Dry Ink 2.

Save the file in EPS format.

6. Inserting an abstract circle

Step 1

Return to Photoshop. Paste the circle we created in Illustrator program and rasterize it.

Step 2

Place the circle behind the model and rotate it slightly. Set the blending mode to Soft Light and use a mask and a splatter brush to make the edges rough.

Step 3

Create a Color Balance adjustment layer for the circle:

Step 4

Create a copy of the layer and change its blending mode to Multiply. Place the circle overhead behind the mountains. Buff up the edges with the stain and splash brushes. Don't be afraid to experiment, your options don't have to be exactly like mine.

Step 5

Create a few more copies of the circle and set their blending mode to Soft Light. Place circles behind the girl, as well as on her face and shoulders. Erase part of the circles using the mask and stain brushes.

Reduce the opacity of the circle by right side up to 50%.

Step 6

Create a new layer above the girl's layer with the following parameters:

Now we will work with the Dodge Tool (O) and Burn Tool (O) to improve the shadows and highlights. In the settings, select the Midtones range and set the exposure to 15-20%. Go around the edges of the lighter part of the skin with the highlighting tool. Then darken your lips a little.

7. Scaffolding insert

Open the forest photo in Photoshop and use the Rectangular Marquee Tool (M) to select the top part.

Place the forest on our canvas like this:

Add a mask and use a hard brush to erase part of the forest, leaving it only on the girl’s body.

Step 2

Darken the forest using a Curves adjustment layer.

On the mask, leave a shadow only on the edges.

Step 3

Select another part of the forest and paste it onto the head.

Use stain brushes to erase part of the forest.

Step 4

Add more trees on the girl's body using masks and brushes.

8. Lines

Step 1

Create a new layer at the very top. Using the Line Tool (U), create several 2 px thick lines using #1b1101 color.

Step 2

Place the line layers in one group (Ctrl + G) and add a mask. Use a soft brush to blur the lines on the head so that they are not so bright.

9. Decorative circles

Step 1

Insert vector circles into our document and rasterize them.

Step 2

Add a mask to some circles and apply them to the girl's body. Set the blending mode to Soft Light.

Step 3

Create a Hue/Saturation adjustment layer to change the colors of some of the circles.

10. Flowers

Step 1

Insert the flowers into our document and place them on the girl’s back.